DOCSLIB.ORG

Shubert Theatre Balieff's Chauve-Souris Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shubert Theatre Balieff's Chauve-Souris Program Shubert Theatre Shubert Holding Co., Lessees MESSRS. LEE and J. J. SHUBERT Managing Directors Matinees Wedne ;day and Saturday F. Ray Comstock and Morris Gest Have the Honor to Present The Most Unusual Theatrical Entertainment in the World BaliefPs Chauve-Souris (Ths Bat Theatre of Moscow) 1— In Triumphant Return to Boston WITH AN ENTIRELY NEW PROGRAM After Extraordinary Success at the Forty-Ninth Street Theatre in New York Theatre Femina in Paris and the Strand Theatre in London Boston is the First City Outs de New York and the Only City in New England to see the New Chauve-Souris 2— Engagement Limited to Two Weeks Only Overture Chef d’Orchestre, M. Zlatin STENKA RAZIN. A Famous Legend of the Volga. Music by Alexei Archangelsky. Stenka Razin was a legendary bandit who terrorized the regions bordering on the River Volga toward the close of the seventeenth century. In the course of one of his raids. Stenka has captured a Persian Princess of incomparable beauty and carried her off with him. Her presenc on the Chieftain's craft arouses dis- content among his whole crew and especially in the heart of his mistress, Alyona. Jealous and vengeful, Alyona incites Stenka’s comrades against their leader, and they charge him with plotting to betray them for the beautiful eyes of the foreign Princess. Stenka’s warlike heart is roused by this reproach, he recovers from his infatuation and hurls the Persian Princess into the Volga. His followers are deeply impressed by this proof of his loyalty but, grieved at the tragic fate of the beautiful Princess, they begin to chant a re- quiem in her memory. Abruptly, Stenka halts their sad chant, orders a gay song, and stands master over th orgy that follows. Mmes. Deykarhanova and Tchoukleva and Messrs Anfimoff, Dalmatoff, Ermoloff, Marievsky, Okorotchenkoff, Sheftel, Stoianovsky, Touchnoff, Wurzel, Zotoff and Davidoff. Scenery and costumes by Vassily Shoukhaeff. THE RENDEZVOUS OF LOVE. An Old Polka Based on the Embroidered Pattern of an Old Russian Cushion. Mme. Karavanova and M. Gorodetsky. Scenery and costumes by Nicholas Benois. — 3— A WINTER EVENING. A Musical Tableau Arranged by Alexei Archangelsky. 4— Mmes. Birse and Ershova Scenery and costumes by Sergei Soudeikine AMOUR ET HIERARCHIE Love in the Ranks). A Buffoonery of Ancient St. Petersburg. Music by Alexei Archangelsky. The daughter of the regiment awaits her suitors. One by one they appear to claim her favor—first the drummer boy, next the sergeant-major, next the lieutenant, and then the Colonel. Each in turn puts to rout his inferior and takes his place in accordance with the established discipline of military seniority. Finally the general arrives, puts them all in their place, reconciles them to their fate, and struts off victor in this strange tournament. Mme. Fechner and Messrs Dalmatoff, Gorodetsky, Ermoloff, Marievsky and Stoianovsky Scenery and costumes by Nicholas Benois. 5 AN ANCIENT CAMEO. From Nikita Balieff’a Collection Left Behind in Moscow. Music by Weckerlin, Arranged by Alexei Archangelsky. Mmes. Birse, Ershova, Karabanova, Kommissarjevskaya, Sperantseva and Tchoukleva. Scenery and costumes by Nicholas Benois. 6 THE SHEPHERDESS INTERLUDE. From Tchaikovsky’s Opera, “The Queen of Spades.” Mmes. Birse, Ershova, Fechner, Karabanova, Kommissarjevskaya, and Zlatina, and Messrs. Touchnoff and Gorodetsky. Scenery and costumes by Vassily Shoukhaeff. 