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“America” on Nineteenth-Century Stages; Or, Jonathan in England and Jonathan at Home
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME by Maura L. Jortner BA, Franciscan University, 1993 MA, Xavier University, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by It was defended on December 6, 2005 and approved by Heather Nathans, Ph.D., University of Maryland Kathleen George, Ph.D., Theatre Arts Attilio Favorini, Ph.D., Theatre Arts Dissertation Advisor: Bruce McConachie, Ph.D., Theatre Arts ii Copyright © by Maura L. Jortner 2005 iii PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME Maura L. Jortner, PhD University of Pittsburgh, 2005 This dissertation, prepared towards the completion of a Ph.D. in Theatre and Performance Studies at the University of Pittsburgh, examines “Yankee Theatre” in America and London through a post-colonial lens from 1787 to 1855. Actors under consideration include: Charles Mathews, James Hackett, George Hill, Danforth Marble and Joshua Silsbee. These actors were selected due to their status as iconic performers in “Yankee Theatre.” The Post-Revolutionary period in America was filled with questions of national identity. Much of American culture came directly from England. American citizens read English books, studied English texts in school, and watched English theatre. They were inundated with English culture and unsure of what their own civilization might look like. -
The Harvard Classics Eboxed
0113 DSIS Qil3D THE HARVARD CLASSICS The Five-Foot Shelf of Books THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME II From Collins to Fitzgerald ^ith Introductions and l>iotes Yolume 41 P. F. Collier & Son Corporation NEW YORK Copyright, igro By p. F. Collier & Son uanufactuked in v. s. a. CONTENTS William Collins page FiDELE 475 Ode Written in mdccxlvi 476 The Passions 476 To Evening 479 George Sewell The Dying Man in His Garden 481 Alison Rutherford Cockburn The Flowers of the Forest 482 Jane Elliot Lament for Flodden 483 Christopher Smart A Song to David 484 Anonymous Willy Drowned in Yarrow 498 John Logan The Braes of Yarrow 500 Henry Fielding A Hunting Song 501 Charles Dibdin Tom Bowling 502 Samuel Johnson On the Death of Dr. Robert Levet 503 A Satire 504 Oliver Goldsmith When Lovely Woman Stoops 505 Retaliation 505 The Deserted Village 509 The Traveller; or, A Prospect of Society 520 Robert Graham of Gartmore If Doughty Deeds 531 Adam Austin For Lack of Gold 532 465 466 CONTENTS William Cowper page Loss OF THE Royal George 533 To A Young Lady 534 The Poplar Field 534 The Solitude of Alexander Selkirk 535 To Mary Unwin 536 To the Same 537 Boadicea: An Ode 539 The Castaway 54" The Shrubbery 54^ On the Receipt of My Mother's Picture Out of Norfolk 543 The Diverting History of John Gilpin 546 Richard Brinsley Sheridan Drinking Song 554 Anna Laetitia Barbauld Life 555 IsoBEL Pagan (?) Ca' the Yowes to the Knowes 556 Lady Anne Lindsay AuLD Robin Gray 557 Thomas Chatterton Song from ^lla 558 -
All Batman References in Teen Titans
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Conan Volume 16: the Song of Belit Free Download
CONAN VOLUME 16: THE SONG OF BELIT FREE DOWNLOAD Dr Brian Wood,Various | 176 pages | 19 Feb 2015 | DARK HORSE COMICS | 9781616555245 | English | Milwaukee, United States Conan (comics) Chris rated it liked it Jun 10, Creepy, the quintessential horror comics anthology from Warren Publishing, always delivered a heaping helping Conan Volume 16: The Song of Belit Mechanized weapons of hominid destruction, murderous swamp beasts, ravenous alien hybrids, and other bizarre monsters Stories, books Books Conan books. Follow us. The Conan Volume 16: The Song of Belit Age Conan chronologies. Peak human physical condition, Melee weapons master, Knowledge and experience of fighting the supernatural. This trade has one of the most heeart breaking sequences I've ever read and i