Electronic Keyboard

Total Page:16

File Type:pdf, Size:1020Kb

Electronic Keyboard ELECTRONIC KEYBOARD Owner’s Manual INFORMATION FOR YOUR SAFETY! THE FCC REGULATION WARNING (for USA) PRECAUTIONS This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of PLEASE READ CAREFULLY BEFORE PROCEEDING the FCC Rules. These limits are designed to provide reasonable protection Please keep this manual in a safe place for future reference. against harmful interference in a residential installation. This Power Supply equipment generates, uses, and can radiate radio frequency Please connect the designated AC adaptor to an AC outlet energy and, if not installed and used in accordance with the of the correct voltage. instructions, may cause harmful interference to radio communications. However, there is no guarantee that Do not connect it to an AC outlet of voltage other than that interference will not occur in a particular installation. for which your instrument is intended. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the Unplug the AC power adaptor when not using the equipment off and on, the user is encouraged to try to instrument, or during electrical storms. correct the interference by one or more of the following Connections measures: Before connecting the instrument to other devices, turn off the power to all units. This will help prevent malfunction and Reorient or relocate the receiving antenna. Increase the separation between the equipment and / or damage to other devices. receiver. Connect the equipment into an outlet on a circuit Location different from that to which the receiver is connected. Do not expose the instrument to the following conditions to Consult the dealer or an experienced radio/TV technician avoid deformation, discoloration, or more serious damage: for help. Direct sunlight Unauthorized changes or modification to this system can Extreme temperature or humidity void the user's authority to operate this equipment. Excessive dusty or dirty location Strong vibrations or shocks Close to magnetic fields Interference with other electrical devices Radios and televisions placed nearby may experience reception interference. Operate this unit at a suitable CAUTION distance from radios and televisions. The normal function of the product may be disturbed by Strong Electro Magnetic Interference. If so, simply reset Cleaning the product to resume normal operation by following the Clean only with a soft, dry cloth. owner's manual. In case the function could not resume, Do not use paint thinners, solvents, cleaning fluids, or please use the product in other location. chemical-impregnated wiping cloths. Handling Do not apply excessive force to the switches or controls. Do not let paper, metallic, or other objects into the instrument. If this happens, unplug the AC adaptor from the wall outlet. Then have the instrument inspected by qualified service personnel. Disconnect all cables before moving the instrument. 2 Contents Panel & Display Description DSP...................................................................................22 Front Panel..........................................................................4 Rear Panel...........................................................................4 Mixer.................................................................................22 LCD......................................................................................5 Pedal Function.................................................................23 Setup Power Supply.......................................................................6 Function Menu Setting a Music Stand..........................................................6 Tune...................................................................................24 Using Sustain Pedal............................................................6 KeySplit..............................................................................24 Beat Type...........................................................................25 Connections Metronome Volume............................................................25 Connecting a pair of Headphones.......................................7 Pedal Type.........................................................................25 Connecting an Audio Equipment.........................................7 EQ Type.............................................................................25 Connecting an MP3/CD Player............................................7 Reverb Type......................................................................26 Connecting a Computer.......................................................7 Reverb Level......................................................................26 Connecting a Microphone....................................................7 Chorus Type......................................................................26 Chorus Level......................................................................27 Quick Start Harmony Type...................................................................27 MIDI IN...............................................................................28 Power Switch and Master Volume....................................8 MIDI OUT...........................................................................28 Q Auto Power Off..................................................................28 u i Playing Demo Songs.........................................................8 Performance Beat..............................................................28 c k Playing Voices....................................................................9 Restore Factory Setting..................................................28 S t a Playing Styles....................................................................9 Register Memory r Registering the Panel Setting............................................29 t Playing Songs..................................................................10 Recalling the Registered Panel Settings...........................29 Selecting a Registration Bank............................................29 Record..............................................................................10 Song Album......................................................................29 A Advanced Use d Record v Playing Voices Start Recording..................................................................30 