7 THE ZAPOROZHTSI (The Dnieper Cossacks). Based on the famous painting by Ilya Repin. Music by Alexei Archangelsky. The Zaporozhtsi, a branch of the Cossacks who lived along the River Dnieper in Ukrainia, defended Central Russia and its capital, Moscow, in the seventeenth and eighteenth centuries, from the perpetual raids of the Turk. A people of strange customs and dauntless bravery, the Zaporozhtsi inspired by their deeds numerous Russian poets, novelists and painters. The first great Russian novelist, Nicholas Gogol, took their wild life and courageous exploits for the background of his story, “Taras Bulba.” Likewise, the greatest of modern Russian painters, Ilya Repin, has left us a famous painting which represents a humor- ous episode in the bitter struggle between the Cossacks and the Sultan. This painting hangs in the Tretya- kovsky Gallery, Moscow, the treasury of modern Russian art. According to the version of Gogol, which Repin has spread on his canvas, the Sultan sent a letter to the Zaporozhtsi demanding immediate pay- ment of a war levy. The Cossack council, the “Rada,” considers the question of a fitting reply. Full of in- dignation, tempered with grim humor, the Zaporozhtsi crowd around their scribe, the only one of their number who can read and write. Each one suggests to him a gibe or an insult to be incorporated in the mes- sage to the Sultan. The most biting and the wittiest phrases are smothered in bursts of primitive and ap- proving laughter. Messrs. Anfimoff, Dalmatoff, Gorodetsky, Ermoloff, Marievsky, Okorotchenkoff, Sheftel, Stoianovsky, Tcherniavsky, Touchnoff, Wurzel, Zotoff and Davidoff. Scenery and costumes by Nicholas Benois. INTERMISSION Chauve-Souris Cross-Face Puzzle Curtain, by Ralph Barton Painted by Andrei Hudiakoff A new souvenir of the Chauve-Souris, beautifully illustrating in full colors the new bill, has just been published by F. Ray Comstock and Morris Gest and is on sale in the foyer. — 8 THE ARRIVAL AT BETHLEHEM. Taken from “The Golden Legends” of Yvette Guilbert Mmes. Deykarhanova, Kommissarjevskaya, Karabanova and Messrs. Dalmatoff, OkorotchenkofF and Wurzel. Scenery and costumes by Vassily Shoukhaeff. 9 SICILIANA. Music by Alexei Archangelsky 10— Mme. Birse and Messrs. Anfimoff, Stoianovsky, Wurze and Zotoff. Scenery and costumes by Nicholas Benois. THE KING ORDERS THE DRUMS TO BE BEATEN. An Old French Ballade. The King orders the drums to be beaten, an omen that he has determined to command one of his Nobles to surrender his wife to the royal will. Heartbroken, but faithful to his imperial master, the Noble yields.11— As a token of welcome to her successor, the Queen bestows on the beautiful Noblewoman a bou- quet of flowers. Secretly she has poisoned the flowers and when the Noblewoman breathes their odor, she falls dead. Mmes. Deykarhanova, Karabanova, Kommissarjevskaya and Messrs. Dalmatoff Zotoff. Scenery and costumes by Alexander Benois. THE FOUR CORPSES. A Tragi-Comic Opera 12— In this terrific cloak and sword drama, two cavaliers, Edouard and Hidoubrand, are both in love with Cunegonde. She loves Edouard. Hidoubrand surprises them and challenges Edouard to a duel. They are both mortally wounded. Cunegonde herself gives Hidoubrand the death thrust and then, unwilling to sur- vive her beloved Edouard, she takes poison. At sight of this horrifying tragedy, the mutual friend of all three, Schnouzi, also commits suicide. Mme. Zlatina, and Messrs. Anfimoff, Stoianovsky and Zotoff. Scenery and costume by Nicholas Benois. THE QUARREL OF TWO DUTCHWOMEN. An Old Time Dutch Dance. Music by Grieg. Mmes. Karabanova and Sperantseva and M. Gorodetsky. Scenery and costumes by Herman Rosse. 13—A COUNTRY PICNIC IN A DISTANT PROVINCE OF RUSSIA. Musi: by Alexei Archangelsky. Mme Birse, Ershova, Savina. Tchoukleva, Zlatina and Messrs. Marievsky, OkorotchenkofF, Touchnoff, Sheftel, Wurzel and Zotoff. Scenery and costumes by Vassily Shoukhaeff. All Scenes are Conceived and Devised by NIKITA BALIEFF. Production Staged Under the Direction of ALEXANDER SANIN. Dances Directed by BORIS ROMANOFF, Master o Choreography. Costumes Executed by MAISON MAX WELDY, Paris. Scenery executed in the studio of H. CILLARD, Paris. Coiffures by MAISON PONTET-BONDON. L. Vivant. Successor, Paris. The Theatre of the Chauve-Souris. NIKITA BALIEFF Founder and Artistic Director ALEXEI ARCHANGELSKY Staff Composer M. ZLATIN Musical Director GEORGE BIRSE General Manager C. PRIMAK Business Manager VADIM SHVEROUBOVITCH Stage Manager Executive Staff for F. Ray Comstock and Morris Gest. W. H. OVIATT General Manager VALERIE PETRI Secretary to Morris Gest SIMEON GEST Foreign Representative .