feel forever changed by it. From the page future war epic DMZ, the ecological disaster series The Massive, the American crime drama Briggs Land, and the groundbreaking lo-fi dystopia Channel Zero he has a year track record of marrying thoughtful world-building and political commentary with compelling and diverse characters. Parallel related story in Conan the Barbarian 66 and continues in Conan the Barbarian King Conan: Wolves Beyond the Border. Collects Conan: The Phantoms of the Black Coast 1—5 special comics sent to digital comics subscribers and not sold in the market. King Conan: The Scarlet Citadel. Absolutely makes no sense. Authors Creator Robert E. Brian Wood's history of published work includes over fifty volumes of genre-spanning original material. Jun 05, Ben rated it it was ok Shelves: graphic-novels. Home 1 Books 2. Conan Unchained! But that will be for a future volume to reveal, unless it's a blind alley conjured up by my fevered imagination. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Watch Cartoons Online Teen Titans Judas Contract
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The Zodiac Man in Medieval Medical Astrology
Quidditas Volume 3 Article 3 1982 The Zodiac Man in Medieval Medical Astrology Charles Clark University of Colorado Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Clark, Charles (1982) "The Zodiac Man in Medieval Medical Astrology," Quidditas: Vol. 3 , Article 3. Available at: https://scholarsarchive.byu.edu/rmmra/vol3/iss1/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Zodiac Man in Medieval Medical Astrology by Charles Clark University of Colorado A naked male figure was a familiar illustration in many medieval and Renaissance manuscripts. Standing with his legs and arms slightly spread, the twelve images or names of the zodiac were superimposed on his body, from his head (Aries) to his feet (Pisces). Used as a quick reference by physicians, barber-surgeons, and even laymen, the figure indicated the part of the body which was "ruled" by a specific sign of the zodiac. Once the correct sign was determined for the particular part of the body, the proper time for surgery, bloodletting, administration of medication, or even the cutting of hair and nails could be found. This depended, above all, upon the position of the moon in the heavens, since it was a medieval commonplace attributed to the astronomer Ptolemy (ca. 150 A.D.) that one touched neither with iron nor with medication the part of the body in whose zodical sign the moon was at that particular moment. -
The Art of the Icon: a Theology of Beauty, Illustrated
THE ART OF THE ICON A Theology of Beauty by Paul Evdokimov translated by Fr. Steven Bigham Oakwood Publications Pasadena, California Table of Contents SECTION I: BEAUTY I. The Biblical Vision of Beauty II. The Theology of Beauty in the Fathers III. From Æsthetic to Religious Experience IV. The Word and the Image V. The Ambiguity of Beauty VI. Culture, Art, and Their Charisms VII. Modern Art in the Light of the Icon SECTION II: THE SACRED I. The Biblical and Patristic Cosmology II. The Sacred III. Sacred Time IV. Sacred Space V. The Church Building SECTION III: THE THEOLOGY OF THE ICON I. Historical Preliminaries II. The Passage from Signs to Symbols III. The Icon and the Liturgy IV. The Theology of Presence V. The Theology of the Glory-Light VI. The Biblical Foundation of the Icon VII. Iconoclasm VIII. The Dogmatic Foundation of the Icon IX. The Canons and Creative Liberty X. The Divine Art XI. Apophaticism SECTION IV: A THEOLOGY OF VISION I. Andrei Rublev’s Icon of the Holy Trinity II. The Icon of Our Lady of Vladimir III. The Icon of the Nativity of Christ IV. The Icon of the Lord’s Baptism V. The Icon of the Lord’s Transfiguration VI. The Crucifixion Icon VII. The Icons of Christ’s Resurrection VIII. The Ascension Icon IX. The Pentecost Icon X. The Icon of Divine Wisdom Section I Beauty CHAPTER ONE The Biblical Vision of Beauty “Beauty is the splendor of truth.” So said Plato in an affirmation that the genius of the Greek language completed by coining a single term, kalokagathia. -
