PAUL VON KLENAU
KONCERT FOR KLAVER OG ORKESTER
PIANO CONCERTO
København 2019 UDGIVET AF EDITED BY
CHRISTINE CANALS-FRAU PETER HAUGE NIELS KRABBE
MED INDLEDNING AF WITH AN INTRODUCTION BY
EVA HVIDT
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd i 226/09/20196/09/2019 14.1614.16 Cover design Willerup & Layout Hans Mathiasen
Music typeset with Sibelius by DCM
ISMN 979-0-900-1843-4-4 DCM 023
© 2019 Danish Centre for Music Editing (DCM) Royal Danish Library, Copenhagen
www.kb.dk
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd iiii 226/09/20196/09/2019 14.1614.16 INDHOLD CONTENTS
Forord v Preface v
Indledning vii Introduction ix
Faksimiler xi Facsimiles xi
Besætning xiv Orchestra xiv
I Allegro 1
II Andante 63
III Lebhaft, und mit Humor 81
Abbreviations 124
Critical Commentary 125
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Paul von Klenaus klaverkoncert er et af de hidtil ukendte værker, Paul von Klenau’s Piano Concerto is one of the hitherto unknown som havde skjult sig i den store samling af komponistens efterlad- works found in a substantial collection of papers kept in Vien- te papirer, som Det Kgl. Bibliotek erhvervede i 2005. Dansk Center na after the composer’s death and acquired by the Royal Danish for Musikudgivelse (DCM) har efterfølgende udgivet fl ere af disse Library in 2005. The Danish Centre for Music Editing (DCM) has værker i kritisk edition, herunder Klenaus 8. og 9. symfoni. previously published critical editions of some of these works, Klaverkoncerten hører til i kategorien af projekter igangsat af including Klenau’s Symphonies nos. 8 and 9. DCM selv uden en særskilt bevilling. Projektet har derfor måttet The Piano Concerto is among a number of projects launched by vige for andre projekter i kortere eller længere perioder. Så meget DCM on the centre’s own initiative with no separate funding. The desto større er glæden over, at det færdige partitur nu foreligger. concerto therefore had to be put aside for other projects more than En række medarbejdere i og uden for centeret har været in- once. We are all the more pleased to fi nally present the edited score. volveret i projektet. Peter Hauge, Christine Canals-Frau og Niels A number of people from inside and outside the centre have Krabbe har påtaget sig det store arbejde med den kritiske revision been involved in the process. Peter Hauge, Christine Canals-Frau af værket. Eva Hvidt har bidraget med den historiske indledning, and Niels Krabbe took responsibility for the painstaking critical og Unni Trap Lund har stået for den sidste korrektur. En stor tak editing of the work. Eva Hvidt contributed with the historical intro- skal lyde for deres indsats. Tak også til Søren Rastogi, som har duction, and Unni Trap Lund did the fi nal proofreading of the fulgt projektet undervejs. Det er håbet, at udgivelsen kan medvir- score. A sincere thanks is due to all of them. I also want to thank ke til, at værket kan blive uropført efter 75 år i glemsel. pianist Søren Rastogi for his engagement in the project. We are hoping that the publication of the score may be a fi rst step on the Axel Teich Geertinger, way to a fi rst performance of the concerto after 75 years in silence. september 2019 Axel Teich Geertinger, September 2019
Dansk Center for Musikudgivelse (DCM) blev etableret i 2009 som en The Danish Centre for Music Editing (DCM) was established in 2009 forskningsenhed under Det Kgl. Bibliotek. as a research unit under the Royal Danish Library. Centeret har til formål at tilgængeliggøre musikalske værker og The Centre’s primary aim is to make musical works and musical musikhistoriske kilder af interesse for musikforskningen og det prak- sources related to Danish history available for scholars and perform- tiske musikliv og i denne forbindelse at videreføre, udvikle og ud- ers; the aim is also to develop and to expand philological competences bygge kompetencer inden for musikfi lologi samt at udvikle metoder and to develop methods and tools for digital editions of music. og værktøjer til digital musikedition. Musical works published by DCM are practical scholarly editions; Noder udgivet af DCM er såkaldt praktisk-videnskabelige ud gaver. that is, they have been edited for practical use, but they also explain Det vil sige, at de er tilrettelagt med henblik på praktisk brug, men at carefully any editorial intervention as well as discrepancies (vari- der også nøje bliver gjort rede for redaktionelle indgreb og for de af- ants) that there might be between the work’s various sources. Thus vigel ser (varianter), der måtte være mellem forskellige kilder til vær- the reader or performer can get an impression of its genesis and vari- ket, så læseren eller musikeren kan få et indtryk af værkets tilblivelse ance. DCM’s music publications include a preface introducing the og varians. DCMs nodeudgivelser er desuden forsynet med en ind- reader to the history of the work and its reception. ledende tekst, som introducerer til værkets historie og reception. The majority of DCM’s publications may be downloaded free of De fl este af DCMs publikationer kan både downloades frit og charge, or a printed paperback copy may be purchased. købes trykt.
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I 1939, efter knap fi re årtiers ophold i Tyskland og Østrig, vendte Det Kongelige Bibliotek erhvervede i 2005. Heri fandtes mere end Paul von Klenau (1883-1946) tilbage til Danmark både af helbreds- 50 kompositioner foruden en række artikler, forarbejder, talrige mæssige grunde og som følge af de politiske forhold i Europa. De breve samt fl ere gennemskrivninger af hans erindringer. Fundet sidste seks år af sit liv var han aktiv som komponist, skribent og gav grundlag for en gennemgående revurdering af komponisten foredragsholder i København, og en række større værker så da- Paul von Klenaus liv og værk, og det medførte bl.a., at hans stort gens lys, heriblandt klaverkoncerten fra 1944. På det tidspunkt anlagte, requiem-lignende symfoni nr. 9 fra 1945-1946 blev udgi- var Verdenskrigen og den