Load more

Recommended publications
  • My Wonderful World of Slapstick
    THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
    [Show full text]
  • The Role of Stanislavsky and the Moscow Art Theatre's 1923 And
    CULTURAL EXCHANGE: THE ROLE OF STANISLAVSKY AND THE MOSCOW ART THEATRE’S 1923 AND1924 AMERICAN TOURS Cassandra M. Brooks, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2014 APPROVED: Olga Velikanova, Major Professor Richard Golden, Committee Member Guy Chet, Committee Member Richard B. McCaslin, Chair of the Department of History Mark Wardell, Dean of the Toulouse Graduate School Brooks, Cassandra M. Cultural Exchange: The Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. Master of Arts (History), August 2014, 105 pp., bibliography, 43 titles. The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge.
    [Show full text]
  • 1998 Acquisitions
    1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in.
    [Show full text]
  • The Institute of Modern Russian Culture
    THE INSTITUTE OF MODERN RUSSIAN CULTURE AT BLUE LAGOON NEWSLETTER No. 53, February, 2007 IMRC, Mail Code 4353, USC, Los Angeles, Ca. 90089-4353, USA Tel.: (213) 740-2735 Fax: (213) 740-8550; E: [email protected] website: http://www.usc.edu./dept/LAS/IMRC STATUS This is the fifty-third biannual Newsletter of the IMRC and follows the last issue which appeared in August, 2006. The information presented here relates primarily to events connected with the IMRC during the fall and winter of 2006. For the benefit of new readers, data on the present structure of the IMRC are given on the last page of this issue. IMRC Newsletters for 1979-2005 are available electronically and can be requested via e-mail at [email protected]. A full run can also be supplied on a CD disc (containing a searchable version in Microsoft Word) at a cost of $25.00, shipping included (add $5.00 if overseas airmail). In August, 2004, the IMRC transferred the Newsletter to an electronic format and individuals and institutions on our courtesy list are receiving the issues as an e-attachment. Members in full standing, however, continue to receive hard copies of the Newsletter as well as the text in electronic format, wherever feasible. Please send us new and corrected e-mail addresses. An illustrated brochure describing the programs, collections, and functions of the IMRC is also available RUSSIA One of the most encouraging things about the brash new Russia is that the more she changes, the more she stays the same or, rather, the more she withdraws into the darker age of her time of troubles.
    [Show full text]
  • The Bolshevik Revolution and Tin Pan Alley: Anti-Revolutionary Song in the United States, 1917-1927
    THE BOLSHEVIK REVOLUTION AND TIN PAN ALLEY: ANTI-REVOLUTIONARY SONG IN THE UNITED STATES, 1917-1927 By BRIAN HOLDER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2008 1 © 2008 Brian Holder 2 To Lauren, Murphy, and Rufio. 3 ACKNOWLEDGMENTS I wish to thank the members of my supervisory committee and the many other professors who have guided me through my years at the University of Florida. Specifically I thank David Z. Kushner for his mentorship and inspiration. It has been an honor to study and work within his musicology program. Additional help and advice came from Robena Cornwell, Michele Wilbanks, and Mary Wood at the University of Florida Music Library, Jim Liversidge at the University of Florida Popular Culture Collections, the Performing Arts Reading Room staff at the Library of Congress, Nancy Mason, assistant to the Milne Special Collections at the University of New Hampshire, the Duke University Special Collections staff, sheet music collector and lecturer Lee Schreiner, and Bernard Parker, author and World War I song collector. I am very grateful for their assistance. My colleagues at Santa Fe College have also been very supportive during the preparation of this study. I appreciate their encouragement and understanding. I thank David Goldblatt for his willingness to both sing and accompany himself in performance of Let’s knock the bull out of the Bolsheviki. Finally I thank my mother, whose gift of the sheet music Johnny’s in town sparked an interest in the music of the First World War.
