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4 Conversations in Creativity Explorations in inspiration Bowie • 2016 creativelancashire.org Creative Lancashire is a service provided by Lancashire County Council through its economic development company - Lancashire County Developments Ltd (LCDL). They support creative and digital businesses and work with all sectors to realise creative potential. Hemingway Design Lemn Sissay In 2011, Creative Lancashire with local design agencies Wash and JP74 launched ‘Conversations in Creativity’ - a network and series of events where creatives from across the crafts, trades and creative disciplines explore how inspiration from Simon Aldred (Cherry Ghost) around the world informs process. Previous events have featured Hemingway Design, Gary Aspden (Adidas), Pete Fowler (Animator & Artist), Donna Wilson (Designer), Cherry Ghost, I am Kloot, Nick Park (Aardman), Lemn Sissay (Poet) and Jeanette Winterson (Author) - hosted by Dave Haslam & John Robb. Donna Wilson Who’s Involved www.wash-design.co.uk www.jp74.co.uk Made You Look www.sourcecreative.co.uk Pete Fowler THE VERY BEST OF BRITANNIA 1. 2. 3. David Bowie:1947-2016 A wave of sadness and loss rippled through the This provides the context for our next creative world after legendary star man David Conversations in Creativity talk at Harris Bowie (David Robert Jones), singer, songwriter Museum as part of the Best of Britannia (BOB) and actor died on 10 January 2016. North 2016 programme, Bowie’s creative process evolved throughout his As a companion piece to the event we’ve 40+ year career, drawing inspirations from the collaborated with artists and designers including obvious to the obscure. Stephen Caton & Howard Marsden at Source Creative, and Andy Walmsley at Wash and artists; 4. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Itinerary of Prince Charles Edward Stuart from His
PUBLICATIONS OF THE SCOTTISH HISTORY SOCIETY VOLUME XXIII SUPPLEMENT TO THE LYON IN MOURNING PRINCE CHARLES EDWARD STUART ITINERARY AND MAP April 1897 ITINERARY OF PRINCE CHARLES EDWARD STUART FROM HIS LANDING IN SCOTLAND JULY 1746 TO HIS DEPARTURE IN SEPTEMBER 1746 Compiled from The Lyon in Mourning supplemented and corrected from other contemporary sources by WALTER BIGGAR BLAIKIE With a Map EDINBURGH Printed at the University Press by T. and A. Constable for the Scottish History Society 1897 April 1897 TABLE OF CONTENTS PREFACE .................................................................................................................................................... 5 A List of Authorities cited and Abbreviations used ................................................................................. 8 ITINERARY .................................................................................................................................................. 9 ARRIVAL IN SCOTLAND .................................................................................................................. 9 LANDING AT BORRADALE ............................................................................................................ 10 THE MARCH TO CORRYARRACK .................................................................................................. 13 THE HALT AT PERTH ..................................................................................................................... 14 THE MARCH TO EDINBURGH ...................................................................................................... -
The Waldensian Review
THE WALDENSIAN REVIEW No. 124 Summer 2014 Editor: Mrs Erica Scroppo Newbury, 85 St Andrew’s Road, Cambridge CB4 1DH. Telephone 01223-315753, email [email protected] FROM the EDITOR Dear Friends and Supporters, Thank you for your constant support with your prayers and financial help. We have had a good year: Noemi Falla has had a highly fruitful year at Wesley House, where we were able to hold a great fundraising evening in February, strengthening further the already strong links with the Methodist Church. Unfortunately, Wesley House as a Cambridge College for the Train- ing of Methodist Ministers has now decided to concentrate on becoming a postgraduate Theological College as part of a wider programme within the Cambridge Theological