Pablo Picaso

Total Page：16

File Type：pdf, Size：1020Kb

Pablo Picasso Created the 1st of April by Michal Forman How does he saw himself? Pablo Picasso: General information (25.10.1881 – 8.4.1973) Full name: Pablo Diego José Picasso Was baptized as: Pablo, Diego, José, Francisco de Paula, Juan Nepomuceno, Maria de los Remedios, a Cipriano de la Santísima Trinidad. • Painter • Sculptor, • Printmaker • Ceramicist, • Stage designer • Poet • Playwright Pablo Picasso: Life •Parents: José Blasco a Marie López •First word: Piz (pancil) •Education: Academia de San Fernando (Madrid) – just one year •Poverty period – in Paris with Max Jacob (much of his work was burned to keep his small room warm) •31.3.1901 – 1.issue of the magazin „Arte Joven“ •Married twice, but a lot of mistresses (4 kids with 3 woman) •During his live he created about 13.500 paintings and sketches, 100.000 negravings and prints, 34.000 illustrations and 300 scultures ana ceramic work •He played also in some movies (always played himself) •Died in Mugins, while he and his wife entertained friends for dinner: –Last words: „Drink to me, drink to my health, you know I can´t drink any more“ Work and his classification Movement: cubism, surrealism • Blue period: 1901-1904 • Rose period: 1904-1906 • African art and primitivism: 1907-1909 • Analytic cubism: 1909-1912 • Synthetic cubism: 19012-1919 • Neoclassicism and surrealism: 1919-1929 • Late work: 1930-1973 Favourite painting: Algerien woman • Auctioned for 4,5 bilion CZK Algerian women 1955 Yo, Picasso 1901 La Vie (1903) Guernica 1937 Last painting before death: Autoportrait (1972) Sources • https://cz.pinterest.com/pin/346706871296096315/?autologin=true • https://en.wikipedia.org/wiki/Pablo_Picasso • https:// www.irozhlas.cz/kultura_vytvarne-umeni/picassovo-dilo-alzirske-zeny-se-prodalo-v-prepoctu- za-temer-4-5-miliardy-korun_201505121318_akottova2 • https://www.pablopicasso.org/guernica.jsp • https:// www.reflex.cz/galerie/fotogalerie/76332/posledni-obraz-pred-smrti-podivejte-se-na-dila-slav nych-umelcu-ktera-namalovali-na-konci-zivota?foto=11 • http://www.reidsitaly.com/places/general/topics/art-architecture/art/artists/picasso-pablo/.

Copy Link

Recommended publications

List of Objects Proposed for Protection Under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (Protection of Cultural Objects on Loan)
List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Picasso and Paper 25 January 2020 to 13 April 2020 Arist: Pablo Picasso Title: Self-portrait Date: 1918-1920 Medium: Graphite on watermarked laid paper (with LI countermark) Size: 32 x 21.5 cm Accession: n°00776 Lender: BRUSSELS, FUNDACIÓN ALMINE Y BERNARD RUIZ-PICASSO PARA EL ARTE 20 rue de l'Abbaye Bruxelles 1050 Belgique © FABA Photo: Marc Domage PROVENANCE Donation by Bernard Ruiz-Picasso; estate of the artist; previously remained in the possession of the artist until his death, 1973 Note that: This object has a complete provenance for the years 1933-1945 List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Picasso and Paper 25 January 2020 to 13 April 2020 Arist: Pablo Picasso Title: Mother with a Child Sitting on her Lap Date: December 1947 Medium: Pastel and graphite on Arches-like vellum (with irregular pattern). Invitation card printed on the back Size: 13.8 x 10 cm Accession: n°11684 Lender: BRUSSELS, FUNDACIÓN ALMINE Y BERNARD RUIZ-PICASSO PARA EL ARTE 20 rue de l'Abbaye Bruxelles 1050 Belgique © FABA Photo: Marc Domage PROVENANCE Donation by Bernard Ruiz-Picasso; Estate of the artist; previously remained in the possession of the artist until his death, 1973 Note that: This object was made post-1945 List of objects proposed for protection under Part 6 of the Tribunals, Courts and Enforcement Act 2007 (protection of cultural objects on loan) Picasso and Paper 25 January 2020 to 13 April 2020 Arist: Pablo Picasso Title: Little Girl Date: December 1947 Medium: Pastel and graphite on Arches-like vellum.
