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2008 Romanesque in the Sousa Valley.Pdf
ROMANESQUE IN THE SOUSA VALLEY ATLANTIC OCEAN Porto Sousa Valley PORTUGAL Lisbon S PA I N AFRICA FRANCE I TA LY MEDITERRANEAN SEA Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology 85 Church of Saint Mary of Airães 87 1. The church in the Middle Ages 91 2. The church in the Modern Period 95 3. Conservation and requalification 95 Chronology 97 Castle Tower of Aguiar de Sousa 103 Chronology 105 Church of the Savior of Aveleda 107 1. The church in the Middle Ages 111 2. The church in the Modern Period 112 2.1. Renovation in the 17th-18th centuries 115 2.2. Ceiling painting and the iconographic program 119 3. Restoration and conservation 119 Chronology 121 Vilela Bridge and Espindo Bridge 127 Church of Saint Genes of Boelhe 129 1. The church in the Middle Ages 134 2. The church in the Modern Period 138 3. Restoration and conservation 139 Chronology 141 Church of the Savior of Cabeça Santa 143 1. -
Maquetación 1 -.:Nojo:Foto:Web
The Pilgrims’ Ways to Santiago in Galicia The Portuguese Way S.A. de Xestión do Plan Xacobeo Texts Photography Translation Francisco Singul Archives of S.A. de Xestión Interlingua Traduccións do Plan Xacobeo Claire Teed Olson Editing Xulio Gil Ana B. Freire Revision and updating Rosa García Technical advice Carraig Linguistic ServicesDesign and Department of Architecture of Ducumentation: S.A. de Xestión do Plan Xacobeo Lay-out pilgrims´hostels and services Permuy Asociados Pilar Cuíña Revision Rosa Fernández Dori Abuín Printing Ana B. Freire Carla Fernández-Refoxo Gráficas LASA, S.L. Rosa García Carmo Iglesias Coroni Rubio Alfonso Salgueiro D.L.: The Portuguese Way Although the pilgrimage from Portugal to Santiago is assumed to have already been in existence in the Late Middle Ages, it became even more popular after the country gained its independence in the mid 12th century. From that time on, the veneration of Saint James and the pilgrimage to Santiago de Compostela, considered to be one of the hallmarks of identity of European culture, had far-reaching effects in Lusitanian lands. For centuries the Portuguese people participated enthusiastically in this collective experience, and they had the good fortune to be consistently supported by the example of monarchs, members of the nobility and the high clergy. Suffice to remember that from the 12th century up until the present day, much of Portugal’s road network has seen the comings and goings of pilgrims heading from towns and cities all over the country –Lisbon, Santarem, Coimbra, Porto, Braga, Chaves...– to their goal of Santiago de Compostela. Their motives were strictly religious, yet thanks to this steady flow of movement between Portugal and Galicia, cultural, economic and intellectual exchange also flourished. -
Cultural Representations of Galician Identity: Contemporary Narratives of Santiago De Compostela and the Camiño De Santiago
CULTURAL REPRESENTATIONS OF GALICIAN IDENTITY: CONTEMPORARY NARRATIVES OF SANTIAGO DE COMPOSTELA AND THE CAMIÑO DE SANTIAGO By Nicole Amberlee Rasch A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Hispanic Cultural Studies – Doctor of Philosophy 2014 ABSTRACT CULTURAL REPRESENTATIONS OF GALICIAN IDENTITY: CONTEMPORARY NARRATIVES OF SANTIAGO DE COMPOSTELA AND THE CAMIÑO DE SANTIAGO By Nicole Amberlee Rasch Today, Galicia is one of Spain’s most popular travel destinations. It is known internationally for the Camiño de Compostela – a world recognized city and pilgrimage site. Galician history, however, reveals extensive periods of political repression, social neglect and little capacity for economic sustainability. In the post-Franco period this has been changing, such