Julia Morison CV
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5 March 2013
COMMUNITY, RECREATION AND CULTURE COMMITTEE AGENDA TUESDAY 5 MARCH 2013 AT 9AM IN COMMITTEE ROOM 1, CIVIC OFFICES, 53 HEREFORD STREET Committee: Councillor Yani Johanson (Chairperson), Councillors Peter Beck, Helen Broughton, Tim Carter, Barry Corbett, Jimmy Chen, Jamie Gough, and Glenn Livingstone (Deputy Chairperson). General Manager General Manager – General Manager Strategy and Planning Public Affairs Community Services Committee Adviser Mike Theelen Lydia Aydon Michael Aitken Lucy Halsall Tel: 941-8281 Tel: 941- 8982 Tel: 941-8607 Tel: 941-6227 PART A - MATTERS REQUIRING A COUNCIL DECISION PART B - REPORTS FOR INFORMATION PART C - DELEGATED DECISIONS INDEX ITEM DESCRIPTION PAGE NO. NO. PART C 1. APOLOGIES 1 PART A 2. DEPUTATIONS BY APPOINTMENT 1 PART A 3. FACILITIES REBUILD PLAN – MONTHLY UPDATE REPORT INCLUDING TOP 30 3 PROJECTS STATUS UPDATE PART A 4. CENTRAL CITY HERITAGE LANDMARK GRANTS POLICY AND OPERATIONAL 47 GUIDELINES PART A 5. CENTRAL CITY HERITAGE LANDMARK GRANTS – RECOMMENDATIONS FOR 61 2012/2013 PART C 6. HERITAGE GRANT APPROVAL, ST LUKES, 1280 CHORLTON ROAD, LITTLE 81 AKALOA PART A 7. HERITAGE GRANT APPROVAL, ST PAUL’S, 1 HAREWOOD ROAD, PAPANUI, 87 CHRISTCHURCH PART A 8. CREATIVE INDUSTRIES SUPPORT FUND - FUNDING RECOMMENDATIONS 95 PART A 9. FANFARE – A GATEWAY SCULPTURE FOR CHRISTCHURCH 165 PART A 10. COMMUNITY ENGAGEMENT STRATEGY 175 CONTINUED OVER … ITEM DESCRIPTION PAGE NO. NO. PART C 11. REPORT FROM CHAIRPERSON OF THE COMMUNITY, RECREATION AND CULTURE 193 COMMITTEE – ESTABLISHMENT OF THE COMMUNICATIONS WORKING PARTY PART A 12. SCARBOROUGH PADDLING POOL 195 1 COMMUNITY, RECREATION AND CULTURE COMMITTEE 5. 3. 2013 1. APOLOGIES Nil. 2. DEPUTATIONS BY APPOINTMENT 2 3 COMMUNITY, RECREATION AND CULTURE COMMITTEE 5. -
Te Uru's Anniversary Show
TURNING 30: TE URU’S ANNIVERSARY SHOW 1985 | Artists Against Apartheid 1986 | Gallery Opening: exhibition review 1986 | Opening Day 1987 | Marte Szirmay: exhibition review 1991 | Richard Parker: Dishes 1991 | Ian Scott: Paintings 1991 | Ian Scott: Paintings 1991 | Skein/Skin 1991 | Ruth Castle: Basketry 1991 | Christine Thacker: Lightning Trees 1991 | Schools student workshops 1991 | Shard Cult (Bronwyn Cornish) 1992 | Kahu Te Kanawa: He Taonga Tuku Iho ‘Kete’ 1992 | Kahu Te Kanawa: He Taonga Tuku Iho ‘Kete’ 1992 | Barbara Bilyard: Spirals and Other Angles 1992 | 50 Years of Deaf Education 1992 | Pacific Tapa - Tapa from Fiji, Tonga, Samoa 1993 | Women Paint the Land: Group show 1993 | Bomb the Building: Group Show 1993 | Bomb the Building: Group Show 1993 | John Lyall: Towards a Feral Art 1993 | Made in Waitakere: Group Show 1993 | John Staniford: Paintings of Brazil 1993 | Combings of Photography - Invited Artists 1994 | Celebration ‘94:: Waitakere Artists (John Parker) 1994 | Celebration ‘94:: Waitakere Artists (Moyra Elliot) 1994 | Celebration ‘94:: Waitakere Artists (Len Castle) 1994 | Small Gallery - Haru Sameshima 1994 | Jenny McLeod: Shard 1994 | Pip Culbert: Seamstress 1994 | Pip Culbert: Seamstress 1994 | Pat Hanly’s Choice 1994 | Pat Hanly’s Choice 1994 | Tufuga Matapouiu A Nuie 1995 | Alan Curnow: The Loop in Lone Kauri Road 1995 | Maureen Lander & Amanda Wright: Gold Leaf: 1995 | Tara McLeod: The Gallipoli Poems 1995 | Marte Szirmay: New Sculpture 1995 | Nga Pakiwaitara Me Te Reo 1996 | Joyce Campbell: Touch Lightly 1996 | -
Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 at The