[Show full text]
Famous Paintings of Picasso Guernica
Picasso ArtStart – 7 Dr. Hyacinth Paul https://www.hyacinthpaulart.com/ The genius of Picasso • Picasso was a cubist and known for painting, drawing, sculpture, stage design and writing. • He developed cubism along with Georges Braque • Born 25th Oct 1881 in Malaga, Spain • Spent time in Spain and France. • Died in France 8th April, 1973, Age 91 Painting education • Trained by his father at age 7 • Attended the School of Fine Arts, Barcelona • 1897, attended Madrid's Real Academia de Bellas Artes, He preferred to study the paintings of Rembrandt, El Greco, Goya and Velasquez • 1901-1904 – Blue period; 1904-1906 Pink period; 1907- 1909 – African influence 1907-1912 – Analytic Cubism; 1912-1919 - Synthetic Cubism; 1919-1929 - Neoclacissism & Surrealism • One of the greatest influencer of 20th century art. Famous paintings of Picasso Family of Saltimbanques - (1905) – National Gallery of Art , DC Famous paintings of Picasso Boy with a Pipe – (1905) – (Private collection) Famous paintings of Picasso Girl before a mirror – (1932) MOMA, NYC Famous paintings of Picasso La Vie (1903) Cleveland Museum of Art, OH Famous paintings of Picasso Le Reve – (1932) – (Private Collection Steven Cohen) Famous paintings of Picasso The Young Ladies of Avignon – (1907) MOMA, NYC Famous paintings of Picasso Ma Jolie (1911-12) Museum of Modern Art, NYC Famous paintings of Picasso The Old Guitarist (1903-04) - The Art Institute of Chicago, IL Famous paintings of Picasso Guernica - (1937) – (Reina Sofia, Madrid) Famous paintings of Picasso Three Musicians – (1921)
[Show full text]
Press Dossier
KEES VAN DONGEN From 11th June to 27th September 2009 PRESS CONFERENCE 11th June 2009, at 11.30 a.m. INAUGURATION 11th June 2009, at 19.30 p.m. Press contact: Phone: + 34 93 256 30 21 /26 Fax: + 34 93 315 01 02 [email protected] CONTENTS 1. PRESENTATION 2. EXHIBITION TOUR 3. EXHIBITION AREAS 4. EXTENDED LABELS ON WORKS 5. CHRONOLOGY 1. PRESENTATION This exhibition dedicated to Kees Van Dongen shows the artist‘s evolution from his student years to the peak of his career and evokes many of his aesthetic ties and exchanges with Picasso, with whom he temporarily shared the Bateau-Lavoir. Born in a suburb of Rotterdam, Van Dongen‘s career was spent mainly in Paris where he came to live in 1897. A hedonist and frequent traveller, he was a regular visitor to the seaside resorts of Deauville, Cannes and Monte Carlo, where he died in 1968. Van Dongen experienced poverty, during the years of revelry with Picasso, and then fame before finally falling out of fashion, a status he endured with a certain melancholy. The exhibition confirms Kees Van Dongen‘s decisive role in the great artistic upheavals of the early 20th century as a member of the Fauvist movement, in which he occupied the unique position of an often irreverent and acerbic portraitist. The virulence and extravagance of his canvases provoked immediate repercussions abroad, particularly within the Die Brücke German expressionist movement. Together with his orientalism, contemporary with that of Matisse, this places Van Dongen at the very forefront of the avant-garde.
[Show full text]
Pablo Picasso, One of the Most He Was Gradually Assimilated Into Their Dynamic and Influential Artists of Our Stimulating Intellectual Community
A Guide for Teachers National Gallery of Art,Washington PICASSO The Early Ye a r s 1892–1906 Teachers’ Guide This teachers’ guide investigates three National G a l l e ry of A rt paintings included in the exhibition P i c a s s o :The Early Ye a rs, 1 8 9 2 – 1 9 0 6.This guide is written for teachers of middle and high school stu- d e n t s . It includes background info r m a t i o n , d i s c u s s i o n questions and suggested activities.A dditional info r m a- tion is available on the National Gallery ’s web site at h t t p : / / w w w. n g a . gov. Prepared by the Department of Teacher & School Programs and produced by the D e p a rtment of Education Publ i c a t i o n s , Education Division, National Gallery of A rt . ©1997 Board of Tru s t e e s , National Gallery of A rt ,Wa s h i n g t o n . Images in this guide are ©1997 Estate of Pa blo Picasso / A rtists Rights Society (ARS), New Yo rk PICASSO:The EarlyYears, 1892–1906 Pablo Picasso, one of the most he was gradually assimilated into their dynamic and influential artists of our stimulating intellectual community. century, achieved success in drawing, Although Picasso benefited greatly printmaking, sculpture, and ceramics from the artistic atmosphere in Paris as well as in painting. He experiment- and his circle of friends, he was often ed with a number of different artistic lonely, unhappy, and terribly poor.
