117456418.23.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
"I Accuse Miss Owenson": the Wild Irish Girl As Media Event
Colby Quarterly Volume 36 Issue 2 June Article 5 June 2000 "I accuse Miss Owenson": The Wild Irish Girl as Media Event Claire Connolly Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 36, no.2, June 2000, p.98-115 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Connolly: "I accuse Miss Owenson": The Wild Irish Girl as Media Event III accuse Miss Owenson II: The Wild Irish Girl as Media Event by CLAIRE CONNOLLY YDNEY OWENSON may not have written the first Irish novel-that prize is Sconventionally accorded to Castle Rackrent, written by her near-contem porary Maria Edgeworth-yet it is possible to argue that she received the first Irish review. Novels had of course been reviewed in Ireland before Owenson (just as novels had been written in Ireland before Edgeworth) but this essay argues that the critical reception of her early novels, particularly The Wild Irish Girl, in the Dublin newspaper the Freeman's Journal consti tutes a foundational moment in the history of Irish fiction, analogous to Castle Rackrent's innovative fusion of narrative experimentation with the politics of Union. In the attention centred on the enigmatic figure of its author, The Wild Irish Girl controversy generated an interpretative crux equivalent to the problem of Edgeworth's unreliable narrator Thady Quirk; Sydney Owenson herself became as much the object of argument and specu lation as her fictional work. -
The Irish Crokers Nick Reddan
© Nick Reddan Last updated 2 May 2021 The Irish CROKERs Nick Reddan 1 © Nick Reddan Last updated 2 May 2021 Table of Contents Table of Contents ....................................................................................................................... 2 Background ................................................................................................................................ 4 Origin and very early records ................................................................................................ 4 Acknowledgments.................................................................................................................. 5 Note ........................................................................................................................................ 5 Origin ......................................................................................................................................... 6 The Settlers ................................................................................................................................ 9 The first wave ........................................................................................................................ 9 The main group .................................................................................................................... 10 Lisnabrin and Nadrid ............................................................................................................... 15 Dublin I ................................................................................................................................... -
About the Meaning of the Picture and Therefore Treats the Image As Linked
about the meaning of the picture and therefore its creation back to her empirical self or conclude that treats the image as linked with the whole play. its meaning is coextensive with its point of departure.... Although this identification indicates that Kelly uses (p. 899) textual associations to read the visual image, he refuses to grant that the image, in turn, may Sherwin’s assertion, in this hypothetical formulation, interpret the text. We argue that, whenever a text might become a subject for endless debate between is given definite visual form, its generic structures ideological feminists and theorists of the imper- and patterns of meaning are supplemented, opened sonality of texts unless someone pointed out that, up by this new representation. Zoffany’s painting in fact, Frankenstein was published anonymously offers a rich reading of Macbeth precisely because and (in further support of Sherwin’s position) that it “gratifies] contemporary interests,” because it Walter Scott, who reviewed it favorably in Black- reveals what was found necessary to interpret in wood’s Edinburgh Magazine, not only failed to and for a previous age. This image helps us locate recognize it as the work of a woman but attributed a problematic moment, a “gap,” in the text; it wit- the novel to the author of Alastor (see The Ro- nesses the pressure of historical concerns on inter- mantics Reviewed, Part C, I, 73—80). This attribu- pretation, and it reminds us that our own moment is tion also buttresses Sherwin’s later speculations on no more privileged than Zoffany’s. the complex intertextuality of Alastor and Franken- stein (pp. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Defending Ireland Or Attacking Woman? the Irish Riposte to Harriet Martineau
