Easterine Kire a Terrible Matriarchy –A Re-Interpretation of The

Total Page:16

File Type:pdf, Size:1020Kb

Easterine Kire a Terrible Matriarchy –A Re-Interpretation of The High Technology Letters ISSN NO : 1006-6748 Easterine Kire A Terrible Matriarchy –A Re-interpretation of the Cultural aspect of Naga Life Dr. A Rajeswari Associate Professor Department of English St. Jude’s College Thoothoor 629176 Tamil Nadu Dr. R Wilson Professor and Head English Research Center St.Jude’s College, Thoothoor 629176 Tamil Nadu Diana Dickson J C Research Scholar Department of English St.Jude’s College Thoothoor 629176 Tamil Nadu Volume 26, Issue 10, 2020 421 http://www.gjstx-e.cn/ High Technology Letters ISSN NO : 1006-6748 Easterine Kire Iralu is one of the strong voices of India’s seven sisters. Her books explore the socio-political, cultural and historical background of Nagaland. Her writings support a peaceful future for Nagaland. In 2015, she has won the prestigious The Hindu Literary Prize (2015) for the novel, When the River Sleeps (2014). Kire also received many prestigious awards such as Free word Prize(2013), Tata Book of the Year Award(2017), and Balsahithya Puraskar (2018). The novels like A Naga Village Remembered (2003), A Terrible Matriarchy (2013), Mari(2010),Bitter Wormwood (2011), Don’t Run My Love(2017),A Respectable Woman (2019) and The Dancing Village (2015) made the writer more prolific. This article focuses on the historical and cultural aspects of Naga life through the novel A Terrible Matriarchy. This is a bildungsroman, talks about a young girl growing up in a traditional Naga society and it flashback the history of Nagas, the history where the Nagas were under colonial rule and Naga nationalism. Indian Literature selected the book abroad for translating into UN languages. The novel takes us to the 1960s and 70s town of Kohima. Dielieno, a little girl of five years old, is the only daughter with four brothers. This story is not only the story of Dielieno, but also of many girl children in the traditional Naga society. The Novel showcases various denials that she experiences from a young age at the hands of her grandma. The multiple layers in the novel addresses social, political and cultural changes presenting a multi-faceted view of Volume 26, Issue 10, 2020 422 http://www.gjstx-e.cn/ High Technology Letters ISSN NO : 1006-6748 Naga society. It grapples with complex issues of customary practices, tribal culture, Christianity and changing mindsets about male and female roles that impact men, women and children in diverse ways. With this novel Kire takes her readers to the heart of Naga society and reveals the layers of experience that make a society. The novel gives the experience of three generations of women – Dielieno, her mother Nino and grandmother Vibano. Through their narratives, the novel inter connects the experiences of women at different stages of the history of the Nagas. In Nagaland there are many tribes, one such tribe that Kire mentioned in this novel is Angami tribe. Each tribes has its own practices, rituals, customs and culture. The novel sketches the familial and gender relations against an Angami Naga cultural background. The cultural context of A Terrible Matriarchy reflects the social predicament of women in a tribal culture that values men above women. Patriarchal practices ensure women’s subordinate position which entails the performance of most of the domestic work falling on the women, while men appear to do much less. In the novel young girl child Dielieno’s eyes, Kire visualizes the gender divisions, family relationships, economic conditions and cultural realities that shaped her life . From the innocent eyes of Dielieno, Kire traces the struggle of the girl child to get educated, to get freedom, to get acceptance and respect from the male supremacy. In her struggle, her mother’s support, strength and wisdom guide and help her to cope up with the pressures of having to constantly navigate herself through the prevailing cultural currents of her time. Volume 26, Issue 10, 2020 423 http://www.gjstx-e.cn/ High Technology Letters ISSN NO : 1006-6748 The novel begins with a denial. When she asks for one chicken leg, grandmother denies her and tells her, “that portion is always for boys. Girls must eat the other portions”(1). From there onwards she comes across many instances of bitter experiences of discrimination. Later she learns that, being the youngest gave her no privileges in the matriarch’s eyes. There girls had to fetch water, not boys. They had to sweep, clean the house, wash clothes, feed chickens, dry