DOCSLIB.ORG

800.275.2840 MORE NEWS» Insideradio.Com

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
800.275.2840 MORE NEWS» Insideradio.Com 800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO THURSDAY, JUNE 11, 2015 Want to succeed as an air talent? Build your brand. Radio stations live and die by how successful their brand is in the market. But personalities are brands too and one of the biggest challenges they face is understanding how their brand fits into the larger station brand. So said iHeartMedia VP of talent development Dennis Clark at the Hivio conference last week in Los Angeles. “You’ve got to be a great show inside the package of the station,” Clark said. “You need to know what the brand values are of the station and where you fit inside that.” Helping young personalities understand the nuances of a station, its branding and style isn’t easy, Clark said. But comprehending them and making the show seamlessly fit that brand are essential, he said. Clark, who coaches talent that includes Ryan Seacrest, Elvis Duran and “The Breakfast Club,” pointed to syndicated morning man Bobby Bones as one who was able to build a new brand for his show when he segued from CHR radio to country. Just as important as branding is creating content that Clark called “repeatable,” that gives listeners something to talk about and repeat to their friends. With competing audio providers continually trying to reposition radio, Clark said the role of air talent can’t be underestimated. “Talent is the difference maker of what radio is today and what it could be in the future,” he said. “We realize our point of differentiation is the talent we have at these stations.” Co-hosts launch podcasts to fortify their own brand. When you’re one of a half-dozen or more personalities in an ensemble show, it can be difficult to build your own radio brand. To help strengthen their brands, some co-hosts have launched their own podcasts. Angela Yee of the New York-based “Breakfast Club” syndicated show hosts “Lip Service,” a video podcast. As the only female co-host in the three-person “Club,” iHeartMedia VP of talent development Dennis Clark said the podcast helps her expand and bolster her voice and brand. Along the same lines, members of “Elvis Duran & The Morning Show” host a “My Day Friday” podcast. “The truth is these shows have a fantastic fan base and spinoffs like these help grow the passion,” Clark said. “It makes them much more interesting and they get to fortify their own brand.” Radio still getting attention and dollars from small and mid-sized businesses. A new Borrell Associates report shows more local marketers say they’ll increase their radio spending than decrease it, even while reporting that online media has become “ubiquitous and necessary.” The firm’s “Local Advertising Hits A Tipping Point” is based on a survey of 7,228 small and mid-size business executives. Eight in ten said they’ve established their own website and/or social media presence while seven in ten said they are spending more on their web services than on traditional advertising. “Over the next year, spending by small and mid-size businesses will shift so far that traditional advertising models will begin to look like niche support mechanisms to a local business’s digital marketing plan,” the report says. It’s not all doom and gloom. The report estimates that in the next year, 60% of local businesses will spend the same amount on radio, and nearly 23% will increase their spend; that’s better than TV, cable, outdoor and newspaper, which appears to be losing favor fastest of all. The report finds a twofold increase in the percentage of NEWS INSIDE >> advertisers who plan to increase radio or TV budgets in the next 12 months. Borrell says the numbers of “won’t buy” are increasing for all media — including online. In April brings another 2010, 22% said they didn’t plan to buy any radio. This year the number increased to listening boost to online 37%. But that’s not unique to the medium. And in many charts, radio looks stable as audio traditional advertising gets pounded all around. [email protected] | 800.275.2840 PG 1 NEWS insideradio.com THURSDAY, JUNE 11, 2015 Targeting seen as key to navigating local ad market. The precise audience targeting enabled by digital media has made it an advertising magnet. But with narrowly-tailored formats, targeting is one of radio’s strengths that can help it differentiate itself in a crowded local ad marketplace. “Small and mid-sized businesses always hear about targeting, and so they get a Facebook page and find out what targeting means,” says Corey Elliott, director of research for Borrell Associates. “But radio ad executives might scream, ‘We’ve been telling you about targeting for years!’ But until they see it, they don’t believe it.” Elliot says a radio station’s challenge is to “know thyself” and sell the station’s specific attributes and get away from the kind of audience measurement that dwells on the “big number.” Another strategy espoused by Borrell, one being embraced by a growing number of radio stations, involves forming an in-house digital ad agency. “Millions of local businesses are in need of marketing leadership,” the report states. “Their digital savviness is lacking . and they yearn for someone with a marketing plan that makes sense of it all.” Stacking streaming up against radio. Are Pandora and Spotify overhyped? Maybe so. Pierre Bouvard, the newish chief marketing officer at Cumulus Media and Westwood One says, “If you ask any hip person on the island of Manhattan about Spotify, they’ll tell you, ‘Man, it’s No. 1.” But in fact, as he notes in his blog, it isn’t. Bouvard cites the just-released first quarter 2015 Share of Ear study from Edison Research showing Americans’ share of audio time spent goes first to AM/FM at 55%, followed by consumer-owned music at 14%. Despite its notoriety, Pandora’s actual share of listening is quite small (7%) – the same size as SiriusXM Radio and a little bigger than time spent with cable music channels. Spotify, Bouvard told Inside Radio, is among the also-rans, lumped among “other streaming audio,” which Bouvard says is just 2%. Edison’s pinwheel chart is a persuasive sales tool, he says. “We should be going door-to-door to our advertisers with this,” he says. How does radio compare to Pandora and Spotify based on reach? The Edison research says AM/FM’s daily reach is 74%. According to this research, 11% listen to both AM/FM and Pandora; only 4% are reached exclusively on a daily basis by Pandora . A majority of Pandora (73%) and Spotify (64% ) listeners also listen to AM/FM. Few Americans are reached daily by Spotify (5%). Bouvard on Why Pandora Isn’t Audio’s Netflix. Cumulus Media and Westwood One CMO Pierre Bouvard makes an interesting comparison between the mystery of Spotify and Pandora’s real audience numbers and the same bewilderment the TV business may feel about Netflix. None of those online entertainment services are rated by Nielsen. Bouvard’s blog unearthed stats from the research firm Ipsos MediaCT’s TV Dailies service, which does track video streaming and says that for one week in April, among 18-34 year-olds, Netflix was most viewed, just ahead of YouTube and out front of the Big Four networks. Those stats caught his attention because Bouvard recently moved over to the radio business from TiVo and knew that television and online executives speculate wildly about Netflix’s real popularity. But neither Spotify nor Pandora carry Netflix’s cache with young listeners, apparently, and on his blog, Bouvard explains that might be because Netflix spends freely to produce new, exclusive content, while Pandora “seems to be replacing time spent with consumers’ own recorded music.” April brings another listening boost for online audio. Listening to online audio continued to expand in April with Triton Digital reporting positive growth in both major dayparts when compared to April 2014. Listening during the primetime Monday through Friday, 6am-8pm daypart jumped 38.6%. The increase was a steeper 41.8% across the broader Monday [email protected] | 800.275.2840 PG 2 NEWS insideradio.com THURSDAY, JUNE 11, 2015 through Sunday, 6am-midnight time period. CHR experienced the largest monthly listening gain in April, compared to March, with a 5.6% increase in the Monday through Friday, 6am-8pm daypart. Classic rock posted the second largest gain (3.6%), followed by country (2.9%), alternative/modern rock (2.1%) and urban AC (0.8%). Three cities experienced monthly listening increases north of 8%: Boston was up 8.9% over March, Phoenix grew 8.8% and Seattle saw an 8.7% boost. Minneapolis (5%), Tampa (4.4%) and Pittsburgh (3.9%) also showed positive growth from March. Setting Apple up for the launch of its revamped Apple Music service at the end of the month, 38% of listening took place on an iOS device during the weekday daypart in April, followed by Android (30%), Flash Player (9%) and Google Chrome (8%). Comparing listening by operating system within the top 10 markets in April, New York had the most iOS listeners during the weekday daypart while Los Angeles had the most Android users. ESPN, iHeartMedia made streaming gains in April. ESPN Radio and iHeartRadio were the only broadcasters with year- over-year streaming listening gains in April among the 10 largest webcasters tracked by Triton Digital. Fueled by the NCAA Final Four, the start of the baseball season and the NHL playoffs, ESPN Radio grew listening sessions by 36% in April, compared to one year earlier, in the Monday through Friday, 6am-8pm daypart.
