PRESS RELEASE “HK Phil X Anthony
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CELEBRITY INTERVIEWS a A1 Aaron Kwok Alessandro Nivola
CELEBRITY INTERVIEWS A A1 Aaron Kwok Alessandro Nivola Alexander Wang Lee Hom Alicia Silverstone Alphaville Andrew Lloyd Webber Andrew Seow Andy Lau Anita Mui Anita Sarawak Ann Kok Anthony Lun Arthur Mendonca B Bananarama Benedict Goh Billy Davis Jr. Boris Becker Boy George Brett Ratner Bruce Beresford Bryan Wong C Candice Yu Casper Van Dien Cass Phang Celine Dion Chow Yun Fat Chris Rock Chris Tucker Christopher Lee Christy Chung Cindy Crawford Cirque du Soleil Coco Lee Conner Reeves Crystals Culture Club Cynthia Koh D Danny Glover David Brown David Julian Hirsh David Morales Denzel Washington Diana Ser Don Cheadle Dick Lee Dwayne Minard E Edward Burns Elijah Wood Elisa Chan Emil Chau Eric Tsang F Fann Wong Faye Wong Flora Chan G George Chaker George Clooney Giovanni Ribisi Glen Goei Gloria Estefan Gordan Chan Gregory Hoblit Gurmit Singh H Halle Berry Hank Azaria Hugh Jackman Hossan Leong I Irene Ang Ix Shen J Jacelyn Tay Jacintha Jackie Chan Jacky Cheung James Ingram James Lye Jamie Lee Jean Reno Jean-Claude van Damme Jeff Chang Jeff Douglas Jeffrey Katzenberg Jennifer Paige Jeremy Davies Jet Li Joan Chen Joe Johnston Joe Pesci Joel Schumacher Joel Silver John Travolta John Woo Johnny Depp Joyce Lee Julian Cheung Julianne Moore K KC Collins Karen Mok Keagan Kang Kenny G Kevin Costner Kim Robinson Kit Chan Koh Chieng Mun Kym Ng L Leelee Sobieski Leon Lai Lim Kay Tong Lisa Ang Lucy Liu M Mariah Carey Mark Richmond Marilyn McCoo Mary Pitilo Matthew Broderick Mel Gibson Mel Smith Michael Chang Mimi Leder Moses Lim N Nadya Hutagalung Nicholas -
FOR IMMEDIATE RELEASE Date: 26 January 2019
PRESS RELEASE FOR IMMEDIATE RELEASE Date: 26 January 2019 “HK Phil x Anthony Lun - The Man Behind The Piano Concert” additional performance as a Valentine’s Day Special (9 February 2019) [26 January 2019, Hong Kong] The Hong Kong Philharmonic Orchestra (HK Phil) and Anthony Lun announced at the first performance of “The Man Behind The Piano Concert” on 25 January that an additional Valentine’s Day Special concert is to be held on 9 February 2019 (Sat, 8PM) in the Hong Kong Cultural Centre Concert Hall. Along with special guests Elisa Chan and Leung Chiu Fung, they will share the romance and joy with the audience through popular love songs. In the concert, Anthony will perform many of his most famous songs, including The Man Behind the Piano (《鋼 琴後的人》), Heart Still Cold (《心仍是冷》), Warm Love (《情暖情醉情牽》) and Encouragement (《總有你鼓 勵》) and many popular songs on various HK Top Music Charts that he composed for other singers such as A Clarinet in A Quiet Night (《靜夜的單簧管》), When (《何日》), Why Do I Let You Go (《我為何讓你走》), Said I’d Make you Happy (《我說過要你快樂》). The concert will also include a selection of his favourite songs from movies, and different romantic tunes for lovers. Tickets for “HK Phil x Anthony Lun - The Man Behind The Piano Concert” Valentine’s Day Special are available at URBTIX from 26 January, Saturday, 10AM. There is ONLY ONE additional performance, so snap up your tickets quickly! Click HERE to download press images of the first performance (25 January 2019) of “HK Phil x Anthony Lun - The Man Behind The Piano Concert”. -
The Founder of the Brothers of the Christian School, Patron of All
The Hong Kong Lasallian Story 1875-2007 Our Founder The Founder of the Brothers of the Christian School, St. John Baptist de La Salle (1651-1719), was an extraordinary man. Perhaps you could call him a man of surprises. For purposes of this chapter, we highlight two. Firstly, although De La Salle himself was a priest, he would not permit the members of the Institute he founded to become priests lest they should be turned aside from their principal function, and he was convinced that their vocation could lead them to authentic sanctity1. Secondly, members of his Institute were to be called Brothers. They were to be Brothers first among themselves and also elder brothers to the students confided to their care. To them, to be a Brother is a profession as well as a vocation. The mission as he saw it was to give a human and Christian education to the young, paying particular attention to the poor and the needy. He had walked the streets of his native city, Reims, in France, and saw first hand the dire need for this work. The children were wandering around the streets aimlessly or mixing with bad company and getting into trouble with the law. Their parents were working all day and so had little time to take care of them. As a very practical man, he realized that the key to success lay with finding and forming good teachers, not an easy task in those days. He believed that ‘good teachers make good schools’. Throughout his life, and despite great opposition from both Church and State, he worked tirelessly to establish quality Christian schools. -
Cantopop Songs of All Time!
