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North Carolina Department of Cultural Resourcesdivision of Archives And
North Carolina Department of Cultural Resources State Library of North Carolina State Archives of North Carolina Best Practices for Digital Permanence Version 1.0 July 2013 Contents 1 Introduction ........................................................................................................................... 2 1.1 North Carolina Statutes .............................................................................................................. 2 1.2 What do we mean by Permanent? ............................................................................................ 3 1.3 Definitions ..................................................................................................................................... 3 2 Threats to Permanence of Digital Materials ........................................................................ 5 2.1 Application Obsolescence .......................................................................................................... 5 2.2 Corruption ..................................................................................................................................... 5 2.3 Completeness .............................................................................................................................. 6 2.4 Findability ...................................................................................................................................... 6 2.5 Mutability of Electronic Records ............................................................................................... -
Data Degradation
Data degradation Data degradation is the gradual corruption of computer data due to an accumulation of non-critical failures in a data storage device. The phenomenon is also known as data decay, data rot or bit rot. Contents Visual example In RAM In storage Component and system failures See also References Visual example Below are several digital images illustrating data degradation. All images consist of 326,272 bits. The original photo is displayed on the left. In the next image to the right, a single bit was changed from 0 to 1. In the next two images, two and three bits were flipped. On Linux systems, the binary difference between files can be revealed using 'cmp' command (e.g. 'cmp -b bitrot-original.jpg bitrot-1bit-changed.jpg'). 0 bits flipped 1 bit flipped 2 bits flipped 3 bits flipped In RAM Data degradation in dynamic random-access memory (DRAM) can occur when the electric charge of a bit in DRAM disperses, possibly altering program code or stored data. DRAM may be altered by cosmic rays or other high-energy particles. Such data degradation is known as a soft error.[1] ECC memory can be used to mitigate this type of data degradation. In storage Data degradation results from the gradual decay of storage media over the course of years or longer. Causes vary by medium: Solid-state media, such as EPROMs, flash memory and other solid-state drives, store data using electrical charges, which can slowly leak away due to imperfect insulation. The chip itself is not affected by this, so reprogramming it once per decade or so prevents decay. -
Noordegraaf DEF.Indd 1 08-01-13 14:33 FRAMING FILM
FRAMING ET AL. (EDS.) NOORDEGRAAF JULIA NOORDEGRAAF, COSETTA G. SABA, FILM BARBARA LE MAÎTRE, VINZENZ HEDIGER (EDS.) PRESERVING AND EXHIBITING MEDIA ART PRESERVING AND EXHIBITING MEDIA ART Challenges and Perspectives This important and fi rst-of-its-kind collection addresses the Julia Noordegraaf is AND EXHIBITING MEDIA ART PRESERVING emerging challenges in the fi eld of media art preservation and Professor of Heritage and exhibition, providing an outline for the training of professionals in Digital Culture at the Univer- this fi eld. Since the emergence of time-based media such as fi lm, sity of Amsterdam. video and digital technology, artists have used them to experiment Cosetta G. Saba is Associate with their potential. The resulting artworks, with their basis in Professor of Film Analysis rapidly developing technologies that cross over into other domains and Audiovisual Practices in such as broadcasting and social media, have challenged the tradi- Media Art at the University tional infrastructures for the collection, preservation and exhibition of Udine. of art. Addressing these challenges, the authors provide a historical Barbara Le Maître is and theoretical survey of the fi eld, and introduce students to the Associate Professor of challenges and di culties of preserving and exhibiting media art Theory and Aesthetics of through a series of fi rst-hand case studies. Situated at the threshold Static and Time-based Images at the Université Sorbonne between archival practices and fi lm and media theory, it also makes nouvelle – Paris 3. a strong contribution to the growing literature on archive theory Vinzenz Hediger is and archival practices. Professor of Film Studies at the Goethe-Universität Frankfurt am Main. -
The Digital Dilemma-Issues in Archiving
THE DIGITAL DILEMMA STRATEGIC ISSUES IN ARCHIVING AND ACCESSING DIGITAL MOTION PICTURE MATERIALS THE SCIENCE AND TECHNOLOGY COUNCIL OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES THE DIGITAL DILEMMA STRATEGIC ISSUES IN ARCHIVING AND ACCESSING DIGITAL MOTION PICTURE MATERIALS Table of Contents S FOREWORD T 1 EXECUTIVE SUMMARY 1 N 2 ARCHIVING 3 E 2.1 History and Characteristics of Hollywood Film Archiving ............................ 5 T 2.2 Current Hollywood Film Archiving ..................................................................... 6 2.3 Hollywood Archives vs. Libraries........................................................................ 7 N 3 THE TRANSITION TO DIGITAL 8 O 3.1 Audio Converts First .............................................................................................. 8 C 3.2 Visual Effects and Animation............................................................................. 10 3.3 Postproduction...................................................................................................... 10 F 3.4 Exhibition ................................................................................................................ 12 O 3.5 Acquisition.............................................................................................................. 12 3.6 The Impact of Digital Technology on Motion Picture Archiving................ 13 3.7 Television................................................................................................................ 19 E L 4 CURRENT PRACTICE -