a Selecting a Voice...............................................................11 Stop Recording..................................................................30 n c Playing two voices simultaneously-DUAL..........................11 Playback Recording...........................................................31 e Playing Different Voices with Both hands-LOWER............11 Delete User Song..............................................................31 d Touch.................................................................................12 U Sustain...............................................................................12 Song s Pitch Bend.........................................................................12 Listen to the songs.............................................................32 e Modulation.........................................................................12 Song Control......................................................................32 Transpose.........................................................................12 Octave...............................................................................13 Smart Learning System Piano mode........................................................................13 Smart Learning..................................................................33 A Metronome.........................................................................13 Gold Star............................................................................36 p p Auto Accompaniment Chord Dictionary e Play Auto Accompaniment(rhythm track only)...................14 DICT 1 (Chord Learning Mode).........................................37 n Play Auto Accompaniment(all tracks)................................14 DICT 2 (Chord Examining Mode)......................................37 d i Accompaniment Sections..................................................15 c Playing Different Accompaniment Sections.......................15 MIDI e s Fade...................................................................................15 What's MIDI?.....................................................................38 Accompaniment Volume Control.......................................16 Upload/Download Data from the Computer.......................38 Chord Fingering.................................................................16 Tempo................................................................................17 Troubleshooting...............................................................39 One Touch Setting.............................................................17 Specifications..................................................................40 Harmony Play with harmony effect....................................................18 Appendices Performance Assistant Voice List...........................................................................41 What's the performance assistant?....................................19 Style List............................................................................47
Recommended publications
  • Accordion Electronic Keyboard Electric Organ
    Accordion Electronic Keyboard Electric Organ Technical Requirements & Discussion Questions for Recorded Graded Exams The following list of technical requirements should be performed to make up the Technical Work component of the exam for: • Accordion (pp.1-5 • Electronic Keyboard (pp.!-1" • Electric Organ (pp. 11-1# Candidates may choose which scales or arpeggios to perform but should& where possible& select a variety of different ke%s. Close attention should be paid to instructions on articulation and dynamics. Further guidelines on specific requirements for each grade (such as the set scales for each grade and instructions on hands together or separate performance) can be found in the rele'ant L$*+ syllabus. Accordion Grade Technical Requirements Scales ,ne ma-or scale ,ne minor scale C chromatic scale .ellow shake in C "hords - a mixture of full and broken chords should be performed in a variety of ke%s and in'ersions: one ma-or one minor one augmented one dominant 7th one diminished 7th Discussion Questions .oth questions to be answered at an% point during the exam: • Which of the pieces you pla%ed today is your fa'ourite and wh%0 • What is the mood of this piece0 1 Grade $% Technical Requirements Scales ,ne ma-or scale ,ne minor scale C chromatic scale .ellow shake in C "hords - a mixture of full and broken chords should be performed in a variety of ke%s and in'ersions: two ma-or two minor one augmented one dominant 7ths one diminished 7ths Discussion Questions .oth questions to be answered at an% point during the exam: • Which of
    [Show full text]
  • MX300 User Guide IMPORTANT SAFETY INSTRUCTIONS
    Stereo Reverb MX300 Effects Procesor MX300 User Guide IMPORTANT SAFETY INSTRUCTIONS WARNING FOR YOUR PROTECTION READ THE FOLLOWING: READ THESE INSTRUCTIONS. KEEP THESE INSTRUCTIONS. HEED ALL WARNINGS. FOLLOW ALL INSTRUCTIONS. The symbols shown above are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash with arrowpoint in an equilateral triangle means DO NOT USE THIS APPARATUS NEAR WATER. that there are dangerous voltages present within the unit. The exclamation point in an equilateral triangle indicates that it is CLEAN ONLY WITH A DRY CLOTH. necessary for the user to refer to the owner’s manual. FOR INDOOR USE ONLY. These symbols warn that there are no user serviceable parts inside the unit. Do not open the unit. Do not attempt to service the unit DO NOT BLOCK ANY OF THE VENTILATION OPENINGS. INSTALL IN ACCORDANCE yourself. Refer all servicing to qualified personnel. Opening the WITH THE MANUFACTURER’S INSTRUCTIONS. chassis for any reason will void the manufacturer’s warranty. Do not get the unit wet. If liquid is spilled on the unit, shut it off DO NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS, HEAT REGISTERS, immediately and take it to a dealer for service. Disconnect the unit STOVES, OR OTHER APPARATUS (INCLUDING AMPLIFIERS) THAT PRODUCE HEAT. during storms to prevent damage. ONLY USE ATTACHMENTS/ACCESSORIES SPECIFIED BY THE MANUFACTURER. The following is indicative of low altitude use; do not use this product above UNPLUG THIS APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR 2000m. LONG PERIODS OF TIME. Do not defeat the safety purpose of the polarized or grounding-type plug.
