Evanston Art Center

Fall 2012 Classes 2603 Sheridan Road Evanston, IL 60201 September 10 – December 9, 2012 847.475.5300 www.evanstonartcenter.org EAC MAIN FACILITY 2603 Sheridan Road The only constant is change. Perhaps no Evanston, IL 60201 other endeavor illustrates this point better Tel 847-475-5300 Fax 847-475-5330 www.evanstonartcenter.org than contemporary art. By synthesizing the past with the present and looking EAC AUXILIARY CAMPUS ahead, artists are uniquely able to help us Noyes Cultural Arts Center better visualize and understand the rapidly 927 Noyes Street, Evanston, IL 60201 changing world we live in. Lower Level PARKING The organizations that represent There is a public parking lot adjacent to the building at 2603 contemporary art must also evolve in Sheridan Road. There is also street parking on Central Street order to remain relevant. The Evanston and Lincoln Street. At Noyes Cultural Arts Center there is a public lot adjacent to the building and metered street parking on Art Center is currently in the midst of an Noyes Street. artistic evolution. What does it mean to be a 21st century community arts center? EAC GALLERY & CLASS REGISTRATION HOURS Monday thru Thursday: 9 am - 10 pm How can we best connect with our Friday: 9 am - 5 pm diverse audiences? Can we play a role in Saturday: 9 am - 4 pm. arts education that extends beyond our Sunday: 1 - 4 pm classrooms? What type of facility should we Galleries are free and open to the public. 1st fl oor galleries are handicapped accessible. operate out of and where should it be? This exercise of self-refl ection will ultimately lead NOYES GALLERY HOURS to a more accessible and connected Art Monday - Saturday: 10 am - 7 pm, Sunday: 10 am - 6 pm

Center in the near future. GALLERY INFORMATION Galleries are free and open to the public. 1st fl oor galleries are I would like to thank our Board of Trustees handicapped accessible. for embracing the process of change, our HOLIDAYS supporters for their generosity, our teaching The EAC is closed for the following holidays: New Year’s Eve, artists for their ongoing dedication, our Memorial Day, Fourth of July, Labor Day, Thanksgiving, and students for their interest in learning and Christmas Day. Closed the week of December 24. loyalty to the Evanston Art Center, the MEMBERSHIP parents who realize their children benefi t Many of our classes require a student membership, which is from visual art education, our staff for $40. Of course, there are a host of other membership levels working so very hard every day, and available including individual, family and business. Evanston City offi cials for recognizing the As a member of the Evanston Art Center you will be one of our contribution all the arts make to ensuring most valued supporters. Student membership contributions vibrant and sustainable communities. help to defray some of the expenses of running a high-quality Art School and all membership levels help enable us to fulfi ll our Norah Diedrich, Executive Director mission and continue our community commitments.

In return, we connect our members to the vibrant art scene of Chicago and Chicago’s North Shore with special access Cover art: “Carnal Desire” to collection tours, art openings, public programs, Art Store Etching with Chine Colle by Juliane von Kunhardt Created in Julian Cox’s class discounts, and more.

2 IMPORTANT DATES Fall Session September 10 – December 9, 2012 Drop-off and mail-in Ongoing Phone-in & walk-in Begins July 23, 2012 Make-up week December 10 – 16, 2012 No classes Thanksgiving week, November 19 – 25, 2012 Closed for the holidays week of December 24 – 29, 2012 Winter session begins January 7, 2013

CONTENTS Workshops p 4 Artistic Inquiry p 5 Digital Media and Photo p 6 Drawing and Painting p 6 Fiber and Material Studies p 10 Jewelry and Metalsmithing p 11 DONATE TODAY Printmaking p 11 We need your ongoing support if we are to sustain our Ceramics p 12 very important mission of making the visual arts available Figure Sculpture p 13 to the various communities we serve. We are happy to accept large gifts and small. We can direct your support to Metal Sculpture p 13 programs that speak to your specifi c interests. We can help Youth p 14 you enroll in the Alice Riley Society, which will help us grow High School p 16 our endowment and sustain our future. We urge you to Faculty p 18 make a tax-deductible contribution today. Thank you. Registration Info p 20 Visit our website at www.evanstonartcenter.org and click on Donate.

Chiaravalle Montessori School 425 Dempster St, Evanston, IL 847.864-2190 www.chiaravalle.org

Plan your next party at the Evanston Art Center. Birthdays, surprise parties, showers, and celebrations of all kinds are more fun with an element of art. Everything from tie-die to silk screening to working with clay can be scheduled. All parties include supplies and a teaching artist.

Discover Chiaravalle To book a party or learn more, please How you learn shapes who you are contact Donna Lurie-Semmerling at [email protected] Parent/Child · Toddler · Early Childhood 3-6 · Elementary · Middle School

3 9168 NAKED COLOR THEORY Workshops Nina Weiss Saturday 9/29, 10am – 4pm MISSION Sunday 9/30, 1pm – 4pm The Evanston Art Center is 9159 2North Strip away the mysteries of color theory! dedicated to fostering the SCREEN-PRINTING WITH JAY RYAN: Through visuals, discussion, experimentation, appreciation and expression of and the application of theory, students gain an A MASTER SILK- the arts among diverse audiences. understanding of color in art. Psychological and SCREEN WORKSHOP scientifi c theories will be used to teach color The Art Center offers extensive Saturday August 11 relationships and mixtures. Students create and innovative instruction in broad 1-5pm compositions using colored paper, collage areas of artistic endeavor through materials, and water-based paints. Jay Ryan has been Skill Level: All Levels classes, exhibitions, interactive screenprinting concert Ages 15+ arts activities, and community posters in Chicago since EAC Member $85/Non-member $100 1995, with an emphasis on hand-drawn images Class Size Limit 12 outreach initiatives. and hand-cut fi lms. In this four-hour workshop, Jay will speak about his work, and demonstrate how to 9025 hand-pull a print comprised of four or fi ve screens. HISTORY We will cover all aspects of making hand-pulled GOUACHE EXPLORATION BASICS The establishment of the Evanston screenprints on paper, including some special Nina Weiss techniques such as layering inks and use split Saturday 10/20, 12pm – 4pm Art Center in 1929 was a direct fountains to attain a wider range of colors. Sunday 10/21, 1pm – 4pm result of civic and cultural leaders $45 per person 2North working together to realize the Space for 20 people available Gouache is a water-based opaque paint with a brightly saturated color and velvety matte goal of a community center where Jay Ryan is an artist with diverse talents and texture. In this class, we will explore the technical the arts could be experienced, interests. He graduated from the University of possibilities of gouache, such as linear and tonal Illinois in Urbana in 1994 with a Bachelor of Fine technique; painterly and graphic application; color, appreciated, discussed, and Arts degree in painting and moved to Chicago and composition. Gouache is a paint medium practiced. The Art Center has where he pursued his interest in music and ideally suited to both beginner and advanced continued to be a vital part of drawing. By 1996, he was working in the Screwball painters. Because gouache is a water-based Press print shop under Steve Walters where he medium, it requires a minimum of materials and the community for over 80 years, learned Steve’s special printmaking process. Jay dries quickly for reworking. serving artists, teachers, students felt he was able to combine his love of live music Skill Level: All Levels of all ages, curators, collectors and creating visual art through his screen prints. Ages 15+ He started his own band, Dianogah, in 1995 and EAC Member $70/Non-member $85 and connoisseurs, philanthropists, was able to create posters related to his travels Class Size Limit 12 volunteers, work-study students, around the world with the band. Jay found his work fl ourished in the “Chicago Style” of poster- 9115 schools, art galleries, cultural making where most artists print their own work, as institutions, and nonprofi ts. opposed to farming out the actual printing process TRAVEL SKETCHING to professional printers. Nina Weiss Our community outreach and Saturday 10/13, 10am – 4pm scholarship programs help us Sunday 10/14, 1pm – 4pm reach underserved audiences. We 2North You love to draw and you love to travel. How best continue to offer our constituents 9155, 9156 2-WEEK to combine the two? In this class, you will learn new and meaningful ways to BOOK & PAPER CLASS FOR BEGINNERS how to maximize your time as you sketch and draw engage in the arts. The Evanston Julian Cox the landscapes of your travels. Emphasis includes: 9155 Thursday 9/13 & 9/20, 2pm – 5pm how to extract your vision from the landscape using Art Center has always been 9156 Thursday 10/11 & 18, 6-9pm elements of composition, how to render basic connected to its community roots Noyes Printmaking Studio forms of the landscape, how line and gesture are The Book and Paper Class for Beginners is a used to capture the landscape, and how color can and this bond will remain a guiding basic introduction to book arts and includes two be used as an exciting addition to your drawing. force for the Art Center well into paper making sessions. Participants will learn to Using water-based pens and colored pencils, the 21st century. design a handmade and hand printed book, sew students will begin their own travel sketchbooks simple bindings and construct a hard cover. Basic using inspirational landscapes. Water-soluble techniques for image and text printing will be Sketch pens will be available for purchase from the included. instructor. Skill Level: All Levels Skill Level: All Levels Ages 18+ or with instructors permission Ages 15+ EAC Member $65/Non-member $80 EAC Member $85/Non-member $100 Class Size Limit 5 Class Size Limit 12

4 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org 9357 9114 to all levels and mediums. Sign-up for the full JEWELRY INTENSIVE ACID ETCHING LICENSE TO CRIT: STUDIES course, or pick and choose topics of interest with Leslie Perrino single-week drop-ins! $20/week drop-in minimum 4 IN CRITIQUING ART registered for full 6-week class in order to run class. Saturday October 20, 10am – 5pm Bridget Eastman Ages 18+ Sunday October 21, 11am – 5pm Saturday October 20, 1pm – 3pm EAC Member $110/Non-member $120 full 6 Noyes Jewelry Studio Saturday October 27, 1pm – 3pm weeks; $20/week drop-in (1-hour lunch break) Digital Lab2 Class Size Limit 12 Please, no open-toe shoes in the Noyes studio! Students will engage in lively discussions about Learn to use acids combined with various types their work, the work of their peers, and the work of of resists tape, toner ink and more to create emerging contemporary artists in today’s museum 0107 12-WEEK embedded designs on copper/ brass and (student & public sphere. Students will learn methods of PAINTING SEMINAR AND CRITIQUE provided) silver. Ideal for students with some evaluation, constructive criticism, and ways of Anthony Romero experience in jewelry or printmaking; beginners looking and extracting meaning from their work and Thursday 7pm – 9pm would still benefi t from this class. The results stand the work of other artists of their time. Time will be Digital Lab2 on their own, but could be integrated into jewelry, spent in the EAC galleries along with a fi eld trip to A class for artists with an established practice, this vessels or small sculpture. Northwestern’s Mary & Leigh Block Museum of Art. course presents weekly lectures on the history and Ages 18+ Skill Level: All levels issues surrounding contemporary painting while EAC Member $95/Non-member $110 Ages 15 – 18 offering students an opportunity to critique and Class Size Limit 12 EAC Member $55/Non-member $70 receive feedback on each others work. Class Size Limit 10 Skill Level: Intermediate/Advanced 9635 Ages 18+ SEE THROUGH GLASS WORKSHOP Evanston Resident $240/Non-resident $250 Lilach Schrag Class Size Limit12 Saturday October 20, 9:30am – 3:30pm ALL CLASSES BEGIN THE 1North WEEK OF SEPTEMBER 10 E1215 5-WEEK BEGINNING 9/15 Come experiment with basic stained glass skills like VECINOS: LATIN AMERICAN ART cutting glass, foiling the pieces, and soldering them Jesus Macarena-Avila together to create a simple design you can display Saturday 1pm – 4pm against a window to capture light. All materials and Digital Lab2 tools are provided. Artistic Come and learn about our “vecinos” or neighboring Ages 15+ Latin American cultures through a fi ve-week EAC Member $65/Non-member $80 session! Each session consists of lecture Class Size Limit 10 Inquiry and group conservation surveying ancient to contemporary art belonging to such places as 9106 Brazil, Mexico, and Puerto Rico. Fieldtrips to local SILK PAINTING: BATIK museums and alternative cultural spaces will be Linny Freeman E1210 (FOR FULL 6-WEEK CLASS) 6-WEEK planned throughout the session offering an unique Saturday September 29th, 10am – 4pm BUSINESS OF ART: THE LUNCH SESSIONS educational experience toward appreciating 2North Latin American artistic and cultural contributions. Come and join us for an exciting day of learning (students should bring a journal to the fi rst class) and experimenting with the beautiful silk painting E1210A WEEK 1, OCTOBER 23 Skill Level: All Levels technique of batiking. We will use fi ber reactive RÉSUMÉ, BIO, AND ARTIST STATEMENT Ages 17+ dyes and hot wax to design and create amazing EAC Member $140/Non-member $155 pieces of wearable art. Most supplies will be Class Size Limit 8 E1210B WEEK 2, OCTOBER 30 included. PHOTOGRAPHING YOUR WORK (2-D.3-D) Ages 16+ E1220 5-WEEK BEGINNING 9/11 EAC Member$65/Non-member $80 LEVEL I: ENGAGING ART APPRECIATION Class Size Limit 10 E1210C WEEK 3, NOVEMBER 6 AND ART HISTORY™ SIZING YOUR DIGITAL IMAGES Roger Heuberger 9106B Tuesday 6:30-9:00pm SILK PAINTING: GUTTA RESIST E1210D WEEK 4, NOVEMBER 13 Digital Lab2 Linny Freeman PRICING YOUR ART This popular program has been customized Saturday October 27th, 10am – 4pm for the EAC community. Its multi-dimensional 2North approach makes looking at and discussing art This workshop gives you a wonderful opportunity E1210E WEEK 5, NOVEMBER 27 really exciting. We will examine signifi cant events to explore your creativity through the traditional art ESTABLISHING AN ONLINE PRESENCE in art using many high-resolution images. Context of painting on silk. We will use fi ber reactive dyes is considered alongside technique. Topics include: to learn a fundamental technique known as gutta How artists’ rejection from the Paris Salon of 1863 E1210F WEEK 6, DECEMBER 4 resist. Gutta is a thick substance that is made from led to Impressionism. Were artists competitive latex (supposedly a derivative of Indonesian rubber MARKETPLACE - WHERE TO or collaborative and in what ways did they draw trees or Gutta Percha). A resist is anything that SHOW AND SELL inspiration from the past? The 1913 NY Armory prevents dye from reaching the fabric, i.e. it resists Matt Runfola Show brought Euro Modernism (Picasso, Munch, the dye. Design and create wearable art. Most Tuesday 12:30-2pm Matisse) to USA: how did that affect 20th century supplies included. EAC Library American Art? Ages 16+ Bring your lunch and learn how to de-mystify Skill Level: All Levels EAC Member $65/Non-member $80 the business end of your art passion, and gain EAC Member $120/Non-member $135 Class Size Limit 10 confi dence showing and selling your work. Each Class Size Limit 20 week a different topic will be addressed, with the goal being “Know Thyself, Thy Work, and Thy Audience” for a better chance of success. Open

Classes without minimum enrollment are cancelled 3 days before fi rst class. 5 E1221 5-WEEK BEGINNING 10/23 7240 12-WEEK 7032 12-WEEK LEVEL II: ART EXCITEMENT HISTORY OF PHOTOGRAPHY: BEGINNING WEB DESIGN AND ONLINE AND ART HISTORY™ DISCUSSING/MAKING PICTURES PORTFOLIO DEVELOPMENT Roger Heuberger Luke Strosnider Jeremiah Ketner Tuesday 6:30-9:00pm Wednesday 9:30am – 12:30pm Thursday 6:30pm – 9:30pm Digital Lab2 Digital Lab Digital Lab Attendees are encouraged to attend Level I. The Open to all skill levels, this course takes a hands-on Are you a photographer, fi ne-artist, small business EAC tailored, “Art Excitement” continues, leading approach to photography appreciation: brief owner or all around creative person who would like up to how contemporary art has been affected by lectures are paired with shooting assignments to build an effective online portfolio or website? earlier periods, technology and more. Discussion is based on classic themes and renowned artists from Then this class is for you. Students will learn the not limited to how the art evolved: the way viewers photography history. Topics include landscape basic skills in designing and creating a web site perceive artworks took a big leap, i.e. we may (Ansel Adams, Eliot Porter), abstraction (Alfred from scratch. You will also learn how to use helpful consider a Raphael differently than a Koons or Steiglitz, Aaron Siskind) and more. Get inspiration online recourses such as Wordpress to build and Warhol? Surrealism was short lived, and not for from great photos and photographers; then, go out develop a dynamic site allowing you to add content everyone: yet, we see its fi ngerprints daily in all and create your own masterpieces. with ease. This class will cover the basics, such as media. Pop art has had a similar fate. Additional Skill Level: All Levels reserving domain names, choosing hosting for your topics may include developments in portraiture Ages 18+ site and many more resources and tools that will and “art as a metaphor”. Both courses include Evanston Resident $345/Non-resident $355 turn your ideas into reality on the web. observations from the global art markets. Class Size Limit 8 Please visit webdesigneac.com for more details. Some subjects may be revised, per input from Skill Level: Beginner, Intermediate Level 1 attendees. Ages 16+ 7021 12-WEEK Skill Level: Intermediate Evanston Resident $345/Non-resident $355 EAC Member $120/Non-member $135 PHOTOSHOP FOR PHOTOGRAPHERS Class Size Limit 12 Class Size Limit 20 Iris Allen Thursday 9am – 12pm Digital Lab This class is primarily for photographers that would like to enhance their art form through digital manipulation. This manipulation can be to enhance reality or fl irt with abstraction. Subjects covered Drawing Digital Media with be selections and layers, digital restoration and the art of the collage. Ages 16+ & Painting & Photography Evanston Resident $345/Non-resident $355 Class Size Limit 12