and store vegetables. Here boys are excluded from all these menial work but are not excluded from special foods like sweet, tasty portions of meat. The reward for all the works and tasks that she performed was a meager meal with a piece or two of meat or a cup of tea with one biscuit. Her widowed grandmother needs a helper. So a little five year old girl’s childhood is sacrificed for serving an irritated women’s loneliness. She was forced to live under the strict supervision of her grandmother, made her separated from her father mother and brothers. There Dielieno starts to understand the unequal world that boys and girls live in. Grandmother denied her to bath in warm water, play time, rest time, and even tries to deny her education. Her mother Nino is the only person who quietly and firmly stands up for her to be send to school. Here, Delieino is a girl from the third generation and her mother Nino from the second generation, but her grandmother Vibano was in the first generation. As Delienio is under the control of her grandmother, she is trying to impose her prejudices and her views upon Delieno. Volume 26, Issue 10, 2020 424 http://www.gjstx-e.cn/ High Technology Letters ISSN NO : 1006-6748 Kire gives insight into the reality of Naga society where girl’s education was not prioritized. Boys were given preference and a girl had to face tough phases to get an education. According to Grandmother’s view, getting girls educated made them immoral whereas education for boys made them wise and educated. In our day, Grandmother began, “ girls did not go to school. We stayed at home and learn the house work. Then we went to the fields and learnt all the fields and learnt all the field work as well. That way one never has a problem with girl- children. …I really do not approve of girls getting educated. It only makes them get fancy notions about themselves and they forget their place in the family.”(23) A good women in Grandmother’s view was akin to do all domestic woks. Boys, in her opinion, will be boys. “ They should be taught to be manly. In my father’s day, boys never did any work because they had to look after the village and emerge enemy warriors in warfare. The household that did not have a male heir was considered barren”.(37) Volume 26, Issue 10, 2020 425 http://www.gjstx-e.cn/ High Technology Letters ISSN NO : 1006-6748 The cultural context of A Terrible Matriarchy reflects the social predicament of the tribal women in a tribal culture that values men above women. Dielieno’s best friend Vimenenuo comes from a home with an alcoholic father. The reason behindher father Zekuo’s alcoholic addiction is because of the frustrations over a low paid job and the lack of a son . It is reflective in many men over the volatile atmosphere that prevailed in Nagaland. His desire for a son to continue his name been unfulfilled, he always blames his wife for not producing a son. In the mist of these unhealthy social situations little Dielieno learns that, “ girl children are never considered real members of the family. Their mission in life is to marry and have children and be able to cook and weave cloth and look after the household. If they got married, they would be always known as somebody’s mother and never somebody’s daughter”(26). When Dielieno reaches the seventh standard, many girls drop their studies to get married. She is among the few who cope with studies. After her puberty her life takes a major turn. Her sickly third brother tragically passed away, her mother’s condition went worse. These situations enable her to return to her parental home after a long six years of strict matriarchal control. Dielieno takes over the running of the family. Volume 26, Issue 10, 2020 426 http://www.gjstx-e.cn/ High Technology Letters ISSN NO : 1006-6748 After grandmother’s death, Dielieno forgives all her abuses towards her and buries all the strict matriarchal behavior with her. The novel ends with the prospect of Bulie, the youngest brother marrying Nisano and Dielieno too looking forward to marry. Starting her journey as a four and a half year old child Dielieno is the pivot whose coming of age from victim to confident young women is a reflection of the changing tribal society. Works Cited Primary Source Kire, Easterine. A Terrible Matriarchy. New Delhi: Zubaan, 2007. Print. Secondary Sources Elizabeth,Vizovono., Sentinaro Tsuren.Insider Perspectives: Critical Essays on Literature from Nagaland .Norway : Barkweaver,2017. Print. Kire, Easterine. Walking The Roadless Road. New Delhi: Aleph, 2019. Print Volume 26, Issue 10, 2020 427 http://www.gjstx-e.cn/.
