The Montana Kaimin, July 6, 1928
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Citizen Kane
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M CC II TT II ZZ EE NN KK AA NN EE Directed by Orson Welles Produced by Orson Welles Distributed by RKO Radio Pictures Released in 1941 n any year, the film that wins the Academy Award for Best Picture reflects the Academy ' s I preferences for that year. Even if its members look back and suffer anxious regret at their choice of How Green Was My Valley , that doesn ' t mean they were wrong. They can ' t be wrong . It ' s not everyone else ' s opinion that matters, but the Academy ' s. Mulling over the movies of 1941, the Acade my rejected Citizen Kane . Perhaps they resented Orson Welles ' s arrogant ways and unprecedented creative power. Maybe they thought the film too experimental. Maybe the vote was split between Citizen Kane and The Maltese Falcon , both pioneering in their F ilm Noir flavor. Or they may not have seen the film at all since it was granted such limited release as a result of newspaper baron William Randolph Hearst ' s threats to RKO. Nobody knows, and it doesn ' t matter. Academy members can ' t be forced to vote for the film they like best. Their biases and political calculations can ' t be dissected. To subject the Academy to such scrutiny would be impossible and unfair. It ' s the Academy ' s awards, not ours. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-3121
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
SHIRLEY MACLAINE to RECEIVE 40Th AFI LIFE ACHIEVEMENT AWARD
SHIRLEY MACLAINE TO RECEIVE 40th AFI LIFE ACHIEVEMENT AWARD America’s Highest Honor for a Career in Film to be Presented June 7, 2012 LOS ANGELES, CA, October 9, 2011 – Sir Howard Stringer, Chair of the American Film Institute’s Board of Trustees, announced today the Board’s decision to honor Shirley MacLaine with the 40th AFI Life Achievement Award, the highest honor for a career in film. The award will be presented to MacLaine at a gala tribute on Thursday, June 7, 2012 in Los Angeles, CA. TV Land will broadcast the 40th AFI Life Achievement Award tribute on TV Land later in June 2012. The event will celebrate MacLaine’s extraordinary life and all her endeavors – movies, television, Broadway, author and beyond. "Shirley MacLaine is a powerhouse of personality that has illuminated screens large and small across six decades," said Stringer. "From ingénue to screen legend, Shirley has entertained a global audience through song, dance, laughter and tears, and her career as writer, director and producer is even further evidence of her passion for the art form and her seemingly boundless talents. There is only one Shirley MacLaine, and it is AFI’s honor to present her with its 40th Life Achievement Award." Last year’s AFI Tribute brought together icons of the film community to honor Morgan Freeman. Sidney Poitier opened the tribute, and Clint Eastwood presented the award at evening’s end. Also participating were Casey Affleck, Dan Aykroyd, Matthew Broderick, Don Cheadle, Bill Cosby, David Fincher, Cuba Gooding, Jr., Samuel L. Jackson, Ashley Judd, Matthew McConaughey, Helen Mirren, Rita Moreno, Tim Robbins, Chris Rock, Hilary Swank, Forest Whitaker, Betty White, Renée Zellweger and surprise musical guest Garth Brooks. -
Film Essay for “The Wind”
