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Theatre Reviews
REVIEWERS Imke Lichterfeld, Erica Sheen INITIATING EDITOR Mateusz Grabowski TECHNICAL EDITOR Zdzisław Gralka PROOF-READER Nicole Fayard COVER Alicja Habisiak Task: Increasing the participation of foreign reviewers in assessing articles approved for publication in the semi-annual journal Multicultural Shakespeare: Translation, Appropriation and Performance financed through contract no. 605/P-DUN/2019 from the funds of the Ministry of Science and Higher Education devoted to the promotion of scholarship Printed directly from camera-ready materials provided to the Łódź University Press © Copyright by Authors, Łódź 2019 © Copyright for this edition by University of Łódź, Łódź 2019 Published by Łódź University Press First Edition W.09355.19.0.C Printing sheets 12.0 ISSN 2083-8530 Łódź University Press 90-131 Łódź, Lindleya 8 www.wydawnictwo.uni.lodz.pl e-mail: [email protected] phone (42) 665 58 63 Contents Contributors ................................................................................................... 5 Nicole Fayard, Introduction: Shakespeare and/in Europe: Connecting Voices ................................................................................................ 9 Articles Nicole Fayard, Je suis Shakespeare: The Making of Shared Identities in France and Europe in Crisis .......................................................... 31 Jami Rogers, Cross-Cultural Casting in Britain: The Path to Inclusion, 1972-2012 .......................................................................................... 55 Robert -
Black and Asian Theatre in Britain a History
Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation. -
WRAP THESIS Johnson1 2001.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/3070 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. David Johnson Total Number of Pages = 420 The History, Theatrical Performance Work and Achievements of Talawa Theatre Company 1986-2001 Volume I of 11 By David Vivian Johnson A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in British and Comparative Cultural Studies University of Warwick, Centre for British and Comparative Cultural Studies May 2001 Table of Contents VOLUMEI 1. Chapter One Introduction 1-24 ..................................................... 2. Chapter Two Theatrical Roots 25-59 ................................................ 3. ChapterThree History Talawa, 60-93 of ............................................. 4. ChapterFour CaribbeanPlays 94-192 ............................................... VOLUME 11 5. ChapterFive AmericanPlaYs 193-268 ................................................ 6. ChapterSix English Plays 269-337 ................................................... 7. ChapterSeven Conclusion 338-350 ..................................................... Appendix I David Johnsontalks to.Yv6nne Brewster Louise -
Vaulting Ambition
INTRODUCTIONINDEX 143 INDEX Black, Neville, 49 A Liberated Woman (Barry Reckord), Blake, Hope, 106 78, 81 n. 4 Body Moves (King), 91 A Midsummer Night’s Dream, 56, 57, Bradshaw, Carl, 61, 62, 101 58 Brady, Harold, 67 A Raisin in the Sun (Hansberry), 55 Breadfruit Kingdom (P. Brown), 106 Abbensetts, Michael, 79, 80, 81 n. 5, Brecht, Bertolt, 55, 56 88 Brewster, Yvonne (see also Jones, Against His Will (Heron), 80, 88, 92 Yvonne), 7, 8, 9, 10, 11, 12, 13, n. 3, 104, 106 56, 66, 127 Albee, Edward, 16 Brodber, Andrew, 110 Allen, Carolyn, 13 Brother Desmond (Denton), 122 Anansi and Brer Englishman, 63 Brown, Arthur, 77 Anderson, Beverly, 53 Brown, Jonathan, 78 Anderson, Clive, 105 Brown, Lloyd, 111 Arawak Gold (Dwyer), 78 Brown, Nicky, 71 Ashbourne, Peter, 54, 57, 59 n. 2 Brown, Patrick, 80, 85, 86, 105, 106, Ask Your Mama (Hughes), 36, 37, 38, 77 111, 124, 126 Audiences and economic survival, 8, Bruckings (Dwyer), 78 105; marketing The Barn, 43 Bullins, Ed, 46, 51 n. 8 Ba, Miriama, 99 Bully, Alwin, 30, 39 n. 3, 85, 87, 101, Back-o-the-Barn Ceramics, 44-45 111, 112 Banana Boy (Hillary), 49 Burke, Sheila, 44 Bandoolu Version (Ford Smith), 95, 96 Buss Out (Cumper), 96 Banks, John, 45 Butler, Calvin, 106 Barrow, Lois Kelly, 22, 26 n. 10, 43 Calabash Literary Festival, 70, Bellas Bartley, Janet, 35, 40 n. 7, 54, 55, 56, Gate Boy at, 71 58 Campbell, Glen, 67, 104, 106 Batson Savage, Tanya, 126 Canton, Betty, 49 Beal, Paul, 123 Carter, George, 24, 37, 41 n. -