Load more

Recommended publications
  • Satellite Industry Association
    Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) Expanding Flexible Use in Mid-Band Spectrum ) GN Docket No. 17-183 Between 3.7 and 24 GHz ) REPLY COMMENTS OF THE SATELLITE INDUSTRY ASSOCIATION Tom Stroup President Satellite Industry Association 1200 18th Street N.W., Suite 1001 Washington, D.C. 20036 (202) 503-1560 November 15, 2017 SUMMARY To borrow a phrase from Mark Twain, reports of the death of C-band satellite service are greatly exaggerated. The record here contains ample evidence that C-band fixed-satellite service (“FSS”) networks provide services essential to the overall communications infrastructure, ranging from their pivotal role in delivering video and audio programming enjoyed by virtually all U.S. consumers to their use for lifeline connectivity in areas that lack any terrestrial alternatives. By themselves, C-band space and earth stations represent an investment of billions of dollars, and they support other industries that are major contributors to the country’s economy, as well as government agency operations critical to national security and public safety. To maintain these integral and necessary services, the Commission must maintain policies that enable flexible, efficient, high-quality satellite offerings in response to customer demand. Certain terrestrial interests ignore the record evidence and attempt to perpetuate several myths regarding the intensity and importance of satellites’ use of C-band spectrum, particularly with respect to the 3.7-4.2 GHz downlink portion. The Commission must not be swayed by these exercises in wishful thinking. First, there is the pervasive myth that C-band spectrum is currently underutilized.
    [Show full text]
  • What Will Be Country Music's Songs of Summer 2021?
    2021 MAY 24 CountryInsider.com | Sign Up For Daily Email Here What Will Be Country Music’s Songs Of Summer 2021? If 2020 was the summer where everyone stayed home, 2021 will be the one where people can’t wait to get back out. With Memorial Day Weekend approaching, what are country radio’s programmers seeing as the singles for this season? “I think three are shaping up to be summer soundtracks with Luke Bryan’s ‘Waves’ front and center,” says Audacy Country Format Captain Tim Roberts. “It’s a super-chill track that captures summer and fun beautifully.” Also on Roberts’ summer fun list: Brian Kelley’s “Beach Cowboy,” “which I think is where a lot of brains drift toward daydreaming about summer beach fun,” and Old Dominion’s new “I Was on a Boat That Day.” (Continued on page 4) COUNTRY INSIDER TOP 5: WGAR’s “Wazz & Carletta” Look Back On Morning Show Pairing Ahead Of First Anniversary. Bobby Bones Show’s Eddie Garcia Blows Past $10K Goal To Walk From West Virginia To Tennessee. Morgan Wallen Debuts Miranda Lambert, Nicolle Galyon Co-Write On Instagram. Consultant Mike O’Malley: Don’t Be A Bystander In Your Own Show. Dustin Lynch Returns As Headliner for WEZL Charlotte’s Stars and Guitars Music Festival. 1 | MAY 24, 2021 CountryInsider.com Dani Lynn Howe Trey Poston Top 5 All-Time Middays/KYKR Top 5 All-Time Songs Leuck & Howe Morning Show, WLLR-FM Country Bands: Beaumont, TX by Female Artists: Quad Cities, IA/IL 1. Restless Heart 1. Safe in the Arms of Love - Martina McBride 2.