    [Show full text]
  • Piano / Keyboard for Absolute Beginners
    Learn How to Play Piano / Keyboard For Absolute Beginners A Self Tuition Book For Adults and Teenagers! Martin Woodward ISBN: Copyright © Martin Woodward 2015 All rights reserved Printing for buyers use only is permitted Enquires: http://gonkmusic.com 2 Copyright © Martin Woodward 2015 - www.gonkmusic.com 2 Acknowledgements To all the fantastic musicians who I’ve had the privilege of working with back in the 1960s / 70s including: Pip Williams (guitarist / record producer); Tex Marsh (drummer); Roger Flavell (bassist); Kevin Fogarty (guitarist); Ralph Denyer (singer / songwriter); Phil Childs (bassist); Jim Smith (drums); George Lee (saxophonist); Ron Thomas (bassist); Emile Ford (No. 1 UK singer / songwriter). To my early mentors: Alan Simonds (guitarist / vocalist); big bruv Steve (guitarist) and Mr. Henley (my inspirational music teacher at Warlingham School 1960 - 65). And to Myriad Software: http://www.myriad-online.com for the Melody Assistant music notation software which was used for the production of this book. - Thanks! 3 Copyright © Martin Woodward 2015 - www.gonkmusic.com 3 4 Copyright © Martin Woodward 2015 - www.gonkmusic.com 4 Contents Introduction ............................................................................................................. 11 Get the Best from this Book ................................................................................ 12 Using the links ..................................................................................................... 12 Trust Your Self ...................................................................................................
    [Show full text]
  • Playing Music in Just Intonation: a Dynamically Adaptive Tuning Scheme
    Karolin Stange,∗ Christoph Wick,† Playing Music in Just and Haye Hinrichsen∗∗ ∗Hochschule fur¨ Musik, Intonation: A Dynamically Hofstallstraße 6-8, 97070 Wurzburg,¨ Germany Adaptive Tuning Scheme †Fakultat¨ fur¨ Mathematik und Informatik ∗∗Fakultat¨ fur¨ Physik und Astronomie †∗∗Universitat¨ Wurzburg¨ Am Hubland, Campus Sud,¨ 97074 Wurzburg,¨ Germany Web: www.just-intonation.org [email protected] [email protected] [email protected] Abstract: We investigate a dynamically adaptive tuning scheme for microtonal tuning of musical instruments, allowing the performer to play music in just intonation in any key. Unlike other methods, which are based on a procedural analysis of the chordal structure, our tuning scheme continually solves a system of linear equations, rather than relying on sequences of conditional if-then clauses. In complex situations, where not all intervals of a chord can be tuned according to the frequency ratios of just intonation, the method automatically yields a tempered compromise. We outline the implementation of the algorithm in an open-source software project that we have provided to demonstrate the feasibility of the tuning method. The first attempts to mathematically characterize is particularly pronounced if m and n are small. musical intervals date back to Pythagoras, who Examples include the perfect octave (m:n = 2:1), noted that the consonance of two tones played on the perfect fifth (3:2), and the perfect fourth (4:3). a monochord can be related to simple fractions Larger values of mand n tend to correspond to more of the corresponding string lengths (for a general dissonant intervals. If a normally consonant interval introduction see, e.g., Geller 1997; White and White is sufficiently detuned from just intonation (i.e., the 2014).