Pioneers & Champions
WINDRUSH PIONEERS & CHAMPIONS ACKNOWLEDGEMENTS CONTENTS WINDRUSH PIONEERS Windrush Foundation is very grateful for the contributions Preface 4 David Dabydeen, Professor 82 to this publication of the following individuals: Aldwyn Roberts (Lord Kitchener) 8 David Lammy MP 84 Alford Gardner 10 David Pitt, Lord 86 Dr Angelina Osborne Allan Charles Wilmot 12 Diana Abbott MP 88 Constance Winifred Mark 14 Doreen Lawrence OBE, Baroness 90 Angela Cobbinah Cecil Holness 16 Edna Chavannes 92 Cyril Ewart Lionel Grant 18 Floella Benjamin OBE, Baroness 94 Arthur Torrington Edwin Ho 20 Geoff Palmer OBE, Professor Sir 96 Mervyn Weir Emanuel Alexis Elden 22 Heidi Safia Mirza, Professor 98 Euton Christian 24 Herman Ouseley, Lord 100 Marge Lowhar Gladstone Gardner 26 James Berry OBE 102 Harold Phillips (Lord Woodbine) 28 Jessica Huntley & Eric Huntley 104 Roxanne Gleave Harold Sinson 30 Jocelyn Barrow DBE, Dame 106 David Gleave Harold Wilmot 32 John Agard 108 John Dinsdale Hazel 34 John LaRose 110 Michael Williams John Richards 36 Len Garrison 112 Laurent Lloyd Phillpotts 38 Lenny Henry CBE, Sir 114 Bill Hern Mona Baptiste 40 Linton Kwesi Johnson 116 42 Cindy Soso Nadia Evadne Cattouse Mike Phillips OBE 118 Norma Best 44 Neville Lawrence OBE 120 Dione McDonald Oswald Denniston 46 Patricia Scotland QC, Baroness 122 Rudolph Alphonso Collins 48 Paul Gilroy, Professor 124 Verona Feurtado Samuel Beaver King MBE 50 Ron Ramdin, Dr 126 Thomas Montique Douce 52 Rosalind Howells OBE, Baroness 128 Vincent Albert Reid 54 Rudolph Walker OBE 130 Wilmoth George Brown 56 -
Cd796755a7abddede172f3f1393
MAN_PCover_Singlepage_FR.indd 1 26/04/05 18:00:40 CREDIT OUVRIER ----------------------------------------------------------- ---------- ---------------------------------------------------------- ---------- 2005 DOSSIER DE PRESSE MANDERLAY ---------------------------------------------------------- ---------- ©COPYRIGHT Kirsten Jacobsen / Zentropa Productions3 Edité avec la collaboration de Forlaget Per Kofod Aps PHOTO Astrid Wirth pour Zentropa Productions3 PHOTOGRAMMES Lars von Trier & Anthony Dod Mantle CONCEPTION UNIT- TRADUCTION Lucie Mollof, Pascale et Gilles Legardinier SOUTENU PAR Danish Film Institute et Les Films du Losange IMPRESSION Nørhaven Book / Viborg Imprimé au Danemark / 2005 ---------------------------------------------------------- ---------- ISBN 87-91654-11-4 ---------------------------------------------------------- ---------- http:// www.manderlaythefi lm.com ---------------------------------------------------------- ---------- PRODUCTION ---------------------------------------------------------- ---------- ZENTROPA PRODUCTIONS Filmbyen 22 / 2650 Hvidovre / Denmark / TEL +45 3686 8788 / FAX +45 36868789 MAN_PCover_Singlepage_FR.indd 2 26/04/05 18:01:51 MMAN_Pressebog_Collect_UK.inddAN_Pressebog_Collect_UK.indd i1i1 220/04/050/04/05 115:51:055:51:05 MMAN_Pressebog_Collect_UK.inddAN_Pressebog_Collect_UK.indd i16i16 220/04/050/04/05 115:52:225:52:22 CONTENU P.17 ----------------------------------------------------------- ---------- ---------------------------------------------------------- ---------- 1 INTRODUCTION P.18 -
Black and Asian Theatre in Britain
Black and Asian Theatre in Britain ‘An important and long overdue book on the huge contribution that Black and Asian artists have made and continue to make to Britain’s theatrical landscape.’ – Meera Syal Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twentyfirst century. Figures and companies studied include: • Ira Aldridge • Indian Art and Dramatic Society • Henry Francis Downing • Temba • Paul Robeson • Edric and Pearl Connor • Errol John • Tara Arts • Mustapha Matura • Yvonne Brewster • Dark and Light Theatre • Tamasha • The Keskidee Centre • Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole. Colin Chambers was Kingston University’s first Professor of Drama. Formerly a journalist and theatre critic, he was Literary Manager of the Royal Shakespeare Company from 1981 to 1997. His books include The Story of Unity Theatre (1989), the awardwinning biography Peggy: The Life of Margaret Ramsay, Play Agent (1997), The Continuum Companion to Twentieth Century Theatre (editor, 2002), Inside the Royal Shakespeare Company (2004) and Here We Stand (2006). -
