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THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell. -
The Word Made Cinematic: the Representation of Jesus in Cinema
THE WORD MADE CINEMATIC: THE REPRESENTATION OF JESUS IN CINEMA by Gregory Kahlil Kareem Allen B.A. Film Studies, University of Pittsburgh, 1997 M.A. English Literature, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Gregory Kahlil Kareem Allen It was defended on April 24, 2008 and approved by Adam Lowenstein, Associate Professor, Department of English Troy Boone, Associate Professor, Department of English Vernell A. Lillie, Professor Emeritus, Department of Africana Studies Dissertation Chair/Advisor: Marcia Landy, Distinguished Service Professor, Department of English ii Copyright © by Gregory Kahlil Kareem Allen 2008 iii The Word Made Cinematic: The Representation of Jesus in Cinema Gregory Kahlil Kareem Allen, Ph.D. University of Pittsburgh, 2008 Marking the invention of cinema as a point of entry and consequent filmic narratives about Jesus as aesthetic documents, this study will demonstrate how movie-going, due to its similarity to the devotional exercise of “worship” and the motion picture’s continual co-option for perceived religious purposes as readily indicated by the recent reception of The Passion of the Christ, complicates what otherwise might be the obvious distinction between the sacred and the profane. Examining the way in which the spectator is prompted by certain traditions of cinematic language and interpretation, this dissertation demonstrates how the representation of the Jesus in cinema must by definition always insinuate the sacrosanct, even if the symbol or image is presented in a context perceived to be secular. -
LONGACRE THEATER, 220-228 West 48Th Street , Manhattan
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1348 LONGACRE THEATER, 220-228 West 48th Street , Manhattan. Landmark Site: Borough of Manhattan Tax Map Block 1019, Lot 50. Built 1912-13; architect, Henry B. Herts. On June 14 and 15, 1982 , the Landmarks Preservation Commission held a pub 1 ic hearing on the proposed designation as a Landmark of the Longacre Theater and the proposed designation of the related Landmark Site (Item No.44). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Longacre Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Constructed in 1912-13, the Longacre was built to house the productions of Broadway producer and baseball magnate Harry H. Frazee . Designed for Frazee by Henry Herts, prominent theater architect, the Longacre is among the earliest surviving Broadway theaters, and has an exceptionally handsome facade. Like most Broadway playhouses built before World War I, the Longacre was designed by a leading theater architect to house the offices and theatrical productions of its owner. Though known as a baseball magnate, and at one time the owner of the Boston Red Sox, Frazee was also an influential Broadway producer who, besides building the Longacre theater, at one time also owned two other Broadway houses (the Harris and the Lyric). -
Movies That Will Get You in the Holiday Spirit
Act of Violence 556 Crime Drama A Adriana Trigiani’s Very Valentine crippled World War II veteran stalks a Romance A woman tries to save her contractor whose prison-camp betrayal family’s wedding shoe business that is caused a massacre. Van Heflin, Robert teetering on the brink of financial col- Alfred Molina, Jason Isaacs. (1:50) ’11 Ryan, Janet Leigh, Mary Astor. (NR, 1:22) lapse. Kelen Coleman, Jacqueline Bisset, 9 A EPIX2 381 Feb. 8 2:20p, EPIXHIT 382 ’49 TCM 132 Feb. 9 10:30a Liam McIntyre, Paolo Bernardini. (2:00) 56 ’19 LIFE 108 Feb. 14 10a Abducted Action A war hero Feb. 15 9a Action Point Comedy D.C. is the takes matters into his own hands About a Boy 555 Comedy-Drama An crackpot owner of a low-rent amusement Adventures in Love & Babysitting A park where the rides are designed with Romance-Comedy Forced to baby- when a kidnapper snatches his irresponsible playboy becomes emotion- minimum safety for maximum fun. When a sit with her college nemesis, a young young daughter during a home invasion. ally attached to a woman’s 12-year-old corporate mega-park opens nearby, D.C. woman starts to see the man in a new Scout Taylor-Compton, Daniel Joseph, son. Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult. (PG-13, 1:40) ’02 and his loony crew of misfits must pull light. Tammin Sursok, Travis Van Winkle, Michael Urie, Najarra Townsend. (NR, out all the stops to try and save the day. Tiffany Hines, Stephen Boss. (2:00) ’15 1:50) ’20 SHOX-E 322 Feb. -
Signed Playbills
SIGNED PLAYBILLS AA MEANS ACADEMY AWARD WINNER T MEANS TONY AWARD WINNER ON MEANS OPENING NIGHT PROGRAM INSDIE MEANS SIGNED ON PAGE INSIDE PLAY SIGNATURES ACTORS AND ACTRESSES JACK WARDEN, MICHAEL LEARNED POLLY DRAPER & CAST ALL MY SONS RICHARD KILEY ( T) ALL OVER TOWN CLEAVON LITTLE (T) ALONE TOGETHER ( ON ) JANIS PAGE, KEVIN MCCARTHY AN ALMOST PERFECT PERSON (ON) COLLEEN DEWHURST ( T 0(T) ANGEL STREET DINA MERRILL & CAST ANGELA GERALDINE PAGE (AA), SIMON OAKLAND (INSIDE ) ANGEL'S FALL (ON) BARNARD HUGHES (T) ANNA CHRISTIE LIV ULLMANN ANNIE ( 2 ) SANDY'S PAW PRINT ARMS AND THE MAN KEVIN LINE (AA), RAUL JULIA LENNE HEADLEY & CAST ASINAMALI! (ON) CAST ( INSIDE ) ABSURD PERSON SINGULAR SANDY DENNIS (AA), TONY ROBERTS RICHARD KILEY (T), LARRY BLYDEN ( T) GERALDINE PAGE (AA), CAROLE SHELLEY (T) (ALL INSIDE) THE ACT BARRY NELSON THE AU PAIR MAN JULIE HARRIS (T), CHARLES DURNING (T) ARSENIC & OLD LACE(ON) JEAN STAPLETON, TONY ROBERTS WILLIAM HICKEY, ABE VIGODA, POLLY HOLLIDAY ( ALL INSIDE ) ASPECTS OF LOVE( LONDON ) CAST ( INSIDE ) ROWANS ATKINSON AT THE ROWAN ATKINSON Note: smudge on fromt cover ATKINSON (ON ) AWAKE & SING HARRY HAMLIN, DICK LATESSA, FRANCES MCDORMAND (AA) NANACY MARCHAND A WALK IN THE WOODS ROBERT PROSKY A WALK IN THE WOODS SAM WATERSTON BABY CAST THE BACCHAE IRENE PAPAS THE BALLROOM DOROTHY LOUDON (T) THE BATHERS ( LONDON ) CAST ( INSIDE ) BENT RICHARD GERE BENT MICHAEL YORK BETRAYAL BYTHE DANNER ( T) BILLY BISHOP GOES TO WAE (ON ) ERIC PETERSON, JOGN GRAY BLACKSTONE CAST BLACK PICTURE SHOW CAST( INSIDE ) BLITHE SPIRIT RICHARD -
On Film: a Social History of Women Lawyers in Popular Culture 1930-1990
Loyola of Los Angeles Entertainment Law Review Volume 14 Number 1 Article 3 9-1-1993 On Film: A Social History of Women Lawyers in Popular Culture 1930-1990 Ric Sheffield Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Ric Sheffield, On Film: A Social History of Women Lawyers in Popular Culture 1930-1990, 14 Loy. L.A. Ent. L. Rev. 73 (1993). Available at: https://digitalcommons.lmu.edu/elr/vol14/iss1/3 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. ON FILM: A SOCIAL HISTORY OF WOMEN LAWYERS IN POPULAR CULTURE 1930 TO 1990 Ric Sheffield I. INTRODUCTION The year 1929 remains indelibly imprinted in the minds of millions of Americans as the year of the great stock market crash. To most, American society would never again be the same. 1929 was also an important year in the history of popular culture in that the Academy Awards were presented for the first time; Station WGY in Schenectady, New York, was the first to broadcast a regular television schedule; the infamous but popular Amos N' Andy radio show made its national premiere; and American cinema began production of its first portrayal of a fictional woman attorney. A crash of another sort, the introduction of the motion picture industry's first big-screen "lady lawyers," irreversibly changed the face of the lawyer-courtroom film genre. -
CED Digest, Vol. 6
