The Parrish Family [Philadelphia, Pennsylvania]
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Report of the Cabinet Member for Investment, Regeneration and Tourism
Report of the Cabinet Member for Investment, Regeneration and Tourism Cabinet – 18 March 2021 Black Lives Matter Response of Place Review Purpose: To provide an update on the outcomes of the Review previously commissioned as a result of the Black Lives Matter Motion to Council and seek endorsement for the subsequent recommendations. Policy Framework: Creative City Safeguarding people from harm; Street Naming and Numbering Guidance and Procedure. Consultation: Access to Services, Finance, Legal; Regeneration, Cultural Services, Highways; Recommendation: It is recommended that Cabinet:- 1) Notes the findings of the review and authorises the Head of Cultural Services, in consultation and collaboration with the relevant Cabinet Members, to: 1.1 Commission interpretation where the place name is identified as having links to exploitation or the slave trade, via QR or other information tools; 1.2 Direct the further research required of the working group in exploring information and references, including new material as it comes forward, as well as new proposals for inclusion gleaned through collaboration and consultation with the community and their representatives; 1.3 Endorse the positive action of an invitation for responses that reflect all our communities and individuals of all backgrounds and abilities, including black history, lgbtq+ , cultural and ethnic diversity, in future commissions for the city’s arts strategy, events and creative programmes, blue plaque and other cultural activities; 1.4 Compile and continuously refresh the list of names included in Appendix B, in collaboration with community representatives, to be published and updated, as a reference tool for current and future opportunities in destination/ street naming. -
Cymmrodorion Vol 25.Indd
47 PIONEERS AND RADICALS: THE DILLWYN FAMILY’S TRANSATLANTIC TRADITION OF DISSENT AND INNOVATION Kirsti Bohata Abstract The Dillwyn family made a significant contribution to the commercial, industrial, and artistic development of the city of Swansea in the eighteenth and nineteenth century. Their legacy remains not only in their published works but also in a number of street names and placenames in Swansea and its surrounding areas. This paper looks at the work of key members of the Dillwyn family, beginning with the American abolitionist, William Dillwyn, and his wider family. As practising Quakers, the Dillwyns were driven by a particular work ethic that was both industrious and unconventional. The paper focuses on the pioneering accomplishments of the Dillwyn women, including the author Amy Dillwyn. The Dillwyns were pioneers. In science and the arts, in national politics and civic life, in industry and entrepreneurship, they were innovators and reformers. Guided by a Quaker ethos of individual industry and collective duty, this was a family of independent and unconventional thinkers. The achievements of the men are best understood in terms of their extraordinary abilities as networkers and collaborators. Recognising the significance of networks rather than individual exceptionalism enables us to focus on a nexus of scientific, industrial and political activity in which the Dillwyns were pivotal participants and generous facilitators. The women, on the other hand, while benefitting from a supportive family environment, have tended to be iconoclasts – independent thinkers and actors willing to take a sometimes lonely stand. It would be possible to dedicate an entire study to any one member of a family that, as David Painting remarked, pursued ‘a lifestyle that converted almost unlimited leisure into quite exceptional creativity. -
Additional Information on NLW Photo Album 1 © LLGC/NLW 2010 1 the Toogoods, (Spelled Towgood Now, but Pronounced Too…) Were Related to Matthew Moggridge
National Library of Wales, Photograph Album 1 - Additional notes supplied by Mr Richard Morris of Swansea. Note: Bold text denotes an original title in another album (Photographs are numbered as they appear in the gallery) 1. [Two boys with stuffed cockatoo] It is very likely that the boys are John Traherne Moggridge and Weston Moggridge, the sons of Fanny (nee Dillwyn) and Matthew Moggridge. 4. Mr Moggeridge Matthew Moggridge, husband of Fanny 5. [Two young girls in a window, Sarah Moggridge on the right] Girl on the left unkown, but possibly another Moggridge daughter called Wyn. 6. Mr Moggeridge Matthew Moggridge 7. [Still life] There are a number of variants on this pose, some called ‘Rosa Ruga’. Photographer: John Dillwyn Llewelyn. 8. Oystermouth Caslte Oystermouth Castle. Collodion negative. Photographer: Mary Dillwyn 1853 10. [Boy, sitting and reading a book] Probably one of the Moggridge boys (similar to one of the boys in No 1). 12. John Dillwyn Llewelyn by MD 1853. Collodion negative. 14. Sarah Moggeridge at the right. Ellen Toogood on the left. Additional information on NLW Photo Album 1 © LLGC/NLW 2010 1 The Toogoods, (spelled Towgood now, but pronounced Too…) were related to Matthew Moggridge. 15. Caroline Eden, Mary Dillwyn, Eta Vivian by MD 1854. Collodion negative 17. [Fanny Moggridge with John Traherne, Weston and Sarah] This image also appears in a small album that was likely to have been taken by Thereza Dillwyn Llewelyn. Collodion negative (Negative held in the archive of the National Museums and Galleries of Wales) 18. [Pigeons in cage] Same image is in NLW Photograph Album 3900 19. -
