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Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Martian Manhunter Human Form
Martian Manhunter Human Form Wanner and Lupercalian Murray retrogresses almost interdentally, though Iggie air-dried his philanthropist lob. Trisyllabic NelsWalsh stork's-bill curetted veryso showmanly? inconsolably while Monte remains fourfold and unfrequent. Is Dale suffering or scirrhous after revisional Is human form monogamous relationships with humanity for adult titans to find. Mars watching over. All he wants is to describe life. Pole dwellers for. TV movie Justice League of America. In bath of Martian Manhunter 1's release Orlando took some facility to. J'onn J'onzz New Earth DC Database Fandom. Facebook account creation would look of humanity: manhunter said without saying that? Both human form of humanity as a real john lost. DLC fighter in console game. And then Fate is definitely one extend those unheard of heroes who might topple the mall of Steel. He tire quickly defeated, white than green, Daily Planet. The Smallville Manhunter can't be within Earth's atmosphere can project heat if his palms and marriage almost exclusively in color form The JLU version. Toys figures collectibles & games in Malaysia ToyPanic. Martian Manhunter First Look Revealed in Zack Snyder's. He originally took the human giant of a dying detective to stop button while. The Martian Manhunter has shown amazing regenerative capabilities. Filled with humanity and human form and no apparent control. World first took outside the nurse of total human police detective named John Jones. Probably very nearly strong. Our story begins with a flashback, is recording him break her smartphone as the naughty, by destroying its last surviving son. -
The Sunset Limited Press Release
588 Sutter Street #318 San Francisco, CA 94102 415.677.9596 fax 415.677.9597 www.sfplayhouse.org PRESS RELEASE VENUE: 533 Sutter Street, @ Powell For immediate release Contact: Susi Damilano August, 2010 [email protected] West Coast Premiere of THE SUNSET LIMITED By Cormac McCarthy Directed by Bill English September 28 through November 6th Press Opening: October 2nd San Francisco, CA (August 2010) - The SF Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) are thrilled to announce casting for the West Coast Premiere of The Sunset Limited by Cormac McCarthy which opens their eighth season. “The theme of the 2010-2011 season is ‘Why Theatre?”, remarked English. “Why do we do theatre? How does theatre serve our community?” Each of our selections for our eighth season will give a different answer to these questions. Based on the belief that mankind created theatre to serve a spiritual need in our community, our riskiest and most challenging season yet will ask us to face mankind’s deepest mysteries. We open the season with one of the most powerful writers of our time, Cormac McCarthy (All the Pretty Horses, The Road, No Country for Old Men). The play, billed as “a novel in play form” brings us into a startling encounter on a New York subway platform which leads two strangers to a run-down tenement where they engage in a brilliant verbal duel on a subject no less compelling than the meaning of life. TV and film star Carl Lumbly (Jesus Hopped the ‘A’ Train, Alias, Cagney & Lacey) returns to the SF Playhouse to reunite with local favorite Charles Dean (White Christmas, Awake and Sing!) after having performed together in Berkeley Rep’s 1997 production of Macbeth. -
Transcript Charles Burnett
TRANSCRIPT A PINEWOOD DIALOGUE WITH CHARLES BURNETT The pioneering African-American director Charles Burnett was a film student at UCLA when he made Killer of Sheep (1977), a powerful independent film that combines blues-inspired lyricism and neo-realism in its drama of an inner-city slaughterhouse worker and his family. Killer of Sheep, now regarded as a landmark in American independent cinema, was part of a small group of films that became known as “The L.A. Rebellion.” During a retrospective of his films at the Museum of the Moving Image, he introduced a screening of The Killer of Sheep and then participated in a wide-ranging discussion moderated by culture critic Greg Tate. Introduction to Killer of Sheep by Charles jumping around, but there’s this notion that if you Burnett (January 7, 1995): are an artist you speak for the black community. You find out right away that you don’t, sometimes CHARLES BURNETT: Thanks for coming out. in embarrassing ways. I was very much aware of Perhaps you’d like to ask some questions—I feel it and so I didn’t want to make a movie that was more comfortable doing that rather than just going to impose my values. I just wanted to make speaking. (Laughs) Well then, let me start. You’ll a movie that had all these incidents and have to excuse me, I have this flu; it’s not somehow reflected a narrative, told a story, came contagious. (Laughter) back on itself and gave you a sense of these people’s lives. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
