Wicked2011-WEB.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Boorman
13/15 John Boorman BFI Southbank to honour the director with a BFI Fellowship on 25 March followed by a career retrospective throughout April On 25 March John Boorman will be presented a BFI Fellowship – the highest accolade that the nation’s leading organisation for film can award. To mark the occasion he will be interviewed by Michel Ciment, on-stage at BFI Southbank, to launch a major retrospective of his work and to celebrate his recent 80th birthday. There will also be an Extended Run and nationwide release of Point Blank (1967) and an exhibition of artefacts from Boorman’s personal archive, on display in the Mezzanine – including a dress worn by Helen Mirren in Excalibur (1981). To complement this season there will be an exclusive run of Me and Me Dad (2011), an intimate insight of life in the Boorman family, directed by John’s daughter Katrine Boorman (who will appear in conversation on 27 March, following a preview of her film). According to Philip French, John Boorman is ‘one of the greatest filmmakers this country has produced’. He began his career as a documentary director for the BBC with Citizen 63 (BBC, 1963) and The Newcomers (BBC, 1964), and this season will feature these early works and follow his varied filmmaking career to date. His first feature film, Catch Us If You Can (1965), was a showcase for the Dave Clark Five and caught the attention and support of Pauline Kael. It was followed by The Quarry: Portrait of a Man as a Parylsed Artist (BBC, 1966), inspired by Fellini’s 8½ and events in Boorman’s own life. -
Wicked-Playbill-F9409bf2cc.Pdf
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA HOLLYWOOD PANTAGES THEATRE Marc Platt Universal Stage Productions The Araca Group and Jon B. Platt David Stone present Music and Lyrics Book Stephen Schwartz Winnie Holzman Based on the novel by Gregory Maguire Starring Jackie Burns Kara Lindsay Mili Diaz Jon Robert Hall Chad Jennings Michael Wartella Deanna Aguinaga-Whyte Allison Bailey Kerry Blanchard Beka Burnham Lauren Cannon Autumn Crockett Cooper Matt Densky Ryan Patrick Farrell Nick Gaswirth Sara Gonzales Sam Gravitte Kelly Lafarga Philip Dean Lightstone Chase Madigan Tiffany Rae Mallari Micaela Martinez Andy Richardson Wayne Schroder Jeff Sears Tregoney Shepherd Brandon Stonestreet Ben Susak Olivia Valli Justin Wirick and Jody Gelb Jason Graae Settings Costumes Lighting Sound Eugene Lee Susan Hilferty Kenneth Posner Tony Meola Projections Wigs & Hair Special Effects Technical Supervisor Elaine J. McCarthy Tom Watson Chic Silber Jake Bell Music Arrangements Music Director Dance Arrangements Music Coordinator Alex Lacamoire & Stephen Oremus Adam Souza James Lynn Abbott Michael Keller Associate Set Designer Associate Director Associate Choreographer Production Stage Manager Edward Pierce Lisa Leguillou Corinne McFadden Herrera David O’Brien General Management Casting Press Executive Producers 321 Theatrical Telsey + Company Phillip Aleman Marcia Goldberg Management & Nina Essman Orchestrations William David Brohn Music Supervisor Stephen Oremus Musical Staging by Wayne Cilento Directed by Joe Mantello Grammy Award-Winning Cast -
A Lion Among Men: Volume Three in the Wicked Years by Gregory Maguire
A Lion Among Men: Volume Three in The Wicked Years by Gregory Maguire Ebook A Lion Among Men: Volume Three in The Wicked Years currently available for review only, if you need complete ebook A Lion Among Men: Volume Three in The Wicked Years please fill out registration form to access in our databases Download here >> Series: Wicked Years (Book 3) Mass Market Paperback: 400 pages Publisher: Harper; Reprint edition (September 28, 2010) Language: English ISBN-10: 0061987417 ISBN-13: 978-0061987410 Product Dimensions:4.2 x 1 x 6.8 inches ISBN10 0061987417 ISBN13 978-0061987 Download here >> Description: Return to a darker Oz with Gregory Maguire. In A Lion Among Men, the third volume in Maguire’s acclaimed, New York Times bestselling series The Wicked Years, a fuller, more complex Cowardly Lion is