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Clara Lemlich Awards
Seventh Annual Clara Lemlich Awards May 1, 2017 6:30 – 8:30pm Puffin Gallery for Social Activism Museum of the City of New York Fifth Avenue at 103rd Street Honoring those who, in the words of the poet Marge Piercy, jump into work head first without dallying in the shadows… who do what has to be done, again and again. “The World Has Need Of You” by Ellen Bass everything here seems to need us —Rainer Maria Rilke I can hardly imagine it as I walk to the lighthouse, feeling the ancient prayer of my arms swinging in counterpoint to my feet. Here I am, suspended between the sidewalk and twilight, the sky dimming so fast it seems alive. What if you felt the invisible tug between you and everything? A boy on a bicycle rides by, his white shirt open, flaring behind him like wings. It’s a hard time to be human. We know too much and too little. Does the breeze need us? The cliffs? The gulls? If you’ve managed to do one good thing, the ocean doesn’t care. But when Newton’s apple fell toward the earth, the earth, ever so slightly, fell toward the apple. “I’ve Got Something to Say” 2017 PROGRAM Welcome Whitney W. Donhauser, MCNY Director Welcome Esther Cohen and Rachel Bernstein Poem Breena Clarke Song Annie DiRusso Honoree Aisha al-Adawiya introduced by Sarah Sayeed Honoree Ingrid Frank introduced by Sasha Matthews Honoree Lidia Correa introduced by Edgar Romney Greetings Gale Brewer, Manhattan Borough President Honoree Vinie Burrows introduced by Kalie Kamara Honoree Mary Douglas introduced by Arlene Allende Honoree Lubow Wolynetz introduced by Amanda Dargan Puffin Gallery for Social Activism Perry and Gladys Rosenstein Triangle Fire Rose Imperato Bread and Roses and Solidarity Forever New York City Labor Chorus and audience The Clara Lemlich Awards The Awards honor women who have been working for the larger good their entire lives, in the tradition of those who sparked so many reforms in the aftermath of the Triangle Shirtwaist Factory Fire over one hundred years ago. -
Online Versions of the Handouts Have Color Images & Hot Urls September
Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B. -
Déjà Vu Gentrification: Prospects for Community Mobilization in New York City’S Lower East Side and Chinatown in the Post-9/11 Era
Déjà Vu Gentrification: Prospects for Community Mobilization in New York City’s Lower East Side and Chinatown in the Post-9/11 Era by Deland Chan B.A. (Stanford University) 2007 M.A. (Stanford University) 2007 A thesis submitted in partial satisfaction of the requirements for the degree of Master of City Planning in City and Regional Planning in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ananya Roy, Chair Professor Teresa Caldeira Professor Michael Omi Spring 2009 The thesis of Deland Chan is approved: Chair ______________________________________________ Date _____________ ______________________________________________ Date _____________ ______________________________________________ Date _____________ University of California, Berkeley i Acknowledgements The act of writing a thesis is often envisioned as a one-person endeavor consisting of typing furiously on the keyboard—often late at night—while little is known that it takes an army of professors, family, and friends and their constant support to make it happen. I would like to thank Teresa Caldeira and the Master’s thesis writing group— Hun Kim, Sergio Montero, and Oscar Sosa—for your help throughout the writing process. I appreciate your insightful comments and steady collegial support. Our meetings have transformed my thesis into a rewarding project. Ananya Roy has offered encouragement at every step in the journey, whether guiding me through the realities of fieldwork or ensuring the logical cohesion of my thesis. Michael Omi has offered invaluable mentorship throughout this process, and I appreciate his contribution in shaping the numerous drafts. Lastly, I would like to thank Genni Low for her transcription assistance, Michael Huang for ensuring that I eat at least three meals a day in my quest to stay hungry and foolish, and perhaps most importantly, the residents of the Lower East Side and Chinatown for sharing their insights with me. -
Art and Architecture 2013
