Kid Sasuke Posted by John Johnson
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders. -
Marco Movies
Movies starting Friday, April 28 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Tommy’s Honour” Rated PG Run Time 2:00 Starring Sam Neill and Peter Mullan Start 2:40 5:40 8:30 End 4:40 7:40 10:30 Rated PG for thematic elements, some suggestive material, language and smoking. “The Fate of the Furious” Rated PG-13 Run Time 2:20 Starring Dwayne Johnson, Vin Diesel and Charlize Theron Start 2:40 5:40 8:30 End 5:00 8:00 10:50 Rated PG-13 for prolonged sequences of violence and destruction, suggestive content, and language. “Get Out” Rated R Run Time 1:45 Starring Daniel Kaluuya and Allison Williams Start 2:50 5:50 8:30 End 4:35 7:35 10:15 Rated R for violence, bloody images, and language including sexual references. “Going in Style” Rated PG-13 Run Time 1:45 Starring Morgan Freeman, Michael Caine and Alan Arkin Start 2:50 5:50 8:30 End 4:35 7:35 10:15 Rated PG-13 for drug content, language and some suggestive material. *** Prices *** Matinees* $9.50 (3D 12:50) Children under 12 $9.50 (3D $12.50) Seniors $9.50 (3D $12.50) ~ Adults $12.00 (3D $15.00) Visit Beach Theater at www.fmbtheater.com facebook.com/BeachTheater Tommy’s Honour (PG) • Sam Neill • Peter Mullan • In every generation, a torch passes from father to son. And that timeless dynamic is the beating heart of Tommy's Honour - an intimate, powerfully moving tale of the real-life founders of the modern game of golf. -
Professional Wrestling's Role in Normalizing White Male Domination
HEGEMONIC MASCULINITY IN MASS MEDIA: PROFESSIONAL WRESTLING’S ROLE IN NORMALIZING WHITE MALE DOMINATION _____________ A Thesis Presented to The Faculty of the Department of Sociology Sam Houston State University _____________ In Partial Fulfillment of the Requirements for the Degree of Master of Arts _____________ by Robert Eary May, 2021 HEGEMONIC MASCULINITY IN MASS MEDIA: PROFESSIONAL WRESTLING’S ROLE IN NORMALIZING WHITE MALE DOMINATION by Robert Eary _____________ APPROVED: Mary Scherer, Ph.D. Thesis Director Emily Cabaniss, Ph.D. Committee Member Jeffrey Gardner, Ph.D. Committee Member Li Chien-Pin, Ph.D. Dean, College of Humanities and Social Sciences ABSTRACT Eary, Robert, Racialized hegemonic masculinity in mass media: Professional wrestling’s role in normalizing white male domination. Master of Arts (Sociology), May, 2021, Sam Houston State University, Huntsville, Texas. Professional wrestling is a sports entertainment form marketed to children in almost 200 countries and represents one of the last places to consume explicitly offensive mass media. Numerous qualitative studies allude to wrestling’s position as a hegemonic man- centric melodrama by taking a micro approach and following a single wrestler to show that wrestling is a bigoted entertainment form. Alternatively, quantitative studies indicated race/ethnicity has some impact on a wrestler’s status in the business when comparing wins and losses. However, not all wins and losses are the same and how one wins a match complicates what appears, at first, to be a simple victory by the dominant wrestler. I conducted a content analysis which observed the type and nature of the end of every men’s match (n=819) held at World Wrestling Entertainment’s major events from 2014-2020 (n=98). -
Here Is a Printable
James Rosario is a film critic, punk rocker, librarian, and life-long wrestling mark. He grew up in Moorhead, Minnesota/Fargo, North Dakota going to as many punk shows as possible and trying to convince everyone he met to watch his Japanese Death Match and ECW tapes with him. He lives in Asheville, North Carolina with his wife and two kids where he writes his blog, The Daily Orca. His favorite wrestlers are “Nature Boy” Buddy Rogers, The Sheik, and Nick Bockwinkel. Art Fuentes lives in Orange County, Califonia and spends his days splashing ink behind the drawing board. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Professional Wrestling originally appeared in Razorcake #101, released in December 2017/January 2018. Illustrations by Art Fuentes. Original layout by Todd Taylor. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org ONE PUNK’S GUIDE TO PROFESSIONAL WRESTLING ’ve been watching and following professional wrestling for as long as I can remember. I grew up watching WWF (World Wrestling IFederation) Saturday mornings in my hometown of Moorhead, Minn. -
Pebblego Biographies Article List