[Show full text]
Teachers' Resource
TEACHERS’ RESOURCE BECOMING PICASSO: PARIS 1901 CONTENTS 1: INTRODUCTION TO THE EXHIBITION 2: ‘I WAS A PAINTER AND I BECAME PICASSO’ 3:THE ARTIST AS OUTSIDER: THE HARLEQUIN IN PICASSO’S EARLY WORK 4: PAINTING LIFE AND DEATH: PICASSO’S SECULAR ALTARPIECE 5: THE SECRET LIFE OF A PAINTING 6: PAINTING THE FIGURE: A CONTEMPORARY PRACTICE PERSPECTIVE 7: PICASSO’S BELLE ÉPOQUE: A SUBVERSIVE APPROACH TO STYLE AND SUBJECT 8: GLOSSARY 9: TEACHING RESOURCE CD TEACHERS’ RESOURCE BECOMING PICASSO: PARIS 1901 Compiled and produced by Sarah Green Design by Joff Whitten SUGGESTED CURRICULUM LINKS FOR EACH ESSAY ARE MARKED IN ORANGE TERMS REFERRED TO IN THE GLOSSARY ARE MARKED IN PURPLE To book a visit to the gallery or to discuss any of the education projects at The Courtauld Gallery please contact: e: [email protected] t: 0207 848 1058 Cover image: Pablo Picasso Child with a Dove, 1901 Oil on canvas 73 x 54 cm Private collection © Succession Picasso/DACS, London 2013 This page: Pablo Picasso Dwarf-Dancer, 1901 Oil on board 105 x 60 cm Museu Picasso, Barcelona (gasull Fotografia) © Succession Picasso/DACS, London 2013 WELCOME The Courtauld is a vibrant international centre for the study of the history of art and conservation and is also home to one of the finest small art museums in the world. The Public Programmes department runs an exceptional programme of activities suitable for young people, school teachers and members of the public, whatever their age or background. We offer resources which contribute to the understanding, knowledge and enjoyment of art history based upon the world-renowned art collection and the expertise of our students and scholars.
[Show full text]
War and Peace in the Art of Pablo Picasso: “Guernica” (1937) by Dr
War and Peace in the Art of Pablo Picasso: “Guernica” (1937) by Dr. David M. Hart Some Classic Works of Art on War & Peace Classic Works of Art on War & Peace 1: Jacques Callot, “The Miseries of War” (1633) Classic Works of Art on War & Peace 1: Francisco Goya, “The Second of May, 1808” Classic Works of Art on War & Peace 1: Winslow Homer, “Veteran in a New Field” (1865) Classic Works of Art on War & Peace V: Otto Dix, “Der Krieg” (1924) Pablo Picasso (1881-1973) “La vie” (1903) “Les Demoiselles d’Avignon” (1907) “Le guitariste” (1910) Illustrations for edition of Aristophanes, Lysistrata (1934) Picasso joined the communist party in 1944 “Guernica” (mural commissioned by Spanish government for International Exposition in Paris, 1937) People Viewing “Guernica” at the Prado Museum, Madrid “Guernica” (tapestry replica commissioned by Nelson Rockefeller in 1955 for display in UN HQ, NYC) US Ambassador Negroponte walking past “Guernica” tapestry at UN HQ 2002 “Guernica” (mural commissioned by Spanish government for International Exposition in Paris, 1937) The Major Components of the Painting: The Central Pyramid The Major Components of the Painting: People and Objects 5 1 4 8 10 6 2 9 7 3 The Major Components of the Painting 1. the bull 6. the wounded horse 2. the grieving woman with child 7. the sprouting flower 3. the fallen statue of the warrior 8. the woman with the lamp 4. the bird flying from the horse’s wound 9. the fleeing woman 5. the sun/electric light 10. the woman falling from the burning building The two red lines show the central
[Show full text]
Dalí, Picasso, Velázquez: Measuring up by ELLIOTT H
©Elliott H. King, 2015 Dalí, Picasso, Velázquez: Measuring Up By ELLIOTT H. KING “I’ve always said I’m a very bad painter because I’m too intelligent to be a good painter. To be a good painter, you’ve got to be a bit stupid, with the exception of Velázquez, who is a genius and whose talent surpasses the art of painting.” – Salvador Dalí[1] The year 1960 marked the 300th anniversary of the death of Spanish artist Diego Velázquez, in- citing a flurry of commemorative exhibitions, books, and other popular and scholarly studies around the globe.