Issue 19 Exhibitions Ōtautahi www.artbeat.org.nz July 2020 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 At the Galleries 03 Discover Map 04 Reviews 06 Te Wheke Pathways Across Oceania. Our Public Art Collection but not as we once knew It Polynesia and the Pacific region, and migra- tion and belonging are allocated centre-stage in Te Wheke Pathways Across Oceania, an exhibition that draws from works in the Christ- church Art Gallery Te Puna o Waiwhetū collec- tion. It is exciting and enlightening experience developed by the Gallery’s curators in consul- tation with curator of Cook Islands heritage, Stephanie Oberg. Yet, in many ways Te Wheke Pathways Across Oceania is not entirely unanticipated or without precedent. Since its reopening in December 2015 the Gallery’s perma- ↑ Aotearoa New Zealand, the Christchurch Art but wide knowledge and a different perspec- nent collection has assumed a new-found contemporary. Milburn comments: ‘We really John Pule Not life, rediscovered by its curatorial team who wanted to re-imagine the Gallery’s spaces of This Time Gallery’s had its origins in European works, tive.She helped us to look outside more tradi- seem committed and excited about new and we were also keen to bring in different (Dreamland), particularly British works. The narrative of tional art histories and we found that really ways of thinking about and experiencing perspectives. We were especially conscious 2008. Oil on how those connections shaped our art history valuable.’ canvas. -
Staff Publications List
Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp. -
Canterbury Painting in the 1990S, 2 June - 8 August, 2000
759. 9938 CAN CANTERBURY PAINTING in the 19905 Published on the occasion ofthe exhibition Canterbury Painting in the 1990s, 2 June - 8 August, 2000. The Robert McDougall Art Gallery and Annex acknowledge the generous support and assistance ofthe artists, public and private collectors and galleries who have made works available for this exhibition • Intended as a celebration ofthe depth and diversity ofpainting in With materials ranging from oil paint and bitumen to excrementand Canterbury over the last decade, this exhibition has been drawn gold and stylistic approaches including realism, figuration, minimal largely from the collections of the Robert McDougall Art Gallery, abstraction and abstract expressionism, this brief selection of with several works also bon-owed from public and private collections paintings demonstrates a formidable diversity, revealing just how locally. Consisting ofthirty four works by emerging and established wide-ranging painting in Canterbury has become. The connections artists, it is, necessarily, an abbreviation of the full story and does each ofthe thirty four artists have to the province also vary between not pretend to represent every aspect of, or artist involved in, those of long-term residents to brief visitors on fellowships. Many contemporary painting practice in the region. Howevel~ the quality have taught here, within both the secondary and tertialy systems; and range presented here bear encouraging testimony to' the still more have been educated at one or more of Canterbury'S art continued health of painting in Canterbury over a decade full of institutions. Whatever their association, all of the artists selected for change and challenge. this exhibition have made an impact on, and contribution to, the fabric ofart within this region. -
B.167 Bulletin Christchurch Art Gallery Te Puna O Waiwhetu Autumn March
bulletin Autumn Christchurch Art Gallery March—May b.167 Te Puna o Waiwhetu 2012 EDITOR THE GALLERY IS CURRENTLY CLOSED TO THE PUBLIC. Bulletin Autumn DAVID SIMPSON HOWEVER, THE GALLERY SHOP IS OPEN AS USUAL. Christchurch Art Gallery March—May Te Puna o Waiwhetu 2012 GALLERY CONTRIBUTORS CHRISTCHURCH ART GALLERY DIRECTOR: JENNY HARPER TE PUNA O WAIWHETU CURATORIAL TEAM: KEN HALL, FELICITY MILBURN, CNR WORCESTER BOULEVARD AND MONTREAL STREET, JUSTIN PATON, PETER VANGIONI PO BOX 2626, CHRISTCHURCH 8140, NEW ZEALAND PUBLIC PROGRAMMES: LANA COLES TEL: (+64 3) 941 7300 PHOTOGRAPHER: JOHN COLLIE FAX: (+64 3) 941 7301 WWW.CHRISTCHURCHARTGALLERY.ORG.NZ OTHER CONTRIBUTORS SALLY BLUNDELL, Katie Thomas, Coralie Winn GALLERY SHOP TEL: (+64 3) 941 7370 EMAIL: [email protected], [email protected] FORM GALLERY TEL: (+64 3) 377 1211; (+64) 21 776708 WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. EDUCATION BOOKINGS EMAIL: [email protected] FRIENDS OF CHRISTCHURCH ART GALLERY EMAIL: [email protected] CHRISTCHURCH ART GALLERY TRUST TEL: (+64 3) 353 4352 CURRENT DIRECT SPONSORS OF THE GALLERY CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST CREATIVE NEW ZEALAND DUX DE LUX FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN GIESEN WINES Mitsubishi ELECTRIC NEWSTALK ZB PHILIP CARTER SKY ARTS CHANNEL SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE ROYAL NETHERLANDS EMBASSY THE NZ NETHERLANDS FOUNDATION DESIGN & ADVERTISING DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK EDITORIAL DESIGN: Matt Kitto, LEON -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