Recommended publications
  • Siyahi-Catalogue-2015-16.Pdf
    Siyahi, in Urdu means ‘ink’, the dye that stains the shape of our thoughts. Tell us your story. And we’ll help you tell it to the world. Here at Siyahi, we’re with you right from the beginning. From assessing and editing the manuscript to finding the right publisher and promoting the book after publication, we stand firm by our authors through it all. While we deal primarily with manuscripts in English, we are actively involved in facilitating translation of books to and from various languages. We also organize literary events – everything from intimate readings to international literary festivals. RIGHTS LIST ALL RIGHTS AVAILABLE WORLD RIGHTS AVAILABLE LANGUAGE RIGHTS AVAILBLE AUTHORS FORTHCOMING PUBLISHED EVENTS TEAM RIGHTS LIST ALL RIGHTS AVAILABLE FICTION All Our Days by Keya Ghosh An Excess of Sanity by Anshumani Ruddra In Another Time by Keya Ghosh Indophrenia by Sudeep Chakravarti Men Without God by Meghna Pant Mohini’s Wedding by Selina Hossain (English Translation by Arunava Sinha) No More Tomorrows by Keya Ghosh Poskem by Wendell Rodricks The Ceaseless Chatter of Demons by Ashok Ferrey You Who Never Arrived by Anshumani Ruddra NON-FICTION Dream Catchers: Business Innovators of Bollywood by Priyanka Sinha Jha Dream Moghuls: Business Leaders of Bollywood by Priyanka Sinha Jha Folk Music and Musical Instruments of Punjab by Alka Pande Indian Street Food by Rocky Singh, Mayur Sharma Like Cotton from the Kapok Tree by Kalpana Mohan Managing Success...and Some Seriously Good Food by Rocky Singh, Mayur Sharma Magician in the Desert
    [Show full text]
  • A Divergent Reading of Easterine Kire's Novel When the River Sleeps
    Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Vol. 11, No. 3, October-December, 2019. 1-12 Full Text: http://rupkatha.com/V11/n3/v11n305.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v11n3.05 The Praxis of the Wedded Mystic: a Divergent Reading of Easterine Kire’s novel When the River Sleeps Dhanya A.P1 & Sudakshina Bhattacharya2 1Dept of English and Humanities, Amrita School of Arts and Science, Amrita Vishwa Vidyapeetham, India. ORCID: 0000-0001-5979-0260 Email: [email protected] 2Dept of English and Humanities, Amrita School of Engineering,Coimbatore Amrita Vishwa Vidyapeetham, India. ORCID: 0000-0001-7032-0737 Email: [email protected] Abstract The usual prognosis about literature from the North Eastern regions of India invokes a set of linear, preconceived notions about identity questions, cultural and political conflicts, myths, oral traditions and magic realism. This standpoint has been strongly contested by writer, Easterine Kire, who has revealed a veritable and profound consciousness, embedded deeply in the Angami Naga tradition. That there is an intense and significant version of ‘mysticism’, hitherto unrealized, has been clearly illustrated in her novel When the River Sleeps. The novelist is successful in searing up this notion and illustrating a wonderful vignette of Naga mysticism. Based on Carl Jung’s concept of individuation and making of the ‘self’, the focus of this paper is mainly on the praxis of Kire’s protagonist, Vilie, who delves deeper into the realm of the unseen, intuited by centuries of collective unconscious that helps him to savor mystical experiences.