************************************************************************ ************************************************************************ CED Digest Vol. 6 No. 1 1/6/2001 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 7, 1981: * Figures published by the U.S. automobile industry showed that domestically manufactured passenger car sales fell 20% behind the level of the previous year, making 1980 the industry's worst year since 1961. January 8, 1981: * Winter '81 Consumer Electronics Show opens in Las Vegas, Nevada. * RCA PRESS RELEASE: Largest Display of VideoDisc Players Marks RCA's Return to CES Show RCA's return to the Consumer Electronics Show was marked by an impressive display devoted totally to the forthcoming introduction of the "SelectaVision" VideoDisc system. A series of eight 14-foot towers held 84 RCA VideoDisc players in the largest demonstration ever of the new medium that provides picture and sound on a disc. Eight demonstration areas for public access to the RCA player were also part of the display. The programming material to be available in RCA's opening catalog was displayed on television screens connected to the VideoDisc players. Two pylons billboarded the VideoDisc which included movies, family entertainment, classics and special interest programs. The RCA "SelectaVision" VideoDisc system will be introduced by 5,000 television dealers in a National Demonstration Week beginning March 22. The optional retail price of RCA's initial player will be $499.95. The national introduction of "the most important new consumer electronic product since color television will mark the beginning of a true personal video communications business," Jack K. Sauter, vice president and general manager of RCA's Consumer Electronics Division has said. -
Official Ballot
OFFICIAL BALLOT AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. AFI’s 100 Years…100 CHEERS America's Most Inspiring Movies AFI has compiled this ballot of 300 inspiring movies to aid your selection process. Due to the extraordinarily subjective nature of this process, you will no doubt find that AFI's scholars and historians have been unable to include some of your favorite movies in this ballot, so AFI encourages you to utilize the spaces it has included for write-in votes. AFI asks jurors to consider the following in their selection process: CRITERIA FEATURE-LENGTH FICTION FILM Narrative format, typically over 60 minutes in length. AMERICAN FILM English language film with significant creative and/or production elements from the United States. Additionally, only feature-length American films released before January 1, 2005 will be considered. CHEERS Movies that inspire with characters of vision and conviction who face adversity and often make a personal sacrifice for the greater good. Whether these movies end happily or not, they are ultimately triumphant – both filling audiences with hope and empowering them with the spirit of human potential. LEGACY Films whose "cheers" continue to echo across a century of American cinema. 1 ABE LINCOLN IN ILLINOIS RKO, 1940 PRINCIPAL CAST Raymond Massey, Gene Lockhart, Ruth Gordon DIRECTOR John Cromwell PRODUCER Max Gordon SCREENWRITER Robert E. Sherwood Young Abe Lincoln, on a mission for his father, meets Ann Rutledge and finds himself in New Salem, Illinois, where he becomes a member of the legislature. Ann’s death nearly destroys the young man, but he meets the ambitious Mary Todd, who makes him take a stand on slavery. -
Broadway Bound with Garrett Stack Free of Charge at Public Radio Exchange, > Prx.Org > Broadway Bound *Playlist Is Listed by Film Title/Disc, Not in Order of Play
