Between the Covers Rare Books Catalog 189: New Arrivals
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Spanish-American War As a Bourgeois Testing Ground Richard Harding Davis, Frank Norris and Stephen Crane
David Kramer The Spanish-American War as a Bourgeois Testing Ground Richard Harding Davis, Frank Norris and Stephen Crane The men who hurried into the ranks were not the debris of American life, were not the luckless, the idle. The scapegraces and vagabonds who could well have been spared, but the very flower of the race, young well born. The brief struggle was full of individual examples of dauntless courage. A correspondent in the spasms of mortal agony finished his dispatch and sent it off. —Rebecca Harding Davis, l898l y implying the death of a heroic but doomed newspaperman in the charge at Las Guisimas, Rebecca Harding Davis was, fortunately, premature. Davis’s son, Richard, who witnessed the incident, made a similar misapprehension Bwhen he reported, “This devotion to duty by a man who knew he was dying was as fine as any of the courageous and inspiring deeds that occurred during the two hours of breathless, desperate fighting.” The writhing correspondent was Edward Marshall of the New York Journal who, hit by a Spanish bullet in the spine and nearly paralyzed, was nonetheless able to dictate his stirring account of Roosevelt’s Rough Riders. Taken to the rear and his condition deemed hopeless, Marshall somehow survived his agony and after a long convalescence was restored to health. Marshall would later capitalize on his now national fame by penning such testimonials as “What It Feels Like To Be Shot.”2 Fundamentally, the Spanish-American War was fought for and, to a lesser degree, by the middle and upper classes—Rebecca Harding Davis’s the very flower of the race, young well born. -
The Inventory of the Joan Fontaine Collection #570
The Inventory of the Joan Fontaine Collection #570 Howard Gotlieb Archival Research Center TABLE OF CONTENTS Film and Video 1 Audio 3 Printed Material 5 Professional Material 10 Correspondence 13 Financial Material 50 Manuscripts 50 Photographs 51 Personal Memorabilia 65 Scrapbooks 67 Fontaine, Joan #570 Box 1 No Folder I. Film and Video. A. Video cassettes, all VHS format except where noted. In date order. 1. "No More Ladies," 1935; "Tell Me the Truth" [1 tape]. 2. "No More Ladies," 1935; "The Man Who Found Himself," 1937; "Maid's Night Out," 1938; "The Selznick Years," 1969 [1 tape]. 3. "Music for Madam," 1937; "Sky Giant," 1938; "Maid's Night Out," 1938 [1 tape]. 4. "Quality Street," 1937. 5. "A Damsel in Distress," 1937, 2 copies. 6. "The Man Who Found Himself," 1937. 7. "Maid's Night Out," 1938. 8. "The Duke ofWestpoint," 1938. 9. "Gunga Din," 1939, 2 copies. 10. "The Women," 1939, 3 copies [4 tapes; 1 version split over two tapes.] 11. "Rebecca," 1940, 3 copies. 12. "Suspicion," 1941, 4 copies. 13. "This Above All," 1942, 2 copies. 14. "The Constant Nymph," 1943. 15. "Frenchman's Creek," 1944. 16. "Jane Eyre," 1944, 3 copies. 2 Box 1 cont'd. 17. "Ivy," 1947, 2 copies. 18. "You Gotta Stay Happy," 1948. 19. "Kiss the Blood Off of My Hands," 1948. 20. "The Emperor Waltz," 1948. 21. "September Affair," 1950, 3 copies. 22. "Born to be Bad," 1950. 23. "Ivanhoe," 1952, 2 copies. 24. "The Bigamist," 1953, 2 copies. 25. "Decameron Nights," 1952, 2 copies. 26. "Casanova's Big Night," 1954, 2 copies. -
Brief Report on the Implementation of the FCTC's Core Articles In
Brief report on the implementation of the FCTC’s core articles in Cambodia up to March 2012 I. BACKGROUND Cambodia ratified the Framework Convention on Tobacco Control (FCTC) on 15 November 2005. The draft Law on Tobacco Control was developed in 2003, even before the country ratified the FCTC, by the Ministry of Health (MoH), and reviewed several times by the Economic, Social, Cultural Council (ECOSOCC), and the Council of Jurists (CoJ) of the Council of Ministers (CoM). The last modified version was completed in late 2010, and has waited for re-submission to the CoM by the MoH. The National Center for Health Promotion (NCHP) is the technical department responsible for tobacco control under the MoH where tobacco control policies are required to move up from this basic level. However, NCHP has used several excuses to delay the re-submission of the draft law. The director of the NCHP quoted by Phnom Penh Post that the CoM needs data on mortality rate related to tobacco use in Cambodia to endorse the draft law. That is why he needs sometime to conduct a research to response to the need. When WHO released the report on mortality attributed to tobacco in mid 2010, then he lobbied the Minister of Health to wait for him to conduct a research, this time, on economic cost of tobacco before re-submission the draft law. It is known that it takes at least three to five years to complete such a research if funding exists. WHO and NGOs are very active in pushing forward the draft law. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Appendix 1. Categorization of Cigarette Brands As Either Premium Or Discount
