CHAPTER TWO Historical Background I Always Been Interested in History, Not That I Know a Lot About It, but in a More General Way
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The Polish-Lithuanian Commonwealth As a Political Space: Its Unity and Complexity*
Chapter 8 The Polish-Lithuanian Commonwealth as a Political Space: Its Unity and Complexity* Satoshi Koyama Introduction The Polish-Lithuanian Commonwealth (Rzeczpospolita) was one of the largest states in early modern Europe. In the second half of the sixteenth century, after the union of Lublin (1569), the Polish-Lithuanian state covered an area of 815,000 square kilometres. It attained its greatest extent (990,000 square kilometres) in the first half of the seventeenth century. On the European continent there were only two larger countries than Poland-Lithuania: the Grand Duchy of Moscow (c.5,400,000 square kilometres) and the European territories of the Ottoman Empire (840,000 square kilometres). Therefore the Polish-Lithuanian Commonwealth was the largest country in Latin-Christian Europe in the early modern period (Wyczański 1973: 17–8). In this paper I discuss the internal diversity of the Commonwealth in the sixteenth and seventeenth centuries and consider how such a huge territorial complex was politically organised and integrated. * This paper is a part of the results of the research which is grant-aided by the ‘Grants-in-Aid for Scientific Research’ program of the Japan Society for the Promotion of Science in 2005–2007. - 137 - SATOSHI KOYAMA 1. The Internal Diversity of the Polish-Lithuanian Commonwealth Poland-Lithuania before the union of Lublin was a typical example of a composite monarchy in early modern Europe. ‘Composite state’ is the term used by H. G. Koenigsberger, who argued that most states in early modern Europe had been ‘composite states, including more than one country under the sovereignty of one ruler’ (Koenigsberger, 1978: 202). -
Business Bavaria Newsletter
Business Bavaria Newsletter Issue 07/08 | 2013 What’s inside 5 minutes with … Elissa Lee, Managing Director of GE Aviation, Germany Page 2 In focus: Success of vocational training Page 3 Bavaria in your Briefcase: Summer Architecture award for tourism edition Page 4 July/August 2013 incl. regional special Upper Franconia Apprenticeships – a growth market Bavaria’s schools are known for their well-trained school leavers. In July, a total of According to the latest education monitoring publication of the Initiative Neue 130,000 young Bavarians start their careers. They can choose from a 2% increase Soziale Marktwirtschaft, Bavaria is “top when it comes to school quality and ac- in apprenticeships compared to the previous year. cess to vocational training”. More and more companies are increasing the number of training positions to promote young people and thus lay the foundations for With 133,000 school leavers, 2013 has a sizeable schooled generation. Among long-term success. the leavers are approximately 90,000 young people who attended comprehensive school for nine years or grammar school for ten. Following their vocational train- The most popular professions among men and women are very different in Ba- ing, they often start their apprenticeships right away. varia: while many male leavers favour training as motor or industrial mechanics To ensure candidates and positions are properly matched, applicants and com- or retail merchants, occupations such as office manager, medical specialist and panies seeking apprentices are supported in their search by the Employment retail expert are the most popular choices among women. Agency. Between October 2012 and June 2013 companies made a total of 88,541 free, professional, training places available – an increase of 1.8% on the previ- www.ausbildungsoffensive-bayern.de ous year. -
1 GERMANY Schweinfurt Case Study Report – D9 Dr