July-October Funding Round 2005
Creative New Zealand Grants JULY - OCTOBER FUNDING ROUND 2005/2006 This is a complete list of project grants offered in the first funding round of the 2005/2006 financial year. Applications to this round closed on 29 July 2005 and grants were announced in late October. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 264 project grants totalling more than $3.8 million were offered to artists and arts organisations. Approximately $13.8 million was requested from 784 applications. Arts Board: Creative and FINE ARTS Peppercorn Press: towards publishing five issues of “New Zealand Books” Professional Aotearoa Digital Arts and Caroline McCaw: $27,000 towards the third annual symposium Development $10,000 Takahe Collective Trust: towards publishing CRAF T/OBJECT ART three issues of “Takahe” Dunedin Public Art Gallery: towards David Bennewith: towards study in the $12,000 international exhibition research Netherlands $11,420 $8000 The New Zealand Poetry Society Inc: towards its annual programme of activities The Imaginary Partnership: towards two issues of Audrey Boyle: to participate in the Craft $15,000 “Illusions” magazine Victoria “Common Goods” residency $10,000 programme The New Zealand Poetry Society Inc: towards $3360 two Poets in Workplaces residencies Hye Rim Lee: towards a residency in Korea $6500 $7500 Jason Hall: to participate in and attend the opening of “Pasifika Styles”, Cambridge University of Iowa: towards a New Zealand MIT School of Visual Arts: towards its 2006 University writer -
In This Issue: the Art of Flying Nun 01 Being an Urban Artist 02 the Den 03 at the Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie Van Hout 10
Issue 31 Exhibitions Ōtautahi www.artbeat.org.nz August 2021 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: The Art of Flying Nun 01 Being an Urban Artist 02 The Den 03 At The Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie van Hout 10 Hellzapoppin’! The Art of Flying Nun writer Warren Feeney The opening of Hellzapoppin’! The Art of → Flying Nun Sneaky Feelings in August 2021 at the Christchurch Be My Friend Art Gallery Te Puna o Waiwhetū is no coinci- 1982. 7-inch dence. It celebrates to the month, forty years single, designed by Ronnie van ago that Roger Shepherd, then a record Hout store manager in Christchurch established →→ Flying Nun, its first ten years of recording the Tall Dwarfs Slug- predominant subject of a survey exhibition of buckethairy- the original artwork, record covers, posters, breathmonster videos, photographs, design and paintings by 1984. EP Designed by members of the labels’ various bands, musi- Chris Knox cians and associated designers and artists. While debate still fires up among music critics and musicians in Aotearoa about the critical role that Flying Nun played in the post-punk music scene in the 1980s, while Wellington and Auckland saw the emergence of bands that included Beat Rhythm Fashion and The Mockers, (both from Wellington) the anchor of a record label with a distinct attitude and personality has seen Shepherd’s Flying Nun remembered as the sound of that period. Certainly, The Clean, Straitjacket Fits and The Chills are high on the list of bands contributing to such perceptions and memories. -
Bulletin 145 Winter