Defending Ireland or Attacking Woman? The Irish Riposte to Harriet Martineau Julie Donovan owhere is the complexity of Harriet Martineau’s legacy more N evident than in her writings on Ireland. Martineau traveled to Ireland in 1831, a visit she followed up with a more extensive stay in 1852, when, with her customary zeal, she covered twelve-hundred miles, taking in all four provinces (Conway and Hill 47). Martineau’s first visit inspired “Ireland: A Tale” (1832), the ninth story in Illustrations of Political Economy (1832-34). Her second visit was instigated by Frederick Knight Hunt, editor of London’s Daily News, who requested eye-witness reports of Ireland’s post-famine socio-cultural recovery and economic progress, which Martineau would collate in her role as a traveling correspondent. Her findings from the 1852 visit were published in voluminous journalism, including Letters from Ireland (1852) and Endowed Schools of Ireland (1859), which formed part of her reporting for Daily News. In addition, numerous and formerly scattered pieces on Ireland, published in Daily News, Household Words, Westminster Review and elsewhere, have been collected in Harriet Martineau and the Irish Question: Condition of Post- Famine Ireland, edited by Deborah Logan. Irish affairs permeated Martineau’s fiction and non-fiction, demonstrating how cognizant she was of issues Ireland faced in the post- famine context and in terms of continuing systemic problems impeding recovery, such as absentee landlordism, which she had raised in “Ireland: A Tale.” Throughout her decades of writing about Ireland, from pre- to post- 117 Nineteenth-Century Prose, Vol. 47, No. -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Tennyson and the Fabrication of Englishness Thesis How to cite: Sherwood, Marion Frances (2011). Tennyson and the Fabrication of Englishness. PhD thesis The Open University. For guidance on citations see FAQs. c 2011 The Author Version: Version of Record Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk UNReSTRlCTC-P ' Marion Frances Sherwood MA TENNYSON AND THE FABRICATION OF ENGLISHNESS Doctor of Philosophy: The Open University Faculty of Arts: Department of English Submitted on 30 September 2010 X)aX<~ o l 5ubvYuS5tf3t^', 2 $ S^ptowb^/ Zoif Date,qj f\Waf(L: March. 2o|i ProQuest Number: 13837621 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13837621 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Thesis Abstract Tennyson and the Fabrication of Englishness Nineteenth-century preoccupation with the meaning of Englishness began with the origin of the term in 1804. -
The Novels of Benjamin Disraeli
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenSIUC THE XO\'ELS OF BEN'JAMIX DISRAELI HAROLD BERMAX IX the early part of the past century \'on Arnim wrote a book entitled Bcrtlwld's First and Second Life. The idea sought by tiie author of that book, apparently, was to concretize the belief gaining currency at the time that an individual may enjoy, in the brief span of his earthly existence, either in the simultaneous Jekyl- and-Hyde form or in chronological succession, two distinct and un- related careers. In the case of the career of Benjamin Disraeli, the ambitious novelist who, unaided by family influence or wealth, rose to the premiership of Great Britain and to a commanding position in world affairs, it has become the favorite method of biographers to dwell on, if not exactly to explain it by, the thesis of duality. "Here is a case,"' these men seem to say, "of duality par excellence. Here is a man who possessed two distinct talents, a man who could suc- cessfully fight an election battle, maneuver men and policies in the lobbies of parliament, and then retire from all this hubbub to the peace of his study for a brief few weeks or months and emerge therefrom with the manuscript of a three-volume novel under his arm, having done which, he would return to the political scene, resume the bargaining and badgering, the combinations and manipu- lations of the party machinery as a matter of course and as if no interruption whatever in his normal activities had taken place." This, I admit, is indeed a pretty picture, but not at all a true one. -
“Quiz 2 on John Keats”
Subject: ENGLISH Class: B.A. Part 1 English Hons., Paper-2 Topic: QUIZ 2 ON JOHN KEATS Lecture No:91 By: Prof. Sunita Sinha Head, Department of English Women’s College Samastipur L.N.M.U., Darbhanga Email: [email protected] Website: www.sunitasinha.com Mob No: 9934917117 “QUIZ 2 ON JOHN KEATS” 1. Blake, Wordsworth, Coleridge, Byron, Shelley and Keats are sometimes called the Big Six English Romantic poets. Who was the youngest? Lord Byron William Wordsworth John Keats Percy Bysshe Shelley 2. Charles Cowden Clarke described 5th May, 1816 as the red-letter day in the life of his friend, John Keats. Why? Keats's first poem was published Keats received an apothecary's license Keats first met Fanny Brown Keats' first volume of poems was published 3. John Keats was condemned as a member of "The Cockney School" of poets. Who coined that derogatory phrase? John Wilson Croker Leigh Hunt P. B. Shelley John Gibson Lockhart 4. 'Bright Star' was a famous love sonnet by Keats. To whom was the poem addressed? Lady Jennings Fanny Brown Queen Elizabeth Isabella 5. John Keats is renowned today as a writer of odes. How many odes did he write? 6 56 28 108 6. "Beauty is Truth, Truth Beauty" is considered to summarise Keatsian aesthetics. In which poem did John Keats write the line? Ode to Autumn Ode to a Nightingale Bright Star Ode on a Grecian Urn 7. 'Ode to Psyche' is believed to be the first ode written by John Keats. Who is Psyche? A Hindu goddess A Babylonian goddess An Egyptian goddess A character in 'The Golden Ass' by Apuleius 8. -
Quarterly Review
