Course Syllabus the Literature of Fantasy and Science Fiction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FICTIONAL NARRATIVE WRITING RUBRIC 4 3 2 1 1 Organization
FICTIONAL NARRATIVE WRITING RUBRIC 4 3 2 1 1 The plot is thoroughly Plot is adequately The plot is minimally The story lacks a developed Organization: developed. The story is developed. The story has developed. The story plot line. It is missing either a interesting and logically a clear beginning, middle does not have a clear beginning or an end. The organized: there is clear and end. The story is beginning, middle, and relationship between the exposition, rising action and arranged in logical order. end. The sequence of events is often confusing. climax. The story has a clear events is sometimes resolution or surprise confusing and may be ending. hard to follow. 2 The setting is clearly The setting is clearly The setting is identified The setting may be vague or Elements of Story: described through vivid identified with some but not clearly described. hard to identify. Setting sensory language. sensory language. It has minimal sensory language. 3 Major characters are well Major and minor Characters are minimally Main characters are lacking Elements of Story: developed through dialogue, characters are somewhat developed. They are development. They are Characters actions, and thoughts. Main developed through described rather than described rather than characters change or grow dialogue, actions, and established through established. They lack during the story. thoughts. Main dialogue, actions and individuality and do not change characters change or thoughts. They show little throughout the story. grow during the story. growth or change during the story. 4 All dialogue sounds realistic Most dialogue sounds Some dialogue sounds Dialogue may be nonexistent, Elements of Story: and advances the plot. -
Fiction As Research Practice: Short Stories, Novellas, and Novels
Alberta Journal of Educational Research, Vol. 62.1, Spring 2016, 130-133 Book Review Fiction as Research Practice: Short Stories, Novellas, and Novels Patricia Leavy Walnut, CA: Left Coast Press Inc., 2013 Reviewed by: Frances Kalu University of Calgary Fiction as Research Practice: Short Stories, Novellas, and Novels introduces the reader to fiction-based research. In the first section, Patricia Leavy explores the genre by explaining its background and possibilities and goes on to describe how to conduct and evaluate fiction-based research. In the second section of the book, she presents and evaluates examples of fiction-based research in different forms including short stories and excerpts from novellas and novels written by different authors. The third and final section explains how fiction and fiction-based research can be used in teaching. Leavy clearly differentiates the term fiction-based research from arts- based research in order to project the emergent field in a clear light of its own. Babbie (2001) explains that just as qualitative research practice emerged as a means of explaining phenomena that could not be captured by quantitative scientific research, social research attempts to study and understand everyday life experiences. Within social research, arts-based research tries to represent phenomena studied aesthetically through various forms of art (Barone & Eisner, 2012). As a form of arts-based research, Leavy describes fiction-based research as a great way to explore “topics that can be difficult to approach” through fiction (p. 20). Topics include the intricacies of interactions in everyday life, race relations, and socio-economic class and its effects on human life. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Ray Bradbury”, National Endowment for the Arts
RRaayy BBrraaddbbuurryy 1 1 “Portrait by John Sherffius”, under “Audio & Video: Ray Bradbury”, National Endowment for the Arts, http://arts.endow.gov/av/video/bradbury/bradbury.html 091027 Bibliotheca Alexandrina Compiled by Rasha Mohsen Biography 1 Ray Douglas Bradbury was born on August 22, 1920, in Waukegan, Illinois. His father, Leonard Spaulding Bradbury, worked as a telephone lineman. His mother was Esther Marie Moberg Bradbury. Bradbury had older twin brothers, Leonard and Samuel, who were born in 1916, and a younger sister, Elizabeth, born in 1926.2 In 1934, the Bradbury family drove across the country to Los Angeles, with young Ray piling out of their jalopy at every stop to plunder the local library in search of L. Frank Baum's Oz books. In 1936, Bradbury joined a weekly Thursday-night conclave that would grow to attract such science-fiction legends as Robert A. Heinlein, Leigh Brackett, and future Scientology founder L. Ron Hubbard. In 1947, Ray Bradbury married Marguerite McClure. They had met the previous April in Fowler Brothers Bookstore, where she worked—and where at first she had him pegged for a shoplifter: “Once I figured out that he wasn't stealing books, that was it. I fell for him”. 3 Ray Bradbury is best known for his highly imaginative science-fiction short stories and novels that blend social criticism with an awareness of the hazards of runaway technology. He published his first story in 1940 and was soon contributing widely to magazines. His first book of short stories, Dark Carnival (1947), was followed by The Martian Chronicles (1950), which is generally accounted a science-fiction classic in its depiction of materialistic Earthmen exploiting and corrupting an idyllic Martian civilization. -
Great Historical Fiction Books at the Pleasanton Public Library