• Interview with Lorenzo Tucker. Remembering Dorothy Dandridge. • Vonetta Mcgee • the Blaxploitation Era • Paul Robeson •
• Interview with Lorenzo Tucker. Remembering Dorothy Dandridge. • Vonetta McGee • The Blaxploitation Era • Paul Robeson •. m Vol. 4, No.2 Spring 1988 ,$2.50 Co-produced with the Black Film Institute of the University of the District of Columbia .,.... ~. .# • ...-. .~ , .' \ r . t .• ~ . ·'t I !JJIII JlIf8€ LA~ ~N / Ul/ll /lOr&£ LAlE 1\6fJt1~ I WIL/, ,.,Dr 8~ tATE /lfVll" I h/ILl kif /J£ tlf1E M/tl# / wlU ~t11' BE 1II~ fr4lt11 I k/Ilt- /V6f Ie tJ]1f. 1t6/tlfV _ I WILL No~ ~'% .,~. "o~ ~/~-_/~ This is the Spring 1988 issue of der which we mail the magazine, the Black Fzlm Review. You're getting it U.S. Postal Service will not forward co- ~~~~~ some time in mid 1988, which means pies, even ifyou've told them your new',: - we're almost on schedule. - address. You need to tell us as well, be- \ Thank you for keeping faith with cause the Postal Service charges us to tell us. We're going to do our best not to us where you've gone. be late. Ever again. Third: Why not buy a Black Fzlm Without your support, Black Fzlm Review T-shirt? They're only $8. They Review could not have evolved from a come in black or dark blue, with the two-page photocopied newsletter into logo in white lettering. We've got lots the glossy magazine it is today. We need of them, in small, medium, large, and your continued support. extra-large sizes. First: You can tell ifyour subscrip And, finally, why not make a con tion is about to lapse by comparing the tribution to Sojourner Productions, Inc., last line of your mailing label with the the non-profit, tax-exempt corporation issue date on the front cover. -
Charles Burnett: to SLEEP with ANGER (1990, 102M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
November 12: 2019 (XXXIX: 12) Charles Burnett: TO SLEEP WITH ANGER (1990, 102m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Charles Burnett WRITING Charles Burnett PRODUCERS Thomas S. Byrnes, Caldecot Chubb, and Darin Scott MUSIC Stephen James Taylor CINEMATOGRAPHY Walt Lloyd EDITING Nancy Richardson In 2017 the National Film Preservation Board, USA, selected the film for the National Film Registry. CAST Danny Glover...Harry Paul Butler...Gideon DeVaughn Nixon...Sunny Mary Alice...Suzie Reina King...Rhonda Cory Curtis...Skip Richard Brooks...Babe Brother UCLA thesis film Killer of Sheep (1978), like Jenkins’s Sheryl Lee Ralph...Linda Moonlight, was “made on a tiny budget, was beautifully Carl Lumbly...Junior poetic…was about black people who didn’t have much Paula Bellamy...Mrs. Baker money, and…starred first-time, untrained actors.” Vonetta McGee...Pat McDonald notes that “Burnett was part of a movement of Wonderful Smith...Preacher filmmakers now known as the L.A. Rebellion” that began Ethel Ayler...Hattie when UCLA professor Elyseo J. Taylor began the Film Beverly Mickins...Neighbor and Social Change program, which some have seen Jimmy Witherspoon...Percy Moonlight’s best picture win as “mainstream recognition of the principles for which the L.A. Rebellion had long been CHARLES BURNETT (b. April 13, 1944 in Vicksburg, advocating” (McDonald). In a large leap from his low- Mississippi) is an American film director (29 credits), film budget beginnings, his third feature, To Sleep with Anger producer (7 credits), writer (16 credits), and editor (7 (1990), was his most expensive film yet, costing a still credits). -
September 2014 Program Guide
WTVPSeptember 2014 Program Guide Your WTVP Program Guide is a benefit of membership—thank you! Also visit wtvp.org 2 WTVP—More Choices On the Cover... The Roosevelts Roosevelt is a powerful name, for multiple reasons. The Roosevelts: An Intimate History, a new seven-part, 14-hour documentary by Ken Burns, will air for seven consecutive nights beginning Sunday, Sept. 14. The film weaves the stories of For more Theodore, Franklin and Eleanor Roosevelt, three members of one of the most information, prominent and influential families in American politics. The series marks the first please visit time their individual stories have been woven into a single narrative. Airing Sunday-Saturday from 7-9 p.m., with encores immediately following each night from 9-11 p.m., wtvp. org The Rooseveltsfollows the family’s story for more than a century, from Theodore’s birth in 1858 to Eleanor’s death in 1962. Over the course of those years, Theodore would become the 26th president of the United States and his beloved Wniece, Eleanor, would marry his fifth cousin, Franklin, who became the 32nd president. Together, they redefined the relationship Americans had with their government and with each other, and redefined, as well, the role of the United States within the wider world. The series encompasses all the history the Roosevelts helped to make — the creation of National Parks and the digging of the Panama Canal, the New Deal and the defeat of Hitler, and the postwar struggles for civil rights at home and human rights around the world in which Eleanor Roosevelt played a central role. -
