15Invitati Ons15years Ruangrupa Aug Sep 16

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15INVITATI ONS15YEARS RUANGRUPA AUG SEP 16 RUANGRUPA TOKO PURA-PURA (QUASI-SHOP) Jakarta-based artist collective ruangrupa staged Toko Pura-Pura as a play on ‘toko rupa-rupa,’ or ‘assorted shop’—where many of Hong Kong’s Indonesian domestic workers’ daily needs are met. Utilising old and new archives, the shop served as a transactional space where knowledge and ideas were exchanged through collaborations with Hong Kong-based artists, musicians, designers, and cultural initiatives. ruangrupa Toko Pura–Pura (Quasi–Shop) August–September 2016 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Toko Pura-Pura (Quasi-Shop) Credits Editing by Ingrid Chu Organised by ruangrupa Editing assistance by Lucia Kim, 26 Aug–30 Sep 2016 Maloy Lukian, and Grace Tsoi. AAA Project Team All photography and images . Ingrid Chu courtesy of Asia Art Archive . Susanna Chung unless otherwise noted. Claire Hsu . Hammad Nasar Additional photography by . Vivian Poon, Inviter Kitmin Lee (pp 4, 21: 7-8); . Chantal Wong Jason Ma (pp 20-21: 1-4); and ruangrupa (pp 2-3, 6, 20-21: 5-6). AAA Project Coordinator . Holly Leung Additional images (pp 7-19) courtesy of: Special Thanks . Come Inside . dj sniff (Takuro Mizuta Lippit) © 2016 OMQ ZMEDIA LTD. doing.hk . Eli Design . Kemalreza Gibranos Hani Charaf, Kemistry Design . The Interzone Collective . Mickey Lee ISBN 978-988-13427-5-1 . Peter Leung © 2017 Asia Art Archive . Erin Li All rights reserved . Elaine Lin . Merry Lamb Lamb . mosunsun . nomad nomad . Onion Peterman . Adi ‘Dhigel’ Setiawan . Natasha Gabriella Tontey 22 Asia Art Archive marks its 15th Learning and Participation year by extending 15 Invitations to Programme Sponsor: creative practitioners to look within and beyond the organisation as an archive, a collection of material, a digital platform, and a node in a wider collective network. 15 15 Invitations Sponsor: Invitations take various sizes, forms, and creative directions— literary, polemic, political, sonic, physical, and digital—and function as a series of ‘drop pins’ to alternatively navigate where AAA originated and where it may be going. AAA’s e-journal Field Notes traces the 15 participants as Asia Art Archive is an independent they contribute notes and entries non-profit organisation initiated to document the process. in 2000 in response to the urgent need to document and 15 Invitations for 15 Years make accessible the multiple is supported by the S. H. Ho recent histories of art in the Foundation Limited, the C. K. & region. With one of the most Kay Ho Foundation, and The Hong valuable collections of material Kong Arts Development Council. on art freely available from its The programme is part of the website and on-site library, AAA ADC 20th Anniversary Celebration builds tools and communities to Series. Special thanks to collectively expand knowledge PageNEXT; Spring Workshop. through research, residency, and educational programmes. Asia Art Archive 11/F Hollywood Centre 233 Hollywood Road Sheung Wan, Hong Kong Tel +852 2844 1112 [email protected] www.aaa.org.hk 23 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 AAA.ORG.HK.

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15Invitati Ons15years Marysia Le Wandowska Apr May 15
15INVITATI ONS15YEARS MARYSIA LE WANDOWSKA APR MAY 15 MARYSIA LEWANDOWSKA PROPERTY PROTEST COMMO NS WORKING LEXICON Artist Marysia Lewandowska, 2014/15 AAA resident contributed Property, Protest, Commons, and the Alternative Economies of Art, a series of public workshops co-organised with curator Esther Lu, and co-presented with Taipei Contemporary Art Center (TCAC). Leading towards Made in Public, a collectively generated project and publication, participants interrogated the relationship between art, property, protest, and the commons in the context of recent cultural and political events in Asia. A third workshop took place at TCAC 18–20 September 2015. Marysia Lewandowska Property, Protest, Commons and the Alternative Economies of Art April–May 2015 PROPERTY PROTEST COMMONS Working Lexicon The Property Protest Commons dossier Addressing recent histories and aims at composing a speculative proposing alternative readings of lexicon, acting as a provisional tool the archive are important steps in useful for rethinking the economies taking possession of intellectual of sharing in the context of current terrain from which many artists have cultural and political events in Asia. been excluded. Institutions often While exposing connections between impose exclusive access and restrict the three distinct terms and tracing knowledge of the analogue past; their less rehearsed trajectories, a we ought to intensify our efforts distributed set of images and texts in supporting distributed networks points to the role translation plays by way of integrating physical and in the exchange. The considerations digital assemblies. All archives of placement and shared use of the threaten to reveal what we are unable folder, together with the design of to anticipate—the sediment of the the pages, introduce ruptures and missing, the hostile shadow of the slippages into experience.
