Between Globalisation and Localisation: A Study of Hong Kong Popular Music Author(s): Wai-Chung Ho Reviewed work(s): Source: Popular Music, Vol. 22, No. 2 (May, 2003), pp. 143-157 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/3877607 . Accessed: 24/04/2012 22:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Popular Music. http://www.jstor.org Popular Music (2003) Volume 22/2 Copyright ? 2003 Cambridge Umversity Press, pp 143-157 DOI 10 1017/S026114300300309X Printed in the United Kingdom Between globalisationand localisation: a study of Hong Kong popular music WAI-CHUNG HO Abstract Popularmusic in Hong Kongis the productionof a multi-faceteddynamic of internationaland local factors.Although there has beenmuch attention to its growthfrom differentperspectives, there has beenno single study that systematicallyaddresses the complicatedinterplay of the two interrelated processesof globalisationand localisationthat lie behindits development.The main aim of this paper is to explorehow socialcircumstances mediate musical communication among Hong Kongpopular artistsand audiences,and contributeto its growingsense of culturalidentity - how localityemerges in the contextof a globalculture and howglobal facts takelocal form.