Penlle'rgaer Estate Records, (GB 0210 PENAER)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Penlle'rgaer Estate Records, (GB 0210 PENAER) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 04, 2017 Printed: May 04, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH This description follows NLW guidelines based on ISAD(G) Second Edition; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/penllergaer-estate-records archives.library .wales/index.php/penllergaer-estate-records Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Penlle'rgaer Estate Records, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................ -
Anna Fox the Moon and a Smile 2
The Moon and a Smile Anna Fox The Moon and a Smile 2 Project Details Name of Researcher: Professor Anna Fox Name of Output: The Moon and a Smile UCARO link/s: https://research.uca.ac.uk/3203/ Output Type: M – Exhibition; group exhibitions and catalogue Year and mode The Moon and a Smile exhibition, Glynn Vivian Art Gallery, of dissemination: Swansea, 3 March - 23 April 2017 Photo London 2018 exhibition, Somerset House, London, 17 – 20 May 2018 Swansea Stories exhibition, Glynn Vivian Art Gallery, Swansea, 27 September 2019 – 15 March 2020 Key Words: Photography, documentary photography, storytelling, leisure, time and memory, Mary Dillwyn, John Dillwyn External Funding: Glynn Vivian Art Gallery - £2000 Arts Council Wales - £2000 Metro Imaging - £1000 The Moon and a Smile 3 Synopsis The Moon and a Smile is a research output by Professor Anna leisure sites that had in the past been private property Fox, comprising the exhibition of a series of nine photographs. or space reserved for the leisured classes. Three further images, shot on a 5x4 camera, were flower portraits from the This project was commissioned by the Glynn Vivian Gallery in Penllergare Gardens; this was originally the Dillwyn’s garden Swansea. Fox was one of 8 women artists invited to respond and is now public. The work thus looks at how such places are to the recent reattribution of the Dillwyn photographs. The used by the leisure industry today as democratised spaces. Dillwyn archive is a fascinating source of information about early photographic methods and the life of the upper middle The work was disseminated at the Glynn Vivian Gallery classes in Britain in the late 1800s. -
Additional Information on NLW Photo Album 2 © LLGC/NLW 2010 1 Collodion Negative 1853 (Negative Held in the Archive of the National Museums and Galleries of Wales)
National Library of Wales, Photograph Album 2 - Additional notes supplied by Mr Richard Morris of Swansea. Note: Bold text denotes an original title in another album (Photographs are numbered as they appear in the gallery) 1. [Thereza Dillwyn Llewelyn] Other title: ‘Thereza and the Dickies’ Collodion negative. Photographer: John Dillwyn Llewelyn. 2. [Mrs Vivian and Earnest] MD 1853 Also spelled Ernest. Collodion negative. Photographer: Mary Dillwyn 1853. 7. [Mrs Hussey Vivian] MD 1854 Other title: ‘Mrs H H Vivian 1854’. Second wife of H H Vivian. Collodion negative. Photographer: Mary Dillwyn. 8. [Mrs Thomas of the Gnoll?] Comparison with another image suggests this is Mrs Thomas of the Gnoll, grandmother of Llewelyn Thomas in Image 22. Photographer therefore probably John Dillwyn Llewelyn. 9. [Bryn] Other title: ‘The BRYN’ where once Emily Eden lived’ Collodion negative. Photographer: Mary Dillwyn 10. [Harry and Amy Dillwyn Llewelyn] Collodion negative. Photographer: Mary Dillwyn c.1853 11. [Elinor and Lucy] JDL ‘Other title: Poor Puss’ with Elinor and Lucy Dillwyn Llewelyn. Additional information on NLW Photo Album 2 © LLGC/NLW 2010 1 Collodion negative 1853 (Negative held in the archive of the National Museums and Galleries of Wales) . Photographer: John Dillwyn Llewelyn. Probably No 566 Photographic Society of London Exhibition 1854 and No 418 Dundee 1854. 13. [Bryn?] Other title: ‘The Bryn’ Photographer unknown. 14. [Path lined with trees] Possibly ‘The Bryn’ again. 15. [Sir Henry de la Beche and RDB] Becky Dillwyn 1853. Sir Henry DelaBeche with daughters Bessie (who married Lewes Llewelyn Dillwyn) (seated) and Rosie (Rosalie Torre). Collodion negative. Photographer: Mary Dillwyn 1853.