Federation. Fortunately, this does not preclude more students from the Waldensian Faculty of Theology still spending their year of study abroad here. My strong appeal to readers to get in touch and to register for the online magazine via email seems to have worked! I’ve received messages and also contributions from more people than ever. Most of these, though, are people I know – even long-lost friends – while a few hundred are still … unaccounted for. PLEASE: those who haven’t done so yet DO GET IN TOUCH and let me know if you still would like to receive the paper magazine – and send me a little contribution – or even better, let me have your email in order to be told when a new issue is available on our website: http://www.waldensian.org.uk In January, Richard and I attended the memorial service of one of our most devoted friends, Madeline Gibbs, in St Leonards-on-Sea. -
The Last Days of John Lennon
Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 -
Of Prince Charlie in 1745 Some Local Lights on a Well-Known Episode of History
POKTKAIT Ol- THE CHK\ AI.IKK. I'KKSERVED IN LEEK VICARAGE THE "GOING-OUT" OF PRINCE CHARLIE IN 1745 SOME LOCAL LIGHTS ON A WELL-KNOWN EPISODE OF HISTORY By the Rev. Francis Steivart Banner, B.A. Rector of Swuttenham Read 3Oth November 1905 EFORE he enters upon the perusal of these B pages, I should like to say a word or two to my reader. The events with which they deal are of com paratively recent date. They happened only 160 years ago. But at the time they took place they were of thrilling interest. This we may see from the militia raised all over the country, from the forces gathered under King George himself (see page Si) at Finchley, and from the numerous references to them in the letters of our ancestors. Thus Mrs. Mary Holland, of Dam House, Mobberley, says in her diary : " Novr- 24, 1745. The week past has been attended with a great deal of bad tidings from our armies, many in great alarm and consternation. " Novr- 27 : ye last day. Every day brings fresh alarms, our Rebel enemies drawing nearer and nearer, and besides our own family come for shelter." And thus Miss Rachel Bromfield writes from Swettenham on October 10, 1745: "We fre quently receive various accounts about the Rebells, The " Going-out" of Prince Charlie in 1745 63 but their procedure we can't certainly know ; but we are sure there is a general stagnation of all Trade." The question in men's minds was whether the claims of the House of Hanover, which lay chiefly in the Act of Settlement, or the hereditary rights of the House of Stewart, should be supreme ; whether the King reigned by will of the people, or whether his tenure was absolute and unassailable. -
The Highland Clans of Scotland
:00 CD CO THE HIGHLAND CLANS OF SCOTLAND ARMORIAL BEARINGS OF THE CHIEFS The Highland CLANS of Scotland: Their History and "Traditions. By George yre-Todd With an Introduction by A. M. MACKINTOSH WITH ONE HUNDRED AND TWENTY-TWO ILLUSTRATIONS, INCLUDING REPRODUCTIONS Of WIAN'S CELEBRATED PAINTINGS OF THE COSTUMES OF THE CLANS VOLUME TWO A D. APPLETON AND COMPANY NEW YORK MCMXXIII Oft o PKINTED IN GREAT BRITAIN CONTENTS PAGE THE MACDONALDS OF KEPPOCH 26l THE MACDONALDS OF GLENGARRY 268 CLAN MACDOUGAL 278 CLAN MACDUFP . 284 CLAN MACGILLIVRAY . 290 CLAN MACINNES . 297 CLAN MACINTYRB . 299 CLAN MACIVER . 302 CLAN MACKAY . t 306 CLAN MACKENZIE . 314 CLAN MACKINNON 328 CLAN MACKINTOSH 334 CLAN MACLACHLAN 347 CLAN MACLAURIN 353 CLAN MACLEAN . 359 CLAN MACLENNAN 365 CLAN MACLEOD . 368 CLAN MACMILLAN 378 CLAN MACNAB . * 382 CLAN MACNAUGHTON . 389 CLAN MACNICOL 394 CLAN MACNIEL . 398 CLAN MACPHEE OR DUFFIE 403 CLAN MACPHERSON 406 CLAN MACQUARIE 415 CLAN MACRAE 420 vi CONTENTS PAGE CLAN MATHESON ....... 427 CLAN MENZIES ........ 432 CLAN MUNRO . 438 CLAN MURRAY ........ 445 CLAN OGILVY ........ 454 CLAN ROSE . 460 CLAN ROSS ........ 467 CLAN SHAW . -473 CLAN SINCLAIR ........ 479 CLAN SKENE ........ 488 CLAN STEWART ........ 492 CLAN SUTHERLAND ....... 499 CLAN URQUHART . .508 INDEX ......... 513 LIST OF ILLUSTRATIONS Armorial Bearings .... Frontispiece MacDonald of Keppoch . Facing page viii Cairn on Culloden Moor 264 MacDonell of Glengarry 268 The Well of the Heads 272 Invergarry Castle .... 274 MacDougall ..... 278 Duustaffnage Castle . 280 The Mouth of Loch Etive . 282 MacDuff ..... 284 MacGillivray ..... 290 Well of the Dead, Culloden Moor . 294 Maclnnes ..... 296 Maclntyre . 298 Old Clansmen's Houses 300 Maclver .... -