that the socio- political challenges of the past have been giving way to a greater acceptance of and interest in Galicia’s language, culture and heritage. This is evidenced by the still-developing and politically sanctioned processes of “normalization,” reclamation and cultural reaffirmation. Since 1975 when the post-Franco period began, Galicia’s increasing representation and visibility on a global stage brings into question the impact of this notoriety and the consumer- based packaging of Galician culture to domestic and international audiences. Now, at the very historical juncture when Galicia is afforded a greater freedom of expression and cultural acceptance, the impact of increasing cultural commodification and tourist marketing may result in a loss of, or at best a distortion of the region’s rich cultural heritage. The packaging of Galician heritage and culture for mass consumption may play a role in the region’s potential cultural demise. -
Guide a Coruña S
Guide A Coruña S. Compostela A-55 A Coruña Ourense Valença Vila Nova de Cerveira A3 Arcos de Valdevez A28 IC28 A27 Ponte de Lima Viana do A24 Castelo Cabeceiras Braga de Basto Esposende A11 A11 A7 Fafe Vila Pouca de Aguiar A28 Guimarães Celorico Póvoa de Varzim A7 de Basto A11 Felgueiras Vila do Conde Vila Real Paços de A3 Ferreira A11 Amarante IP4 A42 Lousada A41 A4 Paredes Penafiel A4 Régua A43 Marco de Baião Porto Canaveses A41 A44 A20 Resende Lamego Cinfães Castelo de Paiva A32 A1 Castro Daire ATLANTIC OCEAN ATLANTIC A29 Oliveira A24 de Azeméis A25 Viseu Aveiro IP5 A17 A1 IP3 Leiria Coimbra Lisboa Lisboa THE ROUTE OF THE ROMANESQUE IN NORTHERN PORTUGAL León Zamora A-52 Bragança IP4 Valladolid Chaves Zamora Macedo de Miranda Cavaleiros do Douro A4 Murça IP2 Alfândega IC5 da Fé Vila Flor IC5 ESPAÑA Torre de Moncorvo Rio Douro Vila Nova de Foz Côa Territory of the Route of the Romanesque IP2 Railway Celorico World Heritage Site Madrid da Beira Vilar Formoso A25 A-62 Salamanca A23 Guarda Castelo Branco INDEX 9 Introduction 58 9. Bridge of Vilela 10 THE TERRITORY 60 10. Church of Saint Mary 12 THE ROMANESQUE of Meinedo 13 The Portuguese Romanesque Style 64 11. Bridge of Espindo 15 The Romanesque in the Sousa, 66 12. Monastery of Saint Peter of Ferreira Douro and Tâmega Valleys 18 The Romanesque Style 72 13. Tower of the Alcoforados 22 THE ROUTE OF THE ROMANESQUE 75 14. Chapel of Our Lady of Piety of Quintã 25 Book your Visit 78 15. -
Lecture Notes
THE ROAD TO SANTIAGO DE COMPOSTELA LECTURE I CHRISTIANITY vs ISLAM LECTURE II THE DISCOVERY LECTURE III THE JOURNEY LECTURE IV THE CHURCH Copyright © 2013 by Dr. William J. Neidinger, Stylus Productions and The Texas Foundation for Archaeological & Historical Research 2 CHRISTIANITY vs ISLAM I. INTRODUCTION - 812 / 813 / 814 discovery - stars / star / angels attract shepherds / hermit Pelagius - excavation of site - discovery of 3 graves in ruins - Bishop Theodomir / Theodamar / Teodomir of Iria Flavia - Theodomir verifies: James and two disciples (Athanasius and Theodore) - Theodomir notifies: Alfonso II the Chaste, Pope Leo III, Charlemagne - pilgrimage of Charlemagne > “Camino de Santiago” - Charlemagne dies 814; Leo III dies 816 - Alfonso II dies 842; Theodomir dies 847 - Camino de Santiago - well known fame as a pilgrimage site - commonplace re: transmission artistic and architectural styles - transmission of poetry, prayers, liturgical practices, ballads, music II. THE CREATION OF GERMANIC EUROPE - 476 “fall” of the Roman Empire - deposition and exile of Romulus Augustulus by Odoacer - Odoacer with German army - contemporaries: “re-unification of Empire under Zeno” - Odoacer hands symbols of authority to Zeno in Constantinople - Odoacer as Patricius - Romulus Augustulus last to be hailed as an Augustus in the west - Byzantine chroniclers of 6th c. declare 476 as: “Fall of the Empire in the West” - Germanic invasions, migrations, settlement since 2nd c. AD - foederati since Marcus Aurelius (reg. 167-180) - German imperial bodyguards -