Pig Heart Boy Free
FREE PIG HEART BOY PDF Malorie Blackman | 256 pages | 01 Mar 2011 | Random House Children's Publishers UK | 9780552551663 | English | London, United Kingdom Pig-Heart boy download free [PDF and Ebook] by Malorie Blackman You're thirteen. All you want is a normal life. But most normal kids don't need heart transplants. So there's this doctor. He says there's a chance for you. But he also says it's experimental, controversial and risky. And it's never been done before. Shortlisted for the Carnegie Medal, this is a powerful, thought-provoking story from the award-winning Malorie Blackman. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free Pig Heart Boy, enter your mobile phone number. Read more Read less. Special offers and product promotions Amazon Business : For business-exclusive pricing, quantity discounts and downloadable VAT Pig Heart Boy. Create a free account. Buy this product and stream 90 days of Amazon Music Unlimited for free. E-mail after purchase. Conditions apply. Learn more. Frequently bought together. Add all three to Basket. Sent from and sold by Amazon. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Malorie Blackman. Tell Me No Lies. Boys Don't Cry. Pig-Heart Boy by Malorie Blackman See all free Kindle reading apps. Start reading on your Kindle in under a minute. -
Windrush Pioneers & Champions Booklet
WINDRUSH PIONEERS & CHAMPIONS 70 WINDRUSH PIONEERS & CHAMPIONS © Windrush Foundation 2018 WINDRUSH The rights of Windrush Foundation are identified to be the Authors and have been asserted by them in accordance with the Copyright, Design and Patents Act 1988. FOUNDATION All Rights Reserved Windrush Foundation is a registered charity that designs and delivers heritage No part of this book may be reproduced in any form by photocopying or by any electronic or projects, programmes and initiatives which highlight the African and other means, including information storage or retrieval systems, without the permission in Caribbean contributions to World War II, to the arts, public services, commerce writing of the copyright owner / publisher, nor be otherwise circulated in any form of binding and other areas of socio-economic and cultural life in Britain and the or cover other than that in which it is published. Commonwealth. The London-based organisation was established in 1996 ISBN 978-0-9562506-3-6 to promote good race and community relations, build cohesion, eliminate discrimination and encourage equality of opportunity for all – placing particular emphasis on addressing issues of ‘race’/’ethnicity’, equalities and cultural Disclaimer: diversity. The organisation has a successful track-record for delivering The publishers have made every effort to include a credit alongside each image. If a rightful both local community-based projects and high-profile national learning owner identifies any of the images herein, please notify Windrush Foundation immediately. and participation activities for diverse audiences – including lectures/talks, multi-media presentations, group discussions, poetry, music, and other Book & cover design by Mervyn Weir performing arts events featuring inter-cultural and Diasporic aspects of First Published in December 2018 by WINDRUSH FOUNDATION African, Caribbean and black British histories and heritage for children and young people, families and life-long learners. -
Download Screen Nation Awards Magazine, 2007
screen nation Rewarding Exc e l l e n c e - C e l e b r ating Diversity GHANA AWARDS 2007 NOMINATIONS INFORM:KNOW:DISCUSS:MIRROR:UNWIND:INSPIRE CONTENTS Screen Nation supporter Nominations A message from the Mayor’s Office 14 Emerging Talent 37 Screen Nation CEO Male TV Performance 38 A message from the founder and CEO, Female TV Performance 39 Charles Thompson 15 Male Film Performance 42 Editor and contributor’s Female Film Performance 43 Meet Screen Nation’s editorial team 16 Favourite TV star Host biographies Male 46 Josie D’arby and Colin Salmon 18 Favourite TV star The Performers Female 47 Beverley Knight 19 Favourite Presenter Male/Female 49 Honorary Favourite