PebbleGo Biographies Article List Kristie Yamaguchi ACTORS AND Walt Disney COMPOSERS, Delores Huerta Larry Bird ENTERTAINERS William Carlos Williams MUSICIANS, AND Diane Nash LeBron James Beyoncé Zora Neale Hurston SINGERS Donald Trump Lindsey Vonn Chadwick Boseman Beyoncé Doris “Dorie” Miller Lionel Messi Donald Trump ASTRONAUTS BTS Elizabeth Cady Stanton Lisa Leslie Dwayne Johnson AND PILOTS Celia Cruz Ella Baker Magic Johnson Ellen DeGeneres Amelia Earhart Duke Ellington Florence Nightingale Mamie Johnson George Takei Bessie Coleman Ed Sheeran Frederick Douglass Manny Machado Hoda Kotb Ellen Ochoa Francis Scott Key Harriet Beecher Stowe Maria Tallchief Jessica Alba Ellison Onizuka Jennifer Lopez Harriet Tubman Mario Lemieux Justin Timberlake James A. Lovell Justin Timberlake Hector P. Garcia Mary Lou Retton Kristen Bell John “Danny” Olivas Kelly Clarkson Helen Keller Maya Moore Lynda Carter John Herrington Lin-Manuel Miranda Hillary Clinton Megan Rapinoe Michael J. Fox Mae Jemison Louis Armstrong Irma Rangel Mia Hamm Mindy Kaling Neil Armstrong Marian Anderson James Jabara Michael Jordan Mr. Rogers Sally Ride Selena Gomez James Oglethorpe Michelle Kwan Oprah Winfrey Scott Kelly Selena Quintanilla Jane Addams Michelle Wie Selena Gomez Shakira John Hancock Miguel Cabrera Selena Quintanilla ATHLETES Taylor Swift John Lewis Alex Morgan Mike Trout Will Rogers Yo-Yo Ma John McCain Alex Ovechkin Mikhail Baryshnikov Zendaya Zendaya John Muir Babe Didrikson Zaharias Misty Copeland Jose Antonio Navarro ARTISTS AND Babe Ruth Mo’ne Davis EXPLORERS Juan de Onate Muhammad Ali WRITERS Bill Russell Christopher Columbus Julia Hill Nancy Lopez Amanda Gorman Billie Jean King Daniel Boone Juliette Gordon Low Naomi Osaka Anne Frank Brian Boitano Ernest Shackleton Kalpana Chawla Oscar Robertson Barbara Park Bubba Wallace Franciso Coronado Lucretia Mott Patrick Mahomes Beverly Cleary Candace Parker Jacques Cartier Mahatma Gandhi Peggy Fleming Bill Martin Jr. -
The Dungeon House Free, Both Being Interested in Each Other's Work and Mutually Supportive
FREE THE DUNGEON HOUSE PDF Martin Edwards | 350 pages | 21 Apr 2016 | ALLISON & BUSBY | 9780749019907 | English | London, United Kingdom The Gershon Dungeon | Haunted House Despite the gap of all those years, Edwards works exceptionally close to his characters. So every complication he piles on Instead, according to the evidence, he shot Lysette, then chased after their beloved daughter, Amber, and threw her off a cliff, and finally stuck the gun in his own mouth. Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank inan even earlier U. Breaking and entering. How does attempted murder sound? Creepy, violent, and propulsive; a standout gothic mystery. Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for. Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Kidd Mr. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series. Already have an account? Log in. Trouble signing in? Retrieve credentials. Sign Up. So every complication he piles on so generously comes with a fresh sting, even if many readers will be left more bemused than challenged by this intricate puzzler. -
British Wrestling Dvds Classic British Wrestling
BRITISH WRESTLING DVDS WWW.BRITISHWRESTLINGDVDS.VZE.COM For Any Enquiries, Please Email Me At [email protected] ------------------------------------------------------------------------------------------------------- CLASSIC BRITISH WRESTLING Hello again, grapple fans. Good afternoon to you and welcome to the 'Classic British Wrestling' section. Kent Walton introduces classic bouts featuring classic wrestlers from all over the UK. This section has now been updated with match locations and dates. In most cases, the dates shown are air dates, rather than the dates they were taped. CLASSIC BRITISH WRESTLING VOL 1 1. Kendo Nagasaki & Blondie Barratt vs. Robbie Brookside & Steve Regal (Bedworth, 15/10/1988) 2. Brian Maxine vs. Lucky Gordon (Bedworth, 15/10/1988) 3. Big Daddy & Tom Thumb vs. Drew McDonald & Sid Cooper (Everton, 2/7/1988) 4. Mel Stuart vs. Greg Valentine (Everton, 9/7/1988) 5. Bill Pearl vs. Greg Valentine (Nottingham, 18/7/1987) 6. Catweazle vs. Ian Wilson (Catford, 11/7/1987) 7. Sid Cooper & Zoltan Boscik vs. Jeff Kerry & Pete Collins (Broxbourne, 6/6/1987) 8. Pat Patton & Greg Valentine vs. Kurt & Karl Heinz (Broxbourne, 6/6/1987) 9. Sid Cooper & Zoltan Boscik vs. Greg Valentine & Pat Patton (Broxbourne, 6/6/1987) 10. Giant Haystacks vs. Jamaica George (Adwick Le Street, 20/6/1987) 11. Terry Rudge vs. Bully Boy Muir (Dartford, 27/8/1988) 12. Big Daddy & Pat Patton vs. Rasputin & Anaconda (Dartford, 27/8/1988) 13. Greg Valentine vs. Mr X (Dartford, 3/9/1988) 14. Giant Haystacks & King Kong Kirk vs. Marty Jones & Steve Logan (Nottingham, 25/7/1987) 15. Kid McCoy vs. Blackjack Mulligan (Burnley, 16/4/1988) 16. -
When Did British Wrestling Get So Big? Ben Carass