Bridges Across Cultures Perugia, Italy 2013
Bridges Across Cultures Perugia, Italy 2013 Select Conference proceedings in collaboration with Voces Del Caribe ISSN:2169-6179 2 Illustrations Fig. 1-3 Roberto observing Jun and Mari from Sebastián Borensztein’s Un cuento chino (2011). Fig. 1-4 Walt and Thao from Clint Eastwood’s Gran Torino (2008). Fig. 1-5 Food as a tool to create a sense of community from Sebastián Borensztein’s Un cuento chino (2011). Fig. 1-6 Food as a tool to create a sense of community from Clint Eastwood’s Gran Torino (2008). Fig. 1-7 The cow from Sebastián Borensztein’s Un cuento chino (2011). Fig. 1-8 The car from Clint Eastwood’s Gran Torino (2008). Fig. 2-1 Szadek, parish church interior. (Photo Piotr Gryglewski). Fig. 2-2 Chruślin, parish church, the main altar, Mary with the Child, 17th century, a metal dress, mid-18th century. (Photo Piotr Gryglewski). Fig. 2-3 Waliszew, parish church, the main altar, Mary with the Child, 18th century. (Photo Piotr Gryglewski). Fig. 2-4 Złaków Kościelny, parish church, left – Picture of St Anthony, 17th century, right – a precious dress from the Picture of St Anthony, 18th-19th century. (Photo Piotr Gryglewski). Fig. 2-5 Kaszewy, parish church, St Roch, 17th century. (Photo Piotr Gryglewski). Fig. 2-6 Allegory of the Holy Trinity, Skomlin, 1776, parish church; The Holy Trinity, a procession float, Boczki Chełmońskie, 1768, Old Church of St Roch in Boczki Chełmońskie (photo Ewa Kubiak). Fig. 2-7 The Holy Trinity – Christ with three Faces; graphics from the book by Pablo Anzara (1630); Gregorio Vásquez de Arce y Ceballos, circa 1680, Museo de Arte Colonial, Bogotá, (photo E. -
Beyond the Ohlala Mountains Alan Brunton’S / Poems 1968 – 2002
NOTES for BEYOND THE OHLALA MOUNTAINS ALAN BRUNTON’S / POEMS 1968 – 2002 Edited by Michele Leggott and Martin Edmond Auckland: Titus Books, 2013 there was something / made me walk about this lame cosmos / with ears and notebooks open Alan Brunton (1946-2002) was a poet and performer who helped reshape New Zealand poetry from the late Sixties until the turn of the millennium. After sojourns in Asia and Europe Brunton and partner Sally Rodwell formed Red Mole Enterprises in 1974, and for the next three decades, they continued the habit of restless travel while working intensively on poetry, film and theatre projects. Drawing on twelve published collections and the rich resource of his papers, Beyond the Ohlala Mountains shows for the first time the scope of Brunton’s poetics as well as his trademark linguistic bravura. The selection moves chronologically, in five parts, from 1968 until 2002; from the anarchic cut-ups of Freed magazine to the ‘spying on madness’ during the European and Asian tours; from the decade and a half spent on the road, in the Antipodes and the Americas, to Red Mole’s return to New Zealand via New York, Taos and Amsterdam in 1988. The final section showcases the long forms the poet was attracted to, from the book-length Day for a Daughter to the magisterial Moonshine, sixteen years in the making, and the tragi-comic Christchurch picaresque Fq. ‘I adopted strangeness as my routine,’ Brunton writes; yet he remains at all times preternaturally alert to ‘the me and you / that love anticipates.’ * In preparing notes for this edition we have drawn extensively on the Brunton Rodwell Papers at the University of Auckland (BR) and on Alan Brunton et al, Red Mole: A Chronology of Works 1974-2002.