Multicultural Leadership Characteristics of a School Director in An
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Korean Immigrant Women's Everyday Life Information S
ABSTRACT Title of Document: INFORMATION PRACTICES DURING LIFE TRANSITION: KOREAN IMMIGRANT WOMEN’S EVERYDAY LIFE INFORMATION SEEKING AND ACCULTURATION Jinyoung Kim, Ph.D., 2016 Directed By: Associate Professor, June Ahn, College of Information Studies/College of Education In this dissertation, I explore information practices during life transition in the context of immigration. This study aims to understand how their unique personal, social, and life contexts shape immigration experiences, and how these diverse contexts are related to various information practices that they engage in to resolve daily information needs and achieve immigration goals. In my study I examined daily information needs and acquisition of Korean immigrant women. Data were collected through two interview sessions, diary entries on everyday information seeking up to three weeks, post-diary debriefing interviews to reveal contexts surrounding information practices, and observation sessions. My study shows that one’s accumulated experiences with information-related situations shape the person’s attitudes toward diverse information resources and habitual information practices. Both personal and social contexts surrounding immigrant women change during life transition and shape how they interpret their immigration experiences, what information they need to deal with both daily and long-term goals, and how they modify their information practices to obtain the relevant information in an unfamiliar information environment. Also, life transition of immigration entails changes in immigrant women’s social roles, which engender their daily responsibilities in the new society. These daily responsibilities motivate immigrant women’s everyday interactions with a variety of communities in order to exchange information and conduct their social roles in the new sociocultural environment. -
Won Bin Movies
1 / 2 Won Bin Movies Elle TV is collaborating with Won Bin on a program called Movie Still, where they take a look at fashion in film and tv through the eyes of its stars. Won Bin will be .... Movie information, genre, rating, running time, photos, trailer, synopsis and user ... Hyun Bin plays Joo Won to perfection. m Hyun Bin: Hyun Bin (born Kim .... Won Bin turns down major drama and movie – KpopHit · 1. [+856, -69] Makes you realize that Lee Byung Hun is pretty amazing for doing at least 2 .... Park Shin Hye is a South Korean actress and singer. Amazon.com: Guns and Talks (Korean movie with English Subtitle): Shin Hyun Jun, Won Bin .... may the good Lord bless you in everything you do. ... hi wonbin,im your fans here in the philippines,why dont you do a movie or drama series with top korean star ... Won Bin began his break after the film "The Man From Nowhere" (director Lee Jung Bum). Until recently, he has still been actively considering .... Won Bin [ The man from nowhere] Drama Film, Won Bin, 2012 Movie. Saved from ... Action Director is jet li ,good action movie in think u should have a watch.. Insider from film industry: "Unlike what the public thinks, it's not like Won Bin is refusing to make a comeback. He's actively taking scenarios to .... His character is kinda like Hyun Bin's character in “My Lovey Sam-soon”, wacky. ... Watch Cha Seung-won movies and series in full HD online with Subtitle .... In 2016, the actor was in discussion to star in the movie 'Still Life', but due to alleged differences in the direction of the adaptation, he turned down ... -
Toward a New Direction in Hallyu 2.0
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. A decade of hallyu scholarship : toward a new direction in hallyu 2.0 Lee, Sangjoon 2015 Lee, S. (2015). A decade of hallyu scholarship : toward a new direction in hallyu 2.0. In S. Lee, & A. M. Nornes (Eds.), Hallyu 2.0 : The Korean Wave in the Age of Social Media (pp. 1‑28). doi:10.3998/mpub.7651262 https://hdl.handle.net/10356/143911 https://doi.org/10.3998/mpub.7651262 Copyright © by Sangjoon Lee and Abé Mark Nornes 2015. Some rights reserved. This work is licensed under the Creative Commons Attribution‑Noncommercial‑No Derivative Works 3.0 United States License. Downloaded on 26 Sep 2021 21:49:34 SGT Introduction, Page 1 of 24 ‘The Version of Record of this manuscript has been published and is available in Hallyu 2.0: The Korean Wave in the Age of Social Media (University of Michigan Press, 2015): 1-29. A Decade of Hallyu Scholarship: Toward a New Direction in Hallyu 2.0 Sangjoon Lee Nanyang Technological University “I’ve only done this for 12 years, only for Korea, not for overseas at all…I didn’t expect anything like this. So what can I say? Everything moves way too fast.” —Psy, The New York Times, October 11, 2012. On May 22, 2013, South Korean (hereafter Korean)1-born and U.S.-educated Korean pop musician Psy (Park Jae-sang) had an interview with MTV and told that he is wrapping up the promotional run of his “Gentleman” single in order to work on his first U.S. -
Korean TV Dramas and the Selling of Place by Youjeong