brought to life and gets to tell his remarkable tale. It is a story of oppression and fear in a world gone mad with war fever—of Munchkins, Wizards, and Wicked Witches—and especially of a gentle soul and determined survivor who is truly A Lion Among Men. {4.25 stars}ALAM doesnt have quite the impact of WICKED, but that is to be expected, WICKED being the first of the tetralogy which laid out Maguires entire alternate mythos of Oz. Still, this third book holds its own in the series. The characterization of the Brrr the Cowardly Lion is keen: Hes not cowardly, just thoughtfully indecisive, ambivalent about loyalties, and subject to blame no matter what he does, qualities often confused with cowardice. His low status as an Animal in Ozs caste system has obvious parallels in our world. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture Carly A
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 7-13-2012 An American Tale: Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture Carly A. Orshan Florida International University, [email protected] DOI: 10.25148/etd.FI12080634 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Recommended Citation Orshan, Carly A., "An American Tale: Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture" (2012). FIU Electronic Theses and Dissertations. 676. https://digitalcommons.fiu.edu/etd/676 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida AN AMERICAN TALE: INCARNATIONS OF THE WIZARD OF OZ AND THE NEGOTIATION OF IDENTITY, RACE, AND GENDER, IN POPULAR CULTURE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Carly A. Orshan 2012 To: Dean Kenneth Furton College of Arts and Sciences This thesis, written by Carly A. Orshan, and entitled An American Tale: Incarnations of the Wizard of Oz and the Negotiation of Identity, Race, and Gender, in Popular Culture, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. -
October 8, 2016
Marc Platt Universal Stage Productions The Araca Group Jon B. Platt and David Stone present Music and Lyrics Book Stephen Schwartz Winnie Holzman Based on the novel by Gregory Maguire Starring Jessica Vosk Amanda Jane Cooper Chad Jennings Kristen Martin Sam Seferian Jeremy Woodard Allison Bailey Kerry Blanchard Giovanni Bonaventura Jillian Butler Lauren Cannon Jordan Casanova Michael Di Liberto Michael Drolet Ryan Patrick Farrell Anthony Festa Lisa Finegold Dominic Giudici Lauren Haughton Garett Hawe Kelly Lafarga Melissa LeGaspi Chase Madigan Olivia Polci Wayne Schroder Tregoney Shepherd Ben Susak Travis Taber Jeremy Thompson Nyla Watson Justin Wirick and Wendy Worthington Stuart Zagnit Settings Costumes Lighting Sound Eugene Lee Susan Hilferty Kenneth Posner Tony Meola Projections Wigs & Hair Production Supervisor Technical Supervisor Elaine J. McCarthy Tom Watson Thom Widmann Jake Bell Music Arrangements Music Director Dance Arrangements Music Coordinator Alex Lacamoire & Stephen Oremus Dan Micciche James Lynn Abbott Michael Keller Associate Set Designer Special Effects Associate Choreographer Associate Director Edward Pierce Chic Silber Corinne McFadden Herrera Lisa Leguillou Casting Production Stage Manager Press General Management Executive Producers Telsey + Company David Phillip 321 Theatrical Marcia Goldberg Craig Burns, CSA O’Brien Aleman Management & Nina Essman Orchestrations William David Brohn Music Supervisor Stephen Oremus Musical Staging by Wayne Cilento Directed by Joe Mantello Grammy Award-Winning Cast Recording on -
The Role of the White Father in Contemporary Post-Apocalyptic Cinema
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA Felicia Cosey University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.008 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Cosey, Felicia, "FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA" (2016). Theses and Dissertations--English. 27. https://uknowledge.uky.edu/english_etds/27 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Wicked at the Paramount Seattle
