Baylor University CMAD Conference, Presenter 2000, Mike Morrison
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“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Nowyes632475.Pdf
Published by PEACHTREE PUBLISHING COMPANY INC. 1700 Chattahoochee Avenue Atlanta, Georgia 30318-2112 www.peachtree-online.com Text © 2021 by Bill Harley Cover and interior illustrations © by Pierre-Emmanuel Lyet All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Edited by Vicky Holifield Cover design by Kate Gartner Interior design and composition by Adela Pons Printed in February 2021 by LSC Communications in Harrisonburg, VA in the United States of America. 10 9 8 7 6 5 4 3 2 1 First Edition ISBN 978-1-68263-247-5 Cataloging-in-Publication Data is available from the Library of Congress. BILL H ARLEY To Debbie Block in all ways, always —B. H. Chapter ONE “The barbecue ones,” Conor says. “I know,” Mari says for the fourth time. “I don’t like the other ones. Especially not the vinegar ones. They’re bad.” Conor is standing sideways to the rows of snacks, facing the aisle that leads away from the meat section. His head is down—he’s not looking at her. He never looks at her. He’s not looking at anything except his fingers, which are opening and closing like they’re on the inside of a puppet and the puppet is talking. But the puppet is silent. It’s the motion of the hand that fascinates him, that has always fascinated him. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Songs by Artist
Songs by Artist Title Title Title Title - Be 02 Johnny Cash 03-Martina McBride 05 LeAnn Rimes - Butto Folsom Prison Blues Anyway How Do I Live - Promiscuo 02 Josh Turner 04 Ariana Grande Ft Iggy Azalea 05 Lionel Richie & Diana Ross - TWIST & SHO Why Don't We Just Dance Problem Endless Love (Without Vocals) (Christmas) 02 Lorde 04 Brian McKnight 05 Night Ranger Rudolph The Red-Nosed Reindeer Royals Back At One Sister Christian Karaoke Mix (Kissed You) Good Night 02 Madonna 04 Charlie Rich 05 Odyssey Gloriana Material Girl Behind Closed Doors Native New Yorker (Karaoke) (Kissed You) Good Night Wvocal 02 Mark Ronson Feat.. Bruno Mars 04 Dan Hartman 05 Reba McIntire Gloriana Uptown Funk Relight My Fire (Karaoke) Consider Me Gone 01 98 Degress 02 Ricky Martin 04 Goo Goo Dolls 05 Taylor Swift Becouse Of You Livin' La Vida Loca (Dance Mix) Slide (Dance Mix) Blank Space 01 Bob Seger 02 Robin Thicke 04 Heart 05 The B-52's Hollywood Nights Blurred Lines Never Love Shack 01 Bob Wills And His Texas 02 Sam Smith 04 Imagine Dragons 05-Martina McBride Playboys Stay With Me Radioactive Happy Girl Faded Love 02 Taylor Swift 04 Jason Aldean 06 Alanis Morissette 01 Celine Dion You Belong With Me Big Green Tractor Uninvited (Dance Mix) My Heart Will Go On 02 The Police 04 Kellie Pickler 06 Avicci 01 Christina Aguilera Every Breath You Take Best Days Of Your Life Wake Me Up Genie In A Bottle (Dance Mix) 02 Village People, The 04 Kenny Rogers & First Edition 06 Bette Midler 01 Corey Hart YMCA (Karaoke) Lucille The Rose Karaoke Mix Sunglasses At Night Karaoke Mix 02 Whitney Houston 04 Kim Carnes 06 Black Sabbath 01 Deborah Cox How Will I Know Karaoke Mix Bette Davis Eyes Karaoke Mix Paranoid Nobody's Supposed To Be Here 02-Martina McBride 04 Mariah Carey 06 Chic 01 Gloria Gaynor A Broken Wing I Still Believe Dance Dance Dance (Karaoke) I Will Survive (Karaoke) 03 Billy Currington 04 Maroon 5 06 Conway Twitty 01 Hank Williams Jr People Are Crazy Animals I`d Love To Lay You Down Family Tradition 03 Britney Spears 04 No Doubt 06 Fall Out Boy 01 Iggy Azalea Feat. -
Country Hits Monthly Karaoke Song Book
Country Hits Monthly Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID Aaron Tippin Big House (Wvocal) Kiss This CHM0009-14 Cold Outside CHM9705M-20 Aaron Tippin (Wvocal) Billy Gilman Kiss This CHM0009-05 One Voice CHM0009-18 Alabama Billy Gilman (Wvocal) Dancin', Shaggin' On The Boulevard CHM9708-12 One Voice CHM0009-09 Of Course I'm Alright CHM9801-18 Billy Ray Cyrus Sad Lookin' Moon CHM9705M-15 It's All The Same To Me CHM9709-20 She's Got That Look In Her Eyes CHM9806-11 You Won't Be Lonely Now CHM0009-12 Small Stuff CHM0001-15 Billy Ray Cyrus (Wvocal) We Made Love CHM0007-18 It's All The Same To Me CHM9709-10 Alabama (Wvocal) You Won't Be Lonely Now CHM0009-03 Dancin', Shaggin' On The Boulevard CHM9708-02 Billy Yates Of Course I'm Alright CHM9801-08 Flowers CHM9707-17 Sad Lookin' Moon CHM9705M-05 Billy Yates (Wvocal) She's Got That Look In Her Eyes CHM9806-01 Flowers CHM9707-07 Small Stuff CHM0001-05 Blackhawk We Made Love CHM0007-08 Hole In My Heart CHM9710-11 Alan Jackson Blackhawk (Wvocal) A House With No Curtains CHM9803-15 Hole In My Heart CHM9710-01 Between The Devil And Me CHM9712-14 Bob Carlisle Blues Man, The CHM0005-11 Butterfly Kisses CHM9707-12 Everything I Love CHM9703-12 Bob Carlisle (Wvocal) It Must Be Love CHM0007-14 Butterfly Kisses CHM9707-02 Little Bitty CHM9612-10 Brad Paisley Pop A Top CHM0001-13 Me Neither CHM0006B-09 There Goes CHM9708-14 We Danced CHM0009-15 Who's Cheatin' Who CHM9705M-11 Brad Paisley (Wvocal) WWW.Memory CHM0011-11 Me Neither CHM0006B-19 Alan Jackson (Wvocal) We Danced -