The Wind By Fritzi Kramer “The Wind” is legendary for its raw emotional power, its skillful direction and the triumphant performances of its leads. Lillian Gish, Lars Hanson and director Victor Sjöström (credited during his time in Hollywood as “Seastrom”) had previously worked together on “The Scarlet Letter” (1926), a creative and commer- cial hit, and Gish had chosen a psychological west- ern written by Texas native Dorothy Scarborough as their next vehicle. The novel focuses on Letty, a so- phisticated Virginia girl who is forced to relocate to a remote ranch in Texas. Driven to the brink of mad- ness by the harsh weather and unceasing wind, Letty’s situation becomes worse when circumstanc- es force her to accept a marriage proposal from Lige, a rough cowboy. Roddy, a sophisticated city man, takes advantage of Letty’s fragile mental stage and rapes her. Letty responds by shooting him and then races outside, giving herself to the wind. It’s easy to see the appeal of this intense work, especial- ly in the visual medium of silent film. Gish later wrote that playing innocent heroines, roles she sarcastically described as “Gaga-baby,” was an enormous challenge.1 So much sweetness and light could quickly bore audiences if it wasn’t played just right but a villain could ham things up with impunity. Gish had dabbled in different parts, playing a street- wise tenement dweller in “The Musketeers of Pig Alley” (1912) and a heartless vamp in the lost film “Diane of the Follies” (1916), but film audiences were most taken with her more delicate creations. -
SCRAPBOOK of MOVIE STARS from the SILENT FILM and Early TALKIES Era
CINEMA Sanctuary Books 790 - Madison Ave - Suite 604 212 -861- 1055 New York, NY 10065 [email protected] Open by appointment www.sanctuaryrarebooks.com Featured Items THE FIRST 75 ISSUES OF FILM CULTURE Mekas, Jonas (ed.). Film Culture. [The First 75 Issues, A Near Complete Run of "Film Culture" Magazine, 1955-1985.] Mekas has been called “the Godfather of American avant-garde cinema.” He founded Film Culture with his brother, Adolfas Mekas, and covered therein a bastion of avant-garde and experimental cinema. The much acclaimed, and justly famous, journal features contributions from Rudolf Arnheim, Peter Bogdanovich, Stan Brakhage, Arlene Croce, Manny Farber, David Ehrenstein, John Fles, DeeDee Halleck, Gerard Malanga, Gregory Markopoulos, Annette Michelson, Hans Richter, Andrew Sarris, Parker Tyler, Andy Warhol, Orson Welles, and many more. The first 75 issues are collected here. Published from 1955-1985 in a range of sizes and designs, our volumes are all in very good to fine condition. Many notable issues, among them, those designed by Lithuanian Fluxus artist, George Macunias. $6,000 SCRAPBOOK of MOVIE STARS from the SILENT FILM and early TALKIES era. Staple-bound heavy cardstock wraps with tipped on photo- illustration of Mae McAvoy, with her name handwritten beneath; pp. 28, each with tipped-on and hand-labeled film stills and photographic images of celebrities, most with tissue guards. Front cover a bit sunned, lightly chipped along the edges; internally bright and clean, remarkably tidy in its layout and preservation. A collection of 110 images of actors from the silent film and early talkies era, including Inga Tidblad, Mona Martensson, Corinne Griffith, Milton Sills, Norma Talmadge, Colleen Moore, Charlie Chaplin, Lillian Gish, and many more. -
Time Cif-Ss 100 Greatest Athletes
HISTORY OF THE CALIFORNIA INTERSCHOLASTIC FEDERATION SOUTHERN SECTION (CIF-SS) 37th Historical “tidbit.” Dr. John S. Dahlem ALL TIME CIF-SS 100 GREATEST ATHLETES BOYS Baseball (13) 1937 Jackie Robinson * Muir Tech Ted Williams* San Diego Hoover Walter Johnson * Fullerton Arky Vaughan * Fullerton Tony Gwynn * L.B. Poly Duke Snider * Compton Bob Lemon * L.B. Wilson Eddie Mathews * Santa Barbara George Brett * El Segundo Gary Carter * Sunny Hills Ralph Kiner * Alhambra Rollie Fingers * Upland Jackie Robinson Bert Blyleven* Santiago-GG at Muir Tech *National Baseball Hall of Fame Arky Vaughan @ Fullerton HS Walter Johnson at Fullerton HS on the right Basketball (9) 1983 Reggie Miller Riverside Poly George Yardley* Newport Harbor Dennis Johnson* Dominquez Keith Erickson El Segundo Paul Westphal Aviation Keith Wilkes Santa Barbara Raymond Lewis Verbum Day Tracey Murray Glendora Paul Pierce Inglewood *National Basketball Hall of Fame Football (18) 1942 Glenn Davis ** Bonita Anthony Munoz *** Chaffey Glenn Davis Ronnie Lott *** Eisenhower Ron Mix *** Hawthorne Bruce Mathews *** Arcadia Ron Yary *** Bellflower Gary Zimmerman*** Walnut John Huarte ** Mater Dei Carson Palmer ** Santa Margarita Matt Leinart** Mater Dei Frankie Albert Glendale Pat Haden Bishop Amat Army Morley Drury L.B. Poly Earl McCullough L.B. Poly Gene Washington L.B. Poly Tony Gonzalez Huntington Beach Sam Cunningham Santa Barbara Billy Kilmer Citrus ** Heisman Trophy Winner *** Pro Football Hall of Fame Golf (3) 1994 Tiger Woods Western Billy Casper Chula Vista, S.D. Mark O’Meara -