    [Show full text]
  • Retracing Deep Ecology in the Reorientation of Naga Identity with Special Reference to the Select Works of Easterine Kire Iralu
    Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-6) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s17n5.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s17n5 Retracing Deep Ecology in the reorientation of Naga identity with special reference to the select works of Easterine Kire Iralu Subhra Roy Research Scholar, Department of English, Tripura University E-mail: [email protected] Abstract The Naga myth of origin underscores the co-existence of and the interconnectivity between the human and the natural world. It is believed that the Nagas once lived in Makhel and a tree stands there as the witness and symbol of Naga origin and unity. The Angami Nagas used to believe that before their dispersal to different parts of the world, three monoliths were erected at Makhrai-Rabu, and these structures represent the Tiger, the Man and the Spirit which stand for the flora and fauna, the human society and the spirit world. With the fall of the first monolith the destruction of the world is initiated and with the fall of the last one the earth witnesses complete doom. It has been reported that only one of these monoliths is standing erect, and it would not be too naive to say that it reminds us of the impending doom that perhaps has already been previewed in the form of natural disasters and other life threatening diseases.
    [Show full text]
  • MZU Journal of Literature and Cultural Studies
    MZU Journal of Literature and Cultural Studies MZU JOURNAL OF LITERATURE AND CULTURAL STUDIES A Refereed Journal UGC Approved Journal No. 64788 Volume V Issue 1 ISSN:2348-1188 Editor : Prof. Margaret Ch.Zama Editorial Board: Prof. Sarangadhar Baral Prof. Margaret L.Pachuau Dr. Lalrindiki T. Fanai Dr. K.C. Lalthlamuani Dr. Cherrie Lalnunziri Chhangte Dr. Kristina Z. Zama Dr. Th. Dhanajit Singh Advisory Board: Prof. Jharna Sanyal, University of Calcutta Prof. Ranjit Devgoswami,Gauhati University Prof. Desmond Kharmawphlang, NEHU Shillong Prof. B.K. Danta, Tezpur University Prof. R. Thangvunga, Mizoram University Prof. R.L. Thanmawia, Mizoram University Published by the Department of English, Mizoram University. 1 MZU Journal of Literature and Cultural Studies 2 MZU Journal of Literature and Cultural Studies FOREWORD The present volume of MZU Journal of Literature and Cultural Studies (MZUJLCS) has encompassed noteworthy dialogues that reflect upon the co-relation between literature and cultural studies. The Department of English, Mizoram University has moved from strength to strength in terms of its literary eminence, and this journal is one such reflection of the literary merits and commitment towards the same. This journal is currently one of the few journals in Humanities that has been approved by the UGC. Right from the outset is has strived to promote and enhance excellence in terms of writing and research activities. Asserting aspects of individuality and distinctiveness has been a significant parameter in terms of literary studies and the articles in the collection have joined the very significant debate towards the assertion of the self , interpreted largely in terms of culture, traditions and of course, resistance towards the same.
    [Show full text]
  • A Study of Easterine Kire's a Terrible Matriarchy
    LITERARY REPRESENTATION OF WOMEN IN THE ‘ANGAMI’ SOCIETY: A STUDY OF EASTERINE KIRE’S A TERRIBLE MATRIARCHY DR. PAYEL DUTTA CHOWDHURY Vice Principal & HOD – Languages Garden City College Bangalore. (KR) INDIA Contemporary writers from North-East India have showcased their desire in coming out of the stereotypical writings which were prevalent from the region at one point of time, portraying the troubled political climate, violence, backwardness, underdevelopment, poverty, and the ever-present image of the gun. These writers have instead taken it upon themselves to highlight the under-represented issues of the region and thus bring to light the rich culture and tradition of the North-East India. Easterine Kire, a noteworthy author from Nagaland, is in the same league. Her novel A Terrible Matriarchy portrays the coming-of- age story of a young girl, Delieno, and her confrontation with the traditional Angami society to which she belongs to. This paper is an attempt to study the several facets of the Naga society, especially that of the Angami culture and way of life, as represented in Kire’s book in order to analyze the status of women in the contemporary Naga society which was undergoing tremendous changes. Keywords Patriarchal, patrilineal, matriarchal, Angami tribe, Nagaland, alcoholism, gender- discrimination Nagaland, one of the seven sister states of India, is a place rich in culture, myths, and beliefs. Angami is the major tribe in the state and is mainly divided into five major types based on religion – Seventh Day Adventist, Baptist, Pentecostal, Christian Revival and Roman Catholic. Writers from Nagaland like Temsula Ao and Easterine Kire have brought out the rich traditions of the state live through their writings.