    [Show full text]
  • Wenzel to WFMS Egger Helms Iheart/Denver Brown Departs Sony
    January 2, 2020 • Issue 685 Wenzel To WFMS Former iHeartMedia WMAD/Madison, WI midday personality and cluster Dir./Promotions Isaac “Brooks” Wenzel has joined Cumulus WFMS/Indianapolis as MD/afternoon host. On-air, Wenzel succeeds Jack Shell, who exited in October (CAT 11/4/19); he takes over MD duties from Adam “Kash” Kashner, who has segued to the company’s WXBM/ Pensacola, FL (CAT 12/18/19). “His passion for country music, relatable personality on the air and breadth of skills behind-the-scenes make Isaac ideally suited for this job,” says OM/ Isaac Wenzel PD Christopher “Boomer” Layfield. Wenzel departed WMAD in October (CAT 10/29/19), and his prior career stops include La Crosse, WI; Rochester, MN; Signage: Hot Country Knights (Douglas “Doug” Winona, MN and Saint Louis Park, MN. Reach him here. Douglason, Trevor Travis, Marty Ray “Rayro” Roburn, Terotej “Terry” Dvoraczekynski, Barry Van Ricky and Monte Montgomery) has signed with Capitol. Pictured (front, l-r) are the label’s Cindy Mabe, Douglason (aka Dierks Bentley) and Mike Egger Helms iHeart/Denver Dungan; (back, l-r) the label’s Brian Wright, Red Light’s Mary KSE/Denver SVP/MM Brenda Egger has been Hilliard Harrington, Dvoraczekynski, Roburn, Van Ricky, named iHeartMedia/Denver Region Pres. overseeing 31 Montgomery, the label’s Royce Risser, Travis and the label’s Jay stations, including Country KWBL/Denver and KCCY/Colorado Williams. Watch the group invade the UMGN building here. Springs. She succeeds Tim Hager, who has exited after four years. “We have a tremendous team and strong brands in the Denver region, Chart Policies & Calendar and I am confident that Brenda’s tenure in the In conjunction with the fine folks at Mediabase, here’s a recap region provides the leadership and excellence of important chart policies, as well as significant dates for 2020.
    [Show full text]
  • TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
    TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME
    [Show full text]
  • Ed Phelps Logs His 1,000 DTV Station Using Just Himself and His DTV Box. No Autologger Needed
    The Magazine for TV and FM DXers October 2020 The Official Publication of the Worldwide TV-FM DX Association Being in the right place at just the right time… WKMJ RF 34 Ed Phelps logs his 1,000th DTV Station using just himself and his DTV Box. No autologger needed. THE VHF-UHF DIGEST The Worldwide TV-FM DX Association Serving the TV, FM, 30-50mhz Utility and Weather Radio DXer since 1968 THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, SAUL CHERNOS, KEITH MCGINNIS, JAMES THOMAS AND MIKE BUGAJ Treasurer: Keith McGinnis wtfda.org/info Webmaster: Tim McVey Forum Site Administrator: Chris Cervantez Creative Director: Saul Chernos Editorial Staff: Jeff Kruszka, Keith McGinnis, Fred Nordquist, Nick Langan, Doug Smith, John Zondlo and Mike Bugaj The WTFDA Board of Directors Doug Smith Saul Chernos James Thomas Keith McGinnis Mike Bugaj [email protected] [email protected] [email protected] [email protected] [email protected] Renewals by mail: Send to WTFDA, P.O. Box 501, Somersville, CT 06072. Check or MO for $10 payable to WTFDA. Renewals by Paypal: Send your dues ($10USD) from the Paypal website to [email protected] or go to https://www.paypal.me/WTFDA and type 10.00 or 20.00 for two years in the box. Our WTFDA.org website webmaster is Tim McVey, [email protected].