Appendix 1. Categorization of Cigarette Brands as either Premium or Discount Category Name of Cigarette Brand Premium Accord, American Spirit, Barclay, Belair, Benson & Hedges, Camel, Capri, Carlton, Chesterfield, Davidoff, Du Maurier, Dunhill, Dunhill International, Eve, Kent, Kool, L&M, Lark, Lucky Strike, Marlboro, Max, Merit, Mild Seven, More, Nat Sherman, Newport, Now, Parliament, Players, Quest, Rothman’s, Salem, Sampoerna, Saratoga, Tareyton, True, Vantage, Virginia Slims, Winston, Raleigh, Business Club Full Flavor, Ronhill, Dreams Discount 24/7, 305, 1839, A1, Ace, Allstar, Allway Save, Alpine, American, American Diamond, American Hero, American Liberty, Arrow, Austin, Axis, Baileys, Bargain Buy, Baron, Basic, Beacon, Berkeley, Best Value, Black Hawk, Bonus Value, Boston, Bracar, Brand X, Brave, Brentwood, Bridgeport, Bronco, Bronson, Bucks, Buffalo, BV, Calon, Cambridge, Campton, Cannon, Cardinal, Carnival, Cavalier, Champion, Charter, Checkers, Cherokee, Cheyenne, Cimarron, Circle Z, Class A, Classic, Cobra, Complete, Corona, Courier, CT, Decade, Desert Gold, Desert Sun, Discount, Doral, Double Diamond, DTC, Durant, Eagle, Echo, Edgefield, Epic, Esquire, Euro, Exact, Exeter, First Choice, First Class, Focus, Fortuna, Galaxy Pro, Gauloises, Generals, Generic/Private Label, Geronimo, Gold Coast, Gold Crest, Golden Bay, Golden, Golden Beach, Golden Palace, GP, GPC, Grand, Grand Prix, G Smoke, GT Ones, Hava Club, HB, Heron, Highway, Hi-Val, Jacks, Jade, Kentucky Best, King Mountain, Kingsley, Kingston, Kingsport, Knife, Knights, -
Indices for Alley Sing-A-Long Books
INDICES FOR ALLEY SING-A-LONG BOOKS Combined Table of Contents Places Index Songs for Multiple Singers People Index Film and Show Index Year Index INDICES FOR THE UNOFFICIAL ALLEY SING-A-LONG BOOKS Acknowledgments: Indices created by: Tony Lewis Explanation of Abbreviations (w) “words by” (P) “Popularized by” (CR) "Cover Record" i.e., a (m) “music by” (R) “Rerecorded by” competing record made of the same (wm) “words and music by” (RR) “Revival Recording” song shortly after the original record (I) “Introduced by” (usually the first has been issued record) NARAS Award Winner –Grammy Award These indices can be downloaded from http://www.exelana.com/Alley/TheAlley-Indices.pdf Best Is Yet to Come, The ............................................. 1-6 4 Between the Devil and the Deep Blue Sea .................. 2-6 nd Bewitched .................................................................... 1-7 42 Street (see Forty-Second Street) ........................ 2-20 Beyond the Sea ............................................................ 2-7 Bicycle Built for Two (see Daisy Bell) ..................... 2-15 A Big Spender ................................................................. 2-6 Bill ............................................................................... 1-7 A, You’re Adorable (The Alphabet Song) .................. 1-1 Bill Bailey, Won’t You Please Come Home ............... 1-8 Aba Daba Honeymoon, The ........................................ 1-1 Black Coffee ............................................................... -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
The House of Poppy Larkin
The House of Poppy Larkin By Robert Horne © Robert Horne May 2012 6 Table of Stories Story title Page No The Five People That Matter 8 The Start of Something Big 12 Father 19 Possum 25 Pearl Earrings 28 The Street 41 Snake 45 That Whole Adelaide Thing 49 The Jump 54 Love The Hurt 58 Billy Larkin 67 Flinders Fields 72 Cassie Fails English 81 Memorandum 84 Billy 88 Stick Man Dead 91 Fireman 96 The Glass Harpoon 104 Return of The Stick Man 113 Billy Steps In 118 Epilogue 126 7 The House of Poppy Larkin By Robert Horne © Robert Horne May 2012 6 Table of Stories Story title Page No The Five People That Matter 8 The Start of Something Big 12 Father 19 Possum 25 Pearl Earrings 28 The Street 41 Snake 45 That Whole Adelaide Thing 49 The Jump 54 Love The Hurt 58 Billy Larkin 67 Flinders Fields 72 Cassie Fails English 81 Memorandum 84 Billy 88 Stick Man Dead 91 Fireman 96 The Glass Harpoon 104 Return of The Stick Man 113 Billy Steps In 118 Epilogue 126 7 The Five People That Matter There are only five people in this town that matter. Who matter, I should say. Who are important in any way. That is my considered opinion and I have certainly had some time to consider the matter. And they all come into this pub. Or at least, they have come in to this pub in living memory. I know, because I‟ve seen them. All of them. In here. -
I Didn't Raise My Boy to Be A…” Mothers, Music, and the Obligations