[2] The occasion could not have been overlooked by Spain’s two most promi- nent artists, Pablo Picasso and Salvador Dalí, each of whom executed his own reinterpretations of Velázquez’s paintings in the years directly preceding and following the tri-centennial. This essay considers these bodies of work, albeit in a somewhat round-about fashion. For Picasso, I will look, as a group, to the fifty-eight paintings he executed on the theme of Velázquez’s paint- ing Las Meninas (1656) in 1957, and for Dalí, to his handful of paintings and statements extoling Velázquez as a precursor to atomic physics and contemporary action painting, spearheaded by his 1958 canvas, Velázquez Painting the Infanta Margarita with the Lights and Shadows of His Own Glory. While I intend to compare and contrast the two artists’ approaches to Velázquez in the late-1950s and early-1960s, I have chosen a somewhat unorthodox framework to facilitate the question. Dali welcomed comparisons between his work and that of Picasso, whom he called the other great “genius” of Spain (in addition to himself).[3] Having reinvented himself as a “classic” painter in 1941, Dalí launched a barrage of defamatory statements and back-handed compliments against Picasso that pitted his own Renaissance-revival style against what he described in 1956 as Picasso’s “pure bestiality.”[4] From amongst Dalí’s myriad proclamations, I have located a rather fleeting one that strikes me as ranking amongst his most memorable and opaque.
[Show full text]
Pablo Picasso Guernica(1937)
Pablo Picasso Guernica (1937) Pablo Picasso painted Guernica at the request of the Republican government for the Spanish Pavilion at the 1937 Paris International Exhibition. The work is a testimony and condemnation of the bombing of the Basque town of Guernica’s population by the Luftwaffe, who were allied to the rebels, and is considered a fundamental work of 20th Century art, remaining a universal symbol of the fight against oppression. April 26, 1937. On that day, planes of the Condor Legion of the German air force, in aid of the rebel troops beneath the com- mand of General Franco, launched incen- diary bombs against Guernica, a key city in the Basque political tradition. Some foreign press correspondents covering the happenings on the northern front of the war were in Bilbao. The very day of the bombing, they moved to Guernica, gathe- ring the images and testimonies which would reach the international press the following day and affect the entire world. The news of the attack on a non-military An icon of the Spanish Civil War, of worldwide anti-war sentiment and of the fight for enclave with a civil population made up freedom, Guernica is one of the most emblematic images of the contemporary world principally of women and children spread and the last great painting of history of the European tradition. Converted into a uni- throughout Europe, causing the traditional versal symbol of indiscriminate massacres wherever they occur, it carries an implicit manifestation on May 1 in defense of labor message of resistance to authoritarianism and against the rise of the fascisms in the to become a show of solidarity and aid for Europe of that moment, which it conveys through an iconography whose meaning has Spain.
[Show full text]
Picasso and Dalí
Lecture Series March 2011 Modern Spanish Masters : Picasso and Dalí with Dr Frank I Heckes Travels Through Time Cultural Studies and Tours Contact Details Melbourne : (03) 9017 0897 email : [email protected] web: www.travelsthroughtime.com Modern Spanish Masters : Picasso and Dalí This lecture series will explore the development and significance of paintings, drawings and prints by Pablo Picasso and Salvador Dalí, two of the most important Spanish artists of the twentieth century. The focus will be on Picasso’s life and art from 1900 to 1945 and Dalí’s life and art from 1919 to 1952. Detailed analysis will be given to major works from Picasso’s Blue and Rose Periods, his Cubist innovations, and masterpieces, such as Guernica and his Weeping Women compositions of the period 1935–1945 during his intense relationship with the Surrealist artist Dora Maar. Dalí’s love of the Catalan landscape will receive special emphasis, and there will be critical examination of key works that demonstrate the evolution of his art and his many stylistic changes from Impressionism and Cubism to Surrealism and Nuclear Mysticism. Lecture Series Details This lecture series will consist of 3 x 1.5 hour illustrated lectures. Each session will allow time for coffee and discussion. Dates Time Wednesdays : March 16, 23, 30 10:30 – 12:00 noon Cost Venue The cost for the 3 sessions is $130 (incl GST) Alloarmo – 5 Grattan Street, Hawthorn VIC 3122 Session Overview Session 1 – March 16 Picasso’s Art : From the Blue Period through Cubism Picasso’s life and artistic development from 1900 to 1921 will be studied during this session.