    [Show full text]
  • Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554
    Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554 In the Matter of ) ) United Communications Corporation ) KEYC-TV (Fac. ID No. 68853) ) CSR-8920-N Mankato, Minnesota ) Docket 16-54 ) Petition for Waiver of Sections 7 6.92(f) ) and 76.106(a) of the Commission’s Rules ) To: Chief, Media Bureau SUPPLEMENT TO PETITION FOR SPECIAL RELIEF of UNITED COMMUNICATIONS CORPORATION Barry D. Wood Ronald D. Maines WOOD HARDY & MARTIN, P.C. 3300 Fairfax Drive, Suite 202 Arlington, Virginia 22201 (703) 465-2361 Its counsel August 10, 2017 SUMMARY United Communications Corporation is the licensee of KEYC-TV, the CBS affiliate in Mankato, Minnesota. Pending before the Commission is United’s petition for a waiver of the significantly viewed exception to the network non-duplication and syndicated exclusivity rules. The matter involves four out-of-market television stations listed as significantly viewed in cable communities throughout KEYC- TV’s market. Three of the stations are licensed to Minneapolis or St. Paul, Minnesota (“the Twin Cities Distant Stations”). The fourth – KAAL – is licensed to Austin, Minnesota. Viewership statistics for the distant stations were generated by The Nielsen Company. The cases for which Nielsen statistics indicated a loss of significantly viewed status were set forth in the petition. The Nielsen results as a whole, however, were perplexing. The surveys registered viewership in communities outside of the possible transmission ranges of the Twin Cities Distant Stations. A station should not be credited with viewership – significant or otherwise – in a community if its signal is not viewable over-the-air in that community. In such event, Nielsen studies should reflect zero viewership.
    [Show full text]
  • Be True to Your School Meet Iheartcountry's Rod Phillips
    September 8, 2015, Issue 464 Meet iHeartCountry’s Rod Phillips Adding Country Brand Manager responsibilities two months ago (Breaking News 6/30), iHeartMedia SVP/Programming Rod Phillips now steers the biggest format ship for radio’s biggest company. Country Aircheck checked in with the captain of the newly branded “iHeartCountry.” CA: You were instrumental in moving The Bobby Bones Show to Country, but beyond that, what is your background with the format? RP: Unofficially, my background in Country started when I became a fan of the music courtesy of meeting my wife, so I guess I have her to thank. Officially, I became connected to so many great Country brands when I became Courtesy Of The Red, White And Blue: Show Dog’s Toby SVPP/Southeast Region, working with stations Keith (c) at his St. Louis tour stop with (l-r) WIL’s Danny Montana, Bo Matthews and Jim Day and the label’s like WKKT/Charlotte, WUSY/Chattanooga, Rick Moxley. WQIK/Jacksonville, WSSL/Greenville, SC and Rod Phillips so many more including new launches like WNCB/Raleigh and WSCG/Augusta, GA. I Be True To Your School directly oversee 39 Country brands and The Bobby Bones Show. Cumulus/Nashville’s Charlie Cook, Westwood One’s Joe I can honestly say Country is my favorite format and to have the Wade Formicola and WMIL/Milwaukee’s Karen Dalessandro chance to lead iHeartCountry is simply amazing. walked different paths to make their mark in Country radio. But Who do you know well in this world? Who do you they all have one thing in common: their journey began at the need/want to get to know? Specs Howard School of Media Arts in Southfield, MI.
