02 Translated Eng
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Girls, Girls, Girls the Prostitute in Roman New Comedy and the Pro
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2016-4 Girls, Girls, Girls The rP ostitute in Roman New Comedy and the Pro Caelio Nicholas R. Jannazo Xavier University, Cincinnati, OH Follow this and additional works at: http://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation Jannazo, Nicholas R., "Girls, Girls, Girls The rP ostitute in Roman New Comedy and the Pro Caelio" (2016). Honors Bachelor of Arts. Paper 16. http://www.exhibit.xavier.edu/hab/16 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Xavier University Girls, Girls, Girls The Prostitute in Roman New Comedy and the Pro Caelio Nick Jannazo CLAS 399-01H Dr. Hogue Jannazo 0 Table of Contents Introduction ......................................................................................................................................2 Chapter 1: The meretrix in Plautus ..................................................................................................7 Chapter 2: The meretrix in Terence ...............................................................................................15 Chapter 3: Context of Pro Caelio -
LUCAN's CHARACTERIZATION of CAESAR THROUGH SPEECH By
LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY (Under the Direction of Thomas Biggs) ABSTRACT This thesis examines Caesar’s three extended battle exhortations in Lucan’s Bellum Civile (1.299-351, 5.319-364, 7.250-329) and the speeches that accompany them in an effort to discover patterns in the character’s speech. Lucan did not seem to develop a specific Caesarian style of speech, but he does make an effort to show the changing relationship between the General and his soldiers in the three scenes analyzed. The troops, initially under the spell of madness that pervades the poem, rebel. Caesar, through speech, is able to bring them into line. Caesar caters to the soldiers’ interests and egos and crafts his speeches in order to keep his army working together. INDEX WORDS: Lucan, Caesar, Bellum Civile, Pharsalia, Cohortatio, Battle Exhortation, Latin Literature LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY B.A., The College of Wooster, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2016 © 2016 Elizabeth Talbot Neely All Rights Reserved LUCAN’S CHARACTERIZATION OF CAESAR THROUGH SPEECH by ELIZABETH TALBOT NEELY Major Professor: Thomas Biggs Committee: Christine Albright John Nicholson Electronic Version Approved: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2016 iv TABLE OF CONTENTS Page CHAPTER 1 INTRODUCTION .........................................................................................................1 -
Catullus, As Can’T Be Counted by Spies Nor an Evil Tongue Bewitch Us
&$78//867+(32(06 7UDQVODWHGE\$6.OLQH ã Copyright 2001 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON-COMMERCIAL purpose. 2 &RQWHQWV 1. The Dedication: to Cornelius............................... 8 2. Tears for Lesbia’s Sparrow.................................. 9 2b. Atalanta.............................................................. 9 3. The Death of Lesbia’s Sparrow ......................... 10 4. His Boat ............................................................ 11 5. Let’s Live and Love: to Lesbia .......................... 13 6. Flavius’s Girl: to Flavius ................................... 14 7. How Many Kisses: to Lesbia ............................. 15 8. Advice: to himself.............................................. 16 9. Back from Spain: to Veranius............................ 17 10. Home Truths for Varus’s girl: to Varus........... 18 11. Words against Lesbia: to Furius and Aurelius . 19 12. Stop Stealing the Napkins! : to Asinius Marrucinus............................................................. 21 13. Invitation: to Fabullus...................................... 22 14. What a Book! : to Calvus the Poet................... 23 15. A Warning: to Aurelius.................................... 25 16. A Rebuke: to Aurelius and Furius.................... 26 17. The Town of Cologna Veneta.......................... 27 21. Greedy: To Aurelius. ....................................... 30 22. People Who Live in Glass Houses: to Varus ... 31 -
Law on Stage-Forensic Tactics in the Trial of Marcus Caelius Rufus