Spectacular Cities, Speculative Storytelling: Korean TV Dramas and the Selling of Place By Youjeong Oh A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Geography in the Graduate Division of the University of California, Berkeley Committee in charge: Professor You-tien Hsing, Chair Professor Richard A. Walker Professor Barrie Thorne Professor Paul E. Groth Fall 2013 Abstract Spectacular Cities, Speculative Storytelling: Korean TV Dramas and the Selling of Place By Youjeong Oh Doctor of Philosophy in Geography University of California, Berkeley Professor You-tien Hsing, Chair This dissertation examines the relationships between popular culture, cities, and gendered social discourses, with a focus on contemporary Korean television dramas. Existing studies about Korean dramas have relied upon economic and cultural analysis to, in effect, celebrate their vibrant export to overseas markets and identify why they are popular in other East Asian countries. This study expands the scope into spatial and social realms by examining cities’ drama-sponsorship and drama-driven social activities. Deploying popular culture as an analytical category directly shaping and transforming material, urban and social conditions, I argue that the cultural industry of Korean television dramas not only functions as its own, dynamic economic sector, but also constitutes urban processes and social discourses of contemporary South Korea. Drawing upon interdisciplinary methods including ethnography and content analysis, I examine Korean television dramas from the multiple vantage points of producers, audience, storytelling, and city-sponsorship, and elucidate why and how these four arenas are deeply intertwined. Their mutual entanglement, in turn, requires us to see Korean television dramas as more than just commercial entertainment; they become a medium through which we can contemplate labor conditions in the cultural industry, the political economies of development in regional cities, and gender politics in Korea. -
Destabilizing Racial Harmony: Hybridity, Nationality, and Spatiality in the Law and Cultural Production of Manchukuo
DESTABILIZING RACIAL HARMONY: HYBRIDITY, NATIONALITY, AND SPATIALITY IN THE LAW AND CULTURAL PRODUCTION OF MANCHUKUO by InYoung Bong This thesis/dissertation document has been electronically approved by the following individuals: Gunn,Edward Mansfield (Chairperson) Pan,An-Yi (Minor Member) Cochran,Sherman Gilbert (Minor Member) DESTABILIZING “RACIAL HARMONY”: HYBRIDITY, NATIONALITY, AND SPATIALITY IN THE LAW AND CULTURAL PRODUCTION OF MANCHUKUO A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by InYoung Bong August 2010 © 2010 InYoung Bong DESTABILIZING “RACIAL HARMONY”: HYBRIDITY, NATIONALITY, AND SPATIALITY IN THE LAW AND CULTURAL PRODUCTION OF MANCHUKUO InYoung Bong, Ph.D. Cornell University 2010 Based on archival research of law, history, literature, and film, my dissertation adopts an interdisciplinary and comparative approach to examine the representations and positioning of “foreigners” in both literary and visual texts, including films, produced in the 1930s and 1940s in Japanese-occupied Manchuria by writers from Mainland China, Taiwan, Korea, and Japan. My central concern in this study is to show how non-colonizers such as Russians, who were perceived as racially white but were not colonizers, and the offspring of interracial marriages between Chinese and Russians, (Taiwanese) Chinese, and Koreans in Manchukuo simultaneously mapped out and destabilized the boundaries of race and nationality within the processes of nation-building and (de)colonization. This study draws upon historiography, narratology, reader-response criticisms, and various literary and cultural theories to examine one of the central concerns: the use of language in narrative and (oral) history; the systems of signs are not only a primary and powerful means to forge racial, hybrid, and national identities; they are also the very location where boundary making and crossing are simultaneously constituted and deconstructed. -
ALWFAV-4-Content.Pdf
1 2 ...the politics of design by suggesting areas of inquiry that extend beyond the academic field. For example, how do digital images influence collective imaginaries? What is the potential of virtual environments as collective, alter- native spaces for social interaction? Or how can we use design as a specu- lative tool to reflect on issues of climate change or resource depletion? As designers inside an institution— therefore within the boundaries of the design canon—we acknowledge the limitations that we are presented with in the process of creating a publication. Coming from different design back- grounds, we recognise the importance of making our voices cacophonous, rather than uniform. In this sense, the publication unfolds through three sec- tions (move, cross and tilt) to be read as thematic approaches to the contri- butions without a set hierarchy. We see the process of making research public as glimpses into some of the practices that further the discussion on the territories of design. 3 Our journey begins along and within the borders of design. The field is do- minated by western visual languages and approaches to the subject. European design history is taken as ‘the’ canon, erasing diverse perspectives. We ask, what are the blind spots within the design system? The contributions in this section reframe and recontextualise the boundaries of design as a prac- tice. Reflecting on the tools and structures at play in this field, we aim to move the borders of design as a way to open up space to different voices. By moving the boundary, we celebrate practices ‘outside’ of the canon, mak- ing them visible and accessible.