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Il Barbiere Di Siviglia

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Il Barbiere Di Siviglia 9 TEATRO MASSIMO TEATRO IL BARBIERE DI SIVIGLIA IL Membro di GIOACHINO ROSSINI seguici su: IL BARBIERE teatromassimo.it DI SIVIGLIA Piazza Verdi - 90138 Palermo ISBN: 978-88-98389-87-2 euro 10,00 OPERE E BALLETTI OPERE E BALLETTI SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO AL TURISMO SPORT E SPETTACOLI ALBO DEI DONATORI FONDAZIONE ART BONUS TEATRO MASSIMO FONDAZIONE SICILIA Francesco Giambrone Sovrintendente TASCA D’ALMERITA CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) Presidente CAFFÈ MORETTINO Federico Ferina Vicepresidente ANNIBALE BERLINGIERI Daniele Ficola Luciano Fiorino SAIS AUTOLINEE Castrenze Guzzetta AGOSTINO RANDAZZO COLLEGIO DEI REVISORI Maurizio Graffeo Presidente FILIPPONE ASSICURAZIONE Marco Piepoli Gianpiero Tulelli GIUSEPPE DI PASQUALE IL BARBIERE DI SIVIGLIA TURNI Melodramma buffo in due atti Libretto di Cesare Sterbini dalla commedia Le barbier de Séville Venerdì 20 settembre 20.30 Prime di Pierre-Augustin Caron de Beaumarchais Musica di Gioachino Rossini Domenica 22 settembre 18.30 D Martedì 24 settembre 18.30 B Prima rappresentazione: Roma, Teatro Argentina, 20 febbraio 1816 Giovedì 26 settembre 18.30 C Sabato 28 settembre 20.30 F La prima di venerdì 20 settembre sarà trasmessa in diretta Allestimento della Fondazione Arena di Verona streaming sul sito del Teatro Massimo. 13 ARGOMENTO 17 SYNOPSIS 21 ARGUMENT 25 HANDLUNG 31 “IO SONO DOCILE, SON RISPETTOSA, MA…” DI ANGELA FODALE 39 LIBRETTO 40 ATTO I 63 ATTO II 78 ALBUM DI IL BARBIERE DI SIVIGLIA AL TEATRO MASSIMO INDICE 85 NOTE BIOGRAFICHE 13 ARGOMENTO Atto I Una piazza di Siviglia, prima dell’alba. Il conte d’Almaviva canta una serenata per Rosina (“Ecco, ridente in cielo”). Apprende poi da Figa- ro, un tempo suo servitore, ora barbiere e factotum della città (“Largo al factotum”), che la ragazza è sotto la tutela del dottor Bartolo, e che Figaro ha libero accesso alla casa. Rosina riesce a far avere al Conte un biglietto, con il quale chiede di sapere nome, rango e intenzioni del suo corteggiatore; e quando Bartolo si allontana per andare in cerca di Don Basilio, il maestro di musica che lo assiste nel suo pro- getto di sposare Rosina per impossessarsi della sua dote, Almaviva canta un’altra serenata, nella quale racconta di essere un povero stu- dente di nome Lindoro (“Se il mio nome saper voi bramate”). Rosina sta per rispondere, ma viene interrotta. Il Conte vuole incontrare Ro- sina e offre a Figaro ricchi compensi in cambio del suo aiuto; Figaro suggerisce di fingersi un soldato ubriaco che deve essere alloggiato in casa di Bartolo (“All’ idea di quel metallo”). In casa di Bartolo, Rosina è decisa a sposare Lindoro, anche contro le intenzioni di Bartolo (“Una voce poco fa”). Bartolo è preoccupato dalla presenza di un corteggiatore di Rosina, e Don Basilio rinfocola 14 15 ARGOMENTO IL BARBIERE DI SIVIGLIA i suoi sospetti dicendo che il Conte è stato visto a Siviglia e sugge- nel panico: con minacce e profferte, il Conte riesce a farlo sloggiare rendo di liberarsene inventando qualche calunnia (“La calunnia è un (“Don Basilio! – Cosa veggo”). Mentre Figaro si occupa di Bartolo, il venticello”). Quando i due si ritirano per discutere il contratto nuziale, Conte vorrebbe raccontare a Rosina dello stratagemma del biglietto, Figaro, che li ha spiati, racconta tutto a Rosina e la invita a scrivere ma Bartolo si accorge dell’inganno e scaccia il barbiere e il finto ma- un biglietto al povero studente. La lettera è già scritta, e Rosina la estro di musica. consegna a Figaro: appena in tempo, perché il sospettoso Bartolo Basilio consiglia a Bartolo di affrettare il matrimonio: quella sera stes- arriva e la interroga, minacciandola di rinchiuderla nella sua stanza sa verrà il notaio. La vecchia serva Berta si lamenta delle follie che fa (“A un dottor della mia sorte”). Ma ecco giungere Almaviva, travestito fare l’amore (“Il vecchiotto cerca moglie”). da soldato ubriaco (“Ehi, di casa! buona gente!”); nello scompiglio Al termine di una tempesta, Figaro e il Conte arrivano dalla scala pog- che si crea al suo arrivo, riesce a far avere a Rosina un biglietto, che giata contro il balcone, ma Rosina è infuriata per le calunnie di Bartolo Bartolo scorge ma che Rosina astutamente sostituisce con la lista del contro Lindoro. Il Conte rivela la sua identità, Figaro scopre però che bucato. Il baccano è tale che interviene la guardia, ma Almaviva si fa la scala non è più al suo posto, e si sentono intanto rumori di gente riconoscere dall’ufficiale, tra lo stupore generale. che entra in casa: sono Basilio e il notaio, venuti a celebrare il matri- monio di Bartolo e Rosina. Ma