0152 12-WEEK 7029 12-WEEK PASTEL DRAWING ADVANCED PHOTOSHOP FOR NEW Didier Nolet PHOTOGRAPHERS Monday 9:00am – 12:00pm Iris Allen 7075 12-WEEK 2North Monday 1pm – 4pm UNDERSTANDING LIGHT: Soft pastel is a unique medium that combines the Digital Lab A PHOTOGRAPHER’S GUIDE TO qualities of drawing and painting, such that dry This advanced class is for photographers who have pigments look like velvet catching the light. Learn experience with Photoshop, but wish to take it to THE KEY COMPONENT! to create pastels from nature, photographs or the next level. This class is project oriented going Bill First memories as you explore composition, color, light, deeper into selections and layers, color balancing Thursday 1pm – 4pm shadow and perspective. and printing. Digital Lab Skill Level: Beginners Advanced Skill Level: Advanced Understanding light will improve your photographs. Ages 18+ Students will learn to work with both natural and Ages 16+ Evanston Resident $290/Non-resident $300 artifi cial lighting to achieve stunning photographs. Evanston Resident $345/Non-resident $355 Class Size Limit 10 The following topics will be explored; how to Class Size Limit 8 measure natural and artifi cial lighting, the best times of the day for shooting outdoors, lighting 0110 12-WEEK 7211 12 -WEEK ratios, how to adjust your highlight and shadow PAINTING STUDIO BEGINNING DIGITAL PHOTOGRAPHY details for better control, understanding color Janis Pozzi-Johnson Luke Strosnider balance, and how to fi ne tune your images in post- Monday 9:00am – 12:00 pm Monday 6:30pm – 9:30pm production. A basic knowledge of Photoshop will 3rd Floor Digital Lab be helpful. Please bring: Digital SLR, Light Meter, This class will provide students the opportunity So you have spent a lot of money on a digital Gray Card/Color Checker, Portable External Flash to participate in a lively, interactive working camera but you’re still taking snapshots? Before Unit and External Hard Drive environment. Students may choose to develop you end up with an expensive paperweight, this Skill Level: Intermediate to Advanced paintings already in progress to a more fi nished, course will show you how to use that camera to Ages 18+ resolved statement, or to address those challenging make artistic photographs. We will study camera Evanston Resident $345/Non-resident $355 places in their work that have impeded forward control, composition, themes, and other elements Class Size Limit 10 movement. Skill development, use of materials, for making quality imagery. We will use the digital stylistic choices, personal imagery, and aesthetic lab to print and edit. content will be addressed as students fi nd their Skill Level: Beginner visual voice. Come prepared to work the fi rst class! Ages 13+ Skill Level: All Levels Evanston Resident $345/Non-resident $355 Ages 18+ Class Size Limit 8 Evanston Resident $290/ Non-resident $300 Class Size Limit 12

6 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org 0175 12-WEEK and ink, colored pencils and watercolor as well as 0176 12-WEEK OPEN FIGURE STUDIO instruction in the use of prose and poetic language, THE FIGURE: CREATING A BODY OF WORK Monitor and styles of script. Michelle Kogan Monday 9:30am – 12:30pm Skill Level: All Levels Tuesday 12:30pm – 3:30pm 2South Ages 16+ 2South Participants must have previously completed one Evanston Resident $290/Non-resident $300 Create a series of related artwork using the fi gure EAC painting or drawing class Figure Studio offers Class Size Limit 12 (life model) as a departure point. On the fi rst class, participants the opportunity to work in their choice bring your ideas for the body of work you will create of media and study the nude. Poses range from 0102 12-WEEK and we will discuss them as a group, and talk about one to thirty minutes. Instruction is not included; a BASIC PAINTING WITH ACRYLICS your concepts, compositions and how we will classroom monitor is charge. pose the model/s. Also bring drawing material and Donna Lurie-Semmerling Evanston Resident $170/Non-resident $180 or materials for the medium you will be working in, oil/ Tuesday 9:30am – 12:30pm $20 per visit acrylic, watercolor, pastel, mix-media. We’ll begin 2South Class Size Limit 10 each class with warm up poses. Some previous This basics class follows up on the fundamentals drawing experience is helpful. already acquired equipping students with the Skill Level: Intermediate 0111 12-WEEK BEGINNING 9/17 tools and information necessary to paint with Ages 18+ confi dence. Continuing skill-building lessons cover THE ARTIST’S STUDIO Evanston Resident $310/Non-resident $320 planning a composition, mixing colors, and creating David Gista Class Size Limit 12 Monday 1pm – 4pm illusions of space. Still life arrangements and other 2South references will be used. This studio-based class offers time to work on Skill Level: Beginner E0117 5-WEEK BEGINNING 10/22 projects of your personal preference with the Ages 18+ RADICAL WATERCOLOR availability of individualized instruction in areas of Evanston Resident $290/Non-resident $300 Sue Sommers technique. Students are encouraged to explore Class Size Limit 12 Tuesday 6:30pm – 9pm line, composition, color, and scale. Group critiques 2North and references to classic and contemporary art will 0171 12-WEEK This is an experimental class, one in which be included. Bring your choice of medium (acrylic, MULTI-LEVEL PORTRAITURE short mediation and watercolor are central and pastel, charcoal, and/or pencil) and support to the interrelated. The focus on short meditations (led by Bob Horn fi rst class. the instructor who also leads meditations at C.J. Tuesday 9:30am – 12:30pm Skill Level: Beginner Intermediate Jung Center) allows painting to approach a deeper, 3rd Floor Ages 18+ riskier and more playful awareness. Watercolor Students work from a costumed model over Evanston Resident $240/Non-resident $300 demands that we are present to the colors, the a two-week period. While the emphasis is on Class Size Limit 12 fl ow and the expansiveness that makes watercolor observation, students are encouraged to develop unique. Working with watercolor we examine the their own approach. Instruction is one-on-one myriad ways the medium can be expressed. Bring 0203 12-WEEK at the level of each student, taught by a portrait some paints and brushes, a spray bottle and small artist. Students with less experience will receive DRAWING AND PAINTING THE NUDE paper to class. Find out what works for you. structured lessons and demos. Experienced Ken Minami Skill Level: Beginner students are given continuous feedback at their Monday 1pm – 4pm Ages 18+ level. Students may work in the medium of their 3rd Floor EAC Member $120/Non-member $135 choice, charcoal, conté, pastels, or oil. This class will investigate the fi gure in mass and line Class Size Limit 12 drawing, as well as color for the more advanced Skill Level: Intermediate student. An emphasis on seeing how each part of Ages 18+ the fi gure relates to the whole visual ensemble (the Evanston Resident $340/Non-resident $350 entire fi gure plus the background) will be stressed. Class Size Limit 12 A variety of media (charcoal, conté crayon, pastel, or oil paint) will present new problems but also new 0287 12-WEEK solutions. Each class will begin with a 1/2 hour of EXPLORING ABSTRACT short poses followed by one long pose extended over 2 weeks. A great introduction to the fi gure for ACRYLIC PAINTING beginning students as well as a challenge for the Cynthia Vaicunas more experienced. Tuesday 9:30am – 12:30pm Skill Level: Beginning to Intermediate 2North Ages 18+ Students will start with exercises designed Evanston Resident $310/Non-resident $320 to generate imagery and identify theme and Class size limit 12 concept. These discoveries will be used to begin painting. We will work with principals of design and art elements as applied to Abstraction. 0221 12-WEEK Relevant Artists, Art History and Current Shows ILLUSTRATED JOURNALS: will be referenced and visited. We will do some ARTISTIC DATA & SKETCHBOOKS work in a series and instructor will demonstrate Kathy Cunningham & Stephen Titra various techniques and materials. Work from the Monday 6:30pm – 9:30pm inside out to free your intuitive self and fi nd your 2North abstract voice. Bring a medium size canvas and Historically every artist from Mary Cassatt to paint to fi rst class. Kehinde Wiley has kept a sketchbook for her/ Skill Level: Intermediate his artistic thoughts and ideas. This class puts Ages 18+ the sketchbook fi rst, pushing students to record Evanston Resident $290/Non-resident $300 Painting by Catherine Meindl Gayda created in thoughts, ideas, and research. It will include the Class Size Limit 10 Ken Minami’s class. history and tradition of illustrated journals and their distinction from sketchbooks. We will use a variety of media and techniques including graphite, pen

Classes without minimum enrollment are cancelled 3 days before fi rst class. 7 Drawing & Painting cont. prepared to work from the model in a chosen 0150 12-WEEK medium, drawing / painting. FROM STILL LIFE TO REAL LIFE 0284 12-WEEK Skill Level: Intermediate, Advanced Ken Minami RETURN TO DRAWING AND PAINTING Ages 18+ Wednesday 7pm – 10pm Evanston Resident $340/Non-resident $350 Jill King 3rd Floor Class Size Limit 12, two models Tuesday 7pm – 9pm Manet proclaimed still life is the “touchstone” of 2South painting. Like Manet we will study still life set-ups to This class explores drawing and painting mediums. 0282 12-WEEK learn how to see the visual world in terms of color (Charcoal, Pencils, Oil and Acrylic Paints). Students INSPIRATIONAL DRAWING/PAINTING relationships, shadows, light, and quality of edges. Composition, creating light effects, volume, and are guided toward realizing their visions and Michelle Kogan atmosphere will be discussed in group critiques. building partnerships between mind and materials. Wednesday 12:30pm – 3:30pm The course will culminate in a 3-week portrait with Beginners work from in class still-life set-ups 2North props and a live model. This class is ideal for oil and fi gure models. Basic drawing and painting Where do your ideas for your art come from,: painting but can be pursued in other media. skills are elevated through practicing gesture and nature, writing, news media, the Internet? Create Skill Level: Intermediate contour drawing, color mixing and theory, and drawings and/or paintings inspired by what Ages 18+ exploring paint application methods and mediums. interests you. For the fi rst class bring in inspirational Evanston Resident $340/Non-resident $350 Viewing and discussions of contemporary artworks items: a quote, personal writing, a photo, or series Class Size Limit12 take place throughout the course. Critiques and of objects. Also bring a sketchbook, drawing paper, discussions from personal insights are encouraged. Stadtler Mars # 3 drawing pencils, eraser, tracing (A fi gure model will be scheduled to visit class 3 paper, and additional mediums that you want to 0156 12-WEEK times during session) use. In the class we may take a walk, share ideas SEEING THE BODY: ANATOMICAL Skill Level: All Levels on a drawings, and take a fi eld trip to a museum, Ages 15+ to see what inspires our work. Instructor will FIGURE DRAWING Evanston Resident $250/Non-resident $260 work individually honing your compositions and Sarah Kaiser Class Size Limit 12 techniques. Wednesday 6:30pm – 9:30pm Skill Level: All Levels 2South This course will give students a fi rm understanding Ages 18+ 0185 12-WEEK BEGINNING 9/17 of the skeleton as an architectural framework for Evanston Resident $290/Non-resident $300 ACRYLICS the human body and of human musculature as a Class Size Limit 12 David Gista system for the production of motion. Wednesday 9am – 12pm Skill Level: All Levels 2South 0169 12-WEEK Ages 18+ This course offers a strong introduction to painting ENSEMBLE OF THE PORTRAIT Evanston Resident $310/Non-resident $320 in which students learn about color mixing, Ken Minami Class Size Limit 12, 1 model painting techniques and composition. Each student Wednesday 1pm – 4pm receives one-on-one instruction and everyone is 3rd Floor 0165 12-WEEK encouraged to develop personal themes. This course analyzes the drawing and color aspects Skill Level: All Levels of portrait painting separately and then combines FUNDAMENTALS OF DRAWING Ages 18+ them into a coordinated whole. Color studies are Jill Sutton Evanston Resident $290/Non-resident $300 used to map out the major color relationships and Thursday 9:30am – 12:30pm Class Size Limit 14 monochrome drawings are used to develop the 2North student’s ability to see the form. Poses will last 3 Receive an introduction to drawing as a means weeks with a strong emphasis put on seeing the of visual investigation through the study of line, 0160 12-WEEK shape, form, value, texture and space. Develop WATERCOLOR GUILD large visual impression. Ideal for paint and pastel but can be studied with drawing media. observational skills and examine various drawing Michelle Kogan Skill Level: Intermediate media, techniques and strategies of pictorial Wednesday 9am – 12pm organization. We’ll work from still-life set-ups, Ages 18+ 2North landscape, and other sources. Evanston Resident $310/Non-resident $320 Come join this guild style watercolor class where Skill Level: All Levels Class Size Limit 12 students are working independently on their own Ages 18+ paintings and under the guidance of the instructor. Evanston Resident $240/Non-resident $300 You will gain insights while painting along side your 0255 12-WEEK BEGINNING 9/17 Class Size Limit 10 fellow students and the instructor. OIL PAINTING FUNDAMENTALS The instructor will work individually with you on David Gista 0272 12-WEEK composition, watercolor techniques and the use of Wednesday 1pm – 4pm transparent verses opaque watercolor. 2South PORTRAITURE: PAINTING THE COSTUMED Skill Level: All Levels This class is an introduction to the many ways FIGURE “ON SET” Ages 18+ in which the physicality of oil paint can be Janis Pozzi-Johnson Evanston Resident $290/Non-resident $300 manipulated and enhanced. Explore cold wax Thursday 9:30am – 12:30pm Class Size Limit 12 medium and use oil paint to create monoprints. 3rd Floor Still life, interior/exterior studies, symbology, This multi-level course will place the costumed 0275 12-WEEK abstraction, and personal themes will be explored. fi gure within an interesting visual context or habitat PURSUING THE FIGURE Come prepared to work in oil the fi rst class. A using a plethora of props. Contextualizing the supply list will be available on the fi rst day of class fi gure enables students to go beyond the typical, Janis Pozzi-Johnson and prior on the EAC web site. Skill Level All Levels straightforward rendition of the portrait study. Wednesday 9:30am –12:30pm Skill Level: Beginner Strong compositional design, the development of 3rd Floor Ages 18+ painting technique and a heightened and nuanced This course is designed to address the concerns Evanston Resident $290/Non-resident $300 sense of color will be addressed. Come prepared to of the fi gurative painter. Using the costumed Class Size Limit 10 work from the model in your chosen medium, be it model, placed within an interesting compositional drawing or painting. arrangement as a point of departure, students will Skill Level: Intermediate/Advanced explore the expressive potential of stylistic choices, Ages 18+ move toward a more conceptual or abstract Evanston Resident $340/Non-resident $350 rendering, or concentrate on the cultivation of a Class Size Limit 14, two models distinct visual treatment. Students should come 8 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org 0126 12-WEEK 0186 12-WEEK NEW IMPRESSIONS OF LANDSCAPE OIL PAINTING Katherine Hilden Jill Sutton 0141 12-WEEK Thursday 9:30am – 12:30pm Thursday 1pm – 4pm 2South 3rd Floor INTRO TO PROFESSIONAL PRACTICES Landscape painting evokes the memory of This multi-level course provides students with a IN PAINTING & DRAWING concrete places, but it can also be a landscape solid understanding of the technical and practical Adam Benjamin Fung of the mind, of emotions and of desire. This aspects of oil painting. Formal and cognitive Thursday 6:30pm – 9:30pm class welcomes beginning painters because the concerns of image making are addressed using 3rd Floor landscape genre encourages the pleasure of various subjects such as the still life, model and This class will act as a catalyst to help intermediate playing freely in a chosen medium. Experienced landscape. Drawing experience is recommended. and advanced students push their work into new painters will be stimulated by topics in composition Bring 18” x 24” (or larger) piece of drawing paper and more focused arenas. The class will be split and the power of abstraction. Work in your and charcoal to 1st class between individual studio/project instruction, chosen medium - acrylic, oil, mixed media-using Skill Level: Intermediate/Advanced discussions, and activities related to professional photographs, collages, and the imagination. Ages 18+ practices. The class will cover such topics as Skill Level: All Levels Evanston Resident $290/Non-resident $300 creating a body of work, exhibitions, résumés, Ages 18+ Class Size Limit 10 artist statements, applications and proposals, Evanston Resident $290/Non-resident $300 residencies, guest artists, a gallery visit and involve Class Size Limit 8 0161 12-WEEK group critiques. Skill Level: Intermediate, Advanced WATERCOLORS: 0142 12-WEEK Ages 18+ BEGINNING/INTERMEDIATE Evanston Resident $340/Non-resident $350 ART FROM INTUITION Linny Freeman Class Size Limit 15 Jill King Thursday 1pm – 4pm Thursday 7pm – 9pm 2 North 0174 12-WEEK 2South Jump in and express yourself through watercolor Deepen your connection to your imagination by painting. Students will learn traditional techniques FIGURE PAINTING & DRAWING working with your hands. Learn to access your including wet-into-wet, dry brush, lifting, glazing, FROM THE NUDE MODEL intuitive voice and free yourself from limiting color mixing and much more. Student’s work with Eleanor Spiess-Ferris opinions of what is considered acceptable art watercolor paints and watercolor pencils to learn Friday 9:30am – 12:30pm making. Engage in the pleasure of playing with skills and techniques in order produce fi nished 3rd Floor color, form and imagery by working with mixed artworks. This class is centered on painting the nude model materials, painting to music, journaling in paint Ages 16+ and will provide models for inspiration with a and more. Instructor will compassionately guide Evanston Resident $290/Non-resident $300 diverse range of results. Using Oil and Acrylic you toward unblocking self-imposed barriers to Class Size Limit 12 Paints or Drawing materials, the live models creativity and give you the tools to discover a provide practice for direct observation, to begin renewed sense of strength and purpose toward an abstraction or to include in another painting/ living a vital, authentic creative life. E0167A, E0167B 5-WEEK environment. The instruction is focused on Skill Level: All Levels individual goals with some in class demonstrations Ages 15+ MULTI-LEVEL DRAWING and discussions. Evanston Resident $245/Non-resident $255 E0167A Beginning 9/13 Skill Level: All Levels Class Size Limit 12, 2 sessions with model E0167B Beginning 10/25 Ages 18+ Katherine Hilden Evanston Resident $340/Non-resident $350 0230 12-WEEK Thursday 1pm – 4pm Class Size Limit 17, 2 models 2South FROM LANDSCAPE TO MINDSCAPE Students work from still life, photographs, the Didier Nolet live model, and the imagination, while exploring 0269 12-WEEK Thursday 9:30am – 12:30pm charcoal, pencil, and ink for their expressive DRAWING AND PAINTING THE PORTRAIT YFASouth potential—and for sheer pleasure. The instructor Ken Minami Learn to create landscape paintings that refl ect sits next to the student and draws along, Saturday 9:30am – 12:30pm your state of mind, your different moods and your observing nuances of personal style and offering 3rd Floor soul. You will be guided from start to fi nish learning specifi c technical instruction. The development Students will be directed to see how shadow and to compose, mix paint, use different strokes (and of personal themes and textures is always light reveal the forms of the head and how these brushes), even palette knives. Referring to photos, encouraged. Learning to read the whole picture, individual forms fi t into a coordinated whole. For memories of places, and sketches as a visual i.e. composition, is important at every stage. We those painting learning to organize the major color support, you will be guided to develop paintings indulge in technical demonstrations and group relationships and the importance of seeing the that are especially “yours.” Oil and Acrylic Paint on discussions of exemplary art of the past and of our value relationships in the color will be stressed. Canvas and/or canvas-covered boards. own time. Basic supplies may be purchased from Composition, light effects and atmosphere are Skill Level: All Levels the instructor, but bring your own if you prefer. studied to produce lively paintings and drawings. Ages 18+ Skill Level: All Levels One pose will last 3 weeks for a thorough study of Evanston Resident $290/Non-resident $300 Ages 18+ the model. Class Size Limit 10 EAC Member $150/Non-member $165 Skill Level: All Levels Class Size Limit 10 Ages 16+ Evanston Resident $310/Non-resident $320 Class Size Limit 12