Art and Architecture 2013 Books for Courses ART & FEATURED TITLES ARCHITECTURE 2013 Will Gompertz WHAT ARE YOU LOOKING AT? THE SURPRISING, SHOCKING, AND SOMETIMES CONTENTS STRANGE STORY OF 150 YEARS OF MODERN ART ART HISTORY 3 “Gompertz has an uncanny knack for making CRITICISM & THEORY 6 difficult art (and ideas) easy….A lively, witty ac- ART & LITERATURE 9 count of the major moments and movements of DESIGN 12 the past 150 years.”—Associated Press ARCHITECTURE 13 See Art History, page 3 ART TECHNIQUE 15 CREATIVE INSPIRATION 16 GENERAL INTEREST 20 REFERENCE 24 Ellen Forney MARBLES INDEX 25 MANIA, DEPRESSION, MICHELANGELO, AND ME COLLEGE FACULTY 26 A Graphic Memoir INFORMATION SERVICE (CFIS) PERSONAL COPY FORM 27 “Brutally honest and deeply moving, the book is by EXAMINATION COPY FORM 28 turns dark, mordant, and hilarious. One of this year’s best American memoirs.”—Philadelphia Inquirer See Art and Literature, page 9 Click on the 13-digit ISBN for more information on any title. Simon Garfield To order examination or per- JUST MY TYPE sonal copies of any of the titles Foreword by Dava Sobel listed in this catalog, please “Garfield’s engaging history of letter design will complete the appropriate form be eye candy....[Just My Type is] stuffed with at the back of the catalog. fascinating bits of information...lively, richly illustrated.”—NPR For personal service, adoption See Design, page 12 assistance, and complimentary exam copies, please sign up for our College Faculty Information Keri Smith Service at: THE POCKET SCAVENGER www.penguin.com/facinfo Keri Smith, bestselling author of Wreck This Journal, returns with an exploration into the creative process and chance that sends readers on an unusual scavenger hunt to collect random items. -
Princeton Architectural Press
PRINCETON ARCHITECTURAL PRESS Spring 2010 The luck of the draw. From Obsessive Consumption, p. 10 The ingredients for an unforgettable evening. From Lists, p. 12 Princeton Architectural Press Recycled paperboard mailing tubes are transformed into shelves for small objects. From Exploring Materials, p. 28 Unfolding Ludlow’s Concentric Chart of History. From Cartographies of Time, p. 14 Princeton Architectural Press Princeton Architectural Press Out on a limb in a woodland twilight zone. From Bird Watching, p. 16 www.papress.com | 1-800-759-0190 Imbuing the day-to-day with poetry and awe. From Natural Houses, p. 21 www.papress.com | 1-800-759-0190 PRINCETON ARCHITECTURAL PRESS perennials Spring 2010 PRINCETON ARCHITECTURAL PRESS 10 Obsessive Consumption 12 Lists 14 Cartographies of Time 1 Bird Watching 18 BEE 20 Natural Houses 22 Modern North 24 Earth Architecture 24 Tom Leader Studio 25 Marina City 2 Newtown Creek 28 Exploring Materials The Map as Art Drawing from Life Lettering and Type You Are Here 978-1-56898-762-0 / $45.00 978-1-56898-445-2 / $25.00 978-1-56898-765-1 / $24.95 978-1-56898-430-8 / $24.95 30 By Hand 30 Dot Dot Dot 19 31 Transmaterial 3 32 Above the Pavement—the Farm! 33 Street Value 34 City Building 35 Architecture From the Outside In 3 Contructing a New Agenda 3 Life on the Lower East Side 3 Peter Rose 38 Explorations 39 Kuth/Raneiri Architects 40 Fabricating Architecture 40 Solid States 41 Building Envelopes The Handy Book of Artistic Printing Lickshot A Year of Mornings The Guerilla Art Kit 41 Thermally Active Surfaces in Architecture 978-1-56898-705-7 / $40.00 978-1-56898-838-2 / $50.00 978-1-56898-688-3 / $19.95 978-1-56898-784-2 / $21.95 42 University of California, San Diego 42 Young Architects II 43 LEED Materials 44 Building (in) the Future 44 The Liberal Monument 45 The Green House 45 Fraktur Mon Amour BALCONY PRESS 4 Miami Modern Metropolis 4 Paris HYPHEN PRESS 4 At.. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
The Persistence of Print the Persistence Of
Life’s Beginnings • Learning from the Liberal Arts September-OctOber 2013 • $4.95 TThehe PersistencePersistence ofof PrintPrint Helen Vendler Arion Press & The Radcliffe Campaign Invest in Ideas launching october 28, 2013 photo by stu rosner To Sid and Susan, and to each member of the Institute’s advisory councils, thank you for your visionary leadership as we further our mission to advance new ideas and to share them widely. As A great university needs a place where we look to the Institute’s future, we have ambitious thinkers from across its campus and around plans to increase our the globe come together to take risks, explore photo by kathleen dooher photo by kathleen impact on students and new ideas, and connect theory and practice. faculty at Harvard and audiences around the world— through our highly selective Fellowship Program, At Harvard, the Radcliffe Institute is that the preeminent Schlesinger Library on the History place and is contributing