GERMANY Schweinfurt Case Study Report – D9 Dr. Ilona Biendarra Table of contents 1. Abstract 2 2. Presentation of the town 2 2.1 Introduction 2 2.2 Presentation of the majority and the minority presence 3 2.3 Presentation of the local welfare system 6 3. Context and timeframe 10 4. Methods and sources 11 4.1 Research focus and questions 11 4.2 Methods and material 12 4.3 Research sample 13 4.4 Conversations and focus/in-depth interviews 14 5. Findings 16 5.1 Communication, mutual understanding and social cohesion 16 5.2 Different definitions of family and women’s roles 22 5.3 Education and language support, but for whom? 26 5.4 Individual and alternative health care 29 5.5 Employment as a basis for integration 32 5.6 The local situation is in flux: an ongoing integration process 34 6. Analysis: emergent values 35 6.1 Welfare areas and values 36 6.2 Classification of values 40 6.3 Analysis conclusions 43 7. References 46 1 1. Abstract The study of values in Europe, observable through the prism of welfare, consists of an examination of the values of various groups in the domain of welfare, e.g. in the expression and provision of ‘basic’ individual and group needs. The different values and practices of the majority and the minorities are a source of tension in the German society. German policy tries to direct the interaction between majority and minorities towards more cohesion and solidarity. At the same time it becomes more obvious that minority groups influence and challenge majority values. -
The Grand Ducal Family of Luxembourg ✵ ✵ the Grand Ducal Family of Luxembourg ✵
The Grand Ducal Family of Luxembourg ✵ ✵ The Grand Ducal Family of Luxembourg ✵ TRH Grand Duke Henri and Grand Duchess Maria Teresa wave to the crowd from the balcony of the Grand Ducal Palace (7 October 2000) Historical introduction ✹07 Chapter One The House of Luxembourg-Nassau ✹17 - The origins of the national dynasty 18 - The sovereigns of the House of Luxembourg 20 - Grand Duke Adolphe 20 - Grand Duke William IV - Grand Duchess Marie-Adélaïde 21 - Grand Duchess Charlotte 22 - Grand Duke Jean 24 - Grand Duke Henri 28 Grand Duchess Maria Teresa 32 - Hereditary Grand Duke Guillaume 34 - Grand Duke Henri’s brothers and sisters 36 - HRH Grand Duke Henri’s accession to the throne on 7 October 2000 40 Chapter Two The monarchy today ✹49 - Prepared for reign 50 - The Grand Duke’s working day 54 - The Grand Duke’s visits abroad 62 - Visits by Heads of State to Luxembourg 74 - The public image of the Grand Ducal Family in Luxembourg 78 Chapter Three The constitutional monarchy ✹83 - The political situation of the Grand Duke 84 SUMMARY - The order of succession to the throne 92 Index - Index Accession to the Grand Ducal Throne 94 - The Lieutenancy 96 - The Regency 98 Chapter Four The symbols of the monarchy ✹101 - National Holiday – official celebration day of the Grand Duke’s birthday 102 - Coats of arms of the Grand Ducal House 104 - The anthem of the Grand Ducal House 106 Chapter Five The residences of the Grand Ducal Family ✹109 - The Grand Ducal Palace 110 - Berg Castle 116 - Fischbach Castle 118 Annexe - The Grand Duke’s visits abroad - Visits by Heads of State to Luxembourg HistoricalIntro introduction History Historical summary Around 963 1214 Siegfried acquires the rocky Ermesinde of Luxembourg outcrop of Lucilinburhuc marries Waleran of Limburg 1059-1086 1226- 1247 Conrad I, Count of Luxembourg Ermesinde, Countess of Luxembourg 8 1136 ✹ Death of Conrad II, last Count 1247-1281 Henry V of Luxembourg, of Luxembourg from the House known as Henry the Blond, of Ardenne. -
Würzburg Residence with the Court Gardens and Residence Square
WHC Nomination Documentation File name: 169.pdf UNESCO Region EUROPE SITE NAME (and NUMBER) ("TITLE") Würzburg Residence with the Court Gardens and Residence Square DATE OF INSCRIPTION ("SUBJECT") 30/10/1981 STATE PARTY ("AUTHOR") GERMANY CRITERIA ("KEY WORDS") C (i)(iv) DECISION OF THE WORLD HERITAGE COMMITTEE: The Committee made no statement BRIEF DESCRIPTION: Under the patronage of two successive bishop-princes, this sumptuous Baroque palace, one of the largest and most beautiful in Germany, surrounded by magnificent gardens, was built and decoreted in the 18th century by an international corps of architects, painters (including Tiepolo), sculptors and stucco workers, led by Balthasar Neumann. 