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15Invitati Ons15years Walid Raad Jun Sep 16
15INVITATI ONS15YEARS WALID RAAD JUN SEP 16 WALID RAAD SECTION 39_INDEX XXXVII: TRABOULSI Following his 2014 residency at AAA, New York-based artist Walid Raad developed Section 39_Index XXXVII: Traboulsi. The project stemmed from his research into AAA’s Ha Bik Chuen Archive and consisted of several ‘sculptural spaces’ built by Raad’s fictional collaborator, Suha Traboulsi, who creates reproductions of canonical modern paintings by Arab artists. Walid Raad Section 39_Index XXXVII: Traboulsi June–September 2016 5 Section 39_Index XXXVII: Traboulsi Walid Raad 21 Jun–3 Sep 2016 AAA Project Team Ingrid Chu Claire Hsu Hammad Nasar, Inviter Chantal Wong AAA Project Coordinator Holly Leung Special Thanks Vivian Poon Michelle Wong Credits Editing by Ingrid Chu Editing assistance by Lucia Kim, Maloy Lukian, and Grace Tsoi. All photography and images courtesy of Asia Art Archive unless otherwise noted. Additional photography by Walid Raad (p 4) and Kitmin Lee (pp 2-3, 6-7). Design Hani Charaf, Kemistry Design ISBN 978-988-13427-8-2 © 2017 Asia Art Archive All rights reserved 8 Asia Art Archive marks its 15th Asia Art Archive is an independent year by extending 15 Invitations non-profit organisation initiated to creative practitioners to in 2000 in response to the look within and beyond the urgent need to document and organisation as an archive, a make accessible the multiple collection of material, a digital recent histories of art in the platform, and a node in a wider region. With one of the most collective network. 15 Invitations valuable collections of material take various sizes, forms, and on art freely available from its creative directions—literary, website and on-site library, AAA polemic, political, sonic, physical, builds tools and communities to and digital—and function collectively expand knowledge as a series of ‘drop pins’ to through research, residency, and alternatively navigate where AAA educational programmes.
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The Golden Age: Cambodia, Laos, Vietnam TOPAZ ARTS, Inc
FOR IMMEDIATE RELEASE Paz: 718-505-0440 / email: [email protected] The Golden Age: Cambodia, Laos, Vietnam TOPAZ ARTS, Inc. P.O. Box 770150 presented by TOPAZ ARTS, Inc. and Woodside, NY 11377 Todd B. Richmond & Paz Tanjuaquio co-curated with Chương-Đài Võ Co-Founding Directors: Todd B. Richmond an exhibition by Frédéric Dialynas Sanchez Paz Tanjuaquio in collaboration with phone: 718-505-0440 Carol Cassidy, Lionel Descostes, Nic Ford, Joe Fyfe, Sébastien Gouju, email: Jean Sébastien Grill, Francis Morandini and Emma Perrochon [email protected] website: on view June 4 to 25, 2016 www.topazarts.org opening reception: Saturday, June 4, 3-6pm facebook/topazarts Join us for a talk at 3:00pm, Sat, June 4th: @topazartsinc a conversation with artist Frédéric Dialynas Sanchez, twitter | instagram art historian Jane DeBevoise (Asia Art Archive), moderated by Chương-Đài Võ TOPAZ ARTS Visual Arts Program is pleased to present The Golden Age: Cambodia, Laos, Vietnam – an exhibition by Frédéric Dialynas Sanchez, on view June 4 to 25, 2016. There will be an opening reception on Saturday, June 4, 3-6pm, with a talk at 3pm: a conversation with Frédéric Dialynas Sanchez with Jane DeBevoise (Asia Art Archive), moderated by Chương-Đài Võ. Admission is complimentary. TOPAZ ARTS is located at 55-03 39th Avenue in Woodside, Queens, NY. Directions: #7 to 61st/Woodside or R/M to Northern Blvd, see details at www.topazarts.org. Gallery hours are by appointment – please email [email protected] or phone 718-505-0440. The Golden Age: Cambodia, Laos, Vietnam is a “travelogue” and “experimental diary” of Frédéric Dialynas Sanchez’s artist residencies, projects and travels in Vietnam, Laos and Cambodia over the past decade.