Classes without minimum enrollment are cancelled 3 days before fi rst class. 9 E0262A, E0262B 6-WEEK 1001 12-WEEK E1025 5-WEEK PART I BEGINNING 9/13 ADVENTURES IN TASTY ARTS: AN EXPLORATION OF NATURAL DYES WITH SHIBORI TRANSPARENT WATERCOLOR FOOD THROUGH WRITING, VISUAL ART, Akemi Nakano Cohn Kathy Cunningham AND MUSIC Thursday 9:30am – 12:30pm 1North E0262A Beginning 9/16 Dan Godston This class is a perfect entry to reviving the E0262B Beginning 10/21 Tuesday 4:15 – 6:15pm historical art of learning natural dyes. Students Sunday 1pm – 4 pm 2 South will make small sample pieces on natural fi bers 2South In Tasty Arts students will explore creative ways to applying Shibori and over dyeing techniques. While this class goes over all the basic transparent play with food. They will make music, write poetry, Itajime, Arashi, Bo-maki, and Nui resist Shibori watercolor techniques such as washes, wet-on- and create visual artworks (artist books, collage, techniques will be introduced. Over dyeing wet, dry brush, etc.—getting in touch with the artist and prints). We will learn about artists who have and use of different mordant (e.g. alum, iron) within and her/his expression is the ultimate goal. integrated food into their work, and their artwork create a wide range of hues. Eco-friendly and Focus on color studies and creativity exercises will provide inspiration for projects that students non-toxic. By experimenting Cutch, Madder, provide a strong foundation and direction. Each create. student receives attention in regard to their own Cochineal – lovely colors and patterns appear quite Skill Level: All Levels magically. Historical research with discussion will interests and experience. Ages 15+ Skill Level: All Levels be included. Supply list available, plus material fee Evanston Resident $185/Non-resident $195 of $10 per student. Ages 16+ Class Size Limit 10 EAC Member $150/Non-member $165 Skill Level: All Levels Class Size Limit 10 Ages 18+ E0286A, E0286B 5-WEEK EAC Member $140/Non-member $155 CREATIVE COLLAGE Class Size Limit 10 E0286A Beginning 9/12 E0286B Beginning 10/17 E1026 5-WEEK PART II BEGINNING 10/18 Sandy Blanc KATAZOME: NATURAL PIGMENTS Wednesday 1pm – 4pm Fiber & Material 1North WITH SOY MILK This class features two-dimensional paper collage Akemi Nakano Cohn using both ready-made and self-prepared papers. Thursday 9:30am – 12:30pm Studies Techniques in creating papers for use in collages 1North will be taught as needed, while making artwork on a Katazome is an ancient Japanese resist dyeing variety of substrates. Composition, color and other technique used to make beautiful designs 3650 12-WEEK elements of art will be explored in the process of especially for kimono (traditional Japanese SEE THROUGH GLASS creating new pieces. Includes critique of fi nished garment). Students will develop design ideas Lilach Schrag work with the goal of creating a series or body of by observing objects in nature, such as leaves, Monday 9:30am – 12:30pm work for exhibition. fl owers, and branches from the surroundings. 1North Skill Level: All levels Students will then experiment to “draw” Marc Chagall once said that working with stained Ages 18+ with tsutsu (special tool like a cone) on cotton, silk, glass is like painting with light. In this multi-level EAC Member $140/Non-member $155 or linen. Rice paste (bran & sweet rice fl our) and class, you will practice cutting, foiling and soldering Class Size Limit 6 soy milk recipes, application of natural pigments, glass, using patterns or your own designs to paint steaming processes are instructed. Supply list beautiful pictures with light. available, plus material fee of $10 per student. Skill Level: Beginner 2572 12-WEEK Skill Level: All Levels Ages 15+ 3-D COLLAGE Ages 18+ Evanston Resident $270/Non-resident $280 Shawn Sargent EAC Member $140/Non-membr $155 Class Size Limit 10 Thursday 9:30am – 12:30pm Class Size Limit 10 1North Create mixed media collage, reliefs and small 3650 12-WEEK object sculptures similar to Kurt Schwitters, Louise MOSAICS Nevelson and Joseph Cornell using regular and NEW Bonnie Katz non-traditional materials—such as found objects Monday 1pm – 4pm and images, paper or fabric scraps, plastic, wood, 1031 12-WEEK 2North wire, and text. Learn basic gluing, joining and image WEARABLE ART In this multi-level class, students learn the process transfer techniques in this low-key, informative Sandra Stone of creating a mosaic piece: cutting tile, layout and class packed with projects, resources, critiques Saturday 11am-1pm design, substrates, adhesives and grouting. 2-3 and demonstrations. Composition, color and 1North projects will be offered for students wanting to technique will be addressed. Students will be introduced to the exciting world of learn a variety of techniques. Individual ideas will Skill Level: All Levels Avant-Garde fashion. Explore innovative, fashion be encouraged for the more advanced student. 18+ forward design concepts. Create sculptural Students are welcome to bring their own collection Evanston Resident $270/Non-resident $280 silhouettes using traditional or conceptually driven of ceramic/glass tiles, found objects to incorporate Class Size Limit 8 unexpected materials such as: rubber, paper, into their work. plastic, the imagination is the only limitation. Skill Level: All Levels We will discuss several Avante-Garde fashion Ages 18+ designers and their methods for creating designs. Evanston resident $270/Non resident $280 Skill Level: All Levels Class Size Limit 10 Ages 16+ Evanston Resident $280/Non-resident $290 Class Size Limit 12

10 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org 3540 12-WEEK 3561 12-WEEK METALLURGY UNLIMITED: THE INFINITE FAMILY HISTORIES AND Jewelry & ART OF METAL CLAY THE ARTISTIC PROCESS Katie Baum Kathy Cunningham Wednesday 9am – 12pm Thursday 1pm – 4pm Metalsmithing Noyes Jewelry Studio Noyes Jewelry Studio (PLEASE NOTE: No open toed shoes in Metal Clay takes the long-practiced science of Create a lasting memento or sculpture telling your Jewelry Studio) powdered metallurgy and re-introduces it to family story. Participants can create a piece of the world as our newest eco-friendly fi ne metal jewelry that sets in a sculpture when not being art. With options in pure silver, pure copper, 22k worn or create an initial item that will become part 8351 gold, and bronze, working with metal clays gives of a larger piece in another medium(s) in another LIMITED/MONITORED STUDIO TIME the freedom and beauty of precious jewelry or term. Ideas can be rendered from scratch or you This is available to currently enrolled jewelry sculpture without the cost or mechanical inhibitions can bring in items such as old photographs, watch students for $100 a term. of some of the more traditional metal-smithing parts, old buttons, or other items that symbolize practices. The creative and artistic possibilities are your story. endless, with the ability to fashion any accessory in Ages 16+ your imagination. The course is decidedly student- E3589 5-WEEK BEGINNING 10/16 Evanston Resident $290/Non-resident $300 led, with attending artists deciding the techniques Class Size Limit 10 ENAMELING to be incorporated each week. Leslie Perrino Skill Level: All Levels 3599 12-WEEK Monday 7pm – 10pm ges 16+ Noyes Jewelry Studio Evanston Resident $290/Non-resident $300 INTERMEDIATE/ADVANCED JEWELRY This beautiful art form involves sifting and layering Class Size Limit 12 Leslie Perrino colored glass onto a metal base. Beginners learn Thursday 7pm – 10pm enameling techniques and complete sample pieces Noyes Jewelry Studio and then design and make a piece of their choice. 3592 12-WEEK Students with previous experience will be Advanced student work on more complex projects, METALSMITHING: JEWELRY & OBJECTS introduced to more advanced skills while working improving or learning new techniques. Nancy Sickbert-Wheeler on projects of their choosing. Instruction will be Skill Level: All Levels Wednesday 1pm – 4pm geared toward the individual needs of the student. Ages 18+ Noyes Jewelry Studio Demonstrations and discussion support in-class EAC Member $140/Non-member $155 Acquire and refi ne skills in metalworking. Building work and experimentation is encouraged. Students Class Size Limit 14 on jewelry techniques of soldering, sawing, forming, should come to the fi rst class prepared to work. stone setting and enameling, just to name a few. Skill Level: Intermediate Individual interaction with the instructor encourages 3524 12-WEEK Ages 18+ students to design and construct their own Evanston Resident $290/Non-resident $300 METALSMITHING: BEYOND THE BASICS concepts in jewelry and objects. New techniques Class Size Limit 14 Noel Yovovich and materials with demonstrations, including resin, Tuesday 9am – 1pm etching, and inlay are given throughout the session. Noyes Jewelry Studio Projects are given with specifi c techniques to be For the jewelry student who is comfortable with the explored and mastered. basics of soldering, sawing, fi ling, and polishing, Skill Level: All Levels this intermediate-to-advanced class offers the Ages 18+ opportunity to explore more ambitious techniques, Evanston Resident $290/Non-resident $300 Printmaking as well as professional tips and tricks. Weekly Class Size Limit 10 demonstrations will include such skills such as faceted-stone setting, hinges and mechanisms, fusing, adding gold to silver jewelry, and others, 3597 12-WEEK 1550 12-WEEK according to the interests and abilities of the BEGINNING/INTERMEDIATE JEWELRY ADVANCED PRINTMAKERS’ individual students. Leslie Perrino MASTER CLASS Skill Level: Intermediate Wednesday 7pm – 10 pm Julian Cox Ages 18+ Noyes Jewelry Studio Monday 9:30am – 12:30pm Evanston Resident $350/Non-resident $360 Through structured projects, beginning students Noyes Printmaking Studio Class Size Limit 10 will be introduced to basic fabrication techniques - In this class advanced printmakers may engage in such as sawing, soldering, fi ling and fi nishing - and individual research and development or execute become accustomed to working with jewelry- 3503 12-WEEK special printmaking projects in any print medium making tools and equipment. The instructor will LOST WAX CASTING AND MORE supported by the shop. Printmakers may edition present demonstrations for all levels, including plates, blocks or stones or receive individual Virgil Robinson forming, chains, rivets, and forging. Students instruction or review of intaglio, relief, lithography or Tuesday 7pm – 10pm should be prepared to purchase a materials kit. Kit monotype/monoprint methods. The instructor will This course is designed for individuals who costs approximately $80. support individual work acting in the role of master are interested in lost wax casting and who are Skill Level: Beginner-intermediate printer. profi cient in fabrication skills such as soldering, Ages 18+ Skill Level: Advanced/experienced printmakers sawing and fi nishing. Topics covered include wax Evanston Resident $290/Non-resident $300 Ages 18+ carving, casting, bezel making, working in gold Class Size Limit 14 or silver, fabrication techniques, and oxidation. Evanston Resident $305/Non-resident $315 Students cast at least once during the term. Class Size Limit 5 Skill Level: Beginner Ages 17+ Evanston Resident $290/Non-resident $300 Class Size Limit 10