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed by film title/disc, not in order of play. Show #: 284 Broadcast Date: March 3, 2018 Time: 16:00 - 18:00 # Selections: 31 Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 2:30 Irving Berlin There's No Business Like Show Betty Hutton, Howard Keel, Louis Annie Get Your Gun film soundtrack Rhino 1950 1950 M-G-M Musical starring Betty Hutton and Howard Keel - w/m Irving Berlin CDS Annie Get none 6 2000 3/3/18 5:30 Carol Hall BusinessA Lil' Ole Bitty Pissant Country DollyCalhern Parton, & Keenan Teresa Wynn Merritt, The Best Little Whorehouse in Texas: Original Motion MCA 1982 CDS Best Little 0:12 02 1982 4/8/06 4/14/07 1/3/09 3/27/10 7/18/15 7/22/17 3/3/18 Picture Soundtrack 3:18 Martin Charnin/Charles Strouse EasyPlace Street CarolWhorehouse Burnett, Girls Bernadette & Customers Peters, Tim Broadway Single Purchases Vol 2 iTunes download 1982 CDSV 0:06 11 1/3/09 3/3/18 2:35 Charles Strause/Lee Adams Kids PaulCurry Lynde;Bryan Russell;Maureen Bye Bye Birdie - Soundtrack Masterworks 1963 CDS Bye Bye 0:03 10 2013 3/3/18 Broadway 3:36 John Kander/Fred Ebb Mein Herr LizaStapleton;Dick Minnelli Van Dyke Cabaret - Original Film Soundtrack Hip-O 1972 1972 film release. -
Copyright by Kelly Kay Kessler 2004
Copyright by Kelly Kay Kessler 2004 The Dissertation Committee for Kelly Kay Kessler certifies that this is an approved version of the following dissertation: Tough Guys, Rock Stars, and Messiahs: Genre and Gender in the Hollywood Musical, 1966-1983 Committee: Janet K. Staiger, Supervisor Mary C. Kearney Thomas Schatz S. Craig Watkins Stacy Wolf Tough Guys, Rock Stars, and Messiahs: Genre and Gender in the Hollywood Musical, 1966-1983 by Kelly Kay Kessler, B.A, M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2004 Dedication To Liz, for getting it Acknowledgements I would first like to thank my parents for their love and support and for pretending that they thought what I was doing was interesting. This dissertation would have never been produced without the repeated family viewings of The Sound of Music and The Wizard of Oz or the countless trips to the St. Louis MUNY to catch Joe Namath in Li’l Abner or Vanessa Redgrave in The King and I. My love and affection for the musical was instilled early and carried me through this project. I would also like to thank my brother Greg for his obsessive-compulsive tendencies which he channeled into various types of research assistance. His inability to leave a stone unturned and his support of my work were at times the push I needed. This project would not have been possible without the support of my faculty. -
Mise En Scène
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt THE WORD MADE CINEMATIC: THE REPRESENTATION OF JESUS IN CINEMA by Gregory Kahlil Kareem Allen B.A. Film Studies, University of Pittsburgh, 1997 M.A. English Literature, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Gregory Kahlil Kareem Allen It was defended on April 24, 2008 and approved by Adam Lowenstein, Associate Professor, Department of English Troy Boone, Associate Professor, Department of English Vernell A. Lillie, Professor Emeritus, Department of Africana Studies Dissertation Chair/Advisor: Marcia Landy, Distinguished Service Professor, Department of English ii Copyright © by Gregory Kahlil Kareem Allen 2008 iii The Word Made Cinematic: The Representation of Jesus in Cinema Gregory Kahlil Kareem Allen, Ph.D. University of Pittsburgh, 2008 Marking the invention of cinema as a point of entry and consequent filmic narratives about Jesus as aesthetic documents, this study will demonstrate how movie-going, due to its similarity to the devotional exercise of “worship” and the motion picture’s continual co-option for perceived religious purposes as readily indicated by the recent reception of The Passion of the Christ, complicates what otherwise might be the obvious distinction between the sacred and the profane. Examining the way in which the spectator is prompted by certain traditions of cinematic language and interpretation, this dissertation demonstrates how the representation of the Jesus in cinema must by definition always insinuate the sacrosanct, even if the symbol or image is presented in a context perceived to be secular.