Frank Gehry Biography
G A G O S I A N Frank Gehry Biography Born in 1929 in Toronto, Canada. Lives and works in Los Angeles, CA. Education: 1954 B.A., University of Southern California, Los Angeles, CA. 1956 M.A., Harvard University, Cambridge, MA. Select Solo Exhibitions: 2021 Spinning Tales. Gagosian, Beverly Hills, CA. 2016 Fish Lamps. Gagosian Gallery, Rome, Italy. Building in Paris. Espace Louis Vuitton Venezia, Venice, Italy. 2015 Architect Frank Gehry: “I Have an Idea.” 21_21 Design Sight, Tokyo, Japan. 2015 Frank Gehry. LACMA, Los Angeles, CA. 2014 Frank Gehry. Centre Pompidou, Paris, France. Voyage of Creation. Louis Vuitton Foundation, Paris, France. Fish Lamps. Gagosian Gallery, Athens, Greece. Fish Lamps. Gagosian Gallery, Hong Kong, China. 2013 Fish Lamps. Gagosian Gallery, Davies Street, London, England. Frank Gehry At Work. Leslie Feely Fine Art. New York, NY. Fish Lamps. Gagosian Gallery, Paris Project Space, Paris, France. Frank Gehry at Gemini: New Sculpture & Prints, with a Survey of Past Projects. Gemini G.E.L. at Joni Moisant Weyl, New York, NY. Fish Lamps. Gagosian Gallery, Beverly Hills, CA. 2011 Frank Gehry: Outside The Box. Artistree, Hong Kong, China. 2010 Frank O. Gehry since 1997. Vitra Design Museum, Rhein, Germany. Frank Gehry: Eleven New Prints. Gemini G.E.L. at Joni Moisant Weyl, New York, NY. 2008 Frank Gehry: Process Models and Drawings. Leslie Feely Fine Art, New York, NY. 2006 Frank Gehry: Art + Architecture. Art Gallery of Ontario, Toronto, Canada. 2003 Frank Gehry, Architect: Designs for Museums. Weisman Art Museum, Minneapolis, MN. Traveled to Corcoran Art Gallery, Washington, D.C. 2001 Frank Gehry, Architect. -
Peninsula Players Theatre Will Present a Reading of "The Trip to Bountiful
Peninsula Players Theatre will present a reading of "The Trip to Bountiful" by Horton Foote, a moving and riveting story from one of our country's greatest writers, at Björklunden 7p.m., Monday, Feb. 3. The play readings are produced with support and in coordination with Door County Reads and its exploration of "The Memory of Old Jack" by Wendell Berry. Join the Players reading and travel with widow Carrie Watts who yearns to go back to the Gulf Coast town where she grew up and raised her family. Admission is free. Berry, a noted poet, novelist, farmer and conservationist, is often described as a 21st century Henry David Thoreau. His native Kentucky and its rural values have inspired his more than 40 books. "Berry is very interested in what urbanization and industrialization have done to our country and its agricultural community," said Players Artistic Director Greg Vinkler. "And he is also involved in conservation, ecology, poetry - a wide variety of interests interconnected by his interest in the human equation in all this. "In selecting our play to read in conjunction with Berry's book, I decided to go in a direction in which memory, change, being an individual and the importance of one's roots in one's life (things which play an enormous role in 'The Memory of Old Jack') all play a part." Greg Vinkler - Artistic Director President Clinton noted when awarding Horton Foote the National Medal of Arts in 2000: "His work is rooted in the tales, the troubles, the heartbreak, and the hopes of all he heard and saw. -
Many Stars Have Graced Our Stage Over the Years!
MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G. -
Documenting the Director: Delbert Mann, His Life, His Work, and His Papers
http://spider.georgetowncollege.edu/htallant/border/bs10/fr-harw.htm Border States: Journal of the Kentucky-Tennessee American Studies Association, No. 10 (1995) DOCUMENTING THE DIRECTOR: DELBERT MANN, HIS LIFE, HIS WORK, AND HIS PAPERS Sarah Harwell Vanderbilt University Library The Papers of Delbert Mann at the Special Collections Library of Vanderbilt University provide not only a rich chronicle of the award-winning television and motion picture director's life and work, but also document the history of aspects of American popular culture and motion picture art in the latter half of the twentieth century. Delbert Mann was born in Lawrence, Kansas, in 1920. He moved to Nashville, which he considers his home town, as a young boy when his father came to teach at Scarritt College. He graduated from Hume-Fogg High School and Vanderbilt University, where Dinah Shore and Mann's future wife, Ann Caroline Gillespie, were among his classmates. Also in Nashville he developed a lifelong friendship with Fred Coe through their mutual involvement in the Nashville Community Playhouse. Coe would play a very important role in Mann's life. A few months after his graduation from Vanderbilt in 1941, Mann joined the Eighth Air Force, for which he completed thirty-five missions as a pilot of a B-24 bomber. After the end of the Second World War he attended the Yale Drama School, followed by two years as director of the Town Theatre of Columbia, South Carolina. In 1949, Fred Coe, already a producer at NBC television network, invited Delbert Mann to come to New York to direct live television drama on the "Philco Television Playhouse." Then in its infancy, television offered many fine original plays to its relatively small viewing audience. -
Etn1961 Vol08 04
·also KV1own as ~(f •<>,'.~ -~R~tlf'N~ts11:rrm · (OFF\Cl~l PU8l\C~i\ON Or 1'RK:KNUTS Of ,\-IE~~\.O, UMl"lc.}· Vol. 8, No. 4 Sept. 27, 1961. Semi-Monthly $6 per vear by f'rst class mail Edited by Hal Bateman Page 25· Boston, Thomas Score Victories 1932 Olympic Games COLOGNE, GERMANY, Sept. 9 -- Ralph Boston and . By Wally Donovan . John Thomas opened their latest invasion of Europe by scoring On the sun -drenched shores of the Pacific Ocean, before a victory apiece here today. record breaking crowds, the most successful and carefully planned Boston added to his list of 26-foot plus jumps with a leap Games in modern Olympic history were staged at Los Angeles, of 26 '2" and Thomas was an easy winner in the high jump at Calif., from July 30 to August 14, 1932. 6' l{fos". Another top performance came from Manfred Kinder, A crowd of 105; 000, filled the colossal Olympic Stadium, ·who won the 400 in 46.2. l00m,Hebauf 10.5; Delecour (France) now called the Coliseum, to capacity on the first day and heard 10.5. 200,Germar 21.0. 400,Kovac (Yugo) 46.8 (2nd); Bruder Vice President Charles Curtis proclaim open the Olympic Games (Switz)47.0 (3rd). 800, Missalla 1:48.9; Lurot (France) 1:49.6; , of Los Angeles. Klinkenberg 1:49.9; Faude 1:50.2; Bohme 1:50.2; Eyerkaufer More than 1500 athl e tes representing 40 nations traveled 1:50.5. Brace: Hoffmann 1;50.0. 1500, Schmidt 3:47.0; Wat many miles over oce ans to engage in the world's greatest sporting schke 3:47 .O; Schwarte 3:47 .9. -
Bibliofiles Spring 2013
Bowling Green State University ScholarWorks@BGSU Bibliofiles Library Newsletters Spring 2013 Bibliofiles Spring 2013 Follow this and additional works at: https://scholarworks.bgsu.edu/library_newsletters Recommended Citation "Bibliofiles Spring 2013" (2013). Bibliofiles. 5. https://scholarworks.bgsu.edu/library_newsletters/5 This Book is brought to you for free and open access by the Library Newsletters at ScholarWorks@BGSU. It has been accepted for inclusion in Bibliofiles by an authorized administrator of ScholarWorks@BGSU. SPRING 2013 2012-13 2012-13 First-Class Mail University Libraries Friends of the Presorted Advocates Board University U.S. Postage PAID Bowling Green State University Colleen Boff Libraries Board Bowling Green THE FRIENDS OF THE William T. Jerome Library Sara Bushong Sara Bushong State University Sharon Hanna Matt Donahue Bowling Green, Ohio 43403-0179 Flora Hockenberg Stacey Dudley UNIVERSITY Richard Hockenberg Fleming Fallon Gary Hoppenstand Robert Graham Jonathan D. Iten Elizabeth Hertenstein Bibliofiles LIBRARIES Kari Johnson Beth Hoag Robert W. Maurer Beth Hofer UNIVERSITY LIBRARIES David Miller Kari Johnson Janet Parks Daniel Klein BOWLING GREEN STATE UNIVERSITY Clayton Stewart Juli McCarroll Marty Stiffler Mark Nelson Paul W. Stiffler Gaynelle Predmore Katerina Ruedi Ray Library Staff News B. Lee Cooper and Frank W. Hoffmann, with Civil War,” (June 2012), SHARP Conference. Marilyn Shrude research assistance from Debbie Edens, Trinity College. Dublin, Ireland. Michael Turner was appointed Library Matthew J. Masters and William L. Schurk Linda Kramer and Kathy Yoder Lifelong Associate 1 at the Northwest Ohio Cooper, B.L.; Hoffmann, F.W., Edens, Regional Book Depository (NWORBD) presented “The Best Books of 2011-12 D.; Masters, M.J., & Schurk, W.L.