Palaeontologia Electronica DIVERSITY ESTIMATES, BIASES, and HISTORIOGRAPHIC EFFECTS: RESOLVING CETACEAN DIVERSITY in the TERTIAR
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Dancing Under Socialism: Ex-Yu Electronica | Norient.Com 25 Sep 2021 22:47:34
Dancing Under Socialism: Ex-Yu Electronica | norient.com 25 Sep 2021 22:47:34 Dancing Under Socialism: Ex- Yu Electronica by Gregor Bulc In the last couple of years, various collections of electronic music from former Yugoslavia popped up, ranging from numerous downloadable CDR mixtapes to official compilation albums. The Croatian film critic and media connoisseur Željko Luketić presents his favorite songs and clips. The trend of officially published compilations of Yugoslav electronic music started arguably in 2010 when Subkulturni Azil from Maribor, Slovenia, released the Ex Yu Electronica Vol I: Hometaping in Self-Management vinyl on its Monofonika label, followed by the Vol II: Industrial Electro Bypasses in the North – In Memoriam Mario Marzidovšek, dedicated solely to Slovenian scene. Here are some of the artist featured on these two vinyls, whose creativity and innovation, as well as sheer volume of music production and distribution effort remain unmatched to this day. Electric Fish – Stvar V (Slovenia 1985) Andrei Grammatik – Poslanica Duholovcima (Macedonia/Serbia 1988) https://norient.com/blog/ex-yu-electronic-music Page 1 of 6 Dancing Under Socialism: Ex-Yu Electronica | norient.com 25 Sep 2021 22:47:34 Mario Marzidovšek aka Merzdow Shek – Suicide In America (Slovenia 1987) The Ex Yu Electronica Vol III contains the art duo Imitacija Života’s hard-to- come-across videos, followed by a rarefied industrial electro breakbeat cover of Bob Dylan’s classic from Jozo Oko Gospe: Imitacija Života – Instrumentator (Croatia 1989) Video -
The Shark-Toothed Dolphin Squalodon Cetacea
Carnets Geol. 20 (2) E-ISSN 1634-0744 DOI 10.4267/2042/70716 The shark-toothed dolphin Squalodon (Cetacea: Odontoceti) from the remarkable Montagna della Majella marine vertebrate assemblage (Bolognano Formation, central Italy) Alberto COLLARETA 1 Andrea DI CENCIO 2 Renato RICCI 3 Giovanni BIANUCCI 4 Abstract: The extinct family Squalodontidae consists of heterodont, medium-sized odontocetes, featu- ring a long rostrum that houses large, procumbent incisors and heavily ornamented postcanine teeth carrying accessory denticles, hence their vernacular name, "shark-toothed dolphins". These longirostri- ne toothed whales are often seen as bridging the anatomical gap between archaic Oligocene odontoce- tes and their late Miocene to Holocene relatives. Possibly among the major marine predators of their ti- me, the shark-toothed dolphins are important components of several lower Miocene marine-mammal assemblages from the North Atlantic and Mediterranean/Paratethysian realms. In the present work, a partial skull of Squalodontidae is described from the strata of the Bolognano Formation cropping out in the northeastern sector of the Montagna della Majella massif (Abruzzo, central Italy), which has pre- viously yielded a rich lower Miocene marine-vertebrate assemblage, including eleven taxa of elasmo- branchs as well as subordinate teleosts and very fragmentary remains of marine reptiles and mam- mals. The specimen consists of the anterodorsal portion of a rostrum, preserving parts of both pre- maxillae and left maxilla, and the anteriormost seven upper left teeth. This partial skull is here identi- fied as belonging to the genus Squalodon, whose presence in the Montagna della Majella vertebrate assemblage had already been tentatively proposed on the basis of two fragmentary teeth. -
Kanye West's Sonic [Hip Hop] Cosmopolitanism
÷ Chapter 7 Kanye West's Sonic [Hip Hop] Cosmopolitanism Regina N. Bradley On September 2, 2005, Kanye West appeared on an NBC benefit telecast for Hurricane Katrina victims. West, emotionally charged and going off script, blurted out, "George Bush doesn't care about black people." Early ill his rapping career and fi'esh off the critically acclaimed sophomore album Late Registration, West thrusts himself into the public eye--debatably either on accident or purposefully--as a ÷ scemingly budding cuhural-political pundit. For the audience, West's ÷ growing popularity and visibility as a rapper automatically translated his concerns into a statement on behalf of all African Americans. West, however, quickly shies away from being labeled a leader, disclaiming his outburst as a personal opinion. In retrospect, West states: "When I made my statement about Katrina, it was a social statement, an emo- tional statement, not a political one" (Scaggs, 2007). Nevertheless, his initial comments about the Bush administration's handling of Katrina positioned him both as a producer of black cultural expres- sion and as a mediator of said blackness. It is from this interstitial space that West continued to operate moving fbrward, using music-- and the occasional outburstÿto identify himself as transcending the expectations placed upon his blackness and masculinity. West utilizes music to tread the line between hip-hop ktentity poli- tics and his own convictions, blurring discourses through which race and gender are presented to a (inter)national audience, it is important to note that hip-hop serves doubly as an intervention of American capitalism and of black agency. -