    [Show full text]
  • Silenced Narratives in Easterine Kire's 'Mari'
    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 SILENCED NARRATIVES IN EASTERINE KIRE’S ‘MARI’ Ratan Chandra Das Research Scholar, Department of English Assam University, Assam, India Abstract- Easterine Kire’s Mari (2010) is a tale of forgotten past which narrates the silences of history. Mari unravels the sufferings and plunges into the turmoil of World War II which has shaken the lives and everything around it in the Naga Hills. Japanese invasion of India via Naga Hills in 1944 to overthrow the British Raj in India carved a niche in the meta-narratives of European historians and war historians who examined the strategic aspects of the War and its aftermath but Kire’s mission in writing the story is to unfold the untold human emotions, experiences and anxieties of the War events. Hers is the first ever attempt by an insider to shift the focal point of history from grand-narratives to local narratives and let the world know and remember the forgotten past, people and the place. Even though Kire is not a historian but her method of storytelling in this novel with the help of mundane experiences, memory and with the help of a diary kept by her aunt Mari (the protagonist of the piece) during and after the War unveils the plight and traumatic experiences of local people during the War which shattered their lives and they became homeless and refugees in their own land. This paper tends to narrate the silences of the World War II and the author’s earnest endeavours to let the unheard voices heard by the world and remember that.
    [Show full text]
  • Women's Predicament in the Select Works of Easterine
    WOMEN’S PREDICAMENT IN THE SELECT WORKS OF EASTERINE KIRE, TEMSULA AO, INDIRA GOSWAMI AND MITRA PHUKAN: A FEMINIST READING A thesis submitted to NAGALAND UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH By WATIMONGLA PONGENER Ph.D. Regd. No. 510/2012 of 21.08.2012 Under the Supervision of Dr. JANO S. LIEGISE Associate Professor Department of English Nagaland University Kohima Campus, Meriema Kohima – 797001 2017 Nagaland University (A Central University established by the act of Parliament, 35/1989) Department of English Kohima Campus, Kohima-797001 3rd May 2017 SUPERVISOR’S CERTIFICATE This is to certify that this thesis entitled WOMEN’S PREDICAMENT IN THE SELECT WORKS OF EASTERINE KIRE, TEMSULA AO, INDIRA GOSWAMI AND MITRA PHUKAN: A FEMINIST READING is a bonafide record of research work done by Ms Watimongla Pongener, Regn 510/2012 of 21.08.2012, Department of English, Nagaland University, Kohima Campus, Meriema during 2012 - 2017. Submitted to the Nagaland University in partial fulfillment of the requirements for the award of the degree of Doctor of Philosophy in English, this thesis has not previously formed the basis for the award of any degree, diploma or other title and the thesis represents independent and original work on the part of the candidate under my supervision. Ms Watimongla Pongener has completed her research work within the stipulated time. The 3rd of May, 2017 Kohima SUPERVISOR Dr. Jano S. Liegise Associate Professor Department of English Nagaland University Kohima Campus, Meriema Kohima-797001, Nagaland. CANDIDATE’S DECLARATION I, Watimongla Pongener, hereby declare that the thesis entitled Women’s Predicament in the Select Works of Easterine Kire, Temsula Ao, Indira Goswami and Mitra Phukan: A Feminist Reading, is a bonafide record of research work done by me, under the guidance and supervision of Dr Jano S.