lo sposo sarà invece il Conte: quando Atto II Bartolo arriva con i gendarmi, sarà costretto ad arrendersi al volere Bartolo rimugina sul misterioso soldato quando entra di nuovo Al- del nobile (“Cessa, di più resistere”). Ma poiché il Conte rinuncia alla maviva, questa volta travestito da “Don Alonso”, finto allievo di Don dote di Rosina, il lieto fine è generale (“Di sì felice innesto”). Basilio: quest’ultimo sarebbe malato e lui verrebbe in sua vece per dar lezione a Rosina; e per sviare i sospetti del tutore, mostra il bigliet- to di Rosina, sostenendo di averlo avuto per caso e che si potrebbe usarlo per avvelenare l’amore di Rosina verso il Conte. Durante la le- zione, Rosina canta un’aria alla moda (“Contro un cor”) accompagna- ta dal Conte, che approfitta del momento in cui Bartolo sonnecchia per esporre alla ragazza il progetto per rapirla nel corso della notte. Bartolo canta poi un’aria di stile antico (“Quando mi sei vicina”), e Fi- garo giunge per far la barba a Bartolo e impadronirsi della chiave del balcone. Ma arriva anche Basilio, gettando tutti per un momento 17 SYNOPSIS Act I A small square in Seville before dawn. Disguised as a student, Count Almaviva serenades Rosina (“Ecco, ridente in cielo”). He learns from Figaro, a former servant, now the city barber and general factotum (“Largo al factotum”), that she is Dr Bartolo’s ward, and that he has access to the house. Rosina contrives to drop a note for Almaviva, sending her guardian on a wild-goose chase to pick it up and cau- sing him to resolve to keep her under even closer guard. The letter asks for information about her unknown suitor’s name, rank and in- tentions; and when Bartolo has set off in search of his crony Don Ba- silio, the music teacher, to arrange his marriage to Rosina, Almaviva sings another serenade, telling her that he is a poor student called Lindoro (“Se il mio nome saper voi bramate”). Inspired by the Count’s munificence, Figaro declares that he can get him into the house, disguised as a drunken soldier seeking a billet (“All’ idea di quel metallo”). Inside Dr Bartolo’s house, Rosina is determined to marry her unk- nown suitor (“Una voce poco fa”), while Bartolo is set on marrying her himself. He tries to interrogate his servants about what has been going on in his house, but they can only yawn or sneeze, because 18 19 SYNOPSIS IL BARBIERE DI SIVIGLIA they have been dosed by Figaro. Basilio tells him that Count Almavi- because he looks so ill, advice he accepts the more readily because va has been seen in Seville and advises getting rid of him by slander Almaviva slips him a bribe (“Don Basilio! – Cosa veggo”). Figaro be- (“La calunnia è un venticello”). They retire to work on the marriage gins to shave Bartolo, while Almaviva and Rosina continue to arran- contract. Figaro, who has overheard their plans, tells Rosina and ur- ge the elopement. Bartolo realises what is going on and the Count ges her to write to his “poor cousin.” The letter is already written and and Figaro make their escape. she gives it to him. Bartolo, suspecting that she has been writing, Basilio comes back with the unwelcome news that the unknown confronts her with the evidence. She has an answer to all his accusa- suitor is probably Almaviva himself, a conclusion he has reached tions, but he is not convinced and says he will lock her in her room because of the size of the bribe. Bartolo sends Basilio to bring the when he goes out (“A un dottor della mia sorte”). Almaviva bursts in, notary to perform the marriage with Rosina and to arrest Figaro and disguised as a drunken soldier (“Ehi, di casa! buona gente!”). In the Almaviva. Berta wonders why people in love act so crazily (“Il vec- confusion he slips Rosina a note, which is seen by Bartolo, but Rosi- chiotto cerca moglie”). na smartly substitutes the laundry list. The watch arrive to quell the During the storm Figaro and Almaviva climb a ladder to the balcony, riot, but are awed by a document produced by Almaviva. only to be confronted by an angry Rosina, but the Count calms her fears by revealing his identity. Figaro urges haste, but the ladder Act II has been taken. Basilio arrives with the notary and they get him to Bartolo is voicing his suspicions about this soldier when Almaviva solemnise Almaviva’s marriage to Rosina. Bartolo and the law arrive appears again, this time disguised as “Don Alonso”, a supposed pu- too late, and are confronted by the Count (“Cessa, di più resistere”). pil of Don Basilio, who, he says, is indisposed and has sent him to Bartolo has no choice but to accept that he has been beaten and take Rosina’s music lesson. To allay Bartolo’s suspicions he produces join in the celebrations (“Di sì felice innesto”).
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