GREAT WAR, FLAWED PEACE, AND THE LASTING LEGACY OF WORLD WAR I I “I DIDN’T RAISE MY BOY TO BE A…” MOTHERS, MUSIC, AND OBLIGATIONS OF WAR GUIDING QUESTION: How did the idea of a mother’s sacrifice impact how World War I was viewed? AUTHOR STANDARDS CONNECTIONS Jennifer Camplair CONNECTIONS TO COMMON CORE Lorena High School › CCSS.ELA-LITERACY.RH.11-12.2 Determine the central Lorena, Texas ideas or information of a primary or secondary source; provide an accurate summary that makes clear the WHY? relationships among the key details and ideas. Mothers had an enormous impact on the American › CCSS.ELA-LITERACY.CCRA.R.4 Interpret words and public supporting the war. As women gained more phrases as they are used in a text, including determining political agency, their voices of approval or disapproval technical, connotative, and figurative meanings, and analyze for their sons' service were vital to the war effort. how specific word choices shape meaning or tone. › CCSS.ELA-LITERACY.CCRA.R.5 Analyze the structure of texts, including how specific sentences, paragraphs, and OVERVIEW larger portions of the text (e.g., a section, chapter, scene, or Using the cover and lyrics from two popular songs of stanza) relate to each other and the whole. the time, photographs, and primary source analysis, students will evaluate how popular culture sought to influence mothers’ support of the war and how the DOCUMENTS USED government recognized their sacrifice with Gold Star PRIMARY SOURCES Mothers’ Pilgrimages to their sons’ and daughters' final Leo Friedman and Helen Wall, “I Didn’t Raise My Boy To Be A resting places. -
Schwanebeck, Wieland
This is a pre-copyedited, author-produced version of an article accepted for publication in Adaptation following peer review. The version of re- cord: Schwanebeck, Wieland. “Mr Ripley’s Renaissance: Notes on an Adaptable Character.” Adaptation, vol.6, no. 3, Oxford Academic, Dec. 2013, pp. 355–64 is available online at:https://academic.oup.com/adaptation/article/6/3/355/2583851, doi:10.1093/adaptation/apt017. Wieland Schwanebeck Mr. Ripley’s Renaissance: Notes on an Adaptable Character “I’m a creation. I’m a gifted improviser. I lack your conscience and, when I was young, that troubled me. It no longer does. I don't worry about being caught because I don't think anyone is watching. […] The one thing I know is that we’re constantly being born.” - John Malkovich in Ripley’s Game (2003) This speech, given by Tom Ripley (John Malkovich) midway through Liliana Cavani’s adaptation of Patricia Highsmith’s novel, Ripley’s Game (2003), puts forward the idea that fictional heroes enjoy the privilege of living multiple lives, and nobody’s fate illustrates this better than Tom Ripley’s own. Ripley’s renaissance on screen during the past decade not only saw him reenter the public consciousness, but also presented the viewers with a unique case of a serialized (anti-)hero: Unlike James Bond, with whose cinematic career Ripley shares some interesting similarities,1 Ripley’s on-screen embodiments hardly show any stable parameters, presenting the audience with a new version of masculinity each time an actor took on the character. No screenwriter, director or actor has ever worked on the character more than once, and none of the Ripley films have been located during the same period, in the same setting, or genre, though all of them resort to Highsmith’s constellation of an American impostor who is taken with European culture, a kind of “sociopath Jay Gatsby” (Oates 47) who never ages and who usually manages to get away with his horrendous crimes. -
Appreciations of Richard Harding Davis
1 APPRECIATIONS Gouverneur Morris Booth Tarkington Charles Dana Gibson E. L. Burlingame Augustus Thomas Theodore Roosevelt Irvin S. Cobb 2 John Fox, Jr Finley Peter Dunne Winston Churchill Leonard Wood John T. McCutcheon R. H. D. BY GOUVERNEUR MORRIS "And they rise to their feet as He passes by, gentlemen unafraid." He was almost too good to be true. In addition, the gods loved him, and so he had to die young. Some people think that a man of fifty-two is middle-aged. But if R. H. D. had lived to be a hundred, he would never have grown old. It is not generally known that the name of his other brother was Peter Pan. Within the year we have played at pirates together, at the taking of sperm whales; and we have ransacked the Westchester Hills for gunsites against the Mexican invasion. And we have made lists of guns, and medicines, and tinned things, in case we should ever happen to go elephant-shooting in Africa. But we weren't going to hurt the elephants. Once R. H. D. shot a hippopotamus and he was always ashamed and sorry. I think he never killed anything else. He wasn't that kind of a sportsman. Of hunting, as of many other things, he has said the last word. Do you remember the Happy Hunting Ground in "The Bar Sinister"?--"where nobody hunts us, and there is nothing to hunt." Experienced persons tell us that a manhunt is the most exciting of all sports. R. H. D. hunted men in Cuba.