Charles Mingus : More Than a Fake Book Pdf, Epub, Ebook
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Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance
♫ Donate LOADING... On the Air Music News Listen & Connect Calendars & Events Support About Search Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance By DAVID R. ADLER • JAN 18, 2018 ! Twitter " Facebook # Google+ $ Email “All the music in this album was written during a very blue period in my life,” the bassist Charles Mingus observed in the liner notes to Tijuana Moods. Recorded a little over 60 years ago, on July 18 and August 6, 1957, it’s an album that remains unique not only in the Mingus discography but also in jazz as a whole. Less an expression of Mexican musical influence than a personal evocation of a place, the album belongs to a vibrant category of border art. At a moment of heated political debate around immigration, it strikes a deep and vital chord. And in the coming week, thanks to some resourceful programming on the west coast, Tijuana Moods is returning home. Mingus Dynasty, one of three legacy bands run by the bassist’s widow, Sue Mingus, will perform the album for the first time in Tijuana, Mexico on Sunday, in a free concert at the CECUT Cultural Center. Organizers of the concert will also present a panel discussion on Saturday at the San Diego Public Library. And the band is performing the album on a regional tour with stops in Tucson (Friday), Phoenix (Saturday), La Jolla, California (Monday) and Portland, Oregon. (Tuesday). The current Mingus Dynasty features tenor saxophonist Wayne Escoffery, alto saxophonist Brandon Wright, trumpeter Alex Sipiagin, trombonist Ku-umba Frank Lacy, pianist Theo Hill, bassist Boris Kozlov and drummer Adam Cruz. -
Mingus Big Band Teacher Resource Guide 3 3 Table of Contents the University Musical Society’S 2000 - 2001 Youth Education Program
1 1 university musical society 2000-2001 youth education mingus big band teacher resource guide 3 3 Table of Contents the university musical society’s 2000 - 2001 youth education program mingus big band youth performance tuesday, january 16, 2001 hill auditorium, ann arbor Performances of the Mingus Big Band are sponsored by the Detroit Edison Foundation. The media sponsors are WEMU 89.1 FM and WDET 101.9FM. Presented with support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. This performance is co-presented by the U-M Office of Multicultural Initiatives. We are grateful for Youth Education support from the following organizations: Ford Motor Company Fund, Michigan Council for Arts and Cultural Affairs, Heartland Arts Fund, AAA Michigan, Alcan Automotive Products, Ann Arbor Area Community Foundation African-American Endowment Fund, Association of Performing Arts Presenters, Charles Reinhart Company Realtors, Community Foundation of Southeastern Michigan, Consumers Energy Foundation, Detroit Edison Foundation, Doris Duke Charitable Foundation, Dow Automotive, J.F. Ervin Foundation, The Ford Foundation, Forest Health Services / Mary and Randall Pittman, Café Marie / David Loesel, Masco Corporation, Friends of Robert Meredith, National Endowment for the Arts, Pfizer Global Research and Development, Ann Arbor Laboratories, Target, Texaco Foundation, UMS Advisory Committee, Office of the Provost - University of Michigan, and the Wallace-Reader’s Digest Funds. This study guide is a production of the University Musical Society’s Department of Education and Audience Development. It was compiled by Jennie Salmon, Shaila Guthikonda, Kate Meyer, Kristin Fontichiaro, and Ben Johnson. -
Let My Children Hear Music the Charles Mingus Institute