THE GREATEST CANTOPOP SONGS OF ALL TIME! Forty years ago, Hong Kong saw the birth of Cantopop, a style of music which would become one of the city’s most iconic cultural offerings. To mark its 40th anniversary, Arthur Tam looks back over the history of the equally loved and derided genre – and explores its evolution and importance through its most beloved songs, one year at a time… 30 timeout.com.hk The early years The Fatal Irony <<啼笑姻緣>> Sandra Lang (仙杜拉) In 1974, during the boom of HK media, 1975 a theme song to a popular drama, << The Fatal Irony <<啼笑姻緣>>, would change everything. It became a massive hit, arguably becoming the 獅 first ever Cantopop song, and starting 子 the procession of not only theme tunes 山 1974 to every TV drama, but a new music 下 genre itself. It retains a resemblance >> to traditional Chinese harmonies and melodies, but enters a new world of pop. bit.ly/fatalirony1974 The first Cantopop songstress Sandra Lang The Chinese-American singer of arguably the first ever Cantopop hit, Fatal Irony <<啼笑姻緣>>, reflects on that song, four decades on… “It was great to have had Cantopop then or else the Cantonese language would have died. I was very Sam Hui (許冠傑) lucky to have Fatal Irony <<啼笑姻緣>>. It was a The Genius and the Idiot Featuring in the titular movie, which was gift from God. No one had ever done a song like this popularised due to its slapstick humour, before and it became popular because people are good listeners. I never claimed that Fatal Irony was the first Cantopop song, but that’s this song features a strong British rock just what people keep telling me. -
A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point. -
A N N U a L R E P O R T 年報
SEASON 2003/04 樂季 The Hong Kong Philharmonic Society Limited 香 港 管 弦 ㈿ 會 Annual Report 年報 「【迪華㈵】與「港樂」最近出色的表演,令㆟對㆘㆒樂季引頸以待。」 《㈮融時報》,2004年 5 ㈪ 31 ㈰ “[Edo de Waart’s] most recent appearance with the orchestra last week bode well for next season” Financial Times, 31 May 2004 「【香港管弦樂團】在這國際知㈴大師的指揮㆘,㈲如脫胎換骨,樂音閃現光芒。」 《南華早報》,2004年 5 ㈪ 23 ㈰ “[HKPO] appeared almost transformed under the internationally famous maestro’s baton, displaying a sparkling and focused tone.” South China Morning Post, 23 May 2004 1 ABOUT THE HONG KONG PHILHARMONIC ORCHESTRA 香港管弦樂團簡介 For over a century, the Hong Kong Philharmonic 過去百多年來,香港管弦樂團(簡稱「港樂」) Orchestra (the “HKPO”) has been at the heart of ㆒直在本港的文化及藝術生活㆗扮演重要角色。 Hong Kong’s artistic life. 香港管弦樂團過去的㆔㈩年成績斐然,曾與不少 Many of the world’s most distinguished artists have 聲㈴顯赫的音樂家共結台緣,其㆗包括古典樂壇 appeared with the HKPO throughout its proud 30-year 巨星、流行歌手以及明㈰之星,均曾與「港樂」 history, from classical music legends to pop artists 同台獻藝。無論是透過巡迴演出或是灌錄唱片, and stars of tomorrow. It has been heard around the world live, during the Orchestra’s international tours, 香港管弦樂團的美妙樂韻遍及全球,並獲得高度 and on recordings, many of which have received 讚揚。 great critical acclaim. 音樂教育計劃「恒生銀行跳躍音符伴成長」備受 The Orchestra’s immensely popular education ㈻界歡迎,樂團透過免費音樂會及活動,每年讓 programme, “Hang Seng Bank Blossom with Music”, 超過㈤萬㈴本㆞㈻生認識古典音樂。 introduces classical music through free performances and activities to more than 50,000 students every 舉世知㈴的指揮家迪華㈵在㆔㈩周年樂季出任「港 year. 樂」的候任藝術總㈼,標誌樂團正向著更高的藝術 With internationally celebrated Edo de Waart as ㈬平邁進,與㈳會的聯繫也㈰益密切。 Artistic Director Designate in the 30th Anniversary Season, the Orchestra aspires to a new era of artistic 香港管弦樂團的樂季由每年㈨㈪㉃翌年㈦㈪,其 excellence and community-wide involvement. -
香港生命集團控股有限公司 (Incorporated in the Cayman Islands with Limited Liability) (Stock Code: 8212)