® JUNE 2019 BROADWAY THEATRE THE PROGRAM TRIM SIZE IS 5.375”W X 8.5”H THE COVER IMAGE SIZE IS 5.625”W X 6.75”H THIS INCLUDES THE 1/8” BLEED NEEDED ON 3 OF 4 SIDES (BOTTOM, LEFT AND RIGHT). THE TOP OF THE COVER IMAGE WILL BUTT TRAP TO THE PLAYBILL BANNER BOX. PLEASE ALLOW 1/4” SAFETY FOR LIVE TYPE AND IMAGES. PLAYBILL.COM June 12 – July 7 Shining a spotlight on creativity. The arts enrich all our lives and are an integral part of our culture and heritage. It’s why we support arts organizations within our community. They inspire, entertain, move, and inform us in so many ways. Without the arts our community would not be the vibrant and diverse place we enjoy today. KeyBank proudly sponsors the 2018-2019 Broadway at the Paramount season. Thanks for making a difference in Seattle. Key.com is a federally registered service mark of KeyCorp. ©2018 KeyCorp. KeyBank is Member FDIC. 171005-170606-8615474 key.com June 2019 Volume 23, No. 7 Shining a spotlight on WELCOMEFrom Seattle Theatre Group, a non-profit arts organization Paul Heppner creativity. President Mike Hathaway Welcome to tonight’s performance of the Broadway sensation Wicked, Senior Vice President the untold true story of the Witches of Oz that brings together two very Kajsa Puckett different young women whose initial rivalry turns into the unlikeliest of Vice President, Sales & Marketing friendships. Genay Genereux Accounting & Office Manager It is a story that shows the power of what can come from seeing things Production from another’s perspective, being accepting of others, and opening Susan Peterson one’s self up to change for the better. -
Hollywood Pantages Theatre Los Angeles, California Hollywood Pantages Theatre
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA HOLLYWOOD PANTAGES THEATRE Marc Platt Universal Stage Productions The Araca Group and Jon B. Platt David Stone present Music and Lyrics Book Stephen Schwartz Winnie Holzman Based on the novel by Gregory Maguire Starring Jackie Burns Kara Lindsay Mili Diaz Jon Robert Hall Chad Jennings Michael Wartella Deanna Aguinaga-Whyte Allison Bailey Kerry Blanchard Beka Burnham Lauren Cannon Autumn Crockett Cooper Matt Densky Ryan Patrick Farrell Nick Gaswirth Sara Gonzales Sam Gravitte Kelly Lafarga Philip Dean Lightstone Chase Madigan Tiffany Rae Mallari Micaela Martinez Andy Richardson Wayne Schroder Jeff Sears Tregoney Shepherd Brandon Stonestreet Ben Susak Olivia Valli Justin Wirick and Jody Gelb Jason Graae Settings Costumes Lighting Sound Eugene Lee Susan Hilferty Kenneth Posner Tony Meola Projections Wigs & Hair Special Effects Technical Supervisor Elaine J. McCarthy Tom Watson Chic Silber Jake Bell Music Arrangements Music Director Dance Arrangements Music Coordinator Alex Lacamoire & Stephen Oremus Adam Souza James Lynn Abbott Michael Keller Associate Set Designer Associate Director Associate Choreographer Production Stage Manager Edward Pierce Lisa Leguillou Corinne McFadden Herrera David O’Brien General Management Casting Press Executive Producers 321 Theatrical Telsey + Company Phillip Aleman Marcia Goldberg Management & Nina Essman Orchestrations William David Brohn Music Supervisor Stephen Oremus Musical Staging by Wayne Cilento Directed by Joe Mantello Grammy Award-Winning Cast -
Read Kindle \ a Lion Among Men: Volume Three in the Wicked Years
BG8AHPJ98TZO # PDF < A Lion Among Men: Volume Three in the Wicked Years A Lion A mong Men: V olume Th ree in th e W icked Y ears Filesize: 5.44 MB Reviews It in a of the best book. Yes, it can be perform, nevertheless an amazing and interesting literature. You may like the way the article writer publish this ebook. (Wava Hettinger) DISCLAIMER | DMCA DFSWXJCCX9N0 ^ PDF ^ A Lion Among Men: Volume Three in the Wicked Years A LION AMONG MEN: VOLUME THREE IN THE WICKED YEARS Morrow. 1 Paperback(s), 2008. so. Book Condition: New. In this third volume of Gregory Maguire's series following Wicked and Son of a Witch, we return to his wildly reimagined Oz, seen now through the eyes of the Cowardly Lion. "Hardly more than a kitten. I had thought to call it Prrr, but it shivers more oen than it purrs, so I call it Brrr instead," said Elphaba, the Wicked Witch of the West, who had an early hand in the Lion's fate. Years later, having helped Dorothy defeat Elphaba, and with civil war in Oz looming, Brrr must find the ancient oracle Yackle to learn what he can of the secrets of Elphaba's power. Fans of Maguire's darker, more complex Oz will not be disappointed with this installment, as Brrr also learns much about his own past and his destiny. 