    [Show full text]
  • AIR Creative Collection Provides a Comprehensive Set of Digital Signal Processing Tools for Professional Audio Production with Pro Tools
    AIR® Creative Collection User Guide English User Guide (English) Chapter 1: Audio Plug-Ins Overview Plug-ins are special-purpose software components that provide additional signal processing and other functionality to Avid® Pro Tools®. These include plug-ins that come with Pro Tools, as well as many other plug-ins that can be added to your system. Additional plug-ins are available both from AIR and third-party developers. See the documentation that came with the plug-in for operational information. AIR Audio Plug-Ins AIR Creative Collection provides a comprehensive set of digital signal processing tools for professional audio production with Pro Tools. Other AIR plug-ins are available for purchase from AIR at www.airmusictech.com. AIR Creative Collection is included with Pro Tools, providing a comprehensive suite of digital signal processing effects that include EQ, dynamics, delay, and other essential audio processing tools. The following sound-processing, effects, and utility plug-ins are included: Chorus Ensemble Fuzz-Wah Multi-Delay Spring Reverb Distortion Filter Gate Kill EQ Non-Linear Reverb Stereo Width Dynamic Delay Flanger Lo-Fi Phaser Talkbox Enhancer Frequency Shifter Multi-Chorus Reverb Vintage Filter The following virtual instrument plug-ins are also included: Boom Drum machine and sequencer DB-33 Tonewheel organ emulator with rotating speaker simulation Mini Grand Acoustic grand piano Structure Free Sample player Vacuum Vacuum tube–modeled monophonic synthesizer Xpand!2 Multitimbral synthesizer and sampler workstation Avid and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries. 3 AAX Plug-In Format AAX (Avid Audio Extension) plug-ins provide real-time plug-in processing using host-based ("Native") or DSP-based (Pro Tools HD with Avid HDX hardware accelerated systems only) processing.
    [Show full text]
  • A Brief, Comprehensive History of the Cordovox and Other Electronic Accordions” by Fabio G
    “A Brief, Comprehensive History of the Cordovox and other electronic accordions” By Fabio G. Giotta Many technical and musical geniuses poured their hearts and souls in to the design and production of these amazing instruments whose electronic technology originated in the late 1950’s, 60’s and 70’s; the Ages of Technology, Space and Jet Travel. The acoustic accordion technology (typically 15,000 parts in a full size instrument) spans from roughly 1900 through the age of its electronic counterparts. This article endeavors to correct some of the rampant inaccuracies and invalid opinions about the Cordovox and other electronic accordions found on the World Wide Web, including some of the statements posted at Google Answers, and errant statements by some Ebay sellers and non-accordion oriented retailers, including musical instrument shops. Herein, I opine and make a combination of declarations, observations, and well-educated guesses based on my own personal experience with these instruments, continuing interaction with accordion industry experts such as: Gordon Piatanesi (Colombo & Sons Accordions-San Francisco, CA), Joe Petosa (Petosa Accordions-Seattle, WA), The curators of the Museo Internazionale Della Fisarmonica-Castelfidardo, Italia (International Museum of the Accordion), including Paolo Brandoni (Brandoni & Sons Accordions-General Accordion Co.), Fabio Petromilli (Comune of Castelfidardo), Beniamino Bugiolacchi-Museum President, and their colleagues Maestro Gervasio Marcosignori, concert accordionist, arranger, recording artist, and former Director of Instrument Development for Farfisa S.p.A. Organ electronics experts such as *Dave Matthews, *David Trouse, *David Tonelli and *Peter Miller, and study of written, official documents such as books, brochures, advertisements, owner’s guides, service manuals, and historical accounts, inlcluding the following: The Golden Age of the Accordion--Flynn/Davison/Chavez, Super VI Scandalli…Una Fisarmonica Nella Storia--Jercog, and Per Una Storia Della Farfisa-- Strologo.