1216-2574 / USD 20.00 ACTA JURIDICA HUNGARICA © 2010 Akadémiai Kiadó, Budapest 51, No 3, pp. 198–213 (2010) DOI: 10.1556/AJur.51.2010.3.3 TAMÁS NÓTÁRI* Law on Stage–Forensic Tactics in the Trial of Marcus Caelius Rufus Abstract. The present paper intends to highlight some aspects of Cicero’s speech in defence of Marcus Caelius Rufus on 4 April 56 BC on the fi rst day of the Ludi Megalenses. In 56 BC, as a result of peculiar coincidence of political and private relations, Cicero was given the opportunity to deal a heavy blow on Clodius and Clodia in his Pro Caelio, whom he mocked in the trial with murderous humour using the means of Roman theatre, and, thus, arranged a peculiar theatre performance during the Megalensia, which anyway served as the time of the Ludi scaenici. After outlining the circumstances of the lawsuit (I.) and the background of the Bona Dea case that sowed the seeds of the confl ict between Cicero and the gens Clodia (II.) in our paper we intend to analyse the rhetoric situation provided by the Ludi Megalenses and genially exploited by Cicero (III.) and the orator’s tactics applied in the speech in defence of Caelius (IV.). Keywords: lex Plautia de vi, quaestio de vi, Pro Caelio, forensic tactics I. In April 56 BC, the then twenty-fi ve-year old1 M. Caelius before the quaestio de vi was charged by L. Sempronius Atratinus as main prosecutor, and L. Herennius Balbus and P. Clodius as subscriptores. The defendant himself made a statement of the defence. -
Augustus' Memory Program
Augustus’ memory program: Augustus as director of history Freek Mommers, F.A.J. S4228421 Summary: Chapter 1: Introduction 2 Chapter 2: Augustus’ troubling past 7 Chapter 3: Commemoration through ceremonies and festivals 11 Chapter 4: Commemoration through literature and inscriptions 20 Chapter 5: Commemoration through monuments 29 Chapter 6: Conclusion 35 Bibliography 36 1 Introduction Augustus is one of the most studied Roman emperors in modern literature but a lot of the period is still unknown or debated.1 The image of Augustus is usually dominated by his most successful years as princeps of Rome.2 Augustus represented himself as an example and as a protector of order, morals and peace.3 The civil war between Augustus and Anthony however was a period filled with chaos and terror. In times of war it was close to impossible to proceed in a moral and peaceful way. Augustus’ claims as an example of order and good morals would obviously be damaged by his troubling past. Therefore the memory of the civil war against Anthony culminating in the battle of Actium in 31 B.C. needed some conscious adaptations for Augustus’ later representation. The now well known history and literature of the civil war are mostly written in an Augustan perspective, a history of the winner. This thesis will try to answer the following question: How did Augustus adapt the memory of his troubling past of his civil war against Anthony in his commemoration practices? The civil war and the decisive battle of Actium play important but controversial roles in Augustan commemoration. Details of the civil war often were deliberately camouflaged or concealed in Augustan sources. -
Excavating the Corporativist City 89
SCHNAPP / excavating the corporativist city 89 Excavating the Corporativist City Jeffrey T. Schnapp Towards the end of 1933, five of the leading champions of the modern movement in Italian architecture—the engineer MODERNISM / modernity Gaetano Ciocca and his young partners and followers, the mem- VOLUME ELEVEN, NUMBER bers of the architectural firm Banfi, Belgioioso, Peressutti, and ONE, PP 89–104. Rogers—presented a “totalitarian” city plan for the northern city © 2004 THE JOHNS of Pavia within the framework of a contentious and highly pub- HOPKINS UNIVERSITY PRESS licized competition. Their comprehensive city plan was meant to crystallize what fascist modernists thought to be the core val- ues of Mussolini’s corporativist revolution and represented a gesture of defiance addressed to the piecemeal approaches to urban planning that informed rival proposals put forth by tradi- tional urbanists. Whereas the latter sought gradual, incremental solutions to the problems created by the city’s burgeoning economy, solutions that extended and built upon Pavia’s long history as a regional capital and urban center, the Ciocca/BBPR Jeffrey T. Schnapp is plan proposed a clean break. Through an ambitious program of the founder and demolition and new construction, it sought to transform Pavia director of the Stanford Humanities Lab. His into a model city, rigorously laid out according to the criteria of most recent books are rationalism and functionalism, as recently articulated by the likes Anno X La Mostra della of Le Corbusier, Ernst May, and Walter Gropius at the Athens Rivoluzione Fascista del meeting of the International Congress for Modern Architecture 1932 and, with Jonathan (CIAM). -
The Emergence of Archival Records at Rome in the Fourth Century BCE