Kosmopoliittisuus, Monikulttuurisuus, Kansainvälisyys Kulttuurihistoriallisia Näkökulmia
Kosmopoliittisuus, monikulttuurisuus, kansainvälisyys Kulttuurihistoriallisia näkökulmia KOSMOPOLIITTISUUS, MONIKULTTUURISUUS, KANSAINVÄLISYYS Kulttuurihistoriallisia näkökulmia k&h Toimittaneet Anne Ollila & Juhana Saarelainen Cultural History — Kulttuurihistoria 11 Turku, Finland CULTURAL HISTORY — KULTTUURIHISTORIA 11 Kustantaja k&h, kulttuurihistoria, Turun yliopisto, Turku ISBN 978-951-29-5341-7 ISSN 1458-1949 Kulttuurihistoria 20014 Turun yliopisto http://www.culturalhistory.net © kirjoittajat Kansi Henri Terho Kansikuvat T—O -kartta Isodorus Sevillalaisen teoksesta Etymologiae (painettu laitos vuodelta 1472), kuva Wikimedia Commons. John Pinkertonin Map of Turkey in Asia (1818, yksityiskohta), kuva Wikimedia Commons. Seinäkirjoitus Tukholmassa (2011), kuva Anne Ollila Ulkoasu Henri Terho Taitto Juhana Saarelainen Painopaikka Painosalama Oy, Turku 2013 SISÄLLYS RIITTA LAITINEN Esipuhe 7 ANNE OLLILA & JUHANA SAARELAINEN Johdanto: Euroopassa, sen rajoilla ja ulkopuolella 9 I KESKELLÄ EUROOPPAA MARJO KAARTINEN Cosmopolitēs — James Howell, maailmankansalaisuus ja 1600-luvun Englanti 31 ASKO NIVALA Maailmankansalaisuus 1790-luvun berliiniläisessä varhaisromantiikassa 49 MAIJA VAN DER KOOIJ Valistus ja suvaitsevaisuuden mahdollisuus 84 HEIDI HAKKARAINEN Koomisia kohtaamisia. Monikansallisen kaupungin ristiriidat 1800-luvun lopun wieniläisessä huumorissa 106 II SUOMI, EUROOPAN REUNALLA? JYRKI OUTINEN Kauan on kärsitty ”Etelän hedelmiä”. Monikulttuurisuus, kansainvälisyys ja kosmopoliittisuus Turkin sodassa (1877—1878) 135 ANNE OLLILA Valokuvaus -
Mr. Bowie Changes Trains: Station to Station Written for Artist Doug
Mr. Bowie Changes Trains: Station to Station Written for artist Doug Aitken's 2015 "Station to Station" art event IN THE DAYS of vinyl album sleeves, rock music was always a synaesthetic experience, and David Bowie's Station to Station is nothing if not white: a white-out of cleansing and purging, if also of cocaine euphoria. Station to Station is also a bit red (the lettering) and a tad orange (the tangerine RCA label). White seemed right for Bowie in 1975/76, at least until the "Thin White Duke" talked foolishly and ill-advisedly of fascism and Hitler and you wondered if it was the White of Aryan supremacy that he meant to convey. Which of course it wasn't: half the Duke's group was black, for starters. Bowie's whole career is a journey from station to station, and his tenth album Station to Station remains one of the most impressive of his musical junctions: intense, passionate, focused, surging and urgently funky – stripped-back, too, just as its iconography is stripped-back and monochromatic after the hypertrophied dystopianism of Diamond Dogs and the funky-but- chic hustle of Young Americans. Station to Station is also a miracle, given the physical/chemical state of the Skeletal White Duke in the Los Angeles of 1975. (Was there ever a less Californian rock god than Bowie?) "I heard Station to Station and I thought it was brilliant, absolutely mindblowing," recalled the former Deep Purple bassist Glenn Hughes, at whose L.A. home Bowie stayed in May and June of that year. -
February Newsletter
Systematic Innovation e-zine Issue 167, February 2016 In this month’s issue: Article – ABC-M Landscapes Article – Evolving The Creativity Scan Really Not Funny – Reasons For Visiting The Hospital Patent of the Month – Electrokinetic Nanothruster Best of The Month – A Beautiful Constraint Wow In Music – Heroes: David Bowie RIP Investments – Metallic Glue Generational Cycles – Waiter, There’s A Y In My Soup Biology – Limpet Teeth Short Thort News The Systematic Innovation e-zine is a monthly, subscription only, publication. Each month will feature articles and features aimed at advancing the state of the art in TRIZ and related problem solving methodologies. Our guarantee to the subscriber is that the material featured in the e-zine will not be published elsewhere for a period of at least 6 months after a new issue is released. Readers’ comments and inputs are always welcome. Send them to [email protected] 2016, DLMann, all