    [Show full text]
  • Basic Music Course: Keyboard Course
    B A S I C M U S I C C O U R S E KEYBOARD course B A S I C M U S I C C O U R S E KEYBOARD COURSE Published by The Church of Jesus Christ of Latter-day Saints Salt Lake City, Utah © 1993 by Intellectual Reserve, Inc. All rights reserved Printed in the United States of America Updated 2004 English approval: 4/03 CONTENTS Introduction to the Basic Music Course .....1 “In Humility, Our Savior”........................28 Hymns to Learn ......................................56 The Keyboard Course..................................2 “Jesus, the Very Thought of Thee”.........29 “How Gentle God’s Commands”............56 Purposes...................................................2 “Jesus, Once of Humble Birth”..............30 “Jesus, the Very Thought of Thee”.........57 Components .............................................2 “Abide with Me!”....................................31 “Jesus, Once of Humble Birth”..............58 Advice to Students ......................................3 Finding and Practicing the White Keys ......32 “God Loved Us, So He Sent His Son”....60 A Note of Encouragement...........................4 Finding Middle C.....................................32 Accidentals ................................................62 Finding and Practicing C and F...............34 Sharps ....................................................63 SECTION 1 ..................................................5 Finding and Practicing A and B...............35 Flats........................................................63 Getting Ready to Play the Piano
    [Show full text]
  • Quantifying Harmony and Dissonance in Piano Intervals and Chords Michael Blatnik University of Lynchburg
    University of Lynchburg Digital Showcase @ University of Lynchburg Undergraduate Theses and Capstone Projects Spring 4-2011 Quantifying Harmony and Dissonance in Piano Intervals and Chords Michael Blatnik University of Lynchburg Follow this and additional works at: https://digitalshowcase.lynchburg.edu/utcp Part of the Other Physics Commons Recommended Citation Blatnik, Michael, "Quantifying Harmony and Dissonance in Piano Intervals and Chords" (2011). Undergraduate Theses and Capstone Projects. 137. https://digitalshowcase.lynchburg.edu/utcp/137 This Thesis is brought to you for free and open access by Digital Showcase @ University of Lynchburg. It has been accepted for inclusion in Undergraduate Theses and Capstone Projects by an authorized administrator of Digital Showcase @ University of Lynchburg. For more information, please contact [email protected]. Quantifying Harmony and Dissonance in Piano Intervals and Chords Michael Blatnik Senior Honors Project Submitted in partial fulfillment of the graduation requirements of the Westover Honors Program Westover Honors Program April, 2011 Dr. John Eric Goff Committee chair Dr. Chinthaka Liyanage Dr. Nancy Cowden 2 Abstract The level of dissonance in piano intervals and chords was quantified using both experimental and computational methods. Intervals and chords were played and recorded on both a Yamaha YPT-400 portable keyboard and a Steinway & Sons grand piano. The recordings were run through spectral analyses, and dissonance values were calculated using a dissonance equation. The result was a ranking of comparative dissonance levels between each chord and interval. Though the goal was to find a universal ranking of chords, it was instead determined that such a ranking cannot exist. The non-universal rankings revealed that the transition from least dissonant to most dissonant was gradual.
    [Show full text]
  • Musical Instruments for the Music Unit
    Chapter XI Instruments and Equipment Nicholas DeCarbo, Associate Dean Frost School of Music, University of Miami It goes without saying that music units need considerable equipment such as acoustical shells, staging, risers, chairs, music stands, podiums, instrument storage cabinets, laboratory workstations, music library systems, audio systems, and quality instruments. All music programs also need equipment devoted to technology, including hardware, software, and furniture. Because of advances in technology, music units use an array of electronic keyboard instruments for piano labs, classrooms, recording studios, music technology centers, and faculty studio/offices. Of course, music units also continue to need traditional acoustic instruments, such as concert grand pianos, upright pianos, harps, contra clarinets, English horns, contrabassoons, a full complement of percussion instruments, and sousaphones for the marching band. According to the Higher Education Arts Data Survey (HEADS), 474 public and private accredited and nonaccredited music units in the United States reported spending an average of $53,440 on equipment, $16,336 on leases and rentals, and $9,861 on repair during 2004–5. During that same period, 358 music units reported spending an average of $17,051 on technology. This chapter discusses the planning process needed for the purchase and/or lease of equipment, instruments, and technology-related items, along with guidelines for maintaining inventories. Planning for Equipment and Instrument Purchases Due to the lack of competition, the cost of equipment for performance venues, rehearsal spaces, and faculty studios is high compared to equipment purchases in many other areas of the university, excepting the sciences. Moreover, the music executive is often in the position of having to convince the higher administration that the needs are valid.