Cubed Circle Newsletter – Best of 2015 Issue With the 2015 Cubed Circle Yearbook and end of the year fast approaching, we have decided to put together a Cubed Circle Recap issue this week, encapsulating some of the best content the newsletter had to offer in 2015 ahead of our biggest issue of the year coming up in less than two weeks. This special issue will be released alongside the new, and hopefully improved, cubedcirclewrestling.com. The site has been made dramatically easier to navigate, and the content is far more organised, which should make for a better user experience. The site logo has also changed, as visitors of the website will quickly notice. As always, any feedback is very much appreciated, particularly as far as the new website is concerned, as, realistically speaking, we should have some growing pains, although the old-site, one could argue, was the manifestation of three or so years of growing pains. But, for now, we hope you enjoy this special issue, and we will be back with another issue in approximately ten days – what will be, if not the biggest, hopefully the best issue we have ever published. Merry Holidays and Happy New Year, everyone! – Ryan Clingman, Cubed Circle Newsletter Editor When Did British Wrestling Get So Big? Ben Carass On November 13th 2004, FWA (Frontier Wrestling Alliance) ran the biggest post-World of Sport era show the British Wrestling scene had ever seen. A reported 1,785 fans saw such names as Terry Funk, Drew McDonald, AJ Styles, Colt Cabana, Paul Burchill, Spud and Doug Williams on the card at the Coventry Skydome that night for British Uprising III. -
'Know Your Role': Dwayne Johnson & the Performance Of
‘Know Your Role’: Dwayne Johnson & the Performance of Contemporary Stardom Dan Ward Centre for Research in Media & Cultural Studies, University of Sunderland, Sunderland, England [email protected] Dan Ward is a lecturer in Media and Cultural Studies at the University of Sunderland, where he teaches modules on popular culture, contemporary cinema and television. His PhD looked at the relationship between hegemonic masculinity and violence in the contemporary American crime drama, and he has previously published on James Bond films and sports documentaries. ‘Know Your Role’: Dwayne Johnson & the Performance of Contemporary Stardom Contemporary film stardom is an intensely intertextual phenomenon, articulated not only through the range of social media platforms available to celebrities and their marketing teams, but also through the increasingly synergistic bodies of work of the modern Hollywood star. More than this, the modern star image is a performance, one which is in constant process of construction and negotiation. In this article, I explore how these factors intersect in the star persona of Dwayne ‘The Rock’ Johnson. Drawing on a framework of literature dealing with celebrity, social media and professional wrestling, I contend that not only is Johnson’s remarkable crossover success in the film industry connected to his mastery of social media self-presentation, but also that this must be examined in the context of his background in the unique performative environment of professional wrestling. Using examples from Johnson’s wrestling career and instructive exemplars of his employment of social media, I argue that Johnson’s grounding in the unique wrestling practice of kayfabe has informed his engagement with the malleable public-private terrain of social media. -
Estta1046871 04/03/2020 in the United States Patent And
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1046871 Filing date: 04/03/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91247058 Party Plaintiff World Wrestling Entertainment, Inc. Correspondence CHRISTOPHER M. VERDINI Address K&L GATES LLP 210 SIXTH AVENUE, GATES CENTER PITTSBURGH, PA 15222 UNITED STATES [email protected], [email protected], [email protected] 412-355-6766 Submission Motion for Summary Judgment Yes, the Filer previously made its initial disclosures pursuant to Trademark Rule 2.120(a); OR the motion for summary judgment is based on claim or issue pre- clusion, or lack of jurisdiction. The deadline for pretrial disclosures for the first testimony period as originally set or reset: 04/07/2020 Filer's Name Christopher M. Verdini Filer's email [email protected], [email protected], [email protected] Signature /Christopher M. Verdini/ Date 04/03/2020 Attachments Motion for Summary Judgment.pdf(125069 bytes ) Sister Abigail - LDM Declaration.pdf(219571 bytes ) LDM Dec Ex 1.pdf(769073 bytes ) Verdini Decl. in Support of MSJ.pdf(38418 bytes ) Exhibit 1 CMV dec.pdf(103265 bytes ) Exhibit 2 CMV dec.pdf(350602 bytes ) Exhibit 3 CMV dec.pdf(1065242 bytes ) Exhibit 4 CMV dec.pdf(754131 bytes ) Exhibit 5 CMV dec.pdf(4294048 bytes ) Exhibit 6 CMV dec.pdf(3128613 bytes ) Exhibit 7 CMV dec.pdf(1120363 bytes ) Exhibit 8 CMV dec.pdf(515439