Classes without minimum enrollment are cancelled 3 days before fi rst class. 11 1519 12-WEEK 1506 12-WEEK 0519 12-WEEK MULTI-LEVEL EXPERIMENTAL PRINTMAKING FORM & FUNCTION PRINTMAKING SURVEY MULTI-LEVEL SEMINAR Leslie Jay Orenstein Julian Cox Michael Jackson Monday 6:30pm – 9:30pm Monday 1pm – 4pm Tuesday 7pm – 10pm Ceramic Studio Noyes Printmaking Studio Noyes Printmaking Studio This class is for students with some experience The survey class allows students to work in This class is either structured or informal to suit in throwing and hand-building. Students will be etching, engraving, drypoint, woodcut and the requirements of both beginners and repeat encouraged to add to their repertoire of forum and other relief methods including use of letterpress students. The chemistry of class dynamic is techniques—throwing “larger,” adding appendages equipment. Lithography including stone, plate and integral; those making their fi rst prints mix with to pots, and altering thrown forms. We will explore alternative lithographic processes are also available more experienced printmakers. From basic how function -- the purpose of the piece—relates in the survey class. Students my concentrate transfer drawing, ideas are developed across to form, the shape, and the design of the piece. We on one or two techniques for the semester or media, including drypoint and carborundum will work with high-fi re reduction stoneware. progress from one method to the next gaining a collograph, screen monoprinting and polyester Skill Level: Intermediate, Advanced brief exposure to each. One session will be devoted plate lithography, using both oil and water soluble Ages 18+ to archival handling of works on paper including techniques. Transforming the humblest doodle Evanston Resident $325/Non-resident $335 framing and matting. into something more exciting through the alchemy Class Size Limit 12 Skill Level: All Levels of diverse printmaking procedures is entirely Ages 18+ or with instructors permission possible in this course, as well as breathing new life 0555 12-WEEK Evanston Resident $305/Non-resident $315 into more advanced conceptions. The lofty term INTERMEDIATE/ADVANCED CERAMICS Class Size Limit 7 seminar here is taken directly from the Latin “seed plot” i.e. a place to sow ideas in a free-thinking David Trost environment. Tuesday 9:30pm – 12:30pm 1503, 1530 12-WEEK Skill Level: All Levels Ceramic Studio This class is for students with some experience ETCHING & WOODCUT Ages 18+ in throwing and hand-building. Students will be Julian Cox Evanston Resident $305/Non-resident $315 encouraged to add to their repertoire of form and 1503 Tuesday 9:30am – 12:30pm Class Size Limit 7 1530 Thursday 9:30am – 12:30pm technique. He we will be throwing “larger,” adding Noyes Printmaking Studio appendages to pots, and altering thrown forms. We The Etching and Woodcut class is a basic, 1525 12-WEEK will explore form and function as well as shape and introductory printmaking class focusing on these SURVEY OF PRINTMAKING TECHNIQUES design of ceramic pieces. Additionally, we will work two techniques. Instruction will cover metal Julian Cox with high-fi re reduction stoneware. plate intaglio and woodcut methodology with Wednesday 9:30am – 12:30pm Skill Level: Advanced an emphasis on development of prints from Noyes Printmaking Studio Ages 18+ hand-drawn imagery. Printmakers of all levels of The survey of techniques course covers etching Evanston Resident $325/Non-resident $335 experience will benefi t from this class. A discussion and other intaglio methods, woodcut and related Class Size Limit 12 of paper handling, archival storage, matting and relief methods and can include an introduction to framing of works on paper will be included. lithography for students who opt for the lithography 0544 12-WEEK Skill Level: All Levels unit. Students may work on a range of different RAKU FLASH AND CRACKLE Ages 18+ or with instructors permission methods or concentrate on one or two techniques. Kevin Foy Evanston Resident $305/Non-resident $315 One class session will be devoted to matting, Tuesday 7pm – 10pm Class Size Limit 7 framing and archival conservation of works on paper. Ceramics Studio This class explores the raku fi ring process - a Skill Level: All Levels E1512 6-WEEK BEGINNING 9/11 Japanese low fi re technique that involves fi ring fast Ages 18+ or with instructors permission and removing hot pieces from the kiln. Students will PRINTMAKING SHORT COURSE Evanston Resident $305/Non-resident $315 be involved in loading the kiln and the post fi ring Julian Cox Class Size Limit 7 Tuesday 1pm – 4pm reduction process. This exciting process involves Noyes Printmaking Studio a lot of heat, smoke and fi re. Metallic copper and The Short Course is a printmaking survey class crackle glazes will be the focus. Wheel thrown and for students who must make a shorter time hand built pieces can be fi red. This technique is a commitment than that for the 10-week class. decorative glaze surface and not functional. Instruction in etching, woodcut and other relief Skill Level: All Levels methods as well as plate lithography and related Ceramics Ages 18+ lithographic methods is included. Students may Evanston Resident $325/Non-resident $335 survey the range of techniques or concentrate on Class Size Limit 12 one method for the 5-week period. Skill Level: All Levels 0533 12-WEEK Ages 18+ or with instructors permission BEGINNING WHEEL EAC Member $155/Non-member $170 Patty Kochaver Class Size Limit 7 Monday 9:30am – 12:30pm Ceramic Studio This class will introduce the beginning student to the potter’s wheel, giving them a solid base on which to build their throwing skills. Students will fi rst master the cylinder allowing them to move on to more complex forms, and will explore glazing techniques and fi ring basics. This is also a chance for continuing students improve their throwing technique. Skill Level: Beginner Ages 18+ Evanston Resident $325/Non-resident $335 Class Size Limit 12

12 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org 0508 12 WEEK 0550 12-WEEK 2577 12-WEEK INTERMEDIATE/ADVANCED CERAMICS: DRINKING AND POURING VESSELS, ETC. FIGURE MODELING AND CASTING THROW, HANDBUILD, ALTER Lisa Harris Shencheng Xu Lisa Harris Thursday 7pm – 10pm Tuesday 7pm – 10pm Wednesday 9:30am – 12:30pm This class will focus on the sculptural aspects of Noyes Figure Studio Designed for the student with specifi c goals the thrown form, as we explore pitchers, teapots, This studio course introduces students to the and for those who want to build on their wheel mugs, cups and saucers. goblets, etc. We will also fundamentals of sculpting the human fi gure with and hand-building construction skills. Through focus on general throwing skills as well as surface an exploration of casting methods and materials. demonstrations, discussion, and lots of individual treatment including slip and glaze decoration, Class time is devoted to modeling, and various guidance students broaden their understanding of stains, stamps, incising, and altering forms. Bring mold making and casting techniques. Modeling in technique, materials and ceramic history. Class your ideas. clay is one of the primary methods sculptors use is enhanced by a wide variety of activities such Skill Level: All Levels for studying the fi gure. Clay is a forgiving and subtle as glaze testing, creativity exercises, and informal Ages 18+ medium, well suited to the needs of beginning, critiques. Evanston Resident $305/Non-resident $315 intermediate and advanced students. Slide Skill Level: Intermediate /Advanced Class Size Limit 12 lectures, demonstrations, discussions and critiques Ages 18+ throughout the session. Evanston Resident $325/Non-resident $335 Skill Level: All Levels Class Size Limit 12 Ages 18+ Evanston Resident $305/Non-resident $315 Class Size Limit 15 E0502A, E0502B 5-WEEK CLAY & MOSAICS Figure 2581 12-WEEK Bonnie Katz E0502A Beginning 9/12 NEW EXPLORATIONS E0502B Beginning 10/17 Sculpture Barbara Goldsmith Wednesday 1pm – 4pm Thursday 9:30am – 12:30pm Noyes Figure Studio Ceramic Studio Monitored Studio Time Have you ever wanted to create a back splash, Learn to create abstract three-dimensional art Fees vary from studio to studio. Use Code 8251, forms by exploring non-objective, organic and create an architectural border over your front door $95 per session, available to currently enrolled or decorate a fl owerpot? First, students will learn fi gurative themes. Stoneware clay, plaster, concrete fi gure sculpture students. (Use Code 8251A for with fi berglass, Styrofoam, along with metal, glass basic clay techniques: slab, pinching and coil $35 weekends only.) making to create simple and colorful clay shapes and found objects may be used. Instruction in slab and tiles. Second, students will learn the basics of and coil building, armature assembly and plaster mosaic making: cutting and laying tile, adhesives, 2576, 2578 12-WEEK mold casting techniques will be investigated. Some and grouting. Your ceramic components will be THE FIGURE: REAL OR IMAGINED sculptural experience is recommended. incorporated into your designs and combined Sheila Oettinger & Barbara Goldsmith Skill Level: All Levels with commercial ceramic and glass tiles. Just 2576 Monday 9:30am – 12:30pm Ages 18+ come ready to explore materials and create unique 2578 Wednesday 9:30am – 12:30pm Evanston Resident $305/Non-resident $315 designs. Noyes Figure Studio Class Size Limit 12 Skill Level: All Levels Students sculpt the fi gure in clay from live models. Ages 18+ Models generally hold the same pose for 3 EAC Member $165/Non-member $180 classes. Students study the model learning to see Class Size Limit 10 proportions, gesture, and anatomy as they work realistically or use the model as the inspiration 0550, 0557 12-WEEK for more imaginative and interpretative work. Metal Sculpture Instructors work with each student individually. LEARN TO THROW Finished sculptures are hollowed, dried, and fi red Leslie Jay Orenstein into stoneware ceramics. Afterwards students can Monitored Studio Time 0556 Wednesday 6:30 – 9:30 add color and texture through the use of assorted Available to all currently enrolled metal sculpture 0557 Thursday 9am – 12pm stains, slips, and other ceramic patinas. students for $120 for the semester (use code 8301), Ceramic Studio Skill Level: All Levels Studio is also available on a drop-in basis for $10 This class will be taught to each student’s Ages 19+ per 3 hour session. Schedules are determined at individual needs. It’s appropriate for students Evanston Resident $305/Non-resident $315 the beginning of the semester. with no experience, as well as those with some Class Size Limit 12 experience in throwing. Students will learn and become comfortable with the basic techniques in 3010 12-WEEK throwing (centering, opening, and pulling cylinders) 2580 12-WEEK INTRO TO METAL ART and glazing. We’ll work with high-fi re reduction FIGURE SCULPTURE Matt Runfola stoneware to make mugs, bowls, and plates. Vincent Hawkins Monday 9:30am – 12:30pm Skill Level: Beginner, Intermediate Tuesday 9:30am – 12:30pm Metal Studio Ages 18+ Noyes Figure Studio An introductory class designed for the student Evanston Resident $305/Non-resident $315 This class focuses on the study and interpretation with no experience who wants to learn through Class Size Limit 12 of the human form. Instruction in armature building, instructor-assigned projects. Students will mold-making, concrete and plaster casting and be exposed to basic tool operation and the hollowing techniques for stoneware fi ring will be fundamental metalworking techniques of cutting, given on an individual basis. Models pose for manipulating, and joining, and apply them to three several weeks to allow maximum anatomical study. projects: treasure box/fl oating wall shelf, small Skill Level: All Levels organic sculpture, and tabletop candleholder. There Ages 18+ will be opportunity for students to personalize each Evanston Resident $305/Non-resident $315 project. Students will come away with a sound idea Class Size Limit 16 of what can be done with metal to create art, in a

Classes without minimum enrollment are cancelled 3 days before fi rst class. 13 Image: Freephoto.com supportive environment. Assigned project material NEW E3050 6-WEEK BEGINNING 10/27 is included with tuition fee. CLASS PATINA TECHNIQUES FOR THE Attendance in the fi rst class is mandatory. METALLIC AND NON-METALLIC OBJECT Skill Level: Beginner 3040 12-WEEK Matt Runfola Ages 18+ CLASS FOUNDRY METHODS: Saturday 10am – 1pm Evanston Resident $370/Non-resident $380 SAND CAST ALUMINUM Runfola Studios, 500 W. Cermak Rd., Chicago, Class Size Limit 10 Dominic Sansone 60616 Tuesday 7pm – 10pm Learn the art of surface colorations through 3020 12-WEEK Metal Studio chemical reactions (patinas) on your metallic and CONTINUING METAL SCULPTURE Begin or continue your exploration of foundry work non-metallic objects (including clay, canvas, wood, Matt Runfola with this hands-on overview of steps involved in concrete, etc.). This hands-on workshop will teach Monday 7-10pm the 8000 year old process of metal casting. In this students the proper steps in preparing the surface Metal Studio class, students of all levels will learn the industry to accept patinas, various methods of patina A multi-level class designed for the self-paced standard of sand casting aluminum (open-face and applications, and proper sealing of the colored student interested in learning metal working 2-piece molds) to create three-dimensional objects. surface for durability. Students will learn techniques techniques in relation to the functional and Students will be exposed to the history of cast on sample materials, with the option to work on sculptural object. Beginning students complete one metal and contemporary practices incorporating personal artwork as well. All materials are included assigned project while learning oxygen/acetylene cast objects. The class introduces basic foundry for the sample work; fi nishes on personal artwork welding, cutting, and the use of primary hand and processes involved including: modeling (pattern- may incur additional supply charges. Students will power tools. The remainder of the session exposes making), spruing, mold-making, metal casting, and be asked to purchase a respirator good for acid beginning and returning students to additional skills metal fi nishing. Tuition includes mold material and gases and organic chemicals. Open to all mediums. used in creating welded sculpture/furniture, and will 5 lbs of aluminum per student. Pattern material not Attendance in the fi rst class is mandatory. be used for independent projects. included, and will be discussed during week 1. Skill Level: All Levels Attendance in the fi rst class is mandatory. Attendance in the fi rst class is mandatory. Ages 18+ Ages 18+ Skill Level: All Levels EAC Member $250/Non-member $250 Skill Level: All Levels Ages 18+ Class Size Limit 12 Evanston Resident $370/Non-resident $380 Evanston Resident $370/Non-resident 380 Class Size Limit 10 Class Size Limit 10

3021 12-WEEK 3030 12-WEEK CONTINUING METAL SCULPTURE Youth Matt Runfola CONTINUING METAL SCULPTURE Tuesday 9:30am – 12:30pm Matt Runfola Metal Studio Wednesday 9:30am – 12:30pm NEW A multi-level class designed for the self-paced Metal Studio Designed for the continuing student who is student interested in learning metal working 4339 12-WEEK comfortable with the basic techniques of art techniques in relation to the functional and ART AND CHILDREN’S LITERATURE sculptural object. Beginning students complete one metalworking, and is interested in taking their sculptural/functional work to the next level. Pam McGaghie assigned project while learning oxygen/acetylene Monday 4:00pm - 5:30pm welding, cutting, and the use of primary hand and Students work on independent projects from the start. In-depth weekly discussion topics 1North power tools. The remainder of the session exposes Students will become familiar with many picture beginning and returning students to additional skills will include: advanced metal working tools and techniques, inspiration and design, contemporary book author/illustrators by creating artworks used in creating welded sculpture/furniture, and will inspired by their stories and choice of medium. We be used for independent projects. sculpture reviews, the business of art, group critiques, etc. will make “Eric Carle” paper and create marvelous Attendance in the fi rst class is mandatory. collages depicting animals from his most recent Skill Level: All Levels PLEASE NOTE: Enrollment open only to students who have successfully completed two EAC Metal book, The Artist who Painted a Blue Horse, an Ages 18+ Sculpture classes, or with Department Coordinator homage to Franz Marc; draw line illustrations Evanston Resident $370/Non-resident $380 approval. Attendance in the fi rst class is mandatory. in the style of Shel Silverstein; make whimsical Class Size Limit 10 Skill Level: Intermediate/Advanced portraits inspired by Ezra Keat’s Jenny’s Hat; and Ages 18+ imagine and create other images from the many Evanston Resident $370/Non-resident $380 lessons Pam McGaghie has used in her 19 years of Class Size Limit 10 teaching art in the Wilmette Public Schools. Ages 6 – 8 EAC Member $170/Non-member $185 3022, 3023 12-WEEK Class Size Limit 10 CONTINUING METAL SCULPTURE Dominic Sansone 4143 12-WEEK 3022 Wednesday 7-10pm 3023 Saturday 9:30am – 12:30pm EXPLORING CLAY Metal Studio Cathy Westphal Beginning students complete one assigned project Monday 4:15pm - 5:45pm while learning oxygen/acetylene welding, cutting, Ceramic Studio and the use of primary hand and power tools. Come create mugs, bowls, folk beads, message The remainder of the session exposes beginning boxes, animals and more while learning basic and returning students to additional skills used in hand-building skills. We’ll explore texturing and creating welded sculpture/furniture, and will be decorating techniques using a variety of natural used for independent projects. objects and sculpting tools. Your imagination will Attendance in the fi rst class is mandatory. bloom as you fi nish your fanciful and functional Skill Level: All Levels projects with colorful, food-save glazes. Ages 18+ Skill Level: Beginner Evanston Resident $370/Non-resident $380 Ages 5 - 7 Class Size Limit 10 Evanston Resident $175/Non-resident $190 Class Size Limit 10