    [Show full text]
  • Shapiro Auctions
    Shapiro Auctions RUSSIAN AND INTERNATIONAL FINE ART & ANTIQUES Saturday - November 16, 2013 RUSSIAN AND INTERNATIONAL FINE ART & ANTIQUES 1: SPANISH 17TH C., 'Bust of Saint John the Baptist USD 5,000 - 7,000 SPANISH 17TH C., 'Bust of Saint John the Baptist Holding the Lamb of God', gilted polychrome wood, 85 x 75 x 51 cm (33 1/2 x 29 1/2 x 20 in.), 2: A RUSSIAN CALENDAR ICON, TVER SCHOOL, 16TH C., with 24 USD 20,000 - 30,000 A RUSSIAN CALENDAR ICON, TVER SCHOOL, 16TH C., with 24 various saints including several apostles, arranged in three rows. Egg tempera, gold leaf, and gesso on a wood panel with a kovcheg. The border with egg tempera and gesso on canvas on a wood panel added later. Two insert splints on the back. 47 x 34.7 cm. ( 18 1/2 x 13 3/4 in.), 3: A RUSSIAN ICON OF ST. JOHN THE BAPTIST, S. USHAKOV USD 7,000 - 9,000 A RUSSIAN ICON OF ST. JOHN THE BAPTIST, S. USHAKOV SCHOOL, LATE 17TH C., egg tempera, gold leaf and gesso on a wood panel with kovcheg. Two insert splints on the back. 54 x 44.1 cm. (21 1/4 x 17 3/8 in.), 4: A RUSSIAN ICON OF SAINT NICHOLAS THE WONDERWORKER, USD 10,000 - 15,000 A RUSSIAN ICON OF SAINT NICHOLAS THE WONDERWORKER, MOSCOW SCHOOL, 16TH C., traditionally represented as a Bishop, Nicholas blesses the onlooker with his right hand while holding an open text in his left. The two figures on either side refer to a vision before his election as a Bishop when Nicholas saw the Savior on one side of him holding the Gospels, and the Mother of God on the other one holding out the vestments he would wear as a Bishop.
    [Show full text]
  • Downloaded from the Web-Site
    THE INSTITUTE OF MODERN RUSSIAN CULTURE AT BLUE LAGOON NEWSLETTER No. 52, August, 2006 IMRC, Mail Code 4353, USC, Los Angeles, Ca. 90089-4353, USA Tel.: (213) 740-2735 Fax: (213) 740-8550; E: [email protected] website: http://www.usc.edu./dept/LAS/IMRC STATUS This is the fifty-second biannual Newsletter of the IMRC and follows the last issue which appeared in February, 2006. The information presented here relates primarily to events connected with the IMRC during the spring and summer of 2006. For the benefit of new readers, data on the present structure of the IMRC are given on the last page of this issue. IMRC Newsletters for 1979-2005 are available electronically and can be requested via e-mail at [email protected]. A full run can also be supplied on a CD disc (containing a searchable version in Microsoft Word) at a cost of $25.00, shipping included (add $5.00 if overseas airmail). In August, 2004, the IMRC transferred the Newsletter to an electronic format and individuals and institutions on our courtesy list are receiving the issues as an e-attachment. Members in full standing, however, continue to receive hard copies of the Newsletter as well as the text in electronic format, wherever feasible. Please send us new and corrected e-mail addresses. An illustrated brochure describing the programs, collections, and functions of the IMRC is also available RUSSIA: Land of Milk and Money Amidst the astounding material abundance in the new Moscow, symbolized by the colossal twenty- four hour hypermarkets and the mega department stores, there is a line of products which stands quite apart from the Italian footwear, Chinese jeans, Japanese sushi and German lawnmowers – and that is the ever expanding dairy section in the local food store.
    [Show full text]
  • 20Th Century Ballet Programs Many from Ballets Russes Performance
    Golden Legend, Inc 11740 San Vicente Blvd. #109 Los Angeles, CA 90049 [email protected] 310 721 3584 WWW.GOLDENLEGEND.COM 20th Century Ballet Programs Many from Ballets Russes performance 1. The American Ballet. New York: Musical Art Management Corp,Alexander Merovitch, President. (1935) (Souvenir program) Quarto. Wrappers with cover in color by Louis Bouché, with inside pages blank back cover with Gibbs Press, Inc/New York printed lower right. 14p illustrated with photos in black and white plus cover in cover by Louis Bouché. Spine split Very clean. This program describes the first seven ballets created by Balanchine for his new company the America Ballet which was, according to Anita Finkle, “the first truly American classical ballet company”. Among the ballets produced “Alma Mater was perceived as being wholesomely, productively American”. (Article on the American Ballet by Anita Finkle in International Encyclopedia of Dance (1999) I.63) Ref: Choreography of George Balanchine. A Catalogue of Works. New York Eakins Press, 1983. P.297 $250.00 2. Balieff's Chauve-Souris Bat Theatre. American Season under the Direction of F. Ray Comstock & Morris Gest. (New York, the Company, 1922.) Quarto. 12x9", 24 pages. Fine. Souvenir program. Illustrated color cover and numerous color illustrations by Serge Sudeikine and Nikolai Remizov. Short history of the La Chauve-Souris company from the early 1900s. The program includes an history of the company and a centerfold cartoon by Ralph Barton on famous faces in attendance. Originating in Moscow and then moving to Paris after the Russian revolution. Directed by Nikita Balieff, the revue toured the United States and Europe .