1.b. State, province or region: Land of Bavaria Administrative District : Lower Franconia City of Würzburg 1.d Exact location: Longitude 9°56'23" East Latitude 49°47'23" North Bayerisches Staatsministerium für Wissenschaft, Forschung und Kunst G:\StMWFK\Abteilungen\Abteilung B\Referat B_4\Referatsordner\Welterbe\Würzburg\WHC Nachlieferung Pufferzone 9119 r.doc ENTWURF Datum: 30.03.2010 Bayerisches Staatsministerium für Wissenschaft, Forschung und Kunst, 80327 München B4 Entwurf erstellt/geprüft: Albert_F UNESCO World Heritage Centre Reinschrift erstellt/geprüft: Director M. Francesco Bandarin Reinschrift geprüft durch Entwurfsverfasser: 7, place de Fontenoy F-75352 Paris 07 FP Reinschrift versandt: Frankreich Reinschrift gefaxt: Reinschrift an e-mail: Ihr Zeichen / Ihre Nachricht vom Unser Zeichen (bitte bei Antwort angeben) München, 30.03.2010 I WHC/74/2442/DE/PA/JSW B4-K0112.1.9-12 a/9 119 Telefon: 089 2186 2511 01.03.2010 Name: Herr Albert “Würzburg Residence with the Court Gardens and Residence Square” (Ref. 169) here: Minor boundary modification proposal Attachments: 2 copies of the map 2 CD-ROMs Dear Mr. -
Tilman Riemenschneider's Monochrome Sculpture
Tilman Riemenschneider’s monochrome sculpture: an examination of its origins. by RUTH MARIE BUTTERY A thesis submitted to The University of Birmingham for the degree of Master of Philosophy Department of History of Art The University of Birmingham September 2009 Abstract This thesis explores the origins of the monochrome works of Tilman Riemenschneider (c.1460-1531) to clarify if this was an intentional finish. It focuses on the sculptor’s Münnerstadt, Rothenberg and Creglingen altarpieces. The discussion which combines new observations with previous scholar’s theories, examines the nature of the monochrome glaze and Riemenschneider’s carving of detailed sculptural surfaces to enhance the monochrome altarpieces; places Riemenschneider’s use of the monochrome medium in its social context, addressing both religious and secular concerns; researches the influence of three-dimensional and two-dimensional media on Riemenschneider’s development of the monochrome aesthetic; and investigates a theory put forward by Michael Baxandall concerning the use of natural sunlight in Riemenschneider’s monochrome altarpieces. The examinations conclude that monochrome was indeed an intentional finish by Riemenschneider, which in my view is strengthened though out this discussion by new comparisons between Riemenschneider and Jan Borreman (a Netherlandish contemporary). Similarities of compositional design, such as spatial arrangements and the use of windows in the back of the corpus demonstrate the likelihood of a connection between them. Acknowledgments I would like to thank the following people for their help; Julien Chapuis, The Metropolitain Museum of Art, New York. Judith Champ, St. Mary’s College, Oscott. Kim Woods, The Open University. The Manager at All Saints Church, Pocklington. -
Painted Wood: History and Conservation
PART FOUR Investigations and Treatment 278 Monochromy, Polychromy, and Authenticity The Cloisters’ Standing Bishop Attributed to Tilman Riemenschneider Michele D. Marincola and Jack Soultanian 1975, Standing Bishop was acquired for The Cloisters collection, the Metropolitan Museum of IArt, New York. This piece—considered at purchase to be a mature work of Tilman Riemenschneider (ca. 1460–1531), a leading German mas- ter of Late Gothic sculpture—was intended to complement early works by the artist already in the collection. The sculpture (Fig. 1) is indisputably in the style of Riemenschneider; furthermore, its provenance (established to before 1907) includes the renowned Munich collection of Julius Böhler.1 The Standing Bishop was accepted as an autograph work by the great Riemenschneider scholar Justus Bier (1956), who was reversing his earlier opinion. It has been compared stylistically to a number of works by Riemenschneider from about 1505–10. In the 1970s, a research project was begun by art historians and conservators in Germany to establish the chronology and authorship of a group of sculptures thought to be early works of Riemenschneider. The Cloisters’ sculptures, including the Standing Bishop, were examined as part of the project, and cross sections were sent to Munich for analysis by Hermann Kühn. This research project resulted in an exhibition of the early work of Riemenschneider in Würzburg in 1981; The Cloisters sent two sculptures from its collection, but the loan of the Standing Bishop was not requested. Certain stylistic anomalies of the figure, as well as several Figure 1 technical peculiarities discussed below, contributed to the increasing suspi- Standing Bishop, attributed to Tilman cion that it was not of the period. -