14 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org 4036 12-WEEK 4012B 12-WEEK 4031 12-WEEK JEWELRY MAKING / METALSMITH MIXED MEDIA DRAWING, PAINTING EXPERIMENT WITH CLAY Catherine DeVuono AND MORE Heidi Ross Monday 6:30pm – 8:30pm Aviva Ginzburg Wednesday 4:15pm – 5:45pm Noyes Jewelry Studio Tuesday 4:15pm-5:45pm Ceramics Studio This multi-level jewelry-making course introduces 2North Learn to make and glaze exciting and creative clay students to the metal shop hand tools and This class is for young artists who want the total projects using hand building and wheel throwing machinery for fabrication with copper, brass art experience. Students will explore drawing, techniques. Surface, sgraffi to and carving and silver using basic methods of cutting, fi ling, painting, collage, sculpie and more. Two- and techniques will also be explored. forming, planishing, annealing and soldering. three-dimensional art will be studied while using a Skill Level: All Levels Students design and create projects with wire wide variety of materials. Artists, movements and Ages 8-10 and beads using a variety of techniques such genres will be discussed. EAC Member $175/Non-member $190 as twisting, shaping with the anvil and forging. Skill Level: All Levels Class Size Limit 10 Lessons also include working with sheet metal Ages 7-10 create forms using the saw and also explore EAC Member $170/Non-member $185 4003A, 4003B 12-WEEK stamping and dappling tools. Students must follow Class Size Limit 10 studio SAFETY rules. AFTER SCHOOL TREATS Skill Level: All Levels 4003A Ages 5-7 Ages 14-18 4016 12-WEEK 4003B Ages 8-10 EAC Member $215/Non-member $230 TWO SIDES OF CLAY Cheryl Steiger Class Size Limit 10 Deborah Kugler Wednesday 4:15pm – 5:45pm Tuesday 4:15pm – 6:15pm YFA 2North This class gives students the opportunity to explore 4012A 12-WEEK Ceramic Studio Enjoy the opportunity to explore both hand-building both 2-D and 3-D work. Students spend half the MIXED MEDIA DRAWING & PAINTING and wheel throwing techniques. This class allows term learning 2-D processes, like painting, drawing, Cheryl Steiger for the student to select their weekly project and cartooning, or printmaking, as well as creating 3-D Monday 4:15pm – 5:45pm area of concentration if desired. Both functional sculptures. The other half of the term is spent with YFA North and sculptural forms are presented. ceramic clay; kids learn hand-building techniques Students study drawing and painting through a Skill Level: All Levels and how to embellish and glaze a variety of clay range of materials and methods. From ancient Ages 11 – 14 projects. masters to modern artists, we will explore a EAC Member $190/Non-member $205 Skill Level: All Levels variety of art movements and styles while gaining Class Size Limit 10 EAC Member $170/Non-member $185 experience with techniques, such as shading Class Size Limit 10 and perspective. Work with different drawing and painting materials. Projects can include portraits, 4140 12-WEEK printmaking, collage, cartooning and other mixed NEW media techniques. BEGINNING DRAWING Cheryl Steiger Ages 7-10 4340 5-WEEK BEGINNING 9/12 EAC Member $170/Non-member $185 Thursday 4:15pm – 5:45pm Class Size Limit 10 BOOKS GALORE! YFA North Mairin Hartt Students begin to learn drawing fundamentals, Wednesday 4:15pm – 6:15pm such as line, shape, form, and composition. They 4225A, 4225B, 4225C, 4225D 12-WEEK 1North explore different materials and techniques as they ART EXPLORERS This course will introduce students to basic draw from observation and imagination. RETURN Roberta Miles bookmaking and bookbinding techniques. STUDENTS WELCOME! Teacher works individually 4225A Tuesday 1pm – 2:30pm Ages 3-4 Students will explore working with paper as a with students to develop skills and ideas. 4225B Wednesday 1pm – 2:30pm Ages 5-6 medium, build upon previous drawing experience, Ages 6-9 4225C Tuesday 10am – 11:30am Ages 3-4 become acquainted with basic printmaking, and EAC Member $170/Non-member $185 4225D Wednesday 10am – 11:30am Ages 5-6 create narrative works of art. Book techniques Class Size Limit 10 YFA South taught include accordion books, pop-up books, This class emphasizes use of the small motor skills. fl ipbooks, Japanese binding, and more! 4190 12-WEEK Children are introduced to different art materials Skill Level: Beginner/Intermediate including, but not limited to; pastels, water colors, Ages 7-12 TEEN/PRETEEN STUDIO PAINTING and tempera paint. Some projects are craft-like, EAC Member $95/Non-member $110 Aviva Ginzburg but there is an emphasis on developing drawing Class Size Limit 10 Wednesday 4:15pm – 6:15pm and painting skills. We are exploring creative Thursday 4:15pm – 6:15pm 2North expression. 4053 12-WEEK PLEASE NOTE: Children must be potty trained! Painting in a studio environment, students will be Children attend independent of adults or caregivers ETCHING & WOODCUT working on self-selected subjects using still lives, for this class. Catherine DeVuono images and our beautiful lakefront as inspiration. Skill Level: All Levels Wednesday 6:30pm – 8:30pm Budding artists will explore color combinations, EAC Member $160/ Non-member $175 Noyes Printmaking Studio various mediums, and creative paint applications. Class Size Limit 10 This class is an basic introduction into basic Artists, genres, art styles and movements will be etching and engraving, monotype, and relief discussed. printmaking like woodcut. Each student will create Skill Level: All Levels several printing plates, at least one woodblock Ages 10-13 and short print editions. The goal of this class is EAC Member $185/Non-member $200 to encourage individual development within the Class Size Limit 10 framework of a collaborative studio. Basic materials and supplies will be provided and non-toxic methodology will be used. Skill Level: All Levels Ages 14-18 Evanston Resident $215/Non-resident $185 Class Size Limit 8

Classes without minimum enrollment are cancelled 3 days before fi rst class. 15 of ‘play’. The class will culminate with the class NEW inventing and playing its own outdoor game. This High School class is perfect for the fall football season and 4342 12-WEEK energetic students. MULTICULTURAL ART EXPLORATIONS Skill Level: Beginner Pam McGaghie EAC Member $185/Non-member $200 Thursday 4:00pm - 5:30pm 4183 12-WEEK Class Size Limit 10 YFA South BEGINNING PERFORMANCE ART Join Pam McGaghie, recently retired Wilmette Anthony Romero 4350 12-WEEK Schools art teacher of 19 years, in exploring Tuesday 4:30 - 6:30pm art from around the world. See how we are all MODERN TO POST-MODERN ART HISTORY 3rdFloor AND THEORY connected! Subjects may include African masks This course looks at recent trends in the Anthony Romero in metal repousse, Hokusai inspired Japanese contemporary art world in relation to the history Thursday 4:30pm – 6:30pm printmaking, Native American bison shields, of performance art. Students will participate in Mexican amate bark paintings, Australian aboriginal exercises that explore movement, dance, and Digital Lab2 This course will present the history of art, molas from Panama and much more! visual theater in addition to more experimental contemporary art beginning with the rise of Skill Level: All Levels body based approaches to sculpture and video. modernity and ending with the post-modern Ages 7 – 10 This class is taught concurrently with the Digital dilemma. Touching on themes such as identity, EAC Member $170/Non-member $185 Documentation course and will involve visiting place, the body, and language this course offers Class Size Limit 10 artists and class crossovers. students a comprehensive understanding of the Skill Level: Beginner direction of art since 1945. EAC Member $185/Non-member $200 4360 12-WEEK Skill Level: Beginners/Intermediate Class Size Limit 12 LET’S CREATE WITH CLAY EAC Member $185/Non-member $200 Cathy Westphal Class Size Limit 10 Friday 4:15pm – 5:45pm 4720 12-WEEK Ceramic Studio DIGITAL DOCUMENTATION Stretch your imagination with clay. We’ll make Jillian Soto 4105 12-WEEK self-portrait mugs, fantasy animals, jewelry and Tuesday 4:30pm – 6:30pm SURFACE DESIGN AND TECHNIQUES sculptures. Students of all skill levels learn various Digital Lab Sandra Stone hand-building techniques to make both fanciful and This class examines the importance of both Thursday 4:30pm – 6:30pm functional projects. Your imagination will come to photographic and video documentation in the life as you fi nish a variety of objects with colorful, contemporary art world in relation to the history of 1North Students will print on fabric using various printing non-toxic, food-safe glazes. performance art by using a hands-on approach to techniques. Instruction will include working with Skill Level: Beginner/Advanced documenting art processes such as theater, dance, stencils, silk screens, block printing, and fabric Ages 8 – 10 and sculpture through photography and video. This dying. Print on t-shirts, leather, fabric, etc. Revamp Evanston Resident $175/Non-resident $190 class is taught concurrently with the Performing outdated clothing with techniques taught in class. Class Size Limit 10 Bodies course and will involve visiting artists and Some supplies will be provided and a supply list will class crossover. be given at the fi rst class. Skill Level: Beginner 4745 6-WEEK Skill Level: All Levels EAC Member $185/Non-member $200 EXPRESSIVE IMAGES: BEGINNING DIGITAL EAC Member $185/Non-member $200 Class Size Limit 8 PHOTOGRAPHY Class Size Limit 12 Andrew Breen Sunday 1:30pm – 3:30pm 4104 12-WEEK Digital Lab2 FASHION DESIGN Ever wonder how to create exciting, well-exposed Sandra Stone NEW photos? This hands-on course will make it possible Tuesday 4:30pm – 6:30pm to transform your pictures into brilliant, dynamic 1North 4351 5-WEEK BEGINNING 9/14 works of art using various digital photo techniques. This class teaches aspiring designers to render BREAKING THE RULES: INVESTIGATIONS Students gain experience in photography skills the fashion fi gure using various techniques. IN CONTEMPORARY ART through landscape, portraiture, and still life, and Students will work in colored pencils, markers and Bridget Eastman learn basic Photoshop and website applications. watercolor. Emphasis will be placed on selecting Sunday 1-3 pm Bring digital camera, fl ash card, and extra batteries a design theme, color and fabrics. Designers will Digital Lab2 on the fi rst day of class. also have the opportunity to create patterns and This course is designed to enhance student Skill Level: All Levels construct garments, from concept to creation. knowledge of contemporary artists’ work from Ages 13+ Returning students are welcome. There will be 1980 to the present. Contemporary artists draw individual as well as class instruction. EAC Member $110/Non-member $125 infl uences from art history, cultural events, Class Size Limit 8 Skill Level: All Levels the media, technology, and popular culture to Evanston Resident $185/Non-resident $200 express their public voices through visual art. Class Size Limit 10 This curriculum is designed to focus on specifi c artists within this movement who shape visual 4349 12-WEEK culture through painting, sculpture, mixed media, THE ART OF PLAY! photography, video, and performance art. Jillian Soto Skill Level: All levels Wednesday 4:30pm – 6:30pm Ages High School 3rdFloor EAC Member $95/Non-member $110 This class looks at the rich history and structure Class Size Limit 10 of game-playing from ancient societies to today’s sporting events. Topics will include the ancient ball games of Mezo-America, the origin of the Olympics, the evolution of today’s ballgames such as football and soccer, rule making, and the court or fi eld as a kind of theater for a different kind

16 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org August 24–26, 2012 Exhibition and Sale -YPKH`(\N\Z[HT¶ WT HTLYPJHUJYHM[L_WVVYN :H[\YKH` (\N\Z[HT¶WT    :\UKH` (\N\Z[HT¶WT +H`(KTPZZPVU! ‹;PJRL[Z7\YJOHZLKI` !  /LUY`*YV^U:WVY[Z7H]PSPVU 3PUJVSU:[YLL[H[[OL3HRLMYVU[ 5*HTW\Z+YP]L,]HUZ[VU03

7YVJLLKZZ\WWVY[V]HYPHUJHUJLYYLZLHYJO H[5VY[O:OVYLArt Institute of Chicago; BFA, Tyler Photography at Columbia College Chicago and Maine School of Art. Teaching experience includes the Anna Hanson Faculty Photographic Workshops, Freeport, Maine. A commercial Center in Hinsdale, the Hinsdale Center for the Arts, and art photographer specializing in still-life and food photography for classes in Northwestern University Medical School’s Ethics and The faculty of the Evanston Art Center is comprised of advertising agencies, graphic design studios, and corporations. Humanities department. Cofounder, instructor with the Artist practicing professional artists. Their works can be seen 7in local Working experience includes; Nobart Studios, Kranzten Studios, Sculpture Co-Op, Fire Arts Center. galleries, museums and in numerous collections. The classes and Kraft Foods in Northfi eld, Illinois. Has owned and operated benefi t from their knowledge, experience, and commitment to Bill First Photography, Inc. since 1989. Has been teaching our students. Roger Heuberger, Art Hsitory Studio Lighting classes at Columbia College Chicago since 1974 BSBA University of Denver, 1975 MBA Northwestern, 1999. 2008 Graduate Studies art history at SAIC, 2008 Art History Iris Allen, Digital Media at Sotheby’s Insititute London. Fine Arts Docent (Volunteer) B.S., Western Illinois University; Columbia College; taught at The Kevin Foy, Ceramics at Milwaukee Art Museum in conjunction with New Trier High Art Center Highland Park; freelance photograher; exhibits widely. BA, Northeastern Illinois University, MFA, Northern Illinois School. University, Ceramics. Instructor, College of Lake County, Fine Jesus Macarena-Avila, Art History Line Art Center, St. Charles, Oakton Community College, Des Katherine Hilden, Painting and Drawing Jesus Macarena-Avila has organized numerous exhibits of Plaines., and Terra Incognito Studios, Oak Park. Ceramic M.A. University of Illinois. Additional studies at the School of Latino/a artists at Glass Curtain Gallery (Chicago, Illinois); Technician, Oakton Community College, Northern Illinois the Art Institute of Chicago (scholarship). Exhibits painting, VUSpace at Victoria University, (Melbourne, Australia); and University. Award- winning artist in many solo and group printmaking, drawing. Has taught in Chicago Public High Gallery Visio with the University of Missouri - St. Louis, (St. exhibitions, work in private collection of William Leiberman, Schools, at DePaul University, at the North Shore Art League, Louis Missouri). At EAC, he served as a juror for the 2006 Winter Zolla Leiberman Gallery, Chicago. and the Chicago Architecture Foundation. Blogs at http:// Art Expo and has juried the Ethnic Arts Festival for the City artamaze.wordpress.com and http://facefame.wordpress.com of Evanston. He has served as a faculty member with DePaul Linny Freeman, Fiber & Textiles/Watercolor University, the School of the Art Institute of Chicago; Columbia BFA, Kendall College of Art and Design; BFA, Kansas City Art College Chicago, and Malcolm X Community College. Institute. She teaches at the Suburban Fine Arts Center and has Sarah Holden, Jewelry taught at Stevenson High School Art Odyssey Programs. She is BFA, crafts, Virginia Commonwealth University, Richmond, VA; Katie Baum, Jewelry the proprietor of Coale Design, a fashion accessory business. MFA, Jewelry and Metalsmithing, The University of Wisconsin, BA, North Central College, Naperville, IL. Art Clay Level I Milwaukee. Published artist with work in both national and Certifi cation, Art Clay Senior Certifi cation, Art Clay Certifying Adam Fung, Painting and Drawing international group exhibitions, including Katherine E. Nash Senior Extension, Art Clay Master Instructor, PMC Rio BFA, studio art, Washington University , Gallery, Minneapolis, MN. Rewards Certifi cation. Art Clay Society Director, and public Bellingham,Washington; MFA, painting, University of Notre school teacher. Dame, Indiana. Award winning artist and visiting assistant Bob Horn, Painting and Drawing professor, North Park University, Chicago and University of BA, Southern Illinois University and independent study at The Sandra Blanc, Collage Notre Dame. Exhibits widely thought the Midwest including School of the Art Institute of Chicago. Teaching experience BA, Lawrence University, MA, MFA, Northern Illinois University. solo exhibitions at Zolla/Lieberman Gallery, Chicago, The Snite includes Lill Street Studios, School of the Art Institute of Award-winning practicing artist widely exhibited in private and Museum of Art, Notre Dame. Chicago, Central Y College, Chicago, IL and Allihies Language & corporate collections. Arts Center, County Cork, Ireland. Exhibits nationally. Aviva Ginzburg, Youth Andrew Breen, Youth BFA, Studio Art, Washington University, BA, Marketing, Michael Jackson, Printmaking BFA in photography with a minor in Art History from Columbia University of Wisconsin, Madison. Widely exhibited painter with MFA School of the Art Institute of Chicago, BA (Hons) College Chicago. His work has been shown at the Hokin Gallery, teaching experience, The Art Center, Highland Park. Brighton Polytechnic, UK. Also studied at University of the Ben Shahn Gallery, and Pierro Gallery. Teaching experience Arts Philadelphia. Teaching experience includes University of includes Columbia College Chicago. www.andrewbreen.com David Gista, Painting and Drawing/Youth East London, School of the Art Institute of Chicago, Chicago MFA, Ecole Nationale Superieure des Beaux-Arts in Paris; Printmakers’ Collaborative, Northshore Art League and Akemi Nakano Cohn, Fiber exchange program with Parson School of Paris and The Bezalel Milwaukee Institute of Art and Design. Exhibits nationally and MFA Fiber Art, Cranbrook Academy of Art. BFA Tama Art Art School in Jerusalem. Gista has had numerous exhibitions internationally. University (Tokyo, Japan). Taught: School of the Art Institute of in France, Germany, and the United States and is currently Chicago; Int’l Surface Design conference; Haystack; Anderson represented by Galerie Darthea Speyer, Paris, Thomas Masters Sarah Kaiser, Painting and Drawing Ranch. Solo Exhibits: Urban Prairie; Gallery West (Tokyo) Gallery, Chicago and Cynthia Corbett Gallery, England. Gista BFA, painting and printmaking, Colorado State University; MA, and Art Life Mitsuhashi, (Kyoto, Japan); Habitat University of has shown at The Art Center Highland Park, The University Art History, University of Chicago; MFA, painting, University of Nebraska, Lincoln. Group Exhibits: Fiberart Int’l (touring); The Club of Chicago, and the Union League of Chicago. Chicago. Award winning artist and instructor at the American Bellevue Arts Museum; Museum of Arts and Design; Pittsburgh www.davidgistart.com Academy Art, Chicago. Also taught at the Hyde Park Art Center for the Arts. www.akemistudio.com Center, Lill Street Art Center and Harold Washington College, Dan Godston, Youth Chicago. Widely exhibited in Chicago and the Midwest. Kathy Cunningham, Watercolor BA, University of Michigan, MFA, Mill College, Oakland California. BFA SAIC; BME, WTSU; MPS, Loyola, has 40 years teaching Founder/Director, Borderbend Arts Collective, faculty member Bonnie Katz, Mosaics experience with youth. Kathy creates work in watercolor, metal, English Department at Columbia College, Chicago, Oakton MFA New York State Of Ceramics at Alfred University, Alfred and clay. Go to www.kathycunningham.com Community College, and Morton College. Published poet. New York; BFA Washington University, St. Louis, MO; has to see her work. taught children and adults at Evanston Art center since Barbara Goldsmith, Figure Sculpture/Sculpture 1986 and at Columbia College Chicago and Loyola. Exhibits Julian Cox, Printmaking BFA, University of Illinois, also studied at the Art Institute of nationally and internationally. MFA Printmaking, Western Michigan University, BA in Art Chicago and the University of Minnesota, Duluth. Art teacher Education, University of Maryland, and has studied at the in middle, secondary schools, and adult classes. Exhibited Jeremiah Ketner, Digital Media Corcoran School of Art, Washington, DC. An artist and in Midwest and local galleries for 27 years, and is included in MFA Southern IL University and BFA at CCAD, Columbus OH. printmaker specializing in etching and woodcut prints, he has private and corporate collections. Mayor’s Award for the Arts for Primarily a visual artist with an emphasis on painting. Ketner maintained his own studio in Chicago for fi fteen years. He has Evanston and Evanston Community Service Award. Board draws infl uence from pop-culture, such as Japanese aesthetics, taught studio courses at Western Michigan University and member of the Skokie Northshore Sculpture Park. packaging design, magazine ads, and urban graffi ti. Columbia College. www.smallandround.com Lisa Harris, Ceramics Catherine De Vuono BA Fine Arts, Grinnell College; Post Grad Studies The School Jill King, Painting and Drawing BFA, The School of the Art Institute of Chicago. Teaching of the Art Institute of Chicago. Lill Street Studiomember and MA, University of Wisconsin-Milwaukee, BFA, Northern experience includes Woodlands Academy of the Sacred Heart; instructor of ceramics for 20 years. Led numerous specialty Illinois University. Instructor with Art Encounter, Gallery 37, head of Art Department Grace Church School, NYC; Program workshops/demos: Teacher training The School of the Art and American Academy of Art. Featured in solo and group Administrator for Arts at the University Settlement, NYC. Institute of Chicago; Terra Incognito, Oak Park; Stirling Hall tile/ exhibitions throughout the Midwest in private and public Exhibits nationally. surface workshop; Lill Street; Oakton Community College. collections. Bridget E. Eastman, Painting and Drawing Mairin Hartt, Youth Patty Kochaver, Ceramics MEd Art Education, DePaul University; BA in Studio Art, Minors Artist and educator, 2005 BA Studio Art Beloit College, 2006 BFA, Graceland College, Lemoni, IA; Apprenticeship, F.C. in Art History, Public Relations, Illinois State University. BFA School of the Art Institute of Chicago, 2011 MFA University Ball, Old Town Studio Pueget Sound, WA. Kochaver owned Staff member, Development, Museum of Contemporary of Wisconsin. and operated Clayworks Studio in Rogers Park for fi ve years. Art, Chicago since 2005. Member, New Arts Forum, Urban She has taught at Graceland College, Lamoni, IA, The Fine Gateways Center for Arts Education. Practices center on visual Line Creative Arts Center, Arts Center Highland Park and at studies in contemporary art and postmodern art history, theory, Clayworks. Exhibits nationally. and criticism.