Cledus T. Judd to Dixie Chicks
Sound Extreme Entertainment Karaoke Show with Host 828-551-3519 [email protected] www.SoundExtreme.net In The Style Of Title Genre Cledus T. Judd If Shania Was Mine Country Cledus T. Judd Jackson (Alan That Is) Country Cledus T. Judd My Cellmate Thinks I'm Sexy Country & Pop Cledus T. Judd Shania I'm Broke Country Cledus T. Judd Tree's On Fire Holiday Cledus T. Judd Where The Grass Don't Grow Country Click Five, The Just The Girl Country & Pop Climax Blues Band Couldn't Get It Right Pop / Rock Clint Black Better Man Country & Pop Clint Black Burn One Down Country Clint Black Desperado Country Clint Black Killin' Time Country & Pop Clint Black Loving Blind Country Clint Black Nobody's Home Country Clint Black Nothings News Country Clint Black One More Payment Country Clint Black Put Yourself In My Shoes Country & Pop Clint Black Strong One, The Country Clint Black This Nightlife Country Clint Black We Tell Ourselves Country Clint Black When My Ship Comes In Country Clint Black Where Are You Now Country Clint Daniels Letter, The Country & Pop Clint Daniels When I Grow Up Country Clint Holmes Playground In My Mind Pop Clinton Gregory If It Weren't For Country Music (I'd Go Crazy) Country Clinton Gregory One Shot At A Time Country Clinton Gregory Rocking The Country Country Clinton Gregory Satisfy Me And I'll Satisfy You Country Club Nouveau Lean On Me Pop Coasters, The Charlie Brown Country & Pop Coasters, The Little Egypt Oldies Sound Extreme Entertainment www.SoundExtreme.net www.SoundExtremeWeddings.com www.CrocodileSmile.net 360 King Rd. -
WITNESS to AUSCHWITZ Excerpts from 18 Centropa Interviews WITNESS to AUSCHWITZ Excerpts from 18 Centropa Interviews
WITNESS TO AUSCHWITZ excerpts from 18 Centropa interviews WITNESS TO AUSCHWITZ Excerpts from 18 Centropa Interviews As the most notorious death camp set up by the Nazis, the name Auschwitz is synonymous with fear, horror, and genocide. The camp was established in 1940 in the suburbs of Oswiecim, in German-occupied Poland, and later named Auschwitz by the Germans. Originally intended to be a concentration camp for Poles, by 1942 Auschwitz had a second function as the largest Nazi death camp and the main center for the mass extermination of Europe’s Jews. Auschwitz was made up of over 40 camps and sub-camps, with three main sec- tions. The first main camp, Auschwitz I, was built around pre-war military bar- racks, and held between 15,000 and 20,000 prisoners at any time. Birkenau – also referred to as Auschwitz II – was the largest camp, holding over 90,000 prisoners and containing most of the infrastructure required for the mass murder of the Jewish prisoners. 90 percent of Auschwitz’s victims died at Birkenau, including the majority of the camp’s 75,000 Polish victims. Of those that were killed in Birkenau, nine out of ten of them were Jews. The SS also set up sub-camps designed to exploit the prisoners of Auschwitz for slave labor. The largest of these was Buna-Monowitz, which was established in 1942 on the premises of a synthetic rubber factory. It was later designated the headquarters and administrative center for all of Auschwitz’s sub-camps, and re-named Auschwitz III. All the camps were isolated from the outside world and surrounded by elec- trified barbed wire. -
A 3Rd Strike No Light a Few Good Men Have I Never a Girl Called Jane