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your stockbroker, a licensed dealer in securities, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in Hong Kong Life Group Holdings Limited (the “Company”), you should at once hand this circular with the enclosed form of proxy to the purchaser or transferee or to the bank, stockbroker or other agent through whom the sale was effected for transmission to the purchaser or transferee. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. HONG KONG LIFE GROUP HOLDINGS LIMITED 香港生命集團控股有限公司 (Incorporated in the Cayman Islands with limited liability) (Stock Code: 8212) MAJOR TRANSACTION IN RELATION TO THE ACQUISITION OF THE 49% OF THE TOTAL ISSUED SHARE CAPITAL OF BARON’S SCHOOL OF MUSIC LIMITED AND NOTICE OF EXTRAORDINARY GENERAL MEETING A notice convening an extraordinary general meeting of the Company to be held at 9:30 a.m. on 29 August, 2012 at The Boardroom, Basement 2, The Wharney Guangdong Hotel Hong Kong, 57-73 Lockhart Road, Wanchai, Hong Kong is set out on pages 135 to 137 of this circular. -
Performing Arts 55-61
Contents Pages Foreword 1-4 Performance Pledges 5 Vision, Mission & Values 6-7 Leisure Services 8-53 Recreational and Sports Facilities 9-24 Recreational and Sports Programmes 25-33 Sports Subvention Scheme 34-36 The 4th Hong Kong Games 37-38 The 12th National Games 39 Sports Exchange and Co-operation Programmes 40 Horticulture and Amenities 41-45 Green Promotion 46-49 Licensing 50 Major Recreational & Sports Events 51-53 Cultural Services 54-151 Performing Arts 55-61 Cultural Presentations 62-65 Festivals 66-69 Arts Education and Audience-Building Programmes 70-73 Carnivals and Entertainment Programmes 74-75 Subvention to Hong Kong Arts Festival 76 Cultural Exchanges 77-83 Film Archive and Film and Media Arts Programmes 84-87 Music Office 88-89 Indoor Stadia 90-93 Urban Ticketing System (URBTIX) 94 Public Libraries 95-101 Museums 102-130 'My Culture' App 131 Conservation Office 132-134 Antiquities and Monuments Office (AMO) 135-136 Expert Advisers on Cultural Services 137 Major Cultural Events 138-151 Administration 152-177 Financial Management 152-153 Public Feedback 154 Outsourcing 155-156 Human Resources 157-165 Environmental Efforts 166-168 Facilities and Projects 169-170 Information Technology 171-175 Public Relations and Publicity 176-177 Feedback Channels 178 Appendices 179-201 Foreword In 2013-14, the LCSD organised a wide range of sporting, leisure and cultural programmes that suit the needs and interests of different segments of the population, while continuing to manage and maintain cultural and recreational facilities for public use. During the year, a number of Hong Kong’s most important sports facilities were completed. -
Virtual Gala Program Book
Happy 54th Anniversary to Self-Help for the Elderly “ We truly appreciate Self-Help for the Elderly’s 54th years of services in our community. Your dedication and loyalty will be forever cherished.” Residents of Lady Shaw Senior Center Pine View Housing Corporation Lady Shaw Senior Center 1483 Mason Street | San Francisco, CA 94133-4283 t: (415) 677-7572 | f: (415) 292-2462 | TDD/TTY Dial 7-1-1 or 1-800-855-7100 Providing strength, hope and empowerment to seniors since 1966. SELF-HELP FOR THE ELDERLY Self-Help for the Elderly is honored to be a trusted organization in the community to serve the older adults in San Francisco Bay Area for 54 wonderful years. We are committed to promote the independence, diginity and self-worth of older adults. We strived to achieve out mission by empowering older adults to help themseleves and by providing comprehensive range of multicultural and multilingual services. OUR MISSION OUR VISION Self-Help for the Elderly We envision a promotes independence, well- world where all being, and dignity for older elders have the