    [Show full text]
  • Electronic Keyboard
    ELECTRONIC KEYBOARD DIXIELAND 100 95 75 25 5 0 aw_MC37Aerp_Manual_G13_150330 201541 11:16:08 INFORMATION FOR YOUR SAFETY! THE FCC REGULATION PRECAUTIONS WARNING (for USA) PLEASE READ CAREFULLY BEFORE This equipment has been tested and found to PROCEEDING comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. Please keep this manual in a safe place for These limits are designed to provide future reference. reasonable protection against harmful Power Supply interference in a residential installation. This Please connect the designated AC adaptor to equipment generates, uses, and can radiate an AC outlet of the correct voltage. radio frequency energy and, if not installed and used in accordance with the instructions, Do not connect it to an AC outlet of voltage other than that for which your instrument is may cause harmful interference to radio intended. communications. However, there is no guarantee that interference will not occur in a Unplug the AC power adaptor when not using particular installation. the instrument, or during electrical storms. If this equipment does cause harmful Connections interference to radio or television reception, Before connecting the instrument to other which can be determined by turning the devices, turn off the power to all units. This will equipment off and on, the user is encouraged help prevent malfunction and / or damage to to try to correct the interference by one or other devices. more of the following measures: Location Do not expose the instrument to the following Reorient or relocate the receiving antenna. conditions to avoid deformation, discoloration, Increase the separation between the or more serious damage: equipment and receiver.
    [Show full text]
  • THE COMPLETE SYNTHESIZER: a Comprehensive Guide by David Crombie (1984)
    THE COMPLETE SYNTHESIZER: A Comprehensive Guide By David Crombie (1984) Digitized by Neuronick (2001) TABLE OF CONTENTS TABLE OF CONTENTS...........................................................................................................................................2 PREFACE.................................................................................................................................................................5 INTRODUCTION ......................................................................................................................................................5 "WHAT IS A SYNTHESIZER?".............................................................................................................................5 CHAPTER 1: UNDERSTANDING SOUND .............................................................................................................6 WHAT IS SOUND? ...............................................................................................................................................7 THE THREE ELEMENTS OF SOUND .................................................................................................................7 PITCH ...................................................................................................................................................................8 STANDARD TUNING............................................................................................................................................8 THE RESPONSE OF THE HUMAN
    [Show full text]
  • 606 Delay F/X Machine User’S Guide User’S 606 Table of Contents
    606 DelayF/xMachine 606 User’s Guide Table of Contents Chapter 1 Introduction 1 Chapter 2 Operator Safety Summary 2 Chapter 3 Fast Setup 3 Chapter 4 Front & Rear Panel Controls 4 Chapter 5 Connections 10 Chapter 6 Levels of Operations 12 Chapter 7 Presets 13 Chapter 8 Modifying Factory Presets & Creating Presets 17 Chapter 9 Program Modules 20 Chapter 10 Parameters 26 Chapter 11 Specifications 44 Chapter 12 Troubleshooting 45 Chapter 13 Warranty and Service 46 Appendix A MIDI Implementation 48 Appendix B Flow Diagram 54 Appendix C Parameter Chart 56 Appendix D Factory Presets 58 Appendix E Declaration of Conformity 61 Rev B.01, 7 October, 1999 Symetrix part number 53606-0B01 Subject to change without notice. ©1999, Symetrix, Inc. All right reserved. Symetrix is a registered trademark of Symetrix, Inc. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. Symetrix assumes no responsibility with regard to the performance or use of these products. Under copyright laws, no part of this manual may be reproduced or transmitted in any form or by any 6408 216th St. SW means, electronic or mechanical, including photo- Mountlake Terrace, WA 98043 USA Tel (425) 778-7728 606 copying, scanning, recording or by any information storage and retrieval system, without permission, in Fax (425) 778-7727 writing, from Symetrix, Inc. Email: [email protected] i Chapter 1 Introduction Thank you for your purchase of the 606 Delay F/x Machine. Our inspiration for the 606 came from the classic delays of the seventies. Their broad user controls and easy operation gave musicians and producers a host of signature sounds within quick reach.
    [Show full text]