    [Show full text]
  • Naga Identity Poetics in Contemporary Naga English Literature (A Kaleidoscopic View)
    ISSN (Online): 2350-0530 International Journal of Research -GRANTHAALAYAH ISSN (Print): 2394-3629 November 2020, Vol 8(11), 35 - 40 DOI: https://doi.org/10.29121/granthaalayah.v8.i11.2020.2076 NAGA IDENTITY POETICS IN CONTEMPORARY NAGA ENGLISH LITERATURE (A KALEIDOSCOPIC VIEW) Sankar Biswas *1 *1 Senior Assistant Professor, Department of English, Amguri College, Amguri, India DOI: https://doi.org/10.29121/granthaalayah.v8.i11.2020.2076 Article Type: Research Article Article Citation: Sankar Biswas. (2020). NAGA IDENTITY POETICS IN CONTEMPORARY NAGA ENGLISH LITERATURE (A KALEIDOSCOPIC VIEW). International Journal of Research -GRANTHAALAYAH, 8(11), 35-40. https://doi.org/10.29121/granthaalayah.v8.i11.2020.2076 Received Date: 16 October 2020 Accepted Date: 22 November 2020 Keywords: Naga Identity Contemporary Naga English Literature ABSTRACT The Nagas originally a Sino-Mongoloid tribe are substantiated to have originated around 10th century B.C. in the plains between Huang Ho and Yangtze Ho in North Central China. As migration is a process which is reported to have been going on since time immemorial, the Nagas too could not have isolated themselves from being a part of the mass odyssey from their homeland with the anticipation of exploring and settling in naturally upgraded habitats. Hence today, the Nagas have been found to inhabit the banks of Chindwin and Irawaddy Rivers in Myanmar, and Nagaland in India. As far as their language is concerned, it is said to be an affiliate of the greater branch of Sino- Tibetan besides sharing certain similarities with Tibeto-Burman languages. As for the etymology of the word Naga is concerned, it is said to have been derived from either of the Sanskrit word namely Nagna or Nag with respective meanings ‘naked’ or ‘mountain.
    [Show full text]
  • Divulgence of Naga Culture Through the Concoction of Supernatural and Universal Wisdom in Easterine Kire’S When the River Sleeps and Son of the Thundercloud
    Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 6 (2018) pp.: 01-06 ISSN(Online) : 2321-9467 www.questjournals.org Research Paper Divulgence Of Naga Culture Through The Concoction Of Supernatural And Universal Wisdom In Easterine Kire’s When The River Sleeps And Son Of The Thundercloud Arya Sekhar1, Lekshmi R2, Anusudha R S3 1PG student, Department of English, Amrita Vishwa Vidyapeetham (Deemed to be university), Amritapuri campus, Kerala 2PG student, Department of English, Amrita Vishwa Vidyapeetham (Deemed to be university), Amritapuri campus, Kerala 3Assistant Professor, Department of English, Amrita Vishwa Vidyapeetham (Deemed to be university), Amritapuri campus, Kerala Corresponding author: Arya Sekhar ABSTRACT: Easterine Kire Iralu is a renowned novelist and poet from Nagaland, a state in Northeast India. The Northeast, though they feel isolated from the mainland India because of the polarity in their language, culture, history and even physical appearances; writers like Kire attempts to celebrate their unique identity in their works and also strive to bring in homogeneity among the different tribes of this region. This paper attempts to examine how her novels, When the River Sleeps and Son of the Thundercloud unveil the Naga culture and traditions, through the amalgamation of the spiritual world and universal wisdom. The paper depicts Kire as a preserver of her own culture and also the righteousness of the human world. Modernization and globalization have led to the deterioration of the true essence of various cultures and this paper also discusses how Kire, through her novels, safeguards the Naga culture by unveiling it to the ignorant-younger generation Nagas as well as world-wide.