adults through culturally respect, care, aligned services and and support to programs in the San Francisco lead dignified Bay Area. and vibrant lives. SHE HOPE 2020 VIRTUAL GALA | 1 GREETINGS FROM THE CHAIR This is Self-Help for the Elderly’s first ever Virtual Gala in fifty-four years of servicing seniors in San Francisco, San Mateo, Santa Clara, Alameda and Contra Costa counties. Welcome and thank you for attending and for celebrating Self-Help’s HOPE 2020 Virtual Gala! Yes, the years 2020 and 2021 will go down in history as the COVID-19 pandemic years and its impact around the world. -
A Study of Hong Kong Popular Music Author(S): Wai-Chung Ho Reviewed Work(S): Source: Popular Music, Vol
Between Globalisation and Localisation: A Study of Hong Kong Popular Music Author(s): Wai-Chung Ho Reviewed work(s): Source: Popular Music, Vol. 22, No. 2 (May, 2003), pp. 143-157 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/3877607 . Accessed: 24/04/2012 22:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Popular Music. http://www.jstor.org Popular Music (2003) Volume 22/2 Copyright ? 2003 Cambridge Umversity Press, pp 143-157 DOI 10 1017/S026114300300309X Printed in the United Kingdom Between globalisationand localisation: a study of Hong Kong popular music WAI-CHUNG HO Abstract Popularmusic in Hong Kongis the productionof a multi-faceteddynamic of internationaland local factors.Although there has beenmuch attention to its growthfrom differentperspectives, there has beenno single study that systematicallyaddresses the complicatedinterplay of the two interrelated processesof globalisationand localisationthat lie behindits development.The main aim of this paper is to explorehow socialcircumstances mediate musical communication among Hong Kongpopular artistsand audiences,and contributeto its growingsense of culturalidentity - how localityemerges in the contextof a globalculture and howglobal facts takelocal form. -
HK PHIL X ANTHONY LUN the MAN BEHIND the PIANO CONCERT 製作團隊 PRODUCTION TEAM
j7w24-anthonylunX-cover-v1.pdf 1 24/1/2019 9:52 AM C M Y CM MY CY CMY K x 港樂 倫永亮 鋼琴後的人交響音樂會 HK PHIL x ANTHONY LUN THE MAN BEHIND THE PIANO CONCERT 製作團隊 PRODUCTION TEAM Rhythm Section 樂隊 Keyboard 鍵盤 P. 2 倫永亮的話 Roel A. Garcia Words from Anthony Lun Guitar 結他 So Tak-wah P. 4 創作人/ 歌手/ 鋼琴家 倫永亮 Composer/Singer/ Pianist Bass Anthony Lun 低音結他 Rudy Balbuena P. 5 特別演出嘉賓 Drums 陳潔靈 鼓 Elisa Chan Special Guest Nicanor Ledesma Chorus 和音 P. 6 特別演出嘉賓 Tess Garcia 梁釗峰 Rick Lau Leung Chiu-fung Special Guest Anna Lo P. 7 指揮 Makeup Stylist 謝 拉 特.莎 朗 嘉 化妝 Gerard Salonga Conductor Ellen Tam Hair Stylist 今晚的演出將會作現場錄音。 髮型 Tonight’s concert is being recorded live. Maggiefannie Please請關掉手提電話及其他電子裝置 turn off your mobile phone 請勿飲食 No請 勿 photography, 拍 照、錄 音或 錄 recording 影 or filming No eating or drinking and other electronic devices 場 刊 源 自 樹 木,惠 及 環 境,請 與 同 行 者 共 享 場 刊 Please演奏期間請保持安靜 keep noise to a minimum House programmes grow on trees – help us be during the performance environmentally responsible by sharing your programme with your companion 如不欲保留場刊,請把它放回原位; 請留待整首樂曲完結後才報以掌聲鼓勵 Please reserve your applause 又或於完場後放入場地的回收箱 If you don’t wish to keep your house programme, 多謝支持環保 until the end of the entire work Thank you for caring for please leave it at your seat, or return it to the the Earth admission point for recycling HKPhil hkphilharmonic HKPhilharmonic hkphil.org 香港管弦樂團 香港管弦樂團 1 As a pop singer, it is always an honour to 作為一位流行歌手,能夠獲得管弦 be invited by orchestras to be featured as a 樂團邀請擔當獨奏家是很大的榮 soloist, and in this case, more so because the 幸,尤其是香港管弦樂團已成為世 Hong Kong Philharmonic Orchestra is now one 界上其中一支頂尖的管弦樂團。當 of the best orchestras in the world.