18 REGISTER TODAY: Call 847.475.5300 Fax 847.475.5330 Online www.evanstonartcenter.org Michelle Kogan, Painting and Drawing Sandra Peterson, Jewelry Eleanor Spiess-Ferris Michelle is an illustrator/painter/instructor, and teaches at both Coordinator, Evanston Art Center Jewelry Advanced Open BFA, the School of the Art Institute of Chicago; University of New the Evanston Art Center and the Chicago Botanic Garden. Kogan Studio. Graduate, Chicago Academy of Fine Art. EAC Jewelry Mexico. Represented by Aron Packer Gallery, Chicago. Exhibited also offers Plein Air Painting workshops at the Lurie Gardens in studio cleaning and organizing manager. extensively throughout the United States. Recipient of 1991 Millennium Park, the Emily Oaks Nature Center and additional Illinois Arts Council grant and 1991 Arts Midwest Fellowship. nature venues. She exhibits regionally and nationally, and Janis Pozzi-Johnson, Painting and Drawing received her MFA, from Northern Illinois University, and her BFA, Represented by Perimeter Gallery in Chicago, Rymer Gallery Cheryl Steiger, Youth from The School of the Art Institute of Chicago. View in Nashville, and West Branch Gallery in Stowe, Vermont. Has The American Academy of Art. Cheryl is a commercial artist. Michelle Kogan’s work at ://www.michellekogan.com and her art exhibited internationally, including Switzerland, Brazil, and Teaching includes The Art Center, Highland Park; Waukegan blog at: http://www.moreart4all.wordpress.com. Zimbabwe. Curator of the Veeck Gallery at the Catholic middle schools, Soloman Schechter School, Stevenson High Theological Union in Chicago. Graduated, American School. Exhibits locally. See her work at www.cherylsteiger.com. Deborah Kugler, Glass/YouthBA, University of Wisconsin- Academy of Art. Studied art therapy at the School of the Art Madison; MBA, Northwestern Institute of Chicago. Sandra Stone, Youth University. Ceramic and glass artist exhibits widely. BFA, the School of the Art Institute of Chicago; studied at www.deborahkugler.com. “Web designed by faculty member Virgil Robinson, Jewelry Instituto Marangoni in Milan, Italy. Has worked in fashion Randee Ladden” MPS, Loyola University of Chicago; BS, University of industry. Exhibits locally. Southwestern Louisiana. Studied silversmithing at Oxford Donna Lurie-Semmerling, Painting and Drawing/Youth College of Further Education, England; casting at De Cordova Luke Strosnider, Digital Media BFA and Certifi cate of Art Education K-12, The School of the Art Museum School, MA. Previous owner of a metal fabricating BA, George Washington University, Washington, DC, Certifi cate, Institute of Chicago. Studied at the Ecole France Langue, Paris. company that builds metal sculptures, and specialty designed Fine Art Photography, Photographic Center Northwest, Seattle, Teaching experience includes the Art Center Highland Park, items of bronze, stainless steel and aluminum. WA; MFA, Visual Studies Workshop, Rochester, NY. Instructor, North Shore District 112, Highland Park, IL; Family Network, State University of New York, Brockport; T.A. Photographic Highland Park, IL. Exhibits locally. Anthony Romero, Performance Center Northwest. Award winning published photographer, MFA Performance, The School of The Art Institute of Chicago, exhibits nationally. Pam McGaghie, Youth BA in Art History, Texas State University. A performer and writer Recently retired from teaching art for 19 years in the Wilmette specializing in contemporary performance and dance, he has Jill Sutton, Painting and Drawing Public Schools. Previous career as a medical illustrator at maintained an active base in Chicago while continuing to show MFA, California College of Arts and Crafts; BFA, Washington Lutheran General Hospital. B.S. in Medical Illustration, nationally. He has been a visiting artist and lecturer at The School University in St. Louis. Teaching experience: Old Town Triangle Univ. of Illinois, M.A. in Instructional Media Design, Northwestern of The Art Institute of Chicago and Northwestern University. Association, Civic Arts Education, Walnut Creek, CA, California Univ., Illinois Art Education Certifi cation K - 12. College of Arts and Crafts, Laumeier Sculpture Park, St. Louis, Heidi Ross, Glass, Youth MO. Roberta Miles, Youth M. Ed, National Louis University; BA. Southern Illinois University. BA, Northeastern Illinois University, Associate Degree, American Certifi ed art teacher; certifi ed PMC instructor; instructor, Oakton Stephen Titra Academy of Art. Teacher at Project Leap, The Art Center Community College. BA, Loyola University, Chicago, BA, Mundelein College, Chicago. Highland Park, and Chicago Public Schools. Exhibits in Chicago School of the Art Institute. Published illustrator, great lecturer, and locally. Matt Runfola, Metal Sculpture and artist-in-residence. Work exhibited in private and university BS, Mechanical Engineering from Rochester Institute of collections. Daniel Miller, Metal Sculpture Technology, Rochester, NY. Owns and operates a design/build BA, Hope College, Holland Michigan, MFA, time arts, The School sculpture and functional objects business, with a focus on Cynthia Vaicunas, Painting and Drawing of the Art Institute, Chicago. Adjunct Assistant Professor, unique patina colorations and fi nishes. Runfola is the Studio MFA the School of the Art Institute. Has exhibited regionally and The Department of Art & Technology, The School of the Art Coordinator for the Metal Sculpture Department at the EAC, and in South of France. Thomas Walther, Painting and Drawing Institute, instructor, Oxbow, Saugattuck, MI, “Kinetics: Form in has numerous pieces in private collections nationally. See his BFA, Dennison University, MFA, University of Pennsylvania. Work Motion”; instructor, Columbia College, Chicago, “Introduction to work at www.runfolastudios.com on permanent display at Dennison. Exhibits widely. Robotics”. Award winning artist exhibits widely. Shawn Sargent, Mixed Media Maggie Weiss, Printmaking/Youth Ken Minami, Painting and Drawing BA, School of the Art Institute, Chicago; BFA studies at The BS, Geography from Northern Illinois University. Intern at Artcloth Apprenticed with Paul Ingbretson of Ingbretson Studios, School of the Museum of Fine Arts, Tufts University, Boston, Studios, San Antonio, TX. Weiss is an award winning quilt and Manchester, N.H. Exhibited in Chicago and area galleries. MA. Award-winning tutor and art instructor. Teaches at Greenleaf cloth artist, teaching a variety of classes in the Chicago area and Art Center and other not-for profi t art centers, and works as a beyond. She exhibits and lectures nationally. Mollie Morris, Youth freelance editor and designer. Published artist and writer, her BA, Montana State University, MA, School of the Art Institute, work is exhibited nationally, held in private collections, and Nina Weiss, Painting and Drawing art therapy. Teaches and exhibits locally. Didier Nolet, Painting featured on book and journal covers. BFA, Tyler School of Art, Philadelphia, PA; attended graduate and Drawing Ecole Nationale Superieure des Beaux Arts, Paris. school at the University of Wisconsin, Madison. Extensive Shows internationally. Instructor, Morraine Valley Dominc Sansone, Metal Sculpture teaching experience includes The School of the Art Institute of Community College. BFA, University of Illinois, MFA, visual art and public life, Herron Chicago, Art Center Highland Park, Chicago Botanic Gardens. School of Art and Design, Indiana University, Indianapolis. She is represented by Joyce Petter Gallery, Douglas, MI; Ann Lindsay Obermeyer * Fiber and Textiles, Youth Artwork in the permanent collection of the Kinsey Institute. Loucks Gallery, Glencoe, IL; Editions Limited, Indianapolis, IN BFA, School of the Art Institute; MFA Washington University, Taught Foundry Methods, Sculpture and the Creative Process and ArtCanyon.com. St. Louis; MAT, National Louis University, Chicago. Nationally at Herron. recognized award-winning fi ber artist with gallery exhibits across Cathy Westphal, Youth the country. Teacher, lecturer, published artist. Work in the Lilach Schrag BS from SIU, MFA Loyola University Chicago. Technical assistant permanent collection Museum of Fine Arts, Boston. Art and education, Beit Berl College, Israel; MA Spertus College, for 10 years at Ceramics department at Evanston Art Center. Chicago. Art teacher Solomon Schechter Middle school, Ramah Teaches privately. Sheila Oettinger, Figure Sculpture Camp, and adult classes. BFA, University of Illinois at Champaign, the School of the Art Shencheng Xu, Figure Sculpture Institute of Chicago. Studied in France at the Paris American Nancy Sickbert-Wheeler, Jewelry MFA, Maryland Institute College of Art, Baltimore MD. BFA, Luxun Academy and with sculptor Martine Vaugel. Has installed several Educated at Chicago Academy of Fine Art, the School of the Academy of Fine Arts, Shenyang, China. Completed over a dozen large-scale fi gurative sculpture compositions. Represented by Art Institute of Chicago and University of Oklahoma. Teaching public sculptures in China. Numerous solo and group exhibitions several regional galleries. Exhibits nationally. experience includes The Illinois Institute of Art in Chicago. in the United States and China. At present he is an assistant Also currently teaching at Art Center Highland Park. Designs professor of sculpture at Northeastern Illinois University. Les Orenstein, Ceramics and fabricates enamel jewelry and sculpture. Belongs to the BA in ceramics, Southern Illinois University at Carbondale. Enamellist Society and Chicago Metal Arts Guild. Exhibits locally Noel Yovovich, Jewelry Teaching experience includes 15 years’ teaching at Lill Street and nationally. Educated at the University of Chicago, plus classes and Studios, Chicago, as well as appointments with the North Shore workshops at such institutions as the Revere Academy, the Art League and the SIU Craft Shop Student Center. Recipient Sue Sommers, Watercolor New Approach School, Metalworks, Wildacres, and others. of Illinois Arts Council fellowship and Chicago Department of BA, University of California, Berkeley, MA, New College of Teaching experience includes The Art Center, Bead & Button Cultural Affairs Community Arts awards. California. Widely exhibited artists and author of “Teaching from Show, Beadfest, Penninsula Art Center, many others. Writes the Inside Out”. Award winning grant recipient and teacher. for Art Jewelry Magazine, Lapidary Journal/Jewelry Artist Leslie Perrino, Jewelry Magazine and others. Work has appeared in numerous books MA, Savannah College of Art and Design, Savannah, GA; BA, Jillian Soto, Digital Arts and magazines, national and international exhibits, and art fairs. Purdue University, Lafayette, IN. Teaching experience includes BA, San Francisco State University, summa cum laude, Member of Chicago Metal Arts Guild, Society of North American the Savannah College of Art and Design, Loyola University, photography; MFA, School of the Art Institute, Chicago. Goldsmiths, Society for Midwest Metalsmiths, Metal Clay Guild, Waldorf School, Bucks Rock Camp and the Evanston Art Center; Instructor, Marshall High School, Chicago, teaching Illinois Artisans. member of the Society of North American Goldsmiths, National assistant, School of the Art Institute. Award winning artist EnamelistsGuild, and CMAG. Exhibits internationally. and exhibition curator.