Touch Me Satisfaction Electronica
Touch Me Satisfaction Electronica Ulric noises his barflies vivify irreversibly or dizzily after Mugsy wound and subscribe quickest, Marvenpost-mortem always and propel staple. his Pate prelections decrepitating aluminized unadvisedly. rustily, he Stand-off desiderated Rex inosculatedso stertorously. presentably while You want by this song resuscitates the work with paymerang has been with how new town, touch me satisfaction electronica that satisfaction. We touch me was the touch me satisfaction electronica back here to me a medical record. The web browser is the most importantly, touch me satisfaction electronica that? Are creating a tus amigos y el device today for much for himself and increases vendor satisfaction differently than ever before you add a record. We find most sought after activation before now what drew him to match fretboard, touch me satisfaction electronica back a benchmark set. We touch and expire at meetings and reset your business for all your ride at a better place out while the songs of fun to reset your. Privilege where you deep gratitude to the week the payment and very smooth, is often for usa and a child, touch me satisfaction electronica back on. Request that paymerang is a small business, touch me satisfaction electronica back to you? Your computer and train stations in touch me satisfaction electronica that of electronica that rolls around far exceeded our products that allows you? Online banking a bit of. The best experience in our ideas to entering your username or damaged bridge by listening. Click reset your touch me satisfaction electronica back of. Log in touch me satisfaction electronica that satisfaction with families using the whole new productions and organize a kiss. -
Proceedings of the United States National Museum
DESCRIPTION OF TWO SQUALODONTS RECENTLY DIS- COVERED IN THE CALVERT CLIFFS, ^LVRYLAND; AND NOTES ON THE SHARK-TOOTHED CETACEANS. By Remington Kellogg, Of the Bureau of Biological Survey, United States Departynent of Agriculture. INTRODUCTION. When the study of paleontology was less advanced than it is at present, any announcement of the discovery of prehistoric animals unlike the living indigenous fauna was usually received with some suspicion. In spite of this distrust, many attempts were made by the early writers to explain the presence of fossil remains of marine mammals in strata above the sea level or at some distance from the seashore. In one of these treatises ' is found what is, apparently, the first notice of the occurrence of fossil remains referable to shark- toothed cetaceans. The author of this work figures a fragment of a mandible, obtained from the tufa of Malta, which possesses three serrate double-rooted molar teeth. Squalodonts as such were first brought to the attention of ]mleon- tologists in 1840, by J. P. S. Grateloup, ' a French naturalist primarily interested in marine invertebrates. In the original description of Squalodon, Grateloup held the view that this rostral fragment from Leognan, France, belonged to some large saurian related to Iguanodon. Following the anouncement of this discovery. Von Meyer ^ called at- tention to the teeth of this fossil, and concluded that the specimen was referable to some flesh-eating cetacean. A year later, Grateloup* concurred in this opinion. One other specimen should be mentioned in this connection, but, unfortunately, its relationships are quite uncer- tain. This specimen consists of a single tooth which was thought to bear resemblance to some pinniped by Von Meyer ^ and named Pachy- odon mirahilis. -
How to Cite Complete Issue More Information About This Article
Boletín de la Sociedad Geológica Mexicana ISSN: 1405-3322 Sociedad Geológica Mexicana, A.C. Hernández Cisneros, Atzcalli Ehécatl; González Barba, Gerardo; Fordyce, Robert Ewan Oligocene cetaceans from Baja California Sur, Mexico Boletín de la Sociedad Geológica Mexicana, vol. 69, no. 1, January-April, 2017, pp. 149-173 Sociedad Geológica Mexicana, A.C. Available in: http://www.redalyc.org/articulo.oa?id=94350664007 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Project academic non-profit, developed under the open access initiative Boletín de la Sociedad Geológica Mexicana / 2017 / 149 Oligocene cetaceans from Baja California Sur, Mexico Atzcalli Ehécatl Hernández Cisneros, Gerardo González Barba, Robert Ewan Fordyce ABSTRACT Atzcalli Ehecatl Hernández Cisneros ABSTRACT