Foundations of History: The Emergence of Archival Records at Rome in the Fourth Century BCE by Zachary B. Hallock A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2018 Doctoral Committee: Professor David Potter, Chair Associate Professor Benjamin Fortson Assistant Professor Brendan Haug Professor Nicola Terrenato Zachary B. Hallock [email protected] ORCID iD: 0000-0003-0337-0181 © 2018 by Zachary B. Hallock To my parents for their endless love and support ii Acknowledgements I would like to thank Rackham Graduate School and the Departments of Classics and History for providing me with the resources and support that made my time as a graduate student comfortable and enjoyable. I would also like to express my gratitude to the professors of these departments who made themselves and their expertise abundantly available. Their mentoring and guidance proved invaluable and have shaped my approach to solving the problems of the past. I am an immensely better thinker and teacher through their efforts. I would also like to express my appreciation to my committee, whose diligence and attention made this project possible. I will be forever in their debt for the time they committed to reading and discussing my work. I would particularly like to thank my chair, David Potter, who has acted as a mentor and guide throughout my time at Michigan and has had the greatest role in making me the scholar that I am today. Finally, I would like to thank my wife, Andrea, who has been and will always be my greatest interlocutor. -
Pro Milone: the Purposes of Cicero’S Published Defense Of
PRO MILONE: THE PURPOSES OF CICERO’S PUBLISHED DEFENSE OF T. ANNIUS MILO by ROBERT CHRISTIAN RUTLEDGE (Under the Direction of James C. Anderson, Jr.) ABSTRACT This thesis explores the trial of T. Annius Milo for the murder of P. Clodius Pulcher, which occurred in Rome in 52 BC, and the events leading up to it, as well as Marcus Tullius Cicero’s defense of Milo and his later published version of that defense. The thesis examines the purposes for Cicero’s publication of the speech because Cicero failed to acquit his client, and yet still published his defense. Before specifically examining Cicero’s goals for his publication, this thesis considers relationships between the parties involved in the trial, as well as the conflicting accounts of the murder; it then observes the volatile events and novel procedure surrounding the trial; and it also surveys the unusual topographic setting of the trial. Finally, this thesis considers the differences between the published speech and the speech delivered at trial, the timing of its publication, and possible political and philosophical purposes. INDEX WORDS: Marcus Tullius Cicero, Pro Milone, Titus Annius Milo, Publius Clodius Pulcher, Pompey, Gnaeus Pompeius Magnus, Quintus Asconius Pedianus, Roman Courts, Roman Trials, Roman Criminal Procedure, Ancient Criminal Procedure, Roman Rhetoric, Latin Rhetoric, Ancient Rhetoric, Roman Speeches, Roman Defense Speeches, Roman Topography, Roman Forum, Roman Philosophy, Roman Stoicism, Roman Natural Law, Roman Politics PRO MILONE: THE PURPOSES OF CICERO’S PUBLISHED DEFENSE OF T. ANNIUS MILO by ROBERT CHRISTIAN RUTLEDGE B.A. Philosophy, Georgia State University, 1995 J.D., University of Georgia, 2005 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2006 © 2006 Robert Christian Rutledge All Rights Reserved PRO MILONE: THE PURPOSES OF CICERO’S PUBLISHED DEFENSE OF T. -
A Reevaluation of Pro Caelio 67: Cicero’S Unnoticed Insult
A Reevaluation of Pro Caelio 67: Cicero’s Unnoticed Insult Cicero’s well-known speech Pro Caelio, in which Cicero defends his friend Marcus Caelius Rufus, affords insights into the Roman legal system, class distinctions, and accepted customs. The point of connection between these three aspects of Roman life is found in the primary manner in which Cicero defends his client: he seeks to undermine the credibility of Clodia and her accomplices, thus rendering their testimony untrustworthy. He censures them by associating them with three distinctly immoral, yet prevalent, elements of contemporary Roman society: adultery, mimes, and playing board games. Much ink has been spilled on the first two of these, notably by Wiseman (1985), yet the third has remained completely undetected until now. This third element of Cicero’s rebuke, that of game playing, shall be the focus of this paper. This paper requires a two-pronged approach. First will come an analysis of Pro Caelio in which the reference to playing board games is made clear, taking into account modern scholarship and previous interpretations. The crucial matter is Cicero’s use of the word alveus as a place where Clodia’s friends avoided detection in Pro Caelio 67. The proper definition of the extremely flexible word alveus in this context has been debated. Yonge’s early translation was ‘canal,’ but nearly all translators since 1985 have followed the translation of ‘tub,’ or its variants ‘bath’ and ‘bathtub,’ given by T. P. Wiseman in Catullus and His World (1985). Such a definition implies either an actual bath – certainly logical, since the scene being described takes place at the Senian bathhouse – or, what Wiseman concludes is more likely, a large empty tub, invoking a popular mime motif of a lover hiding in a tub to avoid detection. -