Reality Star 51 + Major Awards Independent Spirit Film Production 55 Outstanding Contribution Award Diversity In Production to Film and TV [International] Factual TV 57 Morgan Freeman 22 Diversity In Production Digital Lab: Model: Hair: Makeup: Photographer & Creative Director: Edric Connor Inspiration Award Drama TV 59 Moira Stuart 26 Music Performance Allan Henry @ Hypecoiffure Margo @ profile-model management Vanguard Award Film/TV 61 Lena Hrncarova Stan Lathan 28 www.systemoperator.co.uk Classic TV Award INTERNATIONAL AWARDS Roots 30 International Film 64 Black Star Award International Screen Personality Ousmane Sembène 32 Male 66 International Screen Personality Female 67 BEST FROM THE WEST Cathy Hassan Favourite West African Film 70 Favourite West African Film Actor 72 Favourite West African Film Actress 73 47 22 32 www.screennation.co.uk 3 SCREEN NATION LIFESTYLE screen -
National Video Archive of Performance and Audio-Video
National Video Archive of Performance and Audio-Video Collection The latest addition to the Core Collections is the Video Archive, comprising both commercially recorded videos and also unique recordings made by the Museum's National Video Archive of Performance (NVAP). The latter are recorded live under a unique agreement between the Theatre Museum and the Federation of Entertainment Unions. Holdings are listed on the Museum’s web site at: http://theatremuseum.org. The Museum is beginning to develop an oral history collection, and in 1997 created Blackgrounds - a series of video recorded interviews with older black theatre writers and artists. NVAP Recordings by Black and Asian Writers or Companies EAST IS EAST by Ayub Khan-Din. Directed by Kristine Landon-Smith, designed by Sue Mayes, produced by Tamasha Theatre Co., recorded at Theatre Royal Stratford East March 1997. Cast: Nasser Memarzia, Linda Bassett, Paul Bazely, Jimi Mistry, Emil Marwa, Chris Bisson, Zita Sattar, Imran Ali, Gillian Hanna, Kriss Dosanjh. This Asian play deals with the conflicts of a mixed marriage, the struggle to maintain Muslim culture in British society, and the tension between the aspirations of parent and child. 1 hr 45 mins, 1 camera. KING LEAR by William Shakespeare. Directed by Yvonne Brewster, designed by Ellen Cairns, produced by Talawa Theatre Company, recorded at Yvonne Arnaud Theatre, April 1994. Cast includes: Ben Thomas, Mona Hammond, Cathy Tyson, Lolita Chakrabarti, Diane Parish. Presented with a multi-racial cast. “The production is a landmark not just for the skin pigmentation of most of its performers but for the boldness of vision…an abstraction…it could be any militarist society of warring clans.” 2 hrs 49 mins, 3 cameras (Separate camera recs also available) LIFT OFF by Roy Williams, directed Indhu Rubasingham, designed by Ultz, produced by the Royal Court Theatre Upstairs at the Ambassadors, March 1999. -
Mona Hammond Actor
Mona Hammond Actor Mona Hammond was born in Tweeside, Clarendon Jamaica, West Indies. She came to England in 1959 on a Jamaican Scholarship and worked for Norman and Dawbarn Architects. She attended evening classes at the City Literary Institute for 2 years and was awarded a Scholarship to the Royal Academy of Dramatic Art. Mona was made an OBE in 2005. Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Roles Film Production Character Director Company CORIOLANUS Jamaican Woman Ralph Fiennes Coriolanus Productions Ltd. 10,000 BC Old Mother Roland Emmerich Columbia Picutres KINKY BOOTS Pat Julian Jarrold Boot Productions MANDERLAY Old Wilma Lars Von Trier LIFE AND DEATH OF PETER Louise the Maid Stephen Hopkins Torchscope Films SELLERS United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Radio Production Character Director Company A PLACE FOR JENNY CAPTAIN KIDD AND THE 1st XI MAMA DECEMBER RING OF ROSES SILENCE IN BLUE THE ARCHERS BBC RADIO 4 THE LAMPLIGHTERS Mary BBC Radio 3 Stage Production Character Director Company 11 JOSEPHINE HOUSE Roland Reece Hampstead Theatre A HERO'S WELCOME Grandmother Jules Wright Royal Court A PENNY STEPS The Wife Ken Chubb Tricycle Theatre AS TIME GOES BY John Dove Traverse BLEST BE THE TIE Florence Royal Court BLOOD WEDDING the Mother Yvonne Brewster Talawa Theatre co DEEP ARE THE ROOTS the Maid ECHO IN THE BONE