rights reserved ABC-M Landscapes In last October’s ezine (Issue 163), we introduced the idea that, when it comes to the intangible aspects of any innovation attempt, the main success criteria involved making our ABC-M (Autonomy-Belonging-Competence-Meaning) tetrad ‘get better for each stakeholder at each moment of truth’. Really simple to say, much more difficult to achieve in practice. On the other hand, ‘being difficult’ should never be a reason for allowing oneself to fail to try and achieve. This short article concerns the next stage of evolution of the ‘ABC-M gets better’ story: the ABC-M Landscape. The basic idea is very simple: identify the (moment of truth) steps in a process or journey; calculate ABC-M for each stakeholder at each of those stages; plot on a graph. -
David Bowie "Heroes" Mp3, Flac, Wma
David Bowie "Heroes" mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: "Heroes" Country: Japan Released: 2009 Style: Art Rock, Classic Rock, Experimental, Ambient MP3 version RAR size: 1308 mb FLAC version RAR size: 1193 mb WMA version RAR size: 1666 mb Rating: 4.5 Votes: 842 Other Formats: MP3 AHX WAV VOX AC3 DXD AHX Tracklist Hide Credits 1 Beauty And The Beast 3:32 2 Joe The Lion 3:05 3 "Heroes" 6:07 4 Sons Of The Silent Age 3:15 5 Blackout 3:50 6 V-2 Schneider 3:10 7 Sense Of Doubt 3:57 8 Moss Garden 5:03 9 Neuköln 4:34 10 The Secret Life Of Arabia 3:46 Bonus Tracks Abdulmajid 11 Instruments – Brian EnoMixed By – David RichardsMixed By, Instruments – 3:40 David Bowie Joe The Lion (Remixed Version 1991) 12 5:18 Bass – George MurrayDrums – Dennis DavisMixed By – David Richards Companies, etc. Record Company – EMI Records Phonographic Copyright (p) – Jones Music Phonographic Copyright (p) – Mainman S.A. Copyright (c) – Jones Music Copyright (c) – Mainman S.A. Licensed To – EMI Records Ltd. Pressed By – EMI Uden Published By – Bewlay Bros. Music Published By – Screen Gems-EMI Music Inc. Published By – EG Music Publishers Inc. Published By – 100 Miles Per Hour Music Recorded At – Hansa Tonstudios Mixed At – Mountain Studios Mastered At – Northeastern Digital Glass Mastered At – EMI Swindon Designed At – Reiner Design Consultants, Inc. Credits Backing Vocals – Antonia Maass, David Bowie Backing Vocals, Engineer – Tony Visconti Design [Package] – Reiner Design Consultants, Inc. Electric Bass – George Murray Engineer – Colin Thurston, Mountain Studios, Montreux* Engineer [Assistant] – Dave Richards*, Eugene Chaplin Guitar, Vocals, Keyboards, Saxophone, Koto – David Bowie Lead Guitar – Robert Fripp Mastered By [Digital] – Jonathan Wyner, Dr. -
Lodger Honeymoon Over Album Download Sound and Vision
lodger honeymoon over album download Sound And Vision. Musicians: David Bowie (Vocals, Saxophone, Chamberlin), Ricky Gardiner (Lead Guitar), Carlos Alomar (Rhythm Guitar), George Murray (Bass), Dennis Davis (Drums), Brian Eno (Synthesizers, Backing Vocals), Mary Visconti nee. Hopkin (Backing Vocals), Roy Young (Piano) STORY. The story behind ‘Sound and Vision’ With Bowie’s Low album receiving a less than favourable reception from his record company RCA, they were placated by the success of ‘Sound and Vision’, its first single. It reached number 3 in the United Kingdom to become Bowie’s biggest hit, reissues excepted, since ‘Sorrow’ in 1973. Bowie and co-producer Tony Visconti originally recorded the track as an instrumental, bar the backing vocal performed by Visconti’s wife, Mary (formerly Mary Hopkin of ‘Those Were The Days’ renown). In common with the rest of Low, Bowie then recorded his vocal after the rest of the band had left the studio, before trimming verses off the lyric, and leaving a relatively lengthy instrumental intro on the finished song. Mary Visconti was visiting the Château d’Hérouville with the couple’s young children, Delaney and Jessica, when she was asked to make her contribution to the song. “Iggy Pop was also visiting at the time, so it was a lovely, congenial atmosphere,” Mary recalled in 2011. “One evening, Brian called me into the studio to sing a quick backing vocal with him on ‘Sound And Vision’. We sang his cute little ‘doo doo’ riff in unison. It was meant to be a distant echo but, when David heard it, he pushed up the fader until it became a prominent vocal – much to my embarrassment, as I thought it very twee.