b.145 BULLETIN OF THE CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU winter june – septemberaugust 06 06 Exhibitions Programme June, July, August JEFFREY HARRIS A unique journey through the extraordinary career of Touring Exhibition Galleries Jeffrey Harris. & Borg Henry Gallery • until 25 June • publication available WELTSPRACHE FUSSBALL / PLANET FOOTBALL The Gallery is New Zealand’s only venue for this international Balconies touring exhibition of football images from the world’s finest • 10 June – 16 July photography agency, Magnum. SOUTHERN LIGHTS A remarkable installation by leading photographer Anne Noble Tait Electronics Antarctica explores how the medium of photography shapes our impressions Gallery of Antarctica. • until 30 July CECIL BEATON The glamorous worlds of fashion, literature and film meet in this William A. Sutton major international exhibition of one of the most celebrated & Ravenscar Galleries British portrait photographers of the twentieth century. Toured by • until 10 September the National Portrait Gallery, London. • admission charges apply • publication available A LOOP AROUND A LOOP Sensual, complex, arresting, the work of Julia Morison is an Touring Exhibition Galleries intellectual order made physical. This major exhibition of more & Borg Henry Gallery than two decades of work by one of New Zealand’s most • 21 July – 23 October inventive artists has been developed by Christchurch Art Gallery • publication available and Dunedin Public Art Gallery. ROOM WITH A VIEW This interactive installation of jewellery object art by Kirsten Tait Electronics Antarctica Haydon was inspired by a visit to Antarctica, and looks at the way Gallery souvenirs are reminders of journeys and encounters. • 11 August – 3 December From the Gallery Collections THE COLLECTIONS Divided into Historical, Twentieth Century and Contemporary Collection Galleries Collections, this installation displays a rotating selection of • catalogue available treasures. -
Exhibtion History 1999 – 2009
EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters MaryLouise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan. -
Fine & Applied Arts
FINE & APPLIED ARTS 9 & 10 SEPTEMBER 2020 WE HAVE MOVED 94 FEATHERSON STREET DUNBAR SLOANE SINCE 1919 Our Wellington auction house has shifted to new premises, located in Kiwi Wealth House corner of Featherston & Ballance Street. Our phone number, email address and bank details remain unchanged. We look forward to welcoming you to our new premises. Dunbar Sloane Ltd 94 Featherston Street Wellington CBD www.dunbarsloane.com NEW ZEALAND & INTERNATIONAL FINE & APPLIED ART Wednesday 9 September 2020 6pm start Part One - Evening Sale Lot 1 - 62 Thursday 10 September 2020 12noon start Part Two - Day Sale & Applied Arts Lot 200 - 268, 307 - 361 Studio Ceramics & Applied Arts Lot 269 - 306 VIEWING SCHEDULE LIVE BIDDING PLEASE NOTE NO OPENING FUNCTION Please note we now offer our own live online bidding service. Friday 4th September 9am - 4pm Sunday 6th September 12noon - 3pm For instruction see our website: Monday 7th September 9am - 4pm www.dunbarsloane.co.nz Tuesday 8th September 9am - 4pm Online registrations and absentee bids must be made at least Wednesday 9th September 9am - 4pm 2 hours before the auction commences, or 24 hours if you are an International client ENQUIRIES Helena Walker, Director Fine Arts BUYERS PREMIUM Each lot is subject to 17% + GST buyers premium +64 4 472 1367 / [email protected] PO Box 224, Wellington 6140 NEW ZEALAND & INTERNATIONAL FINE ART PART ONE / EVENING SALE Wednesday 9 September 2020 6pm start Lot 1 - 62 1 2 1 2 Bill Hammond (b 1947) Bill Hammond (b 1947) Singer Songwriter I Bone Eagle B lithograph, edition of 100 etching, PP (limited edition of 25) signed, inscribed with title and dated 2001 signed and dated ‘W D Hammond/2007’ (upper centre within print) (lower right), inscribed with title (lower left) 68 x 82.5cm 38 x 28cm $4,000 - $7,000 $2,000 - $4,000 PROVENANCE PROVENANCE Private collection, Wellington Private collection, Wellington 8 DUNBAR SLOANE 3 4 3 4 Bill Hammond (b 1947) Gordon Walters (1919-95) Seamless, Gutless, Spotless, Useless Painting No.