to the future of of Women in America, groundbreaking research Harvard’s excellence and leadership. initiatives organized by our Academic Ventures program, and a full calendar of public events. Sidney R. Knafel ’52, MBA ’54, Campaign Co-Chair Lizabeth Cohen, Dean of the Radcliffe Institute for Conceived as a bold interdisciplinary, inter- Advanced Study and Howard Mumford Jones Professor of American Studies generational, and international experiment, the Radcliffe Institute is now one of the world’s leading institutes for advanced study. Dean’s Advisory Council Schlesinger Library Council A vast range of pathbreaking intellectual Susan S. Wallach ’68, JD ’71 (Chair) Caroline Minot Bell ’77 Catherine A. -
The Physician at the Movies
The physician at the movies Girl with a Pearl Earring. Johannes Vermeer, ca. 1655–1656. Oil on canvas. Royal Picture Gallery Mauritshuis, the Hague, Netherlands. Photo credit: Album/Art Resource, New York. Scarlett Johansson plays Griet in Girl With A Pearl Earring. © Pathe Distribution Ltd. Photographer: Jaap Buitendijk. Girl with a Pearl Earring blocks away on Madison Street above a Greek cafe. This apart- Starring Scarlett Johansson, Colin Firth, and Tom Wilkinson. ment had radiators for heat, as well as hot water, with a toilet Directed by Peter Webber. Rated PG-13. Running time 100 and bathtub/shower that had been added in separate corners of minutes. the kitchen to comply with evolving New York City tenement laws. The shower curtain was essential—the apartment door rowing up, I lived in a cold water flat on the Lower East opened directly opposite the shower. When I was thirteen we Side of New York on Water Street between the Brooklyn were again relocated, this time to housing projects (my grand- andG Manhattan Bridges.1 Cold water flats consisted of rooms parents to one downtown and my parents and I to another sequenced like railroad cars, with a kitchen at one end contain- uptown). It wasn’t until I graduated from medical school that ing a wood stove that served as the apartment’s main source my parents could afford a home of their own. of heat as well as for cooking, an icebox, and a toilet on Count me as one of those who, having grown up in a lov- the landing. -
Contents PROOF
PROOF Contents List of Illustrations viii Acknowledgements ix Prologue: From Pinewood to Hollywood 1 Introduction: The British Connection: Themes and Theory 6 1 Early Invaders: The First British Wave 30 2 Sound and Vision: British Filmmakers and the Politics of Pre-War Hollywood 63 3 Movies for the Masses: The British in the Second World War 107 4 Post-War Directions: Ealing Escapism and the Menace of McCarthy 127 5 Atlantic Crossing 152 Notes 174 Select Bibliography 185 Index 189 vii July 22, 2010 7:29 MAC/PNL Page-vii 9780230_229235_01_prex PROOF 1 Early Invaders: The First British Wave “I went to Worthing to recover from Hollywood.” Playwright and screenwriter Edward Knoblock’s quote about wanting to get away from California after a spell in the film community appears to match much of the British reaction to Hollywood in the formative years Illustration 3 Edward Knoblock, 4th from left relaxing with friends. Photograph reproduced courtesy of the National Portrait Gallery, London. 30 July 22, 2010 7:50 MAC/PNL Page-30 9780230_229235_04_cha01 PROOF Early Invaders: The First British Wave 31 of film. What drove Knoblock to the Sussex seaside town after the expo- sure of Los Angeles is not entirely clear, but the impulse to retreat to a world of quintessential Englishness has often appeared to be the rai- son d’être for many British writers and directors of the era who were quickly appalled by the brash commercialism of the Hollywood film industry. In Knoblock’s case, it was an even more fascinating compunc- tion that took hold of him because he was American born (originally Edward Knoblauch of German parents in New York in 1874), but ended up residing in Britain for much of his life. -
College Fellowships, Appointments