Classes without minimum enrollment are cancelled 3 days before fi rst class. 19 Michelle Kogan, Painting and Drawing Sandra Peterson, Jewelry Eleanor Spiess-Ferris Michelle is an illustrator/painter/instructor, and teaches at both Coordinator, Evanston Art Center Jewelry Advanced Open BFA, the School of the Art Institute of Chicago; University of New the Evanston Art Center and the Chicago Botanic Garden. Kogan Studio. Graduate, Chicago Academy of Fine Art. EAC Jewelry Mexico. Represented by Aron Packer Gallery, Chicago. Exhibited also offers Plein Air Painting workshops at the Lurie Gardens in studio cleaning and organizing manager. extensively throughout the United States. Recipient of 1991 Millennium Park, the Emily Oaks Nature Center and additional Illinois Arts Council grant and 1991 Arts Midwest Fellowship. nature venues. She exhibits regionally and nationally, and Janis Pozzi-Johnson, Painting and Drawing received her MFA, from Northern Illinois University, and her BFA, Represented by Perimeter Gallery in Chicago, Rymer Gallery Cheryl Steiger, Youth from The School of the Art Institute of Chicago. View in Nashville, and West Branch Gallery in Stowe, Vermont. Has The American Academy of Art. Cheryl is a commercial artist. Michelle Kogan’s work at ://www.michellekogan.com and her art exhibited internationally, including Switzerland, Brazil, and Teaching includes The Art Center, Highland Park; Waukegan blog at: http://www.moreart4all.wordpress.com. Zimbabwe. Curator of the Veeck Gallery at the Catholic middle schools, Soloman Schechter School, Stevenson High Theological Union in Chicago. Graduated, American School. Exhibits locally. See her work at www.cherylsteiger.com. Deborah Kugler, Glass/YouthBA, University of Wisconsin- Academy of Art. Studied art therapy at the School of the Art Madison; MBA, Northwestern Institute of Chicago. Sandra Stone, Youth University. Ceramic and glass artist exhibits widely. BFA, the School of the Art Institute of Chicago; studied at www.deborahkugler.com. “Web designed by faculty member Virgil Robinson, Jewelry Instituto Marangoni in Milan, Italy. Has worked in fashion Randee Ladden” MPS, Loyola University of Chicago; BS, University of industry. Exhibits locally. Southwestern Louisiana. Studied silversmithing at Oxford Donna Lurie-Semmerling, Painting and Drawing/Youth College of Further Education, England; casting at De Cordova Luke Strosnider, Digital Media BFA and Certifi cate of Art Education K-12, The School of the Art Museum School, MA. Previous owner of a metal fabricating BA, George Washington University, Washington, DC, Certifi cate, Institute of Chicago. Studied at the Ecole France Langue, Paris. company that builds metal sculptures, and specialty designed Fine Art Photography, Photographic Center Northwest, Seattle, Teaching experience includes the Art Center Highland Park, items of bronze, stainless steel and aluminum. WA; MFA, Visual Studies Workshop, Rochester, NY. Instructor, North Shore District 112, Highland Park, IL; Family Network, State University of New York, Brockport; T.A. Photographic Highland Park, IL. Exhibits locally. Anthony Romero, Performance Center Northwest. Award winning published photographer, MFA Performance, The School of The Art Institute of Chicago, exhibits nationally. Pam McGaghie, Youth BA in Art History, Texas State University. A performer and writer Recently retired from teaching art for 19 years in the Wilmette specializing in contemporary performance and dance, he has Jill Sutton, Painting and Drawing Public Schools. Previous career as a medical illustrator at maintained an active base in Chicago while continuing to show MFA, California College of Arts and Crafts; BFA, Washington Lutheran General Hospital. B.S. in Medical Illustration, nationally. He has been a visiting artist and lecturer at The School University in St. Louis. Teaching experience: Old Town Triangle Univ. of Illinois, M.A. in Instructional Media Design, Northwestern of The Art Institute of Chicago and Northwestern University. Association, Civic Arts Education, Walnut Creek, CA, California Univ., Illinois Art Education Certifi cation K - 12. College of Arts and Crafts, Laumeier Sculpture Park, St. Louis, Heidi Ross, Glass, Youth MO. Roberta Miles, Youth M. Ed, National Louis University; BA. Southern Illinois University. BA, Northeastern Illinois University, Associate Degree, American Certifi ed art teacher; certifi ed PMC instructor; instructor, Oakton Stephen Titra Academy of Art. Teacher at Project Leap, The Art Center Community College. BA, Loyola University, Chicago, BA, Mundelein College, Chicago. Highland Park, and Chicago Public Schools. Exhibits in Chicago School of the Art Institute. Published illustrator, great lecturer, and locally. Matt Runfola, Metal Sculpture and artist-in-residence. Work exhibited in private and university BS, Mechanical Engineering from Rochester Institute of collections. Daniel Miller, Metal Sculpture Technology, Rochester, NY. Owns and operates a design/build BA, Hope College, Holland Michigan, MFA, time arts, The School sculpture and functional objects business, with a focus on Cynthia Vaicunas, Painting and Drawing of the Art Institute, Chicago. Adjunct Assistant Professor, unique patina colorations and fi nishes. Runfola is the Studio MFA the School of the Art Institute. Has exhibited regionally and The Department of Art & Technology, The School of the Art Coordinator for the Metal Sculpture Department at the EAC, and in South of France. Thomas Walther, Painting and Drawing Institute, instructor, Oxbow, Saugattuck, MI, “Kinetics: Form in has numerous pieces in private collections nationally. See his BFA, Dennison University, MFA, University of Pennsylvania. Work Motion”; instructor, Columbia College, Chicago, “Introduction to work at www.runfolastudios.com on permanent display at Dennison. Exhibits widely. Robotics”. Award winning artist exhibits widely. Shawn Sargent, Mixed Media Maggie Weiss, Printmaking/Youth Ken Minami, Painting and Drawing BA, School of the Art Institute, Chicago; BFA studies at The BS, Geography from Northern Illinois University. Intern at Artcloth Apprenticed with Paul Ingbretson of Ingbretson Studios, School of the Museum of Fine Arts, Tufts University, Boston, Studios, San Antonio, TX. Weiss is an award winning quilt and Manchester, N.H. Exhibited in Chicago and area galleries. MA. Award-winning tutor and art instructor. Teaches at Greenleaf cloth artist, teaching a variety of classes in the Chicago area and Art Center and other not-for profi t art centers, and works as a beyond. She exhibits and lectures nationally. Mollie Morris, Youth freelance editor and designer. Published artist and writer, her BA, Montana State University, MA, School of the Art Institute, work is exhibited nationally, held in private collections, and Nina Weiss, Painting and Drawing art therapy. Teaches and exhibits locally. Didier Nolet, Painting featured on book and journal covers. BFA, Tyler School of Art, Philadelphia, PA; attended graduate and Drawing Ecole Nationale Superieure des Beaux Arts, Paris. school at the University of Wisconsin, Madison. Extensive Shows internationally. Instructor, Morraine Valley Dominc Sansone, Metal Sculpture teaching experience includes The School of the Art Institute of Community College. BFA, University of Illinois, MFA, visual art and public life, Herron Chicago, Art Center Highland Park, Chicago Botanic Gardens. School of Art and Design, Indiana University, Indianapolis. She is represented by Joyce Petter Gallery, Douglas, MI; Ann Lindsay Obermeyer * Fiber and Textiles, Youth Artwork in the permanent collection of the Kinsey Institute. Loucks Gallery, Glencoe, IL; Editions Limited, Indianapolis, IN BFA, School of the Art Institute; MFA Washington University, Taught Foundry Methods, Sculpture and the Creative Process and ArtCanyon.com. St. Louis; MAT, National Louis University, Chicago. Nationally at Herron. recognized award-winning fi ber artist with gallery exhibits across Cathy Westphal, Youth the country. Teacher, lecturer, published artist. Work in the Lilach Schrag BS from SIU, MFA Loyola University Chicago. Technical assistant permanent collection Museum of Fine Arts, Boston. Art and education, Beit Berl College, Israel; MA Spertus College, for 10 years at Ceramics department at Evanston Art Center. Chicago. Art teacher Solomon Schechter Middle school, Ramah Teaches privately. Sheila Oettinger, Figure Sculpture Camp, and adult classes. BFA, University of Illinois at Champaign, the School of the Art Shencheng Xu, Figure Sculpture Institute of Chicago. Studied in France at the Paris American Nancy Sickbert-Wheeler, Jewelry MFA, Maryland Institute College of Art, Baltimore MD. BFA, Luxun Academy and with sculptor Martine Vaugel. Has installed several Educated at Chicago Academy of Fine Art, the School of the Academy of Fine Arts, Shenyang, China. Completed over a dozen large-scale fi gurative sculpture compositions. Represented by Art Institute of Chicago and University of Oklahoma. Teaching public sculptures in China. Numerous solo and group exhibitions several regional galleries. Exhibits nationally. experience includes The Illinois Institute of Art in Chicago. in the United States and China. At present he is an assistant Also currently teaching at Art Center Highland Park. Designs professor of sculpture at Northeastern Illinois University. Les Orenstein, Ceramics and fabricates enamel jewelry and sculpture. Belongs to the BA in ceramics, Southern Illinois University at Carbondale. Enamellist Society and Chicago Metal Arts Guild. Exhibits locally Noel Yovovich, Jewelry Teaching experience includes 15 years’ teaching at Lill Street and nationally. Educated at the University of Chicago, plus classes and Studios, Chicago, as well as appointments with the North Shore workshops at such institutions as the Revere Academy, the Art League and the SIU Craft Shop Student Center. Recipient Sue Sommers, Watercolor New Approach School, Metalworks, Wildacres, and others. of Illinois Arts Council fellowship and Chicago Department of BA, University of California, Berkeley, MA, New College of Teaching experience includes The Art Center, Bead & Button Cultural Affairs Community Arts awards. California. Widely exhibited artists and author of “Teaching from Show, Beadfest, Penninsula Art Center, many others. Writes the Inside Out”. Award winning grant recipient and teacher. for Art Jewelry Magazine, Lapidary Journal/Jewelry Artist Leslie Perrino, Jewelry Magazine and others. Work has appeared in numerous books MA, Savannah College of Art and Design, Savannah, GA; BA, Jillian Soto, Digital Arts and magazines, national and international exhibits, and art fairs. Purdue University, Lafayette, IN. Teaching experience includes BA, San Francisco State University, summa cum laude, Member of Chicago Metal Arts Guild, Society of North American the Savannah College of Art and Design, Loyola University, photography; MFA, School of the Art Institute, Chicago. Goldsmiths, Society for Midwest Metalsmiths, Metal Clay Guild, Waldorf School, Bucks Rock Camp and the Evanston Art Center; Instructor, Marshall High School, Chicago, teaching Illinois Artisans. member of the Society of North American Goldsmiths, National assistant, School of the Art Institute. Award winning artist EnamelistsGuild, and CMAG. Exhibits internationally. and exhibition curator.

Classes without minimum enrollment are cancelled 3 days before fi rst class. 19 2012 REGISTRATION & ENROLLMENT FORM RETURN TO: 2603 SHERIDAN RD, EVANSTON, IL 60201 FAX TO: 847-475-5330 Important: Evanston Art Center membership is required to register for adult courses. REGISTRATION FOR FALL CLASSES Mail-in and Drop-off Ongoing MEMBERSHIP LEVEL: ❏ EAC STUDENT $40 ❏ SENIOR / YFA $35 Phone-in and Walk-in Begins July 23 Fall Term September 10 – December 9 ❏ FAMILY $60 ❏ INDIVIDUAL $50 Adult Make-up week December 10 – 16 Name ______REGISTRATION HOURS Monday – Thursday 9 am – 10 pm Street ______Friday 9 am – 5 pm Saturday 9 am – 4 pm City ______State/ZIP Sunday 1 – 4 pm Home Phone ______Work Phone ______CONTACT US Evanston Art Center Tel 847-475-5300 Cell Phone ______Fax 847-475-5330 www.evanstonartcenter.org Email Address ______LOCATION: EAC & NOYES (If Child) Age ______Date of Birth ______Sex ______School ______The Evanston Art Center is located in the historic Parent’s Name ______Clarke mansion in Light House Landing Park at 2603 Sheridan Road, just north of Northwestern Name, Phone of Emergency Contact ______University. All courses are taught here, with the exception of jewelry, fi gure sculpture, printmaking How did you hear about the EAC? ❏ Mail from EAC ❏ Advertisement and some adult /YFA workshops, which are held at our basement studios in the EAC Auxiliary Campus ❏ Facebook ❏ Twitter ❏ Friend ❏ Word of mouth at Noyes Cultural Arts Center in Evanston at 927 Please check your age ❏ 18 - 30 ❏ 31 - 40 ❏ 41 - 50 ❏ 51 - 60 ❏ 61 + Noyes Street. Public transportation: For Evanston Art Center, take CTA Purple line to Central Street in PLEASE LIST YOUR CLASS(ES) BELOW, ALONG WITH ANY SECOND CHOICE(S) YOU MAY HAVE. ADDITION- Evanston and walk 4 blocks east to Sheridan Road. AL CLASSES MAY BE LISTED ON ANOTHER REGISTRATION FORM. For Noyes Cultural Center, take CTA Purple line to Noyes Street and walk west 1/2 block. Paid permit and metered parking available at Noyes. (Permit Code Class Title Day Time Fee parking forms available at EAC and Noyes Cultural Arts Center.) First Choice Second Choice REGISTRATION PROCESS:

First Choice 1) MAIL-IN & DROP-OFF & GO Mail-in and Drop-off & Go registration are ongoing. They Second Choice are processed in order of receipt. First Choice Note: We urge you to put down a second class choice, in case your fi rst choice class is already fi lled. Many fi ll Second Choice quickly. Please be aware that the staff cannot and will not discuss which classes are full, which aren’t, etc., at this PLEASE CHECK IF APPLIES TO YOU: time. ❏ I am a public school teacher taking a class/workshop to earn professional development units to be used for 2) PHONE-IN, WALK-IN teaching certifi cate renewal. Beginning July 23, you can "phone-in" or "walk-in" to ❏ register. You may prefer this method if you want to know I was referred to the EAC by ______(current EAC student) immediately which classes are available, which aren’t, etc. (PRINT NAME) (Mail-in and drop-off registration methods still continue). ❏ I am referring ______(fi rst-time student) to the EAC Phone-in registration may be charged with a MasterCard (PRINT NAME) or Visa credit card during the EAC’s registration hours. (A $5 service fee will be added to all credit card charges.) VISA / MASTERCARD INFORMATION:

CARD # ______TOTAL CLASS TUITION ______3) ONLINE REGISTRATION Online registration - go to www.evanstonartcenter.org EXPIRATION DATE ______MEMBERSHIP ______Some fi nal, but very important details. Mail your regis- NAME ______STUDIO TIME FEE * ______tration form and payment to: EAC, 2603 Sheridan Road, Evanston, IL 60201. Students may prefer payment by YES, I’D LIKE TO CONTRIBUTE TO THE SCHOLARSHIP/FINANCIAL AID FUND! ______check to avoid the $5 service charge attached to credit/ debit cards transactions. Unless you are registering by

IF PAYING BY CREDIT/DEBIT CARD, SERVICE FEE $5.00 phone, you must sign your registration form and your Total Amount ______payment must be included with the registration. When PLEASE READ AND SIGN BELOW. registering by phone, your verbal agreement to EAC’s LIABILITY WAIVER: I have read and understand the registration and refund policies of the Evanston Art Center. Tuition is refundable, minus a policies and liability waiver are needed to complete the processing fee for each class or workshop dropped: ADULT/YFA CLASSES - only if EAC registrar is notifi ed by or on the next working day after the fi rst class has met; WORKSHOPS - only if EAC registrar is notifi ed one week before the fi rst session has met. I fully agree to and accept all EAC school transaction. policies as outlined in the current catalog and recognize EAC’s right to refuse to retain any student in any course at any time without incurring obligations. I know that membership is non-refundable and that there are no exceptions to EAC policies. I hereby accept and assume all risk for CONFIRMATION any harm, injury or damages that may befall me, foreseen or unforeseen, as a result of my participation in workshops and classes at the Evanston If you do not get into your fi rst choice class(es), we will call Art Center. I authorize the Evanston Art Center to seek medical assistance on my behalf if necessary. you. (Online registrants will receive an email confi rma- tion.) Please note: we cannot and will not confi rm each SIGNATURE registration by phone. If you are registering a child, parent or guardian must sign.

20 REGISTRATION INFORMATION AND POLICIES

Dropped between 6 days before the fi rst Dropped after the fi rst REFUND Dropped 7 or more days before session and the fi rst working day after working day after the fi rst session* SCHEDULE fi rst session* fi rst session* Tuition is refunded minus a processing fee ADULT AND YFA CLASSES Tuition refunded minus $50 processing fee** NO REFUND equal to 50% of the tuition WORKSHOPS $100 OR MORE Tuition refunded minus $50 processing fee** NO REFUND NO REFUND WORKSHOPS UNDER $100 Tuition refunded minus $25 processing fee** NO REFUND NO REFUND

*The fi rst session is defi ned as the fi rst day a class or workshop meets (NOT the fi rst class or workshop attended). **To avoid paying the processing fee, students may elect to receive a full tuition credit for classes or workshops dropped seven days or more BEFORE the fi rst session. Tuition credit will have an expiration date of one year from the date the class or workshop was dropped and must be used in full for EAC class and/or workshop tuition. After the credit is redeemed, no further refund options will be available. Tuition credits are not redeemable for cash under any circumstances. Tuition credits may be transferred to another individual only with written notice. MEMBERSHIP they are enrollees or have visitor permission from the The Code of Conduct is printed on the reverse of your Membership contributions help support the Evanston Art Director of Education. enrollment confi rmation. Copies of the Code of Conduct Center’s operations and programs. Membership is required are also available through the EAC Registrar or Director for adult classes at the Evanston Art Center. EAC students FINANCIAL AID/SCHOLARSHIPS of Education. The Art Center reserves the right to refuse may apply for membership at the student rate. Children A limited amount of fi nancial aid and scholarships is to retain any student in any course at any time without need not be members to participate in the Youth Fine Arts available each term for adult courses and Youth Fine Arts incurring obligations. programs. Membership is not required to participate in programs. Assistance will be based on fi nancial need. Re- workshops. Membership is non-refundable. cent and prior recipients must re-apply each semester and STUDIO TIME will be considered for approval, if funds are available, only Several departments off er studio time to current students CLASS DISCOUNTS after allocations to fi rst-time applicants have been made. who would like additional time to work in the EAC studios Introduce a friend (fi rst time student) to EAC classes and For more information or an application, call 847-475-5300. outside of class time. Studio time schedules are worked receive a 20% discount off the price of one class. EAC Applications are available at the front desk. Please submit out at the beginning of each term. Studio time is included Registrar must be alerted when you are introducing a completed application with attendant documents with in class tuition for Ceramics and Printmaking students. student to EAC classes at the time of registration in order your registration. See fi nancial aid sliding scale below. Studio time is available to Figure Sculpture, Jewelry and to receive the discount. Please check the appropriate box Please note: a 1040 is the only acceptable documentation Metal Sculpture students for an additional fee. Students on the registration form indicating that you are referring for fi nancial aid. in these departments may sign up for studio time at any a new student or have been referred by an EAC student point during term. and write in that student’s name. 20% refund will be issued CLASS / WORKSHOP SUPPLY LISTS to the referring student within 30 days after the referred Those registering by mail, telephone or in person will SPECIAL NEEDS AND ACCESSIBILITY student’s fi rst class meets. No discounts will be given for receive a full or partial supply list along with the confi rma- The Evanston Art Center's main level is handicapped dropped or canceled classes. tion of enrollment, when a supply list is available. Online accessible. We encourage the involvement of children and registrants should check the class course description on adults with special needs. Children with developmental REFUNDS our website for supply list availability. disabilities or physical handicaps can, in most cases, be See schedule above. Students are responsible for notifying registered in youth classes. Please let us know about the EAC REGISTRAR that they wish to drop a class; not at- EVANSTON ART CENTER CLOSINGS special needs or health problems in advance, and we will do our best to accommodate you. tending class does not constitute an offi cial withdrawal Classes will not be held on major national holidays or dur- from courses or cancellation of tuition or fees. Notifying ing extremely inclement weather. Generally, the Art Center All classes off ered by the Evanston Art Center at Noyes your teacher does not constitute an offi cial withdrawal - follows the decisions of the District #65 public schools Cultural Arts Center are handicapped accessible. The you must notify the EAC Registrar. There is no reduced or regarding weather related school closings. Classes falling Evanston Art Center is dedicated to developing accessible pro-rated tuition. There are no refunds or make-up classes on these days will be made up at the end of the term and sites for art classes, and is working in cooperation with for classes students miss. There are no exceptions to the will be coordinated between the faculty member and each other organizations – including the Evanston Parks and EAC refund policy. Membership is non-refundable. class. Only the administration may cancel classes in case of Recreation Department, the Adult Continuing Education inclement weather. Please check emergencyclosings.com. CANCELLATIONS Program at Evanston Township High School, Northwest- Classes are cancelled when enrollment minimums are ern University’s Norris Center, and other local arts and FEES education organizations – to ensure that our students not reached. EAC encourages students to register early. Fees are noted in the course description in this catalog. with disabilities are provided with accessible art classes of Classes that do not meet enrollment minimums are Evanston residents pay a lower fee because their tax dol- comparable quality when Evanston Art Center sites are not cancelled three days before the fi rst class, and students lars directly support the Evanston Art Center. are notifi ed by telephone. Full tuition will be refunded suitable. For more information and to allow us to best suit within three weeks. The Art Center reserves the right to your needs, please call the Art Center at 847-475-5300 at POLICY CHANGES least three weeks prior to the start of the term. change instructors, class structure, or to discontinue any The administration reserves the right to alter policies per- class without incurring obligations. If a student is unable taining to courses, fees, and other notices in this catalog YOUTH ARTS LATE PICK-UP FEES to attend a class period for any reason, the Art Center is from time to time as deemed necessary for the proper Parents are responsible for picking their children up on not responsible for providing any make-up. Not attending functioning of the Art Center. All such policy changes will time. The EAC cannot be responsible for students brought class does not constitute an offi cial drop or withdrawal be approved by the Board of Trustees before action is early or picked up late. A fee of $10 per every fi ve minutes from courses or cancellation of tuition or fees. taken. The administration also reserves the right to cancel will be assessed by credit card or by invoice. classes and alter scheduling or staffi ng when circum- PLEASE NOTE: stances warrant. In order to register for adult classes, students must be 18 PERMISSION TO PHOTOGRAPH years of age. Younger students may petition the Director The Art Center retains the right to photograph any class, CODE OF CONDUCT work, student or event and reproduce the images at its of Education for permission to enroll in an adult class In order to provide students, members, visitors and staff discretion without incurring obligations. or workshop. No one, including children of students, is with a safe and supportive educational environment, allowed in the studios during class or studio time unless the Evanston Art Center has adopted a Code of Conduct.