The Manipulation of Words of Sounds and Rumours in Julius Caesar's
AYELET PEER, Hear No Evil? The Manipulation of Words of Sounds and Rumours in Julius Caesar’s Commentaries, in: Annemarie Ambühl (ed.), Krieg der Sinne – Die Sinne im Krieg. Kriegsdarstellungen im Spannungsfeld zwischen antiker und moderner Kultur / War of the Senses – The Senses in War. Interactions and Tensions Between Representations of War in Classical and Modern Culture = thersites 4 (2016), 43-76. KEYWORDS Julius Caesar, Commentarii, Bellum Gallicum, Bellum Civile, Sound, Battle Descriptions ABSTRACT (English) In recent years, we have witnessed how scholars have re-read and re- examined Caesar’s commentaries on the Gallic and Civil wars, focusing more on the works’ literary merits. In this contribution to the discussion I aim to show how Caesar deploys the motif of hearing to develop his narrative of battle description. Therefore I single out specific words denoting sound such as shouting (clamor), voices (vox), and also the use of rumours (rumor, fama). Caesar probably wished to give his audience a fuller, engaging portrayal of the battlefield, along with its dangers and terrors, so that we, his readers, are able not only to see through the general’s eyes, but also to hear the sounds of war. Sounds are thus significant in conveying the tense atmosphere of war, especially since soldiers are naturally frightened by what they cannot see, but only hear. Yet in this chaos of shouts and voices Caesar would have us remember that only one voice can ease the fears of the soldiers and restore order: the voice of the commander, imperator Caesar. ABSTRACT (German) In den letzten Jahren hat die Forschung Caesars Commentarii zum Gallischen Krieg und zum Bürgerkrieg neu untersucht und den Schwerpunkt vermehrt auf die literarischen Verdienste der Werke gelegt. -
Roman Policies Towards Antiochus III and the Greeks from Winter 197/196 B.C
Roman Policies towards Antiochus III and the Greeks from Winter 197/196 B.C. to Autumn 196 B.C. [Roms Politik gegenüber Antiochos III. und den Griechen zwischen Winter 197/196 a.c. und Herbst 196 a.c.] Eike Hellmut Deutschmann (Universität Hamburg) [email protected] Abstract Zusammenfassung In the Second Macedonian War (200-196 B.C.), the Die res publica verminderte im Zweiten res publica reduced the strength of the enemy King Makedonischen Krieg (200-196 a.c.) die Macht des Philip V apparently to establish a new political gegnerischen Königs Philipp V - anscheinend um order in Southern Balkans: Assumedly a pro- eine neue politische Ordnung im südlichen Roman balance of forces should prevail there, Balkanraum zu etablieren: Vermutlich sollte dort untainted by influence of another major power. A ein romfreundliches Kräftegleichgewicht particular senatorial policy towards the Greeks vorherrschen, auf das keine andere Großmacht probably did not exist before the fighting in Hellas Einfluß hat. Eine speziell an die Griechen gerichtete came to an end in summer 197 B.C. In the same Politik seitens des römischen Senats gab es year, the Seleucid king Antiochus III brought large wahrscheinlich nicht vor Ende der parts of the west coast of Asia Minor under control Kampfhandlungen in Hellas im Sommer 197 a.c. In and set about crossing the Hellespont. Rome dem Jahr erweiterte der seleukidische König subsequently stylized itself as the guardian of Antiochos III. seinen Einflussbereich auf große Teile freedom for the Greeks living in Hellas and Asia der kleinasiatischen Westküste und schickte sich Minor. The statesmen of the res publica could have an, den Hellespont zu überqueren. -
Ancient Divination and Experience OUP CORRECTED PROOF – FINAL, 11/9/2019, Spi OUP CORRECTED PROOF – FINAL, 11/9/2019, Spi
OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi Ancient Divination and Experience OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi OUP CORRECTED PROOF – FINAL, 11/9/2019, SPi Ancient Divination and Experience Edited by LINDSAY G. DRIEDIGER-MURPHY AND ESTHER EIDINOW 1 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2019 The moral rights of the authors have been asserted First Edition published in 2019 Impression: 1 Some rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, for commercial purposes, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution – Non Commercial – No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiries concerning reproduction outside the scope of this licence should be sent to the Rights Department, Oxford University Press, at the address above Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2019934009 ISBN 978–0–19–884454–9 DOI: 10.1093/oso/9780198844549.001.0001 Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY Links to third party websites are provided by Oxford in good faith and for information only.