Emulation – a Viable Preservation Strategy
Emulation – a viable preservation strategy Authors : Jeffrey van der Hoeven, Hilde van Wijngaarden (KB) : Remco Verdegem, Jacqueline Slats (Nationaal Archief) Organisations : The National Library of the Netherlands/Koninklijke Bibliotheek : Nationaal Archief of the Netherlands Date of creation : 18 January 2005 Date of last update : 20 June 2005 Version : 1.4 2 I. Table of contents 1. Introduction .................................................................................................................................... 3 2. Current situation ............................................................................................................................. 5 2.1. The National Library of the Netherlands ............................................................................... 5 2.2. The Nationaal Archief of the Netherlands ............................................................................. 6 2.3. What is emulation? ................................................................................................................ 7 2.3.1. Emulation levels............................................................................................................ 7 2.3.2. Practices ........................................................................................................................ 8 3. The emulation project................................................................................................................... 10 3.1. Criteria for the project......................................................................................................... -
Nicola Reggiani Digital Papyrology I
Nicola Reggiani Digital Papyrology I Nicola Reggiani Digital Papyrology I Methods, Tools and Trends ISBN 978-3-11-053851-9 e-ISBN (PDF) 978-3-11-054747-4 e-ISBN (EPUB) 978-3-11-054760-3 This work is licensed under a Creative Commons Attribution-NonCommercial-No-Derivatives 4.0 International License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Nicola Reggiani, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgments I owe my first acquaintance with Digital Papyrology to Professor Isabella Andorlini, who admittedly has been a pioneer in the systematic application of electronic re- sources to papyrological scholarship, from the effective use of textual databases to virtual restoration of fragmentary documents1, up to the digitization of the Greek medical papyri2. I still remember her passion in describing functionalities and ad- vantages of the digital tools, and her skilfulness in using them. My previous inter- ests in information technologies did the rest3. I would like to dedicate this work to Her, in memory of all this. My grateful thoughts then go to Fabian Reiter, who allowed me to hold a class of Digital Papyrology at the University of Trier during the Winter Semester 2016/17, which gave me really many useful and interesting suggestions about the topics discussed here. -
Speculative Scenarios, Or What Will Happen to Digital Art in the (Near)
Speculative Scenarios EDITED BY ANNET DEKKER or what will happen to digital art in the (near) future? There is a growing understanding of the use of technological tools for dissemination or mediation in the museum, but artistic experiences that are facilitated by new technologies are less familiar. Whereas the artworks’ presentation equipment becomes obsolete and software updates change settings and data feeds that are used in artworks, the language and theory relating to these works is still being formulated. To better produce, present and preserve digital works, an understanding of their history and the material is required to undertake any in-depth inquiry into the subject. In an attempt to fill some gaps the authors in this publication discuss digital aesthetics, the notion of the archive and the function of social memory. These essays and interviews are punctuated by three future scenarios in which the authors speculate on the role and function of digital arts, artists and art organisations. http://www.baltanlaboratories.org 151 speculative scenarios 152 aesthetics (1) speculative scenarios Speculative Scenarios or what will happen to digital art in the (near) future? contributors CHRISTIANE BERNDES SARAH COOK ANNET DEKKER SANDRA FAUCONNIER OLGA GORIUNOVA JUSSI PARIKKA CHRISTIANE PAUL RICHARD RINEHART EDWARD SHANKEN JILL STERRETT NINA WENHART LAYNA WHITE 3 INTRO SPECULATIVE SCENARIOS or what will happen to digital art in the (near) future? — annet dekker Laura Mousavi, e-PERMANENT, Brighton (UK): I would say that ‘digital art’ suggests using digital technology to make art, ‘new media art’ suggests using any new technology not necessarily digital, ‘net art’ is specific to art created for the space of the Internet. -
Technical Report
TECHNICAL REPORT SURVIVABILITY OF DIGITAL RECORDS (WP: READ) DNV TECHNICAL REPORT 2007-1623 REPORT NO: 2007- 1623 REVISION NO 1 DET NORSKE VERITAS DET NORSKE VERITAS TECHNICAL REPORT Date of first issue: Project No: DET NORSKE VERITAS AS 04.07.2007 LongRec Approved by: Organisational unit: 1322 Høvik Heidi Brovold Brino913 Norway Client: Client ref.: Tel: NFR 176818 / I40 Fax: http://www.dnv.com NO 945 748 931 MVA Summary: This report gives an overview of challenges with respect to reading digital files over a long time period. It also describes some of the more successful approaches that are in use. A short description of the most commonly used storage media is given together with an assessment of their suitability for longterm storage. A similar description of frequently used file types are given together with some recommendations about format choices. Currently, it can be concluded that file format obsolescence appears to be of much greater concern than media obsolescence. Longterm storage of digital data should always be accompanied with storing so-called preservation metadata giving information about technical format details, structure and use of the digital content; the history of all actions performed on the resource including changes and decisions; authenticity information such as technical features or custody history; and the responsibilities and rights information applicable to preservation actions. File migration, i.e. moving a file from one storage media to another, and file conversion , i.e. moving the file content from one format to another, has been chosen as the main focus areas in the LongRec READ WP. There exist various strategies that have been chosen to tackle the challenges posed by migration and conversion, two of them are shortly sketched in one of the appendixes.