    [Show full text]
  • Resubmission of Redacted Materials Submitted Prior to Entry of Protective Order Tribune Media Company and Nexstar Media Group, Inc
    Eve Klindera Reed 202.719.7404 Wiley [email protected] ) .' 1\('1 n LUJ REDACTED - FOR PUBLICINSPECTION VIA ECFS April 3, 2019 Marlene H. Dortch Federal Communications Commission 445 12th Street, S.W. Washington, DC 20554 Re: Resubmission of Redacted Materials Submitted Prior to Entry of Protective Order Tribune Media Company and Nexstar Media Group, Inc. MB Docket No. 19-30 Dear Ms. Dortch: On behalf of Nexstar Media Group, Inc. ("Nexstar"), enclosed are copies of certain materials containing Confidential Information and Highly Confidential Information that have been redacted for public inspection. These materials were submitted prior to the entry of the Protective Order! in this proceeding as exhibits to the transfer of control applications, accompanied by a confidentiality request filed pursuant to Section 0.459 ofthe Commission's Rules. The redacted materials are being resubmitted in compliance with the Protective Order, consistent with discussions with Commission staff. The materials consist of the following: 1. The Comprehensive Exhibit that was previously submitted in Exhibit 15 to each of the Form 315 transfer of control applications; 2. A schedule to the Agreement and Plan of Merger that was previously submitted in Exhibit 15 of each of the Form 315 transfer of control applications; and 3. The "top-four" showing that was previously submitted in Exhibit 20 of the Form 315 transfer of control application for Tribune Broadcasting Indianapolis LLC.2 1 Tribune Media Company (Transferor) and Nexstar Media Group, Inc. (Transferee), Consolidated Applications for Consent to Transfer of Control, MB Docket No, 19-30, Protective Order (reI. Mar. 15, 2019). 2 Within the materials, Highly Confidential Information has been denoted with {{BEGIN HCI}} and {{END HCI}} and Confidential Information has been denoted with {{BEGIN CI}} and {{END CI}}.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974
    BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THURSDAY A6 FRIDAY-SATURDAY 22 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK JOHN T. NOONAN ALLEN G. BARRY HAROLD D. HODGKINSON MRS JAMES H. PERKINS MRS JOHN M. BRADLEY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C EPPS III JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood HARRY NEVILLE Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS ^H jgfism SPRING LINES" Outline your approach to spring. In greater detail with our hand- somely tailored, single breasted, navy wool worsted coat. Subtly smart with yoked de- tail at front and back. Elegantly fluid with back panel. A refined spring line worth wearing. $150. Coats. Boston Chestnut Hill Northshore Shopping Center South Shore PlazaBurlington Mall Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC.
    [Show full text]
  • TELEVISION NATIONAL HONOREES 24 Hours: Assault on the Capitol
    TELEVISION NATIONAL HONOREES 24 Hours: Assault On the Capitol (ABC News and Hulu) ABC NEWS Frontline - Special Report [TV - National] 60 in 6: Covid and Domestic Abuse CBS News Investigative Feature [TV - National] 60 Minutes: Talking to the Past CBS News Soft News Feature [TV - National] Alexa Mansour & Aliyah Royale (The Walking Dead: World Beyond) AMC Networks Actress in a Breakthrough Role- Drama [TV - National] Bess Kalb, Karen Chee, Akilah Green, Franchesca Ramsey, Jocelyn Richard (Yearly Departed) Amazon Studios Writer Scripted- Comedy [TV - National] Between the World and Me HBO Special [TV - National] black-ish Disney Television Studios Comedy [TV - National] Bravery and Hope: 7 Days on the Front Line (CBS News Special) CBS News Documentary- Covid Special [TV - National] Breonna Taylor: Her Life, Death and Legacy (CBS This Morning) CBS News Hard News Feature- Interview [TV - National] Caitriona Balfe (Outlander) Starz Actress in a Leading Role - Drama [TV - National] Catherine O'Hara (Schitt's Creek) Not a Real Company Productions, Inc., Pop TV, CBC Actress in a Leading Role - Comedy or Musical [TV - National] Catherine Reitman (Workin' Moms) Wolf + Rabbit Entertainment ULC Showrunner Fiction- Comedy [TV - National] Cecilia Peck, Inbal B. Lessner (Seduced: Inside the NXIVM Cult) Starz Showrunner Nonfiction [TV - National] Erin Andrews (FOX NFL) FOX Sports On-Air Talent - Sports [TV - National] Eve Lindley (Dispatches from Elsewhere) AMC Networks Actress in a Supporting Role - Made for TV Movie or Limited Series [TV - National] folklore: the long pond studio sessions Disney+ Grand Award for Special or Variety [TV - National] Gina Brillon (Gina Brillon: The Floor is Lava) Amazon Prime Video & Comedy Dynamics Variety [TV - National] Hear Her Voice (Nightline) ABC NEWS Hard News Feature [TV - National] Hoda Kotb & Jenna Bush Hager (TODAY with Hoda & Jenna) TODAY Show/NBC News On-Air Talent - Lifestyle, Entertainment [TV - National] Jessica Goldberg (AWAY) True Jack Productions USA, Sixth and Idaho, Refuge Inc.