312. Read A Lion Among Men: Volume Three in the Wicked Years Online Download PDF A Lion Among Men: Volume Three in the Wicked Years HWBQJCLITEJS » eBook # A Lion Among Men: Volume Three in the Wicked Years You May Also Like Unplug Your Kids: A Parent's Guide to Raising Happy, Active and Well-Adjusted Children in the Digital Age Adams Media Corporation. -
A Lion Among Men Free
FREE A LION AMONG MEN PDF Gregory Maguire | 371 pages | 16 Nov 2010 | HarperCollins Publishers Inc | 9780061987410 | English | New York, United States A Lion Among Men - Oz Wiki - The Wonderful Wizard of Oz Set in an alternate Land of Oz from the main Oz booksthe book features the Cowardly Lion named Brrr as the central character. The book also continues many themes from its predecessors, Wicked and Son of a Witch. In the middle of the hotbed's Mauntery, the center that's been the epicenter for Elphaba, Yackle, Liir, and Candle. Yackle still lives despite losing her eyesight and longs for death. At her request, the Maunts bury her in their crypt alive with only a few candles and some wine. She's eventually forgotten, but not by all. Elsewhere, Nor has escaped from Southstairs and wanders the Land of Oz until her path crosses the dwarf, whom she calls Mr. Boss, and the Clock of the Time Dragon. The Clock has awakened The maunts claim she's deceased but Yackle rises from the crypt, still alive. Yackle and Brrr begin a game of wits - Brrr demands information on Madame Morrible and in exchange he'll tell Yackle about himself. Brrr doesn't remember his parents or where he's from. He grew up by himself A Lion Among Men the Great Gillikin Forest, learning language from the hunters that travel through his forest. One day he meets a soldier, Jemmsy, who's caught in his own hunting trap that was supposed to catch Animals. He implores Brrr to go to Tenniken and get A Lion Among Men. -
'The Wizard of Oz' to 'Wicked': Trajectory of American Myth
FROM 'THE WIZARD OF OZ' TO 'WICKED': TRAJECTORY OF AMERICAN MYTH Alissa Burger A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2009 Committee: Ellen Berry, Advisor Gene S. Trantham Graduate Faculty Representative Don McQuarie Piya Pal Lapinski © 2009 Alissa Burger All Rights Reserved iii ABSTRACT Ellen Berry, Advisor The Wizard of Oz story has been omnipresent in American popular culture since the first publication of L. Frank Baum’s children’s book The Wonderful Wizard of Oz at the dawn of the twentieth century. Ever since, filmmakers, authors, and theatre producers have continued to return to Oz over and over again. However, while literally hundreds of adaptations of the Wizard of Oz story abound, a handful of transformations are particularly significant in exploring discourses of American myth and culture: L. Frank Baum’s The Wonderful Wizard of Oz (1900); MGM’s classic film The Wizard of Oz (1939); Sidney Lumet’s film The Wiz (1978); Gregory Maguire’s novel Wicked: The Life and Times of the Wicked Witch of the West (1995); and Stephen Schwartz and Winnie Holzman’s Broadway musical Wicked (2003). This project critiques theories of fixed or prescriptive American myth, instead developing a theory of American myth as active, performative and even, at times, participatory, achieved through discussion of the fluidity of text and performance, built on Diana Taylor’s theory of the archive and the repertoire. By approaching text and performance as fluid rather than fixed, this dissertation facilitates an interdisciplinary consideration of these works, bringing children’s literature, film, popular fiction, theatre, and music together in a theoretically multifaceted approach to the Wizard of Oz narrative, its many transformations, and its lasting significance within American culture.