John Wilson Croker’s Image of France in the Quarterly Review David Morphet Introduction Political developments in France provided a substantial topic for British periodicals during the first half of the nineteenth century. The most sustained comment came from the Rt Hon. John Wilson Croker, the principal contributor to the Quarterly Review (QR) on political matters over the period. His thirty or so articles on France published up to 1851 constitute a significant part of his total QR output, and are the main focus of this paper. 1 Consideration will also be given to a number of articles on France which appeared during this period in the Edinburgh Review (ER) , Fraser’s Magazine (FM) and the Westminster Review (WR) . All of these were published under the ruling convention of anonymity. Within four or five years of its foundation in 1802, the ER began to attack the policies of the Tory government. By 1809, it had sharpened its attack to include the evacuation of British forces from Corunna, the debacle of the Walcheren Campaign, and the scandal over the sales of Army commissions by the Duke of York’s mistress. The QR was founded in that year to counter the ER , and achieved a rapid success. Its first editor, William Gifford, estimated in 1812 that it was read by ‘at least 50,000 of that class whose opinions it is most important to render favourable, and whose judgment it is most expedient to set right’. 2 Its founders included the publisher John Murray and Sir Walter Scott, whose son-in-law J. -
Septs & Allied Families
Septs & Allied Families of Clan Douglas As accepted by Clan Douglas Society of North America 2019 Septs & Allied Families of Clan Douglas As accepted by Clan Douglas Society of North America ***WORK IN PROGRESS*** © 2011-2019 Harold A Edington All Rights Reserved. No part of this booklet may be copied or transmitted in any form without written permission of the author. Harold Edington [email protected] A Concise History of the House of Douglas by Harold Edington, CDSNA Asst VP Four principle stems of the Douglas family wrote their great and often noble deeds into more than seven hundred years of turbulent Scottish history. The branches of the House of Douglas were: the Douglas of Douglasdale (the Black Douglases) who gained fame with Bruce; the Angus “Red Douglases” who played a significant part in the Scottish/English conflict between the mid-15th and early 18th centuries; the line of Morton, closely aligned with the fortunes of Mary, Queen of Scots; and the Drumlanrig and Queensbury Douglases who reached their zenith with the “Union of Crowns” in the early 18th century. Other, though no less important, branches of the Douglases were those of Annandale, Moray, Ormond, Forfar, Dalkeith, Mains, the Dukes of Touraine, Buccleuch, and Hamilton, and the Earls of Home, and the Sandilands Lords Torphichen. The Black Douglases Sir William “le Hardy” Douglas, was the first person of note to join William Wallace in his revolt against England. He was Constable of Berwick Castle in 1297 and a witness to the sacking of Berwick by Edward I “Longshanks” of England. -
Nineteenth Century Literary Manuscripts, Part 4
Nineteenth Century Literary Manuscripts, Part 4 NINETEENTH CENTURY LITERARY MANUSCRIPTS Part 4: The Correspondence and Papers of John Gibson Lockhart (1794-1854), Editor of the Quarterly Review, from the National Library of Scotland Contents listing PUBLISHER'S NOTE CONTENTS OF REELS DETAILED LISTING EXTRACTS: On the Cockney School of Poetry When Youthful Faith has Fled Nineteenth Century Literay Manuscripts, Part 4 Publisher's Note John Gibson Lockhart (1794-1854) desrves our attention for many reasons: He was one of the most important critics of the 19th century He was Editor of The Quarterly Review He became Scott’s Boswell, writing an acknowledged masterpiece of biography He played an important part in the rise of the novel as a literary form His letters provide a detailed account of literary society in Edinburgh and London His papers are now opened to a wider audience through the publication of this microform edition. They include: 14 volumes of correspondence received by Lockhart as Editor of The Quarterly Review, 1825-1854 (NLS MSS.923-936); 3 volumes of letters from Lockhart to Whitwell Elwin, his successor as Editor (NLS MSS.145, 341 & 2262); 3 volumes of correspondence between Lockhart and Scott, 1818-1832 (NLS.MSS.142-143, & 859); 7 volumes of family letters, 1820-1854 (NLS.MSS.1552-1558); 1 volume of letters from Lockhart to Allan Cunningham about the Lives of British Painters (NLS.MS.820); and 10 volumes of literary manuscripts by Lockhart (NLS.MSS.1623-1626, 3995 & 4817-4822). The Editorial correspondence is especially rich and includes letters from Byron, Coleridge, Croker, Disraeli, Edgeworth (one entire volume and numerous other letters besides), Murray, Norton, Southey (“a willing and ready assistant in your new undertaking”), and Wordsworth. -
I Accuse Miss Owenson The
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title "I accuse Miss Owenson" : the Wild Irish Girl as media event Author(s) Connolly, Claire Publication date 2000 Original citation Connolly, Claire (2000) ' I accuse Miss Owenson : The Wild Irish Girl as Media Event '. Colby Quarterly, 36 (2):98-115. http://digitalcommons.colby.edu/cq/vol36/iss2/5/ Type of publication Article (peer-reviewed) Link to publisher's http://digitalcommons.colby.edu/cq/vol36/iss2/5/ version Access to the full text of the published version may require a subscription. Item downloaded http://hdl.handle.net/10468/815 from Downloaded on 2021-10-06T11:17:16Z Colby Quarterly Volume 36 Article 5 Issue 2 June 6-1-2000 "I accuse Miss Owenson": The iW ld Irish Girl as Media Event Claire Connolly Recommended Citation Colby Quarterly, Volume 36, no.2, June 2000, p.98-115 This Article is brought to you for free and open access by DigitalCommons@Colby. It has been accepted for inclusion in Colby Quarterly by an authorized administrator of DigitalCommons@Colby. For more information, please contact [email protected],[email protected]. Connolly: "I accuse Miss Owenson": The Wild Irish Girl as Media Event III accuse Miss Owenson II: The Wild Irish Girl as Media Event by CLAIRE CONNOLLY YDNEY OWENSON may not have written the first Irish novel-that prize is Sconventionally accorded to Castle Rackrent, written by her near-contem porary Maria Edgeworth-yet it is possible to argue that she received the first Irish review.