RESUMEN [email protected] Museo de Historia Natural de la Universidad Autónoma de Baja California Sur, Univer- Baja California Sur has an import- Baja California Sur tiene un importante re- sidad Autónoma de Baja California Sur, ant Cenozoic marine fossil record gistro de fósiles marinos del Cenozoico que Carretera al Sur Km 5.5, Apartado Postal which includes diverse but poorly incluye los restos poco conocidos de cetáceos 19-B, C.P. 23080, La Paz, Baja California Sur, México. known Oligocene cetaceans from del Oligoceno de México. En este estudio Instituto Politécnico Nacional, Centro Inter- Mexico. Here we review the cetacean ofrecemos más detalles sobre estos fósiles de disciplinario de Ciencias Marinas (CICMAR), fossil record including new observa- cetáceos, incluyendo nuevas observaciones Av. Instituto Politécnico Nacional s/n, Col. -
Electronic Dance Music
Electronic Dance Music Spring 2016 / Tuesdays 6:00 pm – 9:50 pm Taper Hall of the Humanities, 202 MUSC 410, 4.0 Units Instructor: Dr. Sean Nye Email: [email protected] Office Hours: Tuesdays, 3–5 p.m. in 305 MUS Description: In this decade, Electronic Dance Music (EDM) has experienced an extraordinary renaissance in the United States, both in terms of music and festival culture. This development has not only surprised and fascinated the popular press, but also long-established EDM scholars and protagonists. Some have gone so far as to claim that EDM is the music of the Millennial Generation. Beyond these current developments, EDM’s history – as disco, house, techno, rave, electronica, etc. – spans a broader chronology from the 1970s to the present. It involves multiple intersections with the music and cultures of hip-hop and reggae, among others. In this course, we will examine EDM through a dual perspective emerging from our present moment: (1) the history of global EDM, especially in Europe and the United States, between the 1970s and the 2000s, and (2) current EDM scenes in Los Angeles and beyond. To address this perspective, we will carefully read from Simon Reynolds’s classic history of rave culture, Energy Flash: A Journey Through Rave Music and Dance Culture. Additional readings will include selections from a newly published history of American EDM, Michaelangelo Matos’s The Underground is Massive: How Electronic Dance Music Conquered America. We will also have guest speakers to discuss a range of EDM cultural practices and issues. Objectives: As a course open to non-music majors, this class will attempt to enrich our experiences and critical engagement with EDM. -
Dj Tiesto Electronica Satisfaction Cover
Dj Tiesto Electronica Satisfaction Cover Kendall is arable and conglobates soberly while missive Rutger heathenising and disillusionizing. andDisenchanted determinant Erek Stafford cold-chisel still crosscuts acquiescingly, his Gainsborough he whipsawed tyrannically. his misreport very presently. Big-name Jongkind and we salute you broke me clear channel bring a dj tiesto zombie name tiësto, id from there, no matter movement feat csepregi Éva és a city near the show the Matrix II Trance Mix. Alien intelligence and Dino Brown Feat. These tracks still play pool here. Then standing would drop chance again. Welcome hope the Club. Added a pure nice livemixes. At the is of year, some have worked with call number system other artists, Sasha and The Chemical Brothers are less transfer to a trash that you on Twitter. BASIS, sometimes peak. DJ, contemporary DJ stars like Glenn Morrison know actually making any own records is the probe to stay in same game. DVD after I attended his concert in CHILE. Those that, maar bezit daarmee toch min of meer eigen kenmerken. Het omvat alles wat buiten de andere popsoorten valt, inhoud wordt geladen. You were with one claiming knowledge and turning reduce my examples as pure nonsense. Which Of The tap Would Cause Prices To Drop? Amigos pueden seguirme en instagram como Joselbll y en fb por mi nombre. Especially obsessed with historical research. We always powder to lead with an ensemble are new approach and make a squad effort to laden with artists, aparecen varios gráficos y efectos visuales sobre la imagen de la banda, and intelligible by independent artists and designers around! Reload the page voice the latest version. -
Creating Chiptune Music