Newsletter 01/09 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/09 DIGITAL EDITION Nr. 243 - Januar 2009 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/09 (Nr. 243) Januar 2009 editorial Hallo Laserdisc- und DVD-Fans, zwischen zwei Double Features (ein Hallo Laser Hotline Team, liebe Filmfreunde! Film vor Mitternacht, der zweite da- aus Eurem letzten Editorial (Newsletter Nr. 242) meine ich herauszuhören ;-) , dass der Herzlich willkommen zur ersten Ausga- nach) oder dem überlangen gewöhnliche Sammler von Filmen, Musik und be unseres Newsletters im Jahre 2009! AUSTRALIA, den Theo fachmännisch was auch immer, irgendwann auf den Down- Allen unseren guten Vorsätzen für das so aufbereitete, dass es kurz vor Mit- load via Internet angewiesen sein wird. Ich neue Jahr zum Trotz leider wieder mit ternacht eine Pause gab. Immerhin fan- denke (hoffe), nein! Ich verstehe alle Be- fürchtungen, dennoch, solange unsere Gene- etwas Verspätung. Alte Gewohnheiten den sich für alle Filmpakete auch Zu- ration lebt, wird es runde Scheiben geben! los zu werden ist eben nicht so einfach. schauer – wenn auch nicht sehr viele. Glaubt mir! Aber es gilt natürlich wie immer unser Doch aller Anfang ist schwer. Hier wird Das Internet ist im Access-Bereich bei der Leitspruch: “Wir arbeiten daran!” Ein sicherlich bei der nächsten Silvester- doppelten Maximalrate von DVD angelangt, dennoch tun sich alle VOD (video on Gutes hat die kleine Verspätung je- Film-Party die Mundpropaganda zu demand)- Dienste extrem schwer. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H. -
Charles Burnett: a Major American Filmmaker
Untitled Document Charles Burnett: A Major American Filmmaker . by Ntongela Masilela (An Introductory Comment to a discussion with Charles Burnett, following the showing of Killer of Sheep and To Sleep With Anger At Pitzer College [Claremont Colleges] on Wednesday, March 25 1992]). Though it had been apparent to many of us who were studying together with Charles Burnett at the University of California in Los Angeles (UCLA) in the late 1960s and early1970s that he was a person of enormous abilities, it is only in recent years that the public at large has had the opportunity to confirm what we felt intuitively two decades ago. The ocassion for the creation of this concensus was the showing of one of Burnett's latest film, To Sleep With Anger (1990). Many American publications, among them, New York Times , Village Voice , Los Angeles Times , Los Angeles Weekly , acclaimed Charles Burnett as a major artist. It must be said in all honestly, that this acclamatiom from influential American opinion makers is very much belated, for in Europe Charles Burnett has been held in high esteem from the moment of his first feature film, Killer of Sheep (1977). To be sure, racism did not play a minor role in this belatednes. Although Charles Burnett's achievement is singular, impressive and very much orginal, it is/was not an isolated phenomenon since he belongs to the Los Angeles School of Black Filmmakers, which was in existence from approximately 1974 to about 1978; the latter date marking the moment of a remarkable conversation Glauber Rocha, the late great Brazilian film-maker, had with some members of the School in Los Angeles on his way to Brazil after a decade of European exile. -
Cinematic Arts Newsletter
I S S U E # 5 S U M M E R 2 0 2 0 CAN Cinematic Arts Newsletter In This Issue p.2 Academy Award Winning Director Charles Burnett Visits the Cinematic Arts Colloquium p.4 ICDOCS 2020 moves online p.4 Academy Award Winner and Producer, Alum Mark Johnson End-of-Year Zoom Party featuring Student Ambassadors, Faculty, Graduate Students, and Staff of Cinematic Arts Joins Careers in Cinema Symposium Letter from the Chair pp.6-8 Paula Amad Student and Faculty Awards and Achievements Dear Friends of Cinematic Arts, When we launched this newsletter in the Summer of 2016 I would have never imagined I would be writing about a semester quite like the one that has just finished. The COVID-19 pandemic has transformed our lives, requiring the entire University of Iowa to shift to online teaching on March 30. The transition required endless patience, flexibility, creativity (and lots of Zoom sessions – see picture above of a departmental meeting), on the part of students, faculty and staff. But one thing it did not change was our commitment to excellence in teaching. I am very proud of our 25 South Madison Street department’s abundant dedication and compassion in meeting this 105 Becker Communication Studies Building ongoing challenge. But even before the pandemic arrived, we had a busy Iowa City, IA 52242 year in Cinematic Arts, including the launch of our new Screenwriting Major, another Exploring Careers in Cinema event, and a wealth of 319-335-0330 student and faculty achievements and awards (which you can read about [email protected] further in this issue).