    [Show full text]
  • A Historical Study of the Tulane and Crescent Theatres of New Orleans, Louisiana: 1897-1937
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1963 A Historical Study of the Tulane and Crescent Theatres of New Orleans, Louisiana: 1897-1937. Sadie Faye edwards Head Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Head, Sadie Faye edwards, "A Historical Study of the Tulane and Crescent Theatres of New Orleans, Louisiana: 1897-1937." (1963). LSU Historical Dissertations and Theses. 885. https://digitalcommons.lsu.edu/gradschool_disstheses/885 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been 64—5045 microfilmed exactly as received HEAD, Sadie Faye Edwards, 1929- A HISTORICAL STUDY OF THE TULANE AND CRESCENT THEATRES OF NEW ORLEANS, LOUISIANA: 1897-1937. Louisiana State University, Ph.D., 1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan A HISTORICAL STUDY OF THE TULANE AID CRESCENT THEATRES OF NEW ORLEANS, LOUISIANA: 1897-1937 A Dissertation Subnit ted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial flilfUlasent of the requirements for the degree of Doctor of Philosophy in The Department of Speech hy Sadie Faye
    [Show full text]
  • Baronessa Mariií¡A Dmitrievna Vrangel' Collection
    http://oac.cdlib.org/findaid/ark:/13030/tf8v19n9qz Online items available Register of the Baronessa Marii͡a Dmitrievna Vrangel' collection Finding aid prepared by Olga Verhovskoy Dunlop Hoover Institution Library and Archives © 1998 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Register of the Baronessa Marii͡a 33003 1 Dmitrievna Vrangel' collection Title: Baronessa Marii͡a Dmitrievna Vrangel' collection Date (inclusive): 1915-1944 Collection Number: 33003 Contributing Institution: Hoover Institution Library and Archives Language of Material: Russian Physical Description: 49 manuscript boxes, 12 oversize boxes(32.5 Linear Feet) Abstract: Correspondence, writings, memoirs, biographical material, pamphlets, periodicals, newspapers, photographs, clippings, and printed matter relating to Russian émigré activities following the Russian Revolution and Civil War, including political, military, veterans', religious, educational, cultural, literary, artistic, and social activities. Includes a few papers of M. D. Vrangel'. Also available on microfilm (49 reels). Digital copies of select records also available at https://digitalcollections.hoover.org. source: Vrangel', Marii͡a Dmitrievna, baronessa, 1857-1944 Hoover Institution Library & Archives Access Microfilm use only except Boxes 44-45; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Acquired by the Hoover Institution Library & Archives in 1933. Preferred Citation [Identification of item], Baronessa Marii͡a Dmitrievna Vrangel' collection, [Box no., Folder no. or title], Hoover Institution Library & Archives. Alternative Form Available Also available on microfilm (49 reels). Digital copies of select records also available at https://digitalcollections.hoover.org.
    [Show full text]
  • View Catalogue
    J & J LUBRANO MUSIC ANTIQUARIANS RUSSIA & EASTERN EUROPE in MUSIC & DANCE including Books from the Collection of Igor Stravinsky’s Personal Librarian, Edwin Allen 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. v Please visit our website at www.lubranomusic.com Fine Items & Collections Purchased v Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c.
    [Show full text]
  • Rare Books & Manuscripts Fine Printing
    Sale 482 Thursday, June 21, 2012 11:00 AM Rare Books & Manuscripts Fine Printing – Illustrated Books Auction Preview Tuesday June 19, 9:00 am to 5:00 pm Wednesday, June 20, 9:00 am to 5:00 pm Thursday, June 21, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material.
    [Show full text]