More Than Just a Location
StInvestierenadt Ba yreuth in Bayreuth www.wirtschaft.bayreuth.de Business locationInvestieren bayreuth in Bayreuth www.bayreuth.de www.bayreuth.de Stadt Ba yreuth „ In Bayreuth More than„ In Bayreuth just a trifft sich trifft sich Location die Welt. “ die Welt. “ “Working hard for Bayreuth, working hard for your company.” A Welcoming Culture Extending a warm welcome to all In our globalized economy, where people live, where companies are based and where people work is changing much more frequently. Companies are looking for places to do business where they can implement new ideas and find the right partners to work with. The City of Bayreuth offers all of the benefits that come with close ties between city authorities, business and research, making Bayreuth an attractive Stadt Bayreuth city for qualified and highly-motivated employees, whom I would like to invite Wirtschaftsförderung hereby to join us in writing the next chapter of Bayreuth‘s success story. Luitpoldplatz 13 We are ready to support and advise all who choose to make Bayreuth their new D - 95444 Bayreuth home, because we know how thrilling and invigorating a fresh start can be. Tel. +49 (0) 9 21 / 25 - 15 83 Cover Image: Whether you‘re coming from another region in Germany, from another New Materials Bayreuth Corp. European country or even from another continent, we are very much looking Fax +49 (0) 9 21 / 25 - 11 49 develops new types of materials forward to welcoming you and we would be delighted to help you make the and processing methods for [email protected] plastics, metals and reinforced- best possible start to life here in Bayreuth. -
18347 Workshop of Tilman Riemenschneider the Twelve Disciples Germany, Middle Franconia, Abenberg? C
18347 Workshop of Tilman Riemenschneider The Twelve Disciples Germany, Middle Franconia, Abenberg? c. 1510 - 20 Central panel: 33 x 115 cm, Side panels: 30 x 55 cm Provenance By repute from the Marienkapelle in Abenberg, Middle Franconia; Bayerisches Nationalmuseum, Munich (Inv. MA 1797-99); Sold to the Bernheimer Gallery in 1951; Christie's London, 14 December 1999, lot 48. Published Graf, Hugo. Katalog des Bayerischen Nationalmuseums. M. Rieger: Munich, 1896, pp. 72. Weniger, Matthias. Tilman Riemenschneider: Die Werke im Bayerischen Nationalmuseum, Munich, 2017, Fig. 7.16. Description These three masterfully carved panels originally belonged to a predella supporting a monumental altarpiece. Depicting the twelve disciples, the panels are attributed to Tilman Riemenschneider’s workshop or his close circle. They are reputed to come from a church in Abenberg and were housed at the Bavarian National Museum until 1951. The figures of disciples on the long panel are divided into two groups of three. They include Matthias with an axe, Paul with two swords, Peter with the keys, John with a chalice, Thomas with an axe, and James, the son of Alphaeus, with a fuller’s club. The first short panel includes Simon with the saw, Jude with the club, and Andrew with the saltire. The second short panel includes Bartholomew with a knife, Philip with a cross, and St James with the scallop shell on his hat. The figures wear contemporary 16th century dress. The reliefs are set in against a flat background crowned by ornate tracery above. The back of the longer panel supporting the figures appears to have been cut down. -