CONTENTS The Invitation to the Annual Society Dinner and the A.G.M 1 Officers of the Society 3 News of the Society 4 Society President 8 Branch News 9 The Cambridge Foundation 11 Editorial 13 Last Out, First In - Sir Michael Weston 14 Tunku Abdul Rahman , 16 Governing Body and College Fellowships 18 Honours and Awards 21 Publications and Reviews 22 The College Chapel 30 St Catharine of Alexandria - The Revd Dr L. R. Wickham 31 The Kitchen Modernisation - The Bursar 33 Engagements, Marriages, Births and Deaths 34 Obituaries ............. 37 Food Chain - Professor Lord Soulsby 41 Gifts and Bequests: The American Friends 43 The Chapel Choir in Poland July 1990 - Dr le Huray 45 Societies 48 J.C.R. and Blues 50 Clubs 52 Hampton Court - (Dr David Esterly) 59 Appointments and Notes 60 Graduate Parlour 68 Sinister Doings! - Professor O. H. K. Spate 69 Awards and Prizes 71 The Bunbury's of Catharine Hall - Professor J. H. Baker 74 Society Accounts and St Catharine's Gild 79 Our cover design: The Hall Refurbishment Members will note the new ceiling which disguises the reinforced concrete beams, two new chandeliers, the delightful new light oak furniture, with the High Table chairs specially designed and not least the additions to the oak panelling. St Catharine's College Society This is an invitation to members to attend the 63rd Annual General Meeting and Dinner to be held at the College on Saturday 28th September 1991. The programme will be as follows: 2.30 p.m. Committee Meeting in the O.C.R. -
Crane Family Collection (1873-2011)
THE TRUSTEES OF RESERVATIONS ARCHIVES & RESEARCH CENTER Guide to Crane Family Collection (1873-2011) CH.MS.Coll.1 by Sharon Spieldenner Date: September 2013 Last updated: June 2016 Laura Kitchings Archives & Research Center 27 Everett Street, Sharon, MA 02067 www.thetrustees.org [email protected] 781-784-8200 The Trustees of Reservations – www.thetrustees.org Extent: 53 boxes Linear feet: 60.52 Copyright © 2016 The Trustees of Reservations ADMINISTRATIVE INFORMATION PROVENANCE Bequest of Crane Family; some materials acquired from other sources. OWNERSHIP & LITERARY RIGHTS The Crane Family Collection is the physical property of The Trustees of Reservations. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. CITE AS Crane Family Collection. The Trustees of Reservations, Archives & Research Center. RESTRICTIONS ON ACCESS This collection is open for research. Preservation photocopies for reference use may have been substituted in the main files for fragile material. PROPERTY NOTE Centuries before becoming a grand summer estate owned by one of America's wealthiest families, Castle Hill was well known by Native Americans who called the area “Agawam,” referring to its rich fishery. In 1637, John Winthrop Jr., son of the first governor of the Massachusetts Bay Colony, was given Castle Hill by the townsfolk as an incentive to remain in Ipswich. For more than two hundred years, a succession of owners farmed the land. In the 1880s, John Burnham Brown transformed Castle Hill Farm from an agricultural holding into a gentleman's farm. He improved roadways and plantings and renovated his modest farmhouse into a rambling, shingle-style cottage that is now The Inn at Castle Hill. -
The Art of Subtraction No One Has Carved Wood Like David Esterly Since…Well, About 1700
The Art of Subtraction No one has carved wood like David Esterly since…well, about 1700. by craig lambert he royal palace of Hampton Court, land’s finest woodcarver, a “golden codger, almost of the order of built on the Thames nearly 12 miles upstream from Samuel Johnson, Thomas Chippendale, Charles Dickens or Wil- London by Henry VIII in 1514, suffered a devastating liam Morris,” as David Esterly ’66 puts it in his 2012 book, The Lost fire on March 31, 1986. A bedside candle in the room of the Carving: A Journey to the Heart of Making. elderly Lady Gale, a resident who perished in the flames, Given the British reverence for historical (and royal) heritage probably started the blaze. Grievously, the fire also consumed and the carvings’ importance, there was no question that restora- or seriously damaged some of the incomparable woodcarvings in tion would proceed after the fire. Miraculously, most of them had the King’s Apartments, an addition that Christopher Wren built survived, despite damage, but one spectacular overdoor drop, a Tfor William III near the end of the seventeenth century. These pendant of flowers and leaves, in the King’s Drawing Room, had delicate depictions of botanical subjects in wood, hung on walls been incinerated. The problem was that in the nearly three cen- and surmounting doorways and mantel- turies since Gibbons’s time, such finely de- pieces, were the masterworks of the final Above, a work in progress on tailed, high-relief carvings in limewood (the the carving bench; opposite, a botanical period of Grinling Gibbons (1648-1721), the head (2001), after the painter British term for linden wood) had become a Dutch-born artist widely regarded as Eng- Giuseppe Arcimboldo (1527-93) lost art.