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Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern .
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ART ARCHIVE 01 CONTENTS The Japan Foundation, Manila Introduction ART ARCHIVE 01 NEW TRAJECTORIES OF CONTEMPORARY VISUAL AND PERFORMING ARTS IN THE PHILIPPINES by Patricia Tumang Retracing Movement Redefining Contemporary Histories & Performativity Visual Art EXCAVATING SPACES AND HISTORIES: UNDERSTANDING THE CONTEMPORARY FILTERS: The Case of Shop 6 IN PHILIPPINE THEATER A View of Recent by Ringo Bunoan by Sir Anril Pineda Tiatco,PhD Philippine Contemporary Photography by Irwin Cruz VISUAL ARTS AND ACTIVISM IN THE PHILIPPINES: MAPPING OUT CONTEMPORARY DANCE Notes on a New Season of Discontent IN THE PHILIPPINES GLOBAL FILIPINO CONTEMPORARY ARTISTS by Lisa Ito-Tapang by Rina Angela Corpus by Jewel Chuaunsu BRIDGE OVER THE CURRENT: S A _ L A B A S / O U T S I D E R S: CONTEMPORARY VISUAL ART IN CEBU Artist-Run Festivals in the Philippines A Brief History of Why/When/Where We Do by Duffie Hufana Osental by Mayumi Hirano What We Do in Performance by Sipat Lawin Ensemble Contributor Biographies reFLECT & reGENERATE: A Community Conversation About Organizing Ourselves by Marika Constantino Directory of Philippine Art and Cultural Institutions ABOUT ART ARCHIVE 01 The Japan Foundation is the only institution dedicated to carrying out Japan’s comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster friendship, trust, and mutual understanding. With a global network consisting of its Tokyo headquarters, the Kyoto office, two Japanese-language institutes, and 24 overseas offices in 23 countries, the Japan Foundation is active in three areas: Arts and Cultural Exchange, Japanese-Language Education, and Japanese Studies and Intellectual Exchange.
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2005 Martell Contemporary Art Research Grant R
MEDIATINGMEKONG THE 2005 Martell Contemporary Art Research Grant R. Streitmatter-Tran for the Asia Art Archive Ho Chi Minh City, Vietnam Contents Precursors: A River Runs Through It Mediating the Mekong The Mekong Vacuum Infrastructures and Superstructures Cambodia Myanmar Vietnam Laos Thailand The Future Flow References The research for this report, made possible by the 2005 Martell Contemporary Asian Art Research Grant and the Asia Art Archive in Hong Kong, was conducted between July 2005 and September 2006. I would like to thank the team at the Asia Art Archive for their support, in particular Phoebe Wong and Claire Hsu for their encouragement and advice throughout the life of the project and for the opportunity to have presented the research in Hong Kong in June 2006. The report would not have been realized without the contributions of the many artists, curators and arts organizations in Cambodia, Vietnam, Laos, Myanmar and Thailand who provided information, media and honest opinion. It is my hope that this report may assist as an entry point for those wishing to explore further this unique and often overlooked region. Richard Streitmatter-Tran, artist Ho Chi Minh City, Vietnam September 2006 Mediating the Mekong It begs to ask why what a Thai actress allegedly says about Cambodia really matters at all? For those familiar Martell Contemporary Asian Art with this region of the world, it is clear. Economically, Research Grant the mass exportation of Thai culture (programming, entertainment and media) has increasingly become an Final Report for the Asia Art Archive issue of national concern for Laos and Cambodia who share close cultural and linguistic similarities.
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Performance Art History of Hong Kong: Moments Between the 1960S to Today from Asia Art Archive’S Collection
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Reviews of Taipei Biennial, Shanghai Biennale, Ai Weiwei, and Cui Fei
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