Yiddish and Relation to the German Dialects Bryan Witmore University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 6-30-2016 Yiddish and Relation To The German Dialects Bryan Witmore University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the German Language and Literature Commons Recommended Citation Witmore, B.(2016). Yiddish and Relation To The German Dialects. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/ etd/3522 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. YIDDISH AND ITS RELATION TO THE GERMAN DIALECTS by Bryan Witmore Bachelor of Arts University of South Carolina, 2006 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in German College of Arts and Sciences University of South Carolina 2016 Accepted by: Kurt Goblirsch, Director of Thesis Lara Ducate, Reader Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Bryan Witmore, 2016 All Rights Reserved. ii ACKNOWLEDGEMENTS This thesis project was made possible in large part by the German program at the University of South Carolina. The technical assistance that propelled this project was contributed by the staff at the Ted Mimms Foreign Language Learning Center. My family was decisive in keeping me physically functional and emotionally buoyant through the writing process. Many thanks to you all. iii ABSTRACT In an attempt to balance the complex, multi-component nature of Yiddish with its more homogenous speech community – Ashekenazic Jews –Yiddishists have proposed definitions for the Yiddish language that cannot be considered linguistic in nature. -
Exhibition Advisory-3.15.17.Pdf
Image captions on page 6 (Los Angeles—September 19, 2016) The Los Angeles County Museum of Art (LACMA) is pleased to present Renaissance and Reformation: German Art in the Age of Dürer and Cranach. Coinciding with the 500th anniversary of the Reformation, the exhibition brings to Los Angeles some of the greatest achievements of German Renaissance art. As the only U.S. venue of the exhibition, LACMA offers a unique opportunity to view masterpieces of this period, which have rarely been displayed outside of Germany. The period under consideration (1460–1580) was marked by conflicts, civil wars, and complex relationships with neighboring countries, but it also witnessed a flourishing of many states and cities, reflected in the skills of their craftsmen. Additionally, the era was characterized by profound changes in thought, philosophy, science, and religion, spearheaded by Martin Luther’s writings, which in turn transformed the work of many artists of the day such as Albrecht Dürer, Lucas Cranach, Hans Holbein, Mathias Grünwald, Tilman Riemenschneider, and Peter Vischer. These revolutionary ideas and innovations played a transformational role in the development of modern Western societies. Organized with the Staatliche Museen zu Berlin, Staatliche Kunstsammlungen Dresden, and the Bayerische Staatsgemäldesammlungen München, and made possible by the German Foreign Office, the exhibition comprises over 100 objects, including paintings, drawings, sculptures, arms and armor, as well as decorative arts. “Renaissance and Reformation—organized in cooperation with these three German institutions—provides a rare opportunity to view works by artists not typically represented in local collections in Los Angeles,” said Michael Govan, LACMA CEO and Wallis Annenberg Director. -
The Grand Duchy of Warsaw
Y~r a n c v s> Tne Grand Duch} Of Warsaw THE GRAND DUCHY OF WARSAW BY HELEN ELIZABETH FKANCIS THESIS FOR THE DEGREE OF BACHELOR OF ARTS IN HISTORY COLLEGE OF LIBERAL ARTS AND SCIENCES UNIVERSITY OF ILLINOIS 1916 UNIVERSITY OF ILLINOIS Oo CM Z? 191 6 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY 1 ENTITLED IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Jiistru^ySr in Charge APPROVED: ^f^r^O /<a%*££*^+. 343G60 CONTENTS I. Short Sketch of Polish History before the Grand Duchy of Warsaw 1 II. The Establishment of the Grand Duchy of Warsaw 20 III. The Grand Duchy of Warsaw from 1807—1812 37 IV. The Breach of 1812 53 V. The Fate of the Grand Duchy of Warsaw as Decided at 74 the Congress of Vienna, 1815 VI. The Poles Since 1815 84 VII. Bibliography A. Primary Material 88 B. Secondary Material 91 C. Bibliographical Notes 95 Digitized by the Internet Archive in 2013 http://archive.org/details/grandduchyofwarsOOfran 1. I. A Short Sketch of Polish History before THE br&AftU UUUHi UP WAHSAW Among the many problems which demand the attention of the world today is that of Poland, and the outbreak of the ^reat War now going on in Europe has made this problem prominent. Ever since the final partition in 1795, the patriotic poles have held closely in their hearts the idea of a reunited independent country. Uprisings in Russian Poland in 1831, 1 in ualicia in 2 3 1855, and in Russia in 1863 showed that these ideas were alive.