    [Show full text]
  • A Divergent Reading of Easterine Kire's Novel When the River Sleeps
    Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Vol. 11, No. 3, October-December, 2019. 1-12 Full Text: http://rupkatha.com/V11/n3/v11n305.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v11n3.05 The Praxis of the Wedded Mystic: a Divergent Reading of Easterine Kire’s novel When the River Sleeps Dhanya A.P1 & Sudakshina Bhattacharya2 1Dept of English and Humanities, Amrita School of Arts and Science, Amrita Vishwa Vidyapeetham, India. ORCID: 0000-0001-5979-0260 Email: [email protected] 2Dept of English and Humanities, Amrita School of Engineering,Coimbatore Amrita Vishwa Vidyapeetham, India. ORCID: 0000-0001-7032-0737 Email: [email protected] Abstract The usual prognosis about literature from the North Eastern regions of India invokes a set of linear, preconceived notions about identity questions, cultural and political conflicts, myths, oral traditions and magic realism. This standpoint has been strongly contested by writer, Easterine Kire, who has revealed a veritable and profound consciousness, embedded deeply in the Angami Naga tradition. That there is an intense and significant version of ‘mysticism’, hitherto unrealized, has been clearly illustrated in her novel When the River Sleeps. The novelist is successful in searing up this notion and illustrating a wonderful vignette of Naga mysticism. Based on Carl Jung’s concept of individuation and making of the ‘self’, the focus of this paper is mainly on the praxis of Kire’s protagonist, Vilie, who delves deeper into the realm of the unseen, intuited by centuries of collective unconscious that helps him to savor mystical experiences.
    [Show full text]
  • “Prison”: the Experience of Reading Easterine Kire and Temsula Ao
    LITERARY MISCELLANY VOL. 5, NO. 1-2, JAN-DEC 2016 Voices from “Prison”: The Experience of Reading Easterine Kire and Temsula Ao PRASENJIT DAS KKH State Open University, Assam, India INTRODUCTION In one of most potent prose works entitled ‘Should Writers Stay in Prison?’ – a short essay written by a Naga woman writer brings into focus many serious and important aspects of literary activities in a North East Indian hill-state like Nagaland. In this essay, the writer Easterine Kire addresses many of the intrinsic problems faced by the Naga writers of current times. What is remarkable is Easterine’s brilliant handling of the idea of “prison” which refers to the inhibitions imposed on them by different social and political forces. She has tried to scrutinise her own understanding of the term “prison,” as a metaphor that relates to her challenge of telling her own story as a native of Nagaland where the very human existence had been crippled by agonizing social circumstances. In this paper, I shall first try to understand what Kire wants to address by referring to the term “prison” in her essay, and then I shall try to explore how Temsula Ao, another Naga woman writer in her fictional works, provides her own response to this idea of “prison” – that is Nagaland itself, through a kind of writing which we may purposefully call “the narrative of lived experience.” Today, issues of articulation and authenticity in representation have been the two most prevailing aspects of Naga English literature in the context of Indian Writing in English. Because, contemporary writers feel that representation from outside Nagaland has robbed the Nagas of its history and tradition since colonial times.
    [Show full text]
  • Making of a Frontier Literature K
    ISSN. 0972 - 8406 The NEHU Journal Vol. XVI, No. 2, July - December 2018, pp. 75-84 Making of a Frontier Literature K. B. Veio Pou Assistant Professor, Department of English, Shaheed Bhagat Singh College, University of Delhi. Email: [email protected] Abstract The emergence of the writings in English from the Northeast of India has attracted a lot of attention. Although home to many diverse cultural and linguistic groups with their own rich oral traditions the region is often misunderstood to be a homogenous entity. Nevertheless, the term ‘Northeast’ seems to have taken roots in referring to anything for or from the region, though there may be some resistance to such blanket terms from few pockets, and thus also the identification of a body of literature called writings in English from the Northeast. But does a language that is introduced to them by the colonial masters faithfully speak of the land, the people and culture as in the native languages? Or is the newfound interest on its literature only heightened by the political attention thrown on it? Does it truly embody the sentiments of the folk history that the region treasures in or is it just commercial space for a few who are educated in English medium institutions? These are some questions that this paper proposes to explore in order to understand the writings from the Northeast. Keywords: Northeast India, writings in English, oral tradition, literature, linguistic groups. Introduction: Writings in English from India’s Northeast Though the term ‘Northeast’ is largely a construct to identify a distinct geographical area, it has stayed on to refer to anything related to or from the region.
    [Show full text]