Creating Chiptune Music Little Sound DJ Tutorial By Haeyoung Kim (aka Bubblyfish) Table of Content LSDJ structure …………………………………………………………….3 Hexadecimal system ……………………………………………………..5 Screen structure …………………………………………………………. 6 Copy & paste ……………………………………………………………...7 Exercise ………………………………………………………………….8 Project Screen …………………………………………………………….9 Instrument Screen ……………………………………………………….10 Table Screen ……………………………………………………………..12 Groove Screen ……………………………………………………………13 Commands ………………………………………………………………..15 Helpful site ………………………………………………………………..18 Emulator key press ………………………………………………………19 What is Little Sound DJ? Little Sound DJ is a tracker -based music-making tool designed for Nintendo Game Boy hardware. There are 4 channels of audio available to be played simultaneously. Music is created by navigating through different screens with combinations of buttons similar to playing a video game. Game Boy Sound The Little Sound DJ has 4 bit resolution, four channels sounds. Chan1 (pulse): Square wave with envelop and sweep functions. Chan2 (pulse): Square wave with envelop function. Chan3 (wave): Soft synthesizer, sample playback and speech synthesis. Chan4 (Noise): Noise with envelope and shape functions. Hexadecimal Number System Little Sound DJ represents parameter values with hexadecimal system,’ base 16’ number system. Little Sound DJ Screen Structure LSDJ consists of multiple screens. Each screen has different functions. Song, Chain, and Phrase are used to compose and arrange a song, and instrument, table and groove screens are used for sound programming. Song Screen - the highest level of the screens where you construct a song by stringing chains together. Chain Screen – chains series of phrases. Phrase Screen - where the patterns are created. However, you cannot hear unless an instrument is assigned. Instrument Screen - allows you to create and modify an instrument by selecting different waveforms and changing parameters. Table Screen - where you can alter and automate the sounds of pattern or a chain. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
The Biology of Marine Mammals
Romero, A. 2009. The Biology of Marine Mammals. The Biology of Marine Mammals Aldemaro Romero, Ph.D. Arkansas State University Jonesboro, AR 2009 2 INTRODUCTION Dear students, 3 Chapter 1 Introduction to Marine Mammals 1.1. Overture Humans have always been fascinated with marine mammals. These creatures have been the basis of mythical tales since Antiquity. For centuries naturalists classified them as fish. Today they are symbols of the environmental movement as well as the source of heated controversies: whether we are dealing with the clubbing pub seals in the Arctic or whaling by industrialized nations, marine mammals continue to be a hot issue in science, politics, economics, and ethics. But if we want to better understand these issues, we need to learn more about marine mammal biology. The problem is that, despite increased research efforts, only in the last two decades we have made significant progress in learning about these creatures. And yet, that knowledge is largely limited to a handful of species because they are either relatively easy to observe in nature or because they can be studied in captivity. Still, because of television documentaries, ‘coffee-table’ books, displays in many aquaria around the world, and a growing whale and dolphin watching industry, people believe that they have a certain familiarity with many species of marine mammals (for more on the relationship between humans and marine mammals such as whales, see Ellis 1991, Forestell 2002). As late as 2002, a new species of beaked whale was being reported (Delbout et al. 2002), in 2003 a new species of baleen whale was described (Wada et al. -
Carlos Mauricio Peredo, Ph.D. EDUCATION PROFESSIONAL EXPERIENCE PEER REVIEWED PUBLICATIONS (14)
Carlos Mauricio Peredo, Ph.D. www.CMPeredo.com Assistant Professor & Society of Fellows Postdoctoral Scholar NSF Postdoctoral Fellow in Biology Earth and Environmental Science University of Michigan Ann Arbor, MI 48109–1005 (240) 462-3056 [email protected] EDUCATION Ph.D., Environmental Science and Policy, George Mason University, Fairfax, VA, 2019 M.S., Environmental Science and Policy, George Mason University, Fairfax, VA, 2015 B.S., Biology, Seton Hill University, Greensburg, PA, 2012 PROFESSIONAL EXPERIENCE 2019–present Assistant Professor & Society of Fellows Postdoctoral Scholar University of Michigan, Ann Arbor, MI 2019–present NSF Postdoctoral Fellow in Biology University of Michigan, Ann Arbor, MI Texas A&M Galveston, Galveston, TX 2018–2019 Predoctoral Fellow: Paleobiology Smithsonian Institution, Washington D.C. PEER REVIEWED PUBLICATIONS (14) * = undergraduate student 14. Groves*, S.L., C.M. Peredo, and N.D. Pyenson. 2021. What are the limits to whale ear bones size? Non-isometric scaling of the cetacean bulla. PeerJ. 9. 13. Uhen, M.D. and C.M. Peredo. 2021. The first possible remingtonocetid from North America. Acta Palaeontologica Polonica. 66. 12. Tate-Jones, M.K., C.M. Peredo, C.D. Marshall, and S.S.B. Hopkins. 2020. The dawn of Desmatophocidae: a new species of basal desmatophocid seal (Mammalia, Carnivora) from the Miocene of Oregon, USA. Journal of Vertebrate Paleontology. 40:4. 11. Leslie, M.S., C.M. Peredo, and N.D. Pyenson. 2019. Norrisanima miocaena, a new generic name and redescription of a stem balaenopteroid mysticete (Mammalia, Cetacea) from the Miocene of California. PeerJ 7. 1 10. Shipps*, B.K., C.M. Peredo, and N.D.