FINANCIAL AID SLIDING SCALE TOTAL (GROSS) INCOME / NUMBER OF FAMILY MEMBERS SUBSIDY 123456 75% $14,020 $16,075 $20,885 $25,825 $30,760 $35,700 50% $18,750 $21,410 $26,345 $31,285 $36,225 $41,165 25% $23,470 $26,735 $31,810 $36,750 $41,690 $47,720 The Evanston Art Center acknowledges the following artists and galleries for graciously contributing works of art to the 2012 Spring Benefi t Auction. We extend our sincere gratitude for their generous support.

OUR GENEROUS EVENT PATRONS David Baker and Catherine Carpenter, Sun H. Choi, Roger and Ann Cole, Craig and Kate Collinson, Robert and Chie Curley, Nancy Delman, Sharon Gilmore, Robert and Julie Gordon, Rachel Hayman, Mark Hudson, Edward and Milena Hughes, Donald and Susan Jeffers, Peter and Dorothy Marks, Richard and Debra Naponelli, Simon and Kim Perutz, Jim and Trude Roselle, Annette Turow, and Sherry Winger

OUR GENEROUS CORPORATE SPONSORS First Bank and Trust, Larsen Manufacturing, Romano Brothers & Co., and Sage Products

GALLERIES (Donated Art Work) LVL3 Gallery Floating World Gallery Monique Meloche Gallery lvl3gallery.com www.fl oatingworld.com/ moniquemeloche.com/ OnView Gallery Pagoda Red Gallery McCormick Gallery www.onviewllc.com www.pagodared.com www.thomasmccormick.com Vale Craft Gallery www.valecraftgallery.com

AUCTIONEER: David Kaufman

FRAME DONATIONS : Shaun Chinsky, Good’s of Evanston; Paula and Jeff Danoff

WINE DONATED BY : Joan and Kevin Evanich

CATERING DONORS: Harold and Karen Bauer, Eric Estes and Linda Beck, Paula and Jeff Danoff, Kevin and Joan Evanich, Neil and Marge Gambow, , David and Beth Hart, Karen Hunt, David and Linda Kaufman, Joseph and Nancy Perkoski, John Saliba and Judy Falconer, George and Karen Ribbon, Rob and Janie Sills, Gail and Ted Struve, and Sherry Winger

GALA CO-CHAIRS Gala Co-chair and Trustee of the EAC’s 2012 Spring Benefi t, Karen Hunt Gala Co-chair and EAC student, Debra Favre

Artists Carolynn Desch Julia Katz Jacqueline Moses Eleanor Spiess-Ferris Dan Addington Norah Diedrich Debra Katz Sampson Stephen Murphy Scott Stack William Anders Ken Dubin Beverly Kedzior Didier Nolet Cheryl Steiger Craig Anderson Debra Favre Barbara Kendrick Peter Nussbaum Michelle Stone Piotr Antonow Mary Alexis Fox Mary Kennedy Leslie Orenstein Jill Sutton Barbara Blades Susan Frankel Jeremiah Ketner Mary O’Shaughnessy Victoria Szilagyi Deborah Boardman Linny Freeman Jin Soo Kim Richard Paulsen Bob Thall Andrew Breen Indira Freitas-Johnson Jill King Sandra Peterson Diane Thodos Clyde Brown Jane Fulton Alt Kaburagi Kiyokata Christopher Plummer Donna Timmermann Suzette Bulley-Bross Dinah Gasper Vera Klement Corey Postiglione M. V. Tobin Kenneth Burkhart Gregory Gaymont Michelle Kogan Paul Preissner Mia Tyson Jan Calek Judith Geichman S Koren Marjorie Price Shafi que Uddin Carlos Cardenas David Gista Dennis Kowalski Marilyn Propp Vincent Uribe Jane Carney Joan Goldin Linda Kramer Joyce Rebora Charlie Van Gilder Marian Carow Barbara Goldsmith Phyllis Krause-Braun Steve Rebora Nina Weiss Gillion Carrara Bud Greene Olivia Ladd Petrides Gay Riseborough Zelda Werner Larry Chait Alice Hargrave Alan Leder Eli Robb Scott Wolniak Helena Chapellin Wilson Lisa Harris Mon Levinson Darrell Roberts Ryan Zoghlin Sun H. Choi Anne Hayden Stevens Charles Long Virginia Roeder Linda Cohn Katherine Hilden Joyce Lopez Nancy Rosen Galleries Judith Citrin John Himmelfarb Roberta Malkin Matt Runfola LVL3 Gallery Barbara Cooper Ruyell Ho Susan Mart Vera Scekic Floating World Gallery Diane Cooper Kevin Hughes Emily McCormick Susan Sensemann Monique Meloche Gallery Jeanine Coupe Ryding Doreen Johnson Owen McHugh John Sevigny OnView Gallery Julie Cowan Pamela Johnson Bert Menco Mary Seyfarth Pagoda Red Gallery Frances Cox Sarah Kaiser James Mesplé Anne Smith Stephan Printworks Gallery Julian Cox Carl Kanter Liz Meyer Sue Sommers Vale Craft Gallery Nancy Delman Bonnie Katz Ken Minami Jean Sousa ADMINISTRATIVE STAFF

Norah Diedrich, Executive Director Upcoming Exhibitions and Events [email protected]

Paula Danoff, Director of Development & Barbara Cooper’s wood sculptures are an Communications BREEZE KEEPER [email protected] Opening Summer 2012 observation of forms in nature and how they react Sculpture on the Grounds to the stresses and obstacles that they confront. The sculptures are organic and uniquely individual. W. Keith Brown, Director of Education Artist – Christine Rojek [email protected] “Over the past 20 years I’ve worn a path along Charlie Van Gilder’s wood sculptures are arrangements of limited elements creating Larry Boswell, Director of IT & Administration I-57 to Champaign, IL where my parents live. As [email protected] the cityscape melts into open land, the landscape structural patterns. He has observed the poetry alternates between carefully planted crop rows and lyricism that is embedded in the sequencing of regular elements. Marcia Levy, Financial Administrator and the gentle prairie. This is my time to break the [email protected] routine, to dream and create to the hum of the tires.

Since my artwork often melds nature and physics Kathe Stoepel, Manager of Print & Online Design I imagined a sculpture that would mimic the sway THIS LAWN IS ON FIRE: [email protected] of the prairie. One sculpted and counter-balanced A NIGHT OF FLAMMABLE ARTS prairie fl ower lead to a cluster that I now call Breeze Saturday, October 27 Receptionists: Gabrielle Burrage, Ariel Hartman, Keeper.” Christine Rojek 7-9pm Joyce Sims, Maudette Watley

This site-specifi c sculpture will be composed of Featuring EAC’s Vincent Hawkins and Kevin Foy 40 aluminum prairie fl owers plus 22 unexpected The Evanston Art Center’s own Vincent Hawkins STUDIO COORDINATORS symbolic images that will sway in the wind. During and Kevin Fow along with our partners at Fire Arts Julian Cox, Printmaking the installation, art students from Columbia Center of Chicago will pour and cast works of art David Gista, Drawing and Painting College Chicago, as well as visitors to the EAC, will on the front lawn here at the art center. Ceramicist Kevin Foy, Ceramics be invited to share their stories of inspiration. Kevin Foy will also demonstrate and fi re ceramic Leslie Perrino, Jewelry works using Raku techniques. Join us for a night of Sheila Oettinger, Figure Sculpture fun and spectacle. Matthew Runfola, Metal Sculpture EVANSTON + VICINITY BIENNIAL Jillian Soto, Digital Lab August 12 – September 9 The Evanston Art Center’s Education Program Juried by Shannon Stratton, is excited to introduce Dialogic Communities: Director of threewalls gallery Repairing the Social Bond. This informal 2012 - 2013 BOARD OF TRUSTEES Opening Reception on Sunday, August 12 monthly discussion about art, we encourage 1pm – 4pm anyone and everyone to share and construct OFFICERS Cash prizes and solo exhibitions will be awarded knowledge with us. Linda L. Kaufman, President and presented at the opening. Teresa Lickerman, 1st Vice President Bruce Rogers, 2nd Vice President DIALOGIC COMMUNITIES: REPAIRING John Saliba, 3rd Vice President CON TEMPLUM* THE SOCIAL BOND Julie Schmidt, Treasurer September 23 – November 4 Thursday, August 30 Lorna Grothe Shawver, Secretary Curated by Mary O’Shaughnessy 5:30pm-7pm Opening Reception on Sunday, DIRECTORS September 23 from 1pm – 4pm Linda Beck Rae Benjamin Participating artists: Yvette Kaiser Rosanne Dineen Smith, Barbara Cooper, and Charlie Joan Keller Evanich Van Gilder Marge Gambow Daphne E. Jones In ancient Rome there was a practice of looking Joseph Perkoski at the heavens through a frame, or templum, Alice Lee Rebechini creating a space for observation. This narrowing Karen Ribbon of the focus to open up creativity is the theme of Renee S. Schleicher this show. Each of the artists have concentrated In conjunction with Insight Art’s Craig Harshaw, Rob Sills their attentions, either in nature, math, or pattern, Dialogic Communities is a participatory art and Gail Struve creating diverse, intricate sculptures, that ask you culture discussion series that will begin late this to stop, and spend some time with each of them. summer at the Evanston Art Center. It seeks to inspire thoughtful dialogue and reinvigorate the springBoard Yvette Kaiser Smith’s crocheted fi berglass spirit of community while serving as a productive Anne Hayden Stevens sculptures are created using mathematical social model. This informal discussion invites Lisa Darling equations, like the fi bonacci curve. The results are regional community members, scholars, and the ordered, undulating forms, that suspend from the public to discuss Harold Bauer, Past President wall, casting shadows that confound the eye, what is solid and what is not. Image; Barbara Cooper

Exhibition funding provided by the Illinois Arts Council, a state agency, and the EAC’s general membership. * This project is partially funded by the Evanston Arts Council, in partnership with the City of Evanston and Illinois Arts Council, a state agency. NON-PROFIT ORGANIZATION US POSTAGE 2603 Sheridan Road PAID Evanston, Illinois 60201 PERMIT #291 847.475.5300 EVANSTON, IL

REGISTER ONLINE @ www.evanstonartcenter.org ECRWSS

MONDAY Morning 9:30am – 12:30pm Afternoon 1 – 4pm Evening 7 – 10pm or 6:30 – 9:30pm Pastel Drawing, p6, Nolet Adv. Photoshop for Photographers, p6, Allen Beg. Digital Photography, p6, Strosnider Painting Studio, p6, Pozzi-Johnson The Artist’s Studio, p7, Gista Illustrated Journals, p7, Cunningham & Titra Open Figure Studio, p7 Drawing & Painting the Nude, p7, Minami Enameling, p11, Perrino See Through Glass, p10, Schrag Mosaics, p10, Katz Form & Function, p12, Orenstein Adv. Printmakers’ Master Class, p11, Cox Multi-Level Printmaking Survey, p12, Cox Cont. Metal Sculpture, p14, Runfola Beginning Wheel, p12, Kochaver The Figure: Real or Imagined, p13, Oettinger & Goldsmith Intro to Metal Art, p13, Runfola

TUESDAY Basic Painting with Acrylics, p7, Lurie-Semmerling Business of Art: The Lunch Sessions, p5, Runfola Engaging Art Appreciation & Art History, p.5, Heuberger Multi-Level Portraiture, p7, Horn The Figure: Creating a Body of Work, p7, Kogan Art Excitement & Art History, p6, Heuberger Exploring Abstract Acrylic Painting, p7, Vaicunas Tasty Arts, p10, Godston Radical Watercolor, p7, Sommers Metalsmithing: Beyond Basics, p11, Yovovich Printmaking Short Course, p12, Cox Return to Drawing & Painting, p8, King Etching & Woodcut, p12, Cox Lost Wax Casting & More, p11, Robinson Inter/Adv. Ceramics, p12, Trost Experimental Printmaking Multi-Level Seminar, p12, Jackson Figure Sculpture, p13, Hawkin Raku Flash and Crackle, p12, Foy Cont. Metal Sculpture, p14, Runfola Figure Modeling & Casting, p13, Xu Class Foundry Methods: Sand Cast Aluminum, p14, Sansone

WEDNESDAY History of Photography, p6, Strosnider Inspirational Drawing/Painting, p. 8, Kogan From Still Life to Real Life, p. 8, Minami Acrylics, p8, Gista Ensemble of the Portrait, p. 8, Minami Seeing the Body, Anatomical Figure Drawing, p. 9, Watercolor Guild, p8, Kogan Oil Painting Fundamentals, p. 8, Gista Kaiser Pursuing the Figure, p8, Pozzi-Johnson Creative Collage, p. 10, Blanc Beg/Inter. Jewelry, p. 11, Perrino The Figure: Real or Imagined, p13, Oettinger & Goldsmith Metalsmithing: Jewelry & Objects, p. 11, Sickbert-Wheeler Learn to Throw, p. 13, Orenstein Metallurgy Unlimited, p11, Baum Clay & Mosaics, p. 13, Katz Cont. Metal Sculpture, p. 14, Sansone Survey of Printmaking Techniques, p12, Cox Inter/Adv. Ceramics: Throw, Handbuild, Alter, p13, Harris Cont. Metal Sculpture, p14, Runfola

THURSDAY Photoshop for Photographers, p. 6, Allen Understanding Light, p. 6, First Painting Seminar & Critique, p. 5, Romero Fundamentals of Drawing, p. 8, Sutton Oil Painting, p. 9, Sutton Beg. Web Design & Online Portfolio, p. 6, Ketner Painting Costumed Figure, p. 8, Pozzi-Johnson Watercolors: Beg/Int., p. 9, Freeman Art from Intuition, p. 9, King Impressions of Landscape, p. 9, Hilden Multi-Level Drawing, p. 9, Hilden Intro to Professional Practices in Painting & Drawing, From Landscape to Mindscape, p. 9, Nolet Family Histories & the Artistic Process, p. 11, Cunningham p. 9, Fung 3-D Collage, p. 10, Sargent Inter/Adv. Jewelry, p. 11, Perrino Natural Dyes with Shibori, p. 10, Nakano Cohn Drinking & Pouring Vessels, p. 13, Harris Katazome: Nat. Pigments w/Soy Milk, p. 10, Nakano Cohn Etching & Woodcut, p. 12, Cox Learn to Throw, p. 13, Orenstein New Explorations, p. 13, Goldsmith

FRIDAY Figure Painting & Drawing Nude Model, p. 9, Spiess-Ferris

SATURDAY Drawing & Painting the Portrait, p. 9, Minami Vecinos: Latin American Art, p. 5, Macarena-Avila Wearable Art, p. 10, Stone Cont. Metal Sculpture, p. 14, Sansone Class Patina Techniques, p. 14, Runfola

SUNDAY Adventures in Transparent Watercolor, p. 10, Cunningham