    [Show full text]
  • Impact Report 2014 Iheartmedia Communities ™ Impact Report 2014 Contents
    Impact Report 2014 iHeartMedia Communities ™ Impact Report 2014 Contents Company Overview 02 Executive Letter 04 Community Commitment 06 iHeartMedia 09 2014 Special Projects 12 National Radio Campaigns 30 Radiothons 102 Public Affairs Shows 116 Responding to Disasters 128 Wish Granting 132 Special Events and Fundraising 142 2014 Honorary Awards and Recognition 148 Music Development 160 Local Advisory Boards 174 On-Air Personalities 178 Station Highlights 196 Clear Channel Outdoor 240 Community Commitment 242 Protecting Our Communities 244 National Partners & Programs 248 Market Highlights 258 IMPACT REPORT 2014 | 1 Company Overview ABOUT IHEARTMEDIA, INC. iHeartMedia, Inc. is one of the leading global media and entertainment companies specializing in radio, digital, outdoor, mobile, live events, social and on-demand entertainment and information services for local communities and providing premier opportunities for advertisers. For more company information visit iHeartMedia.com. ABOUT IHEARTMEDIA With 245 million monthly listeners in the U.S., 97 million monthly digital uniques and 196 million monthly consumers of its Total Traffic and Weather Network, iHeartMedia has the largest reach of any radio or television outlet in America. It serves over 150 markets through 858 owned radio stations, and the company’s radio stations and content can be heard on AM/FM, HD digital radio, satellite radio, on the Internet at iHeartRadio.com and on the company’s radio station websites, on the iHeartRadio mobile app, in enhanced auto dashes, on tablets and smartphones, and on gaming consoles. iHeartRadio, iHeartMedia’s digital radio platform, is the No. 1 all-in-one digital audio service with over 500 million downloads; it reached its first 20 million registered users faster than any digital service in Internet history and reached 50 million users faster than any digital music service and even faster than Twitter, Facebook and Pinterest.
    [Show full text]
  • Finding Aid to the Historymakers® Video Oral History with Amyre Ann Makupson
    Finding Aid to The HistoryMakers® Video Oral History with Amyre Ann Makupson Finding Aid to The HistoryMakers® Video Oral History with Amyre Ann Makupson Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Amyre Ann Makupson Title: The HistoryMakers® Video Oral History Interview with Amyre Ann Makupson, Dates: April 5, 2005 Bulk Dates: 2005 Physical Description: 3 Betacam SP videocassettes (1:29:03). Abstract: Television anchor Amyre Ann Makupson (1947 - ) was hired as an anchor by WGPR- TV, the nation’s first African American-owned television station. She has also hosted Morning Break, was co-anchor of WKBD’s Ten O’Clock News, and is the winner of five local Emmy awards. Makupson was interviewed by The HistoryMakers® on April 5, 2005, in Southfield, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2005_097 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Detroit television news anchor, Amyre Ann Porter Makupson was born on September 30, 1947 in River Rouge, Michigan to, Dr. Rudolph Hannibal and Amyre Ann Porche Porter. She attended Visitation Catholic Elementary School in Detroit, Michigan and graduated from St. Mary’s Academy High School in Monroe, Michigan in 1965. She earned her B.A. degree in dramatics and speech from Fisk University in 1970 and her M.A. degree in speech arts/communications theory from American University in 1972. Makupson held positions at WSM-TV in Nashville and WRC-TV in Washington, D.C. before returning to Detroit, Michigan in 1975 to work as director of public relations for Head Start, the Michigan Health Maintenance Organization.
    [Show full text]