A 3rd Strike No Light A Few Good Men Have I Never A Girl Called Jane He'S Alive A Little Night Music Send In The Clowns A Perfect Circle Imagine A Teens Bouncing Off The Ceiling A Teens Can't Help Falling In Love With You A Teens Floor Filler A Teens Halfway Around The World A1 Caught In The Middle A1 Ready Or Not A1 Summertime Of Our Lives A1 Take On Me A3 Woke Up This Morning Aaliyah Are You That Somebody Aaliyah At Your Best (You Are Love) Aaliyah Come Over Aaliyah Hot Like Fire Aaliyah If Your Girl Only Knew Aaliyah Journey To The Past Aaliyah Miss You Aaliyah More Than A Woman Aaliyah One I Gave My Heart To Aaliyah Rock The Boat Aaliyah Try Again Aaliyah We Need A Resolution Aaliyah & Tank Come Over Abandoned Pools Remedy ABBA Angel Eyes ABBA As Good As New ABBA Chiquita ABBA Dancing Queen ABBA Day Before You Came ABBA Does Your Mother Know ABBA Fernando ABBA Gimmie Gimmie Gimmie ABBA Happy New Year ABBA Hasta Manana ABBA Head Over Heels ABBA Honey Honey ABBA I Do I Do I Do I Do I Do ABBA I Have A Dream ABBA Knowing Me, Knowing You ABBA Lay All Your Love On Me ABBA Mama Mia ABBA Money Money Money ABBA Name Of The Game ABBA One Of Us ABBA Ring Ring ABBA Rock Me ABBA So Long ABBA SOS ABBA Summer Night City ABBA Super Trouper ABBA Take A Chance On Me ABBA Thank You For The Music ABBA Voulezvous ABBA Waterloo ABBA Winner Takes All Abbott, Gregory Shake You Down Abbott, Russ Atmosphere ABC Be Near Me ABC Look Of Love ABC Poison Arrow ABC When Smokey Sings Abdul, Paula Blowing Kisses In The Wind Abdul, Paula Cold Hearted Abdul, Paula Knocked -
Karaoke with a Message – August 16, 2019 – 8:30PM
Another Protest Song: Karaoke with a Message – August 16, 2019 – 8:30PM a project of Angel Nevarez and Valerie Tevere for SOMA Summer 2019 at La Morenita Canta Bar (Puente de la Morena 50, 11870 Ciudad de México, MX) karaoke provided by La Morenita Canta Bar songbook edited by Angel Nevarez and Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255 -
First Band on the Moon by the Cardigans
Review: First Band on the Moon by The Cardigans Michael Patrick Posival, University of North Texas The album starts with the quiet chirp of when experiencing something so beautiful in an imitated bird noise with the song “Your which she explains “I read your lips with New Cuckoo.” The title foreshadows the fear.” As to where this fear originates, it is feeling for the band by the end of the album. never explained overtly but still connects The song continues with subtle, simple with all the fear people have of being hurt in guitar riff that ascends forward in the mix as some way or another. The song ends with a a thumping bass line soon follows. After the jazz flute being played in the spaces of the fourth phrase of the progression in a major, drums and bass, taking the place of what the song erupts into a disco drum and bass would be a guitar solo, and the drums, bass, composition that is sure to get listeners’ and flute end rather abruptly on a minor note heads bobbing. The song then switches into as the song leads into the next song almost a beautiful mixture of major and minor immediately. chords during the verse phrases and then “Been It” starts with a quick bass riff settles back to the major progression for the and synced drum pattern that cues a melody. audible chorus parts. After the first chorus, The guitar player, Peter Svensson, swings in there is a brief, yet captivating music break with a stop riff, like something that one in which the guitar plays a single note riff might hear with an old school metal song while the bass and drums drop out for two but in a clean, bright guitar tone, adding a measures and come right back in for another beautiful minor substance to the first verse. -
Dad Harding Essay 0.Pdf
ffirs.qxd 8/15/07 10:22 AM Page i Is America Possible? ffirs.qxd 8/15/07 10:22 AM Page ii ffirs.qxd 8/15/07 10:22 AM Page iii Is America Possible? A Letter to My Young Companions on the Journey of Hope fF Vincent Harding Essays on Deepening the American Dream a series sponsored by the fetzer institute Fall 2007,Essay Number 14 ffirs.qxd 8/15/07 10:22 AM Page iv Copyright © 2007 by Fetzer Institute. All rights reserved. Essay copyright © 2007 by Vincent Harding No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Fetzer Institute or Vincent Harding. This pamphlet is not for sale or re-sale. In our attempt to welcome as many authentic voices to this conversation as possible, we remain committed to an ongoing dialogue of ideas. As this meaningful discussion unfolds, we responsibly note that the interpretations and conclusions contained in this publication represent the views of the author or authors and not necessarily those of the John E. Fetzer Institute, its trustees, or officers. “Dreams,” copyright © 1994 by The Estate of Langston Hughes, “Let America Be America Again,” from THE COLLECTED POEMS OF LANGSTON HUGHES by Langston Hughes, edited by Arnold Rampersad with David Roessel, Associate Editor, copyright © 1994 by The Estate of Langston Hughes.