Dangerous Crossing by Stephen Krensky 1605 to 1750 1750 to 1830 Shelved in Children’s Moving Up Grades 2-5 Audiobook available Blood on the River: James Town 1607 Great Historical by Laurie Halse Anderson In 1778, ten-year-old Johnny Adams and his by Elisa Carbone Chains Grades 7-10 (320 p) Audiobook available father make a dangerous mid-winter voyage Grades 5-8 (237 p) from Massachusetts to Paris in hopes of Traveling to the New World in 1606 as the page to After being sold to a cruel couple in New York City, a slave named Isabel spies for the rebels during the gaining support for the colonies during the Fiction Books Captain John Smith, twelve-year-old orphan Samuel American Revolution. Collier settles in the new colony of James Town, where Revolutionary War. he must quickly learn to distinguish between friend and Hannah Pritchard: A Pirate of the Revolution at the foe. Fever, 1793 by Laurie Halse Anderson by Bonnie Pryor Grades 7-10 (251 p) Audiobook available Grades 5-7 (160 p) Historical Fiction Adventures series The Sacrifice by Kathleen B. Duble The year is 1793 and fourteen-year-old Matilda After her parents and brother are killed by Loyalists, Grades 6-9 (211 p) Cook finds herself in the middle of a struggle to fourteen-year-old Hannah leaves their farm and eventually, Pleasanton Two sisters, aged ten and twelve, are accused of keep herself and her loved ones alive in the midst disguised as a boy, joins a pirate ship that preys on other ships witchcraft in Andover, Massachusetts, in 1692 and await of the yellow fever epidemic. -
LITERATURE (LITR) This Course Studies the Form of the Short Story in the Literature of Great Britain, the United States, and Other Nations
2021-2022 Academic Catalog LITR4651 SHORT FICTION LITERATURE (LITR) This course studies the form of the short story in the literature of Great Britain, the United States, and other nations. Content is variable. Stories LITR1435 LITERATURE - 20TH CENTURY are studied as a reflection of craft, culture, and ideas. Prerequisite: An exploration of modern and contemporary fiction, in which students Completion of an English Sequence (4 credits) will investigate how 20th century authors treat such themes as personal and social conflict, isolation, globalization, hope, and despair. Prerequisite: ENGL1050 and ENGL2050 (3 credits) LITR3800 SPECIAL TOPICS IN LITERATURE Special topics in literature to be determined by the faculty assigned. These courses present topics that are not covered by existing courses and are likely to change from semester to semester. Refer to the semester schedule for the courses offered that semester. Contact the faculty assigned for more information about the course topic. Prerequisite: Completion of an English Sequence (4 credits) LITR4301 POETRY WORKSHOP Students will study various forms of poetry, and, as a result, be able to write their own poems based on their understanding of poetry as an art form. Prerequisite: Completion of an English Sequence (4 credits) LITR4351 CONTEMPORARY LITERATURE Readings in poetry, fiction, and drama of the Post-World War II period. This course examines American literature and cultural history from 1945 to the present. The work of major writers will be studied to gain insights into the life of our times. Prerequisite: Completion of an English Sequence (4 credits) LITR4401 20TH CENTURY LITERATURE Through the study of authors such as Remarque, Dostoevsky, Kafka, Sartre, and Hemingway, this course will assess the problems of alienation, isolation, and individual responsibility as they are confronted by modern man in the twentieth century. -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction
Dr. Hallett ELEMENTS OF FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms that Indentify Components of Narratives “Fiction” is defined as any imaginative re-creation of life in prose narrative form. All fiction is a falsehood of sorts because it relates events that never actually happened to people (characters) who never existed, at least not in the manner portrayed in the stories. However, fiction writers aim at creating “legitimate untruths,” since they seek to demonstrate meaningful insights into the human condition. Therefore, fiction is “untrue” in the absolute sense, but true in the universal sense. Critical Thinking – analysis of any work of literature – requires a thorough investigation of the “who, where, when, what, why, etc.” of the work. Narrator / Narrative Voice Guiding Question: Who is telling the story? …What is the … Narrative Point of View is the perspective from which the events in the story are observed and recounted. To determine the point of view, identify who is telling the story, that is, the viewer through whose eyes the readers see the action (the narrator). Consider these aspects: A. Pronoun p-o-v: First (I, We)/Second (You)/Third Person narrator (He, She, It, They] B. Narrator’s degree of Omniscience [Full, Limited, Partial, None]* C. Narrator’s degree of Objectivity [Complete, None, Some (Editorial?), Ironic]* D. Narrator’s “Un/Reliability” * The Third Person (therefore, apparently Objective) Totally Omniscient (fly-on-the-wall) Narrator is the classic narrative point of view through which a disembodied narrative voice (not that of a participant in the events) knows everything (omniscient) recounts the events, introduces the characters, reports dialogue and thoughts, and all details. -
Clockwork Heroines: Female Characters in Steampunk Literature Cassie N