Bcsfazine #527 | Felicity Walker
The Newsletter of the British Columbia Science Fiction Association #527 $3.00/Issue April 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................8 News-Like Matter..............................................................13 Fiction: Long Night’s Dreaming (Michael Bertrand).......19 Zeitgemässe Tanka (Kathleen Moore)............................21 Art Credits..........................................................................22 BCSFAzine © April 2017, Volume 45, #4, Issue #527 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Sunday 16 April at 7 PM: April BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster. Friday -
Archives - Search
Current Auctions Navigation All Archives - Search Category: ALL Archive: BIDDING CLOSED! Over 150 Silver Age Comic Books by DC, Marvel, Gold Key, Dell, More! North (167 records) Lima, OH - WEDNESDAY, November 25th, 2020 Begins closing at 6:30pm at 2 items per minute Item Description Price ITEM Description 500 1966 DC Batman #183 Aug. "Holy Emergency" 10.00 501 1966 DC Batman #186 Nov. "The Jokers Original Robberies" 13.00 502 1966 DC Batman #188 Dec. "The Ten Best Dressed Corpses in Gotham City" 7.50 503 1966 DC Batman #190 Mar. "The Penguin and his Weapon-Umbrella Army against Batman and Robin" 10.00 504 1967 DC Batman #192 June. "The Crystal Ball that Betrayed Batman" 4.50 505 1967 DC Batman #195 Sept. "The Spark-Spangled See-Through Man" 4.50 506 1967 DC Batman #197 Dec. "Catwoman sets her Claws for Batman" 37.00 507 1967 DC Batman #193 Aug. 80pg Giant G37 "6 Suspense Filled Thrillers" 8.00 508 1967 DC Batman #198 Feb. 80pg Giant G43 "Remember? This is the Moment that Changed My Life!" 8.50 509 1967 Marvel Comics Group Fantastic Four #69 Dec. "By Ben Betrayed!" 6.50 510 1967 Marvel Comics Group Fantastic Four #66 Dec. "What Lurks Behind the Beehive?" 41.50 511 1967 Marvel Comics Group The Mighty Thor #143 Aug. "Balder the Brave!" 6.50 512 1967 Marvel Comics Group The Mighty Thor #144 Sept. "This Battleground Earth!" 5.50 513 1967 Marvel Comics Group The Mighty Thor #146 Nov. "...If the Thunder Be Gone!" 5.50 514 1969 Marvel Comics Group The Mighty Thor #166 July. -
Conan Case Study.Qxp
A PLACE FOR CONAN Problem: How do you keep momentum going to get a television star back on television? Solution: Combine the flexible nature of digital billboards with social networking sites to maintain an audience. BACKGROUND: On January 21st, NBC announced that Jay Leno would replace Conan O’Brien as host of The Tonight Show. Conan O’Brien was legally prohibited from appearing on television. OBJECTIVE: A little over a month later, Conan took to the social networking site Twitter and posted his first tweet on February 24th, showing the world he can still make us laugh, with or without tele- vision. Taking notice of Conan’s dillema, an outdoor company wanted to highlight Conan’s tweets until he could find another home on tele- vision. STRATEGY: A creative image and a micro-site, www.aplace- forconan.com, were built to feature Conan’s tweets live on digital billboards. The outdoor company sent an email to all of their markets with digital inven- tory asking that they run the campaign on any available spots between paid contracts on the boards. PLAN DETAILS: Within 24 hours, the campaign went live on 224 digital panels in 66 markets. OAAA, 2010 RESULTS: Within one hour of posting on Facebook, 1800+ users claimed they “liked” it and 200+ com- mented. Almost every comment was positive. If a negative comment was made, it was usually in reference to the fact that the user did not have a digital billboard in their market that they could view Conan’s Tweets on. Within five days, aplaceforconan.com received 55,197 unique hits and 78,714 total hits.