[Show full text]
P Ablo P Icasso
operagallery.com Pablo Picasso September 2015 18 September - 18 October 2015 2 Orchard Turn # 04-15 ION Orchard 238801 Singapore T. + 65 6735 2618 - [email protected] Opening Hours Weekdays: 11 am - 8 pm • Weekends: 10 am - 8 pm Preface 2015 marks the 50th Anniversary of Singapore’s independence, and such a substantial milestone calls for an exhibition of equal merit. It is with this in mind that we are proud to showcase one of the most illustrious names in 20th century art: Pablo Picasso. Heralded as one of the biggest names of Modern Art and one of the pioneers of Cubism, Picasso dramatically changed the landscape of his contemporary art scene. Excelling in various mediums and movements, Picasso strived to cast aside conventional ideals, driving forward and exploring new limits all the while establishing himself as one of the most important figures within the art world. 3 We are pleased to present to you these prestigious works by the world’s most illustrious and recognizable Modern artist, in an intimate setting for collectors and appreciators alike. Gilles Dyan Stéphane Le Pelletier Founder and Chairman Director Opera Gallery Group Opera Gallery Asia Pacific Researching an illustrious figure such as Picasso is bound to elicit an array of polarizing definitions. The life of Pablo Picasso began in Málaga, Spain on October 25th in 1881. Not a particularly bright ‘Genius’, surely, is one that repeats itself often, ‘visionary’ another. Tormented, manipulative, student academically, at the age of eight Pablo was already displaying signs of artistic aptitude, a misanthropic – also phrases that pepper history’s perception of the persona, a man whose namesake talent his artistic parents recognized and encouraged.
[Show full text]
Pablo Picasso Was Born on 1881 and Was Born Into a Middle Class Catholic Family but Later Became Atheist
Pablo Picasso was born on 1881 and was born into a middle class catholic family but later became atheist. Ever since Picasso was young he loved drawing his first words were “piz, piz” short for lapiz the Spanish word for pencil. At a young age he had formal drawing and oil panting training. A bit later his younger sister Lola had gotten a horrible sickness called diphtheria that took her away and traumatized Picasso. After her death Picasso’s family moved to Barcelona. Later at age 16 Picasso set off for the first time on his own. You can say his career started in 1894. At age 14 he made two art pieces one of them is called The First Communion this painting depicts his sister Lola and he also made The Portrait of Aunt Pepa. Later he set off to Paris in 1900. There he met a friend that taught him the language and its literature. They then shared an apartment. Picasso would sleep during the day and work at night. Much of his work had to be burned to keep the small room warm. Much time later Picasso began his Blue Period where he painted La Vie, The Old Guitarist, and The Blue Room which had another painting beneath the surface. Later came his Rose Period which consisted of The Garçon á la pipe (boy with a pipe), Les Demoiselles d'Avignon, and The Portrait of Gertrud Stein just to name a few. Picasso’s African period was influenced by artefacts brought to Paris. Then came his cubism period which he is most famous for where he made The Weeping Woman, Girl before a Mirror, and many others.
[Show full text]
Download a Large Print Guide
Large Print Picasso and Paper In order to adhere to social distancing measures and to keep our staff and visitors safe, physical copies of the large print exhibition guides will no longer be available in the galleries. To help you make the most of your visit to the Royal Academy, our large print exhibition guides are available to download as PDFs. No app is required. They are freely available in each exhibition’s section of our website. Simply download the file to your device, then read – or follow the below instructions to listen to the introductions and labels as you go round. iOS devices • On your iPhone, go to “Settings”. Next, tap “Accessibility”. • Hit “Spoken Content”, then tap the toggle switch for “Speak Selection” to switch it on. • You can now customise the speech rate, default language and listen to an audio sample. • After that, go to your iOS PDF reader, and open a PDF file. • Highlight the text that you want to read and tap “Speak”. 36 Android devices • To use Google Text-to-speech on your Android device, go to “Settings”. Next, tap “Language & Input”. • Select “Text-to-speech output”, and then choose Google Text-to-speech Engine as your preferred engine. • You can now customise the speech rate, default language and listen to an audio sample. • To hear items read aloud, tap the Select to Speak icon, then click on a specific word, or drag your finger across the screen to select a longer passage of text, and tap the play button to begin the text-to-speech playback.
[Show full text]