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 5-1-2013 Clockwork Heroines: Female Characters in Steampunk Literature Cassie N. Bergman Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Bergman, Cassie N., "Clockwork Heroines: Female Characters in Steampunk Literature" (2013). Masters Theses & Specialist Projects. Paper 1266. http://digitalcommons.wku.edu/theses/1266 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. CLOCKWORK HEROINES: FEMALE CHARACTERS IN STEAMPUNK LITERATURE A Thesis Presented to The Faculty of the Department of English Western Kentucky University Bowling Green Kentucky In Partial Fulfillment Of the Requirement for the Degree Master of Arts By Cassie N. Bergman August 2013 To my parents, John and Linda Bergman, for their endless support and love. and To my brother Johnny—my best friend. ACKNOWLEDGEMENTS I would like to thank Johnny for agreeing to continue our academic careers at the same university. I hope the white squirrels, International Fridays, random road trips, movie nights, and “get out of my brain” scenarios made the last two years meaningful. Thank you to my parents for always believing in me. A huge thank you to my family members that continue to support and love me unconditionally: Krystle, Dee, Jaime, Ashley, Lauren, Jeremy, Rhonda, Christian, Anthony, Logan, and baby Parker. -
Novel Novella: the Difference Between Novel and Novella
Novel A novel is a long narrative in prose that describes fictional characters and events. It is the longest genre of narrative prose fiction in modern literature. A novel generally contains more than 200 pages (above 40,000 words) The term novel is derived from the Italian word novella meaning ‘new’. Novel has a long history and examples for novels can be observed in many countries including Classical Greece and Rome, 10th– and 11th-century Japan, Elizabethan English etc. However. Miguel de Cervantes, author of Don Quixote, is often referred to as the first significant novelist of the modern era. Novels can be categorized in to different genres such as supernatural, thriller, fantasy, romance, western, paranormal, adventure, etc. Novella: The novella is short and well-structured narrative, often realistic and satiric in tone, that influenced the development of the short story and the novel throughout Europe. Originating in Italy during the Middle Ages, the novella was based on local events that were humorous, political, or amorous in nature; the individual tales often were gathered into collections along with anecdotes, legends, and romantictales. Novellas contain fewer characters, themes and conflicts than a novel. It generally does not contain chapters and is meant to be read in one sitting. Some prominent examples of novellas in literature include Saint-Exupery’s “The Little Prince”, H. G. Wells’ “The Time Machine”, John Steinbeck’s “Of Mice and Men”, Charles Dickens’ “A Christmas Carol” and Ernest Hemingway’s “The Old Man and the Sea”. Geoffrey Chaucer introduced the novella to England with The Canterbury Tales. -
Philosophy and the Future of Fiction
Syracuse Scholar (1979-1991) Volume 1 Issue 2 Syracuse Scholar Fall 1980 Article 3 1980 Philosophy and the Future of Fiction William Gass Follow this and additional works at: https://surface.syr.edu/suscholar Recommended Citation Gass, William (1980) "Philosophy and the Future of Fiction," Syracuse Scholar (1979-1991): Vol. 1 : Iss. 2 , Article 3. Available at: https://surface.syr.edu/suscholar/vol1/iss2/3 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Syracuse Scholar (1979-1991) by an authorized editor of SURFACE. For more information, please contact [email protected]. Gass: Philosophy and the Future of Fiction Philosophy and the Future of Fiction William Gass "Philosophy and the Future of Fiction" I would like to talk about philosophy and the development of was the first lecture of the annual the novel and to say something about the direction in which I University Lecture Series at Syracuse University. It was presented by William think the novel will go as it becomes increasingly self-conscious Gass at Grant Auditorium on October and an object of interest to philosophers. These are extra 25, 1979. The present version has been somewhat modified for purposes of ordinary changes for the novel. When I was in graduate school, publication in Syracuse Scholar. philosophers only read Dostoevski, and indeed only read The William Gass received his Ph.D. in Brothers Karamazov, and indeed only read about Ivan. They philosophy from Cornell University and did this to furnish very trivial and commonplace philosophical is now the David May Distinguished University Professor in the Humanities examples. -
What's Alien About Science Fiction?
GENRE BENDER? The German expressionist classic Metropolis is a sci-fi masterpiece, says Kimmel. What’s Alien About Science Fiction? less than many people Hollywood, and the Bar- say he’s going to have bad tender’s Guide (Fantastic vision and he might have think, says movie critic Books), is set to come out a heart defect. His whole dan Kimmel ’77. early in 2013. life is written for him, just from his DNA. And we’re Interview by Karen McCally ’02 (PhD) Why do science fiction so much more than our films need an advocate? DNA. I show that movie Movie critic Dan Kimmel ’77 has got a Whenever there is a se- to my students and they yellow jacket in his bonnet. The former rious television show or love it. I had one come president of the Boston Society of Film movie with science fic- up to me and say, “I never Critics, cochair of the Boston Online Film tion elements, you will thought I would cry at a Critics Association, and media professor at inevitably read a review science fiction movie.” Suffolk University says there’s one movie with a director or one of genre that’s never gotten its due: science the stars or the writer, You’ve had a lot to say, fiction. “It’s not really science in this same vein, about CRITIC: Sci-fi addresses serious In 2011, he made his case in a polemic, fiction. Yes, we use time Metropolis. themes, says Kimmel. Jar Jar Binks Must Die . and other Obser- travel and spaceships and Yes.