LET MY CHILDREN HEAR MUSIC THE CHARLES MINGUS INSTITUTE 5TH ANNUAL HIGH SCHOOL COMPETITION & FESTIVAL Friday, February 15-Sunday, February 17, 2013 91ST BIRTHDAY ANNIVERSARY CELEBRATION MINGUS BIG BAND PERFORMING ALL WEEKEND AT JAZZ STANDARD FOR IMMEDIATE RELEASE January 9, 2013 - New York, NY Sue Mingus and Let My Children Hear Music/The Charles Mingus Institute and Justin DiCioccio and the Manhattan School of Music announce finalists (see attached) and an exciting lineup for the Charles Mingus High School Competition and Festival weekend. This year’s nationwide Competition will include a full day of workshops on Saturday at the Manhattan School of Music (122nd Street & Broadway) including master classes for instruments and sections, lectures, films, and clinics that explore aspects of Mingus music, followed by a student Mingus jam. Prominent educators and musicians have listened to tapes and will participate in the clinics and adjudicate the Competition. The competition on Sunday at Manhattan School of Music will feature the top 12 big bands and combos from around the country. Workshops, screening, and Competition are open to the public. The Mingus Big Band will perform all weekend at Jazz Standard. On Sunday night, Outstanding Soloists from the Competition will have an opportunity to sit in with the band. More details available at http://letmychildrenhearmusic.org SCHEDULE HIGHLIGHTS Please make reservations for Jazz Standard as soon as possible, and let us know which day and set you will attend. Jazz Standard offers a full dinner menu, including award-winning barbecue by Chef Danny Meyer. FRIDAY, FEB 15-SUNDAY, FEB 17 ★ MINGUS BIG BAND at Jazz Standard, 116 E. -
ISO Symphony Space Concert December 8, 2019
CONTACTS: Karen Geer/InterSchool Orchestras of New York/ (212) 410-0370 Andrea Kotuk/Andrea & Associates/(212) 353-9585 FOR IMMEDIATE RELEASE EVENT: WINTER CELEBRATION: INTERSCHOOL ORCHESTRAS OF NEW YORK Featuring Mingus Dynasty and Renée Manning Young musicians from InterSchool Orchestras of New York present a Winter Celebration featuring a collaboration with Mingus Dynasty. DATE: Sunday, December 8th, 2019 TIME: 5:30 pm LOCATION: Symphony Space Peter Jay Sharp Theatre Upper Level, 2537 Broadway, New York City The Winter Celebration concert features the four levels of orchestras in InterSchool Orchestras of New York including Morningside, Carnegie Hill, Concert Orchestra and the ISO Symphony, conducted by Dr. Matt Rotjan, Steve Rochen, Joseph Meyers, and Barry Stern respectively. The ISO Symphony will be joined on stage by Renée Manning and members of Mingus Dynasty, providing a snapshot of ISO’s dynamic season and showcasing the achievement of the students. The Winter Celebration will take place at Symphony Space’s Peter Jay Sharp Theatre, Upper Level, 2537 Broadway, New York, NY 10025 at 5:30 pm on Sunday, December 8th, 2019. Tickets can be purchased for $30 at isorch.org until the concert. “The InterSchool Orchestras of New York (ISO), a nonprofit organization, is changing the face of youth orchestra music with its focus on cross-cultural genres in announcing its 2019-2020 Season in New York City. New partnerships with many diverse and prestigious organizations highlight the rich cultural heritage of the City and expose young musicians to a wide range of musical collaborations.” – Musical America Renée Manning Renée Manning is a widely celebrated vocalist/composer and has been educating students for the past 35 years. -
Bakalářská Práce JAMU 2013
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra jazzové interpretace Studijní obor Jazzová interpretace Charles Mingus Bakalářská práce Autor práce: Ing. Radim Hanousek Vedoucí práce: MgA. Jan Dalecký Oponent práce: doc. Jaroslav Šťastný, Ph.D. Brno 2013 Charles Mingus HANOUSEK, Radim. Charles Mingus. Brno: Janáčkova akademie múzických umění v Brně, Fakulta hudební, Katedra jazzové interpretace, 2013, 33 s. Vedoucí diplomové práce MgA. Jan Dalecký. Anotace Diplomová práce „Charles Mingus“ pojednává o jazzovém kontrabasistovi a skladateli Charlesovi Mingusovi, jeho životě, díle a odkazu. Zvláštní kapitolou jsou Mingusovy kompoziční techniky. Podrobněji se zabývá alby Pithecanthropus Erectus (1956), The Clown (1957) a vydaným záznamem z koncertu v Town Hall v New Yorku – Town Hall Concert (1964). Annotation This Bachelor's Thesis titled "Charles Mingus" focuses on jazz contrabassist and composer Charles Mingus, his life, works, and his message. Mingus' composition techniques represent a special chapter of the Thesis. Detailed attention is paid to albums Pithecanthropus Erectus (1956), The Clown (1957), and the album with publicly released recording of his concert in the New York Town Hall – Town Hall Concert (1964). Klíčová slova Charles Mingus, jazz, Pithecanthropus Erectus, The Clown, Town Hall Concert, Atlantic, Epitaph Keywords Charles Mingus, jazz, Pithecanthropus Erectus, The Clown, Town Hall Concert, Atlantic, Epitaph Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny -
Da Camera 17-18 Brochure.Indd
Sarah Rothenberg Artistic & Genera l Director NO PLACE LIKE HOME SEASON 2017-18 Celebrating 30 Years of Excellence and Innovation in Music SEASON AT A GLANCE From Harlem to Havana From Renaissance to Reich Cy Twombly and Music Harlem Quartet with Mahan Esfahani, harpsichord Claire Chase, flute Aldo López-Gavilán, piano Tuesday, December 12, 2017, 7:30 PM Monday, April 2, 2018, 7:30 PM Saturday, September 23, 2017, 8:00 PM The Menil Collection Tuesday, April 3, 2018, 7:30 PM Cullen Theater, Wortham Center Charles Ives’s America: Hymns, The Menil Collection’s Cy Twombly Gallery Robert Glasper Experiment Songs, Sonatas Juilliard String Quartet Friday, October 6, 2017, 8:00 PM Jeremy Denk, piano; Stefan Jackiw, violin Cullen Theater, Wortham Center Friday, April 6, 2018, 7:30 PM and Houston Chamber Choir Zilkha Hall, Hobby Center for the Tuesday, January 23, 2018, 7:30 PM Quatuor Mosaïques Performing Arts Tuesday, October 17, 2017, 7:30 PM Zilkha Hall, Hobby Center Brad Mehldau Trio The Menil Collection Charles Lloyd and The Marvels Friday, April 13, 2018, 8:00 PM A Stranger I Arrive, A Stranger I Depart featuring Bill Frisell, guitar and Schubert’s Winterreise Eric Harland, drums Cullen Theater, Wortham Center Tyler Duncan, baritone; Friday, February 2, 2018, 8:00 PM Wartime Stories Sarah Rothenberg, piano Cullen Theater, Wortham Center Reich and Messiaen Monday, October 23, 2017, 7:30 PM Sérgio and Odair Assad, guitars and St. Lawrence String Quartet Tuesday, October 24, 2017, 7:30 PM Avi Avital, mandolin Sarah Rothenberg, piano The Menil Collection Saturday, February 17, 2018, 7:30PM Saturday, April 21, 2018, 8:00 PM Tiempo Libre Zilkha Hall, Hobby Center Cullen Theater, Wortham Center Friday, November 10, 2017, 8:00 PM James K. -
Musicians with Complex Racial Identifications in Mid-Twentieth Century American Society
“CASTLES MADE OF SAND”: MUSICIANS WITH COMPLEX RACIAL IDENTIFICATIONS IN MID-TWENTIETH CENTURY AMERICAN SOCIETY by Samuel F.H. Schaefer A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Public History Middle Tennessee State University December 2018 Thesis Committee: Dr. Kristine McCusker, Chair Dr. Brenden Martin To my grandparents and parents, for the values of love and empathy they passed on, the rich cultures and history to which they introduced me, for modeling the beauty of storytelling, and for the encouragement always to question. ii ACKNOWLEDGEMENTS For serving on my committee, encouraging me to follow my interests in the historical record, great patience, and for invaluable insights and guidance, I would like to thank Dr. Brenden Martin and especially Dr. Kristine McCusker, my advisor. I would also like to thank Dr. Thomas Bynum and Dr. Louis Woods for valuable feedback on early drafts of work that became part of this thesis and for facilitating wonderful classes with enlightening discussions. In addition, my sincere thanks are owed to Kelle Knight and Tracie Ingram for their assistance navigating the administrative requirements of graduate school and this thesis. For helpful feedback and encouragement of early ideas for this work, I thank Dr. Walter Johnson and Dr. Charles Shindo for their commentary at conferences put on by the Louisiana State University History Graduate Student Association, whom I also owe my gratitude for granting me a platform to exchange ideas with peers. In addition, I am grateful for the opportunities extended to me at the National Museum of African American Music, the Musicians Hall of Fame and Museum, and the Center for Popular Music, which all greatly assisted in this work’s development. -
Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, History Commons, and the Music Commons Recommended Citation anderson, Benjamin Park, "Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626478. https://dx.doi.org/doi:10.21220/s2-9ab3-4z88 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BLUE NOTES AND BROWN SKIN Five African-American Jazzmen and the Music they Produced in Regard to the American Civil Rights Movement. A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Benjamin Park Anderson 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts imin Park Anderson Approved by the Committee, May 2005 Dr. Arthur Knight, Chair Ids McGovern . Lewis Porter, Rutgers University, outside reader ii TABLE OF CONTENTS Page Acknowledgements iv List of Illustrations V List of Musical Examples vi Abstract vii Introduction 2 Chapter I. -
130 Charles Mingus and the Paradoxical Aspects of Race As Reflected in His Life and Music by Ernest Aaron Horton Bachelor Of
Charles Mingus and the Paradoxical Aspects of Race as Reflected in His Life and Music by Ernest Aaron Horton Bachelor of Music, University of North Texas, 1998 Master of Arts, University of Pittsburgh, 2005 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 130 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Ernest Aaron Horton It was defended on March 19, 2007 and approved by Akin Euba, PhD, Andrew W. Mellon Professor of Music Laurence Glasco, PhD, Associate Professor of History Mathew Rosenblum, PhD, Professor of Music Dissertation Advisor: Nathan Davis, PhD, Professor of Music ii Copyright © by Ernest Aaron Horton 2007 iii Charles Mingus and the Paradoxical Aspects of Race as Reflected in His Life and Music Ernest Aaron Horton, MA University of Pittsburgh, 2007 Charles Mingus was a jazz icon who helped to redefine the barriers that were inherent for those whose artistic expression was labeled jazz. He was a master bassist in an expressive style that was forced to fight and claw its way to respectability; he crafted challenging and emotional performances in venues where the ring of the cash register competed with his music during performances; and he developed musical techniques that had an immediate impact on American music, though he was never invited to fill any academic post. These contradictions are all brought together in light of his status as a jazz icon. The term “jazz” represents a paradox because it is the word used to represent a musical style developed in the United States and closely, but not exclusively, tied to the African-American experience. -
Mingus Group Syllabus, 9-09
Course Title: Small Ensemble Ensemble Name: Mingus Tribute Ensemble Course Number: MUPF864 18 Instructor: Dave Hartl Semester and Year: Fall ‘09 Course Objectives: The Charles Mingus Tribute Group is a performance course dedicated to exploring the many influences upon, different styles, improvisational approaches, and repertoire of the late Charles Mingus. The educational goal of the ensemble is to provide students with an opportunity to learn and internalize Mingus’s unique blend of pre-composed and improvised form as well as the improvisation techniques he employed within the compositions. Topics to be Covered: The overall plan is to cover original material by Charles Mingus, interpreting and transcribing as many possible explorations of Mingus’s rhythmic, harmonic, and melodic strategies as possible within those compositions. We will also compose original works based on these strategies, rehearse the material in a highly flexible way to keep them from becoming too predictable, and perform the results in concert. Grading Policy: Grading is determined by the following: rehearsal attendance rehearsal punctuality -- see attendance policy below rehearsal preparedness (bring music, instruments, etc.) rehearsal participation (suggestions, helping others, enthusiasm, etc.) practice of music outside of ensemble meeting time (knowing the parts) completion of assignments (required listening, reading, transcribing, research, tests, etc.) all aspects of the ensemble’s public performance: learned performance competencies including stylistic accuracy, familiarization with material, and memorization (where applicable), dress code compliance, stage manner, and professional presentation Attendance Policy: By college policy, there is one unexcused absence. Since the loss of any member of the group severely limits the effectiveness of the rehearsal, you MUST cover your position if you miss class, and will receive a “C” for the day in the grade for attendance. -
Paula Scher Loves New York City
DesignVerso Una collana dedicata ai migliori designer della comunicazione del ventesimo secolo immaginata come allegato alla rivista Multiverso, Università degli Studi di Udine. designverso.it Curatori della rivista A kid with the best job in New York City Martina Melillo Identity is the beginning of everything Viola Moliterni A love affair with The Public Theater Daniele Dell’Orto Great causes need great design Eleonora Nava Stampa GRIMM service snc di F. Coldani e A. Rossi Via Candiani 114, Milano (MI) Facoltà di Design, A.A. 2017/2018 Laboratorio di Fondamenti del Progetto Sezione C2 Docenti Prof. Daniela Calabi Prof. Cristina Boeri Prof. Raffaella Bruno Cultori della materia Dott.ssa Monica Fumagalli Dott.ssa Silvia Mondello Dott. Lorenzo Rabaioli CONTENTS A KID WITH THE BEST JOB IN IDENTITY IS THE BEGINNING A LOVE AFFAIR WITH THE GREAT CAUSES NEED GREAT NEW YORK CITY OF EVERYTHING PUBLIC THEATER DESIGN DISCOGRAPHY MUSEUMS AND CULTURE THE PUBLIC THEATER PUBLIC GOODS Record covers 6 Brand identities 40 Pentagram and the perfect 74 Design as a signal of hope 108 client Her first steps at CBS 14 Promotion and campaigns 50 Graphics to preserve a 120 Just like New York 82 commonplace Dive into Atlantic Records 22 Environmental graphics 60 The evolution of an identity 88 Environmental graphics to 127 Art for music 30 The Atlantic Theater 66 motivate do better The actual ‘Public’ system 96 Launching a university into 137 the future Martina Melillo Viola Moliterni Daniele Dell’Orto Eleonora Nava EDITORIALE Paula Scher loves New York City. She’s been living and working there for more than 45 years. -
THE EARLY LIFE and MUSIC of CHARLES MINGUS by Ernest
THE EARLY LIFE AND MUSIC OF CHARLES MINGUS by Ernest Aaron Horton Bachelor of Music, University of North Texas, 1998 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Masters in Arts University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Ernest Aaron Horton It was defended on November 29, 2005 and approved by Akin Euba, PhD, Andrew W. Mellon Professor of Music Mathew Rosenblum, PhD, Professor of Music Thesis Director:Nathan Davis, PhD, Professor of Music ii Copyright © by Ernest Aaron Horton 2005 iii THE EARLY LIFE AND MUSIC OF CHARLES MINGUS Ernest Aaron Horton, BM University of Pittsburgh, 2005 Charles Mingus has left a profound impact on the world of jazz. His career began in the early 1940s as a bassist in the Los Angeles area. As an instrumentalist his skill was unmatched. He quickly gained a national reputation that afforded him the opportunity to work with early jazz greats, such as Louis Armstrong and Kid Ory, contemporaries such as Dizzy Gillespie and Charlie Parker, and modern stars such as John Faddis and Toshiko Akioshi. In addition to his ability as a bassist, Mingus was a prolific composer. His creative output is often compared to the music of Duke Ellington. He continued to write music until he fell victim to Lou Gehrig’s disease in 1979. Through the efforts of his widow, Susan Graham Mingus, his music is still performed today. This paper is an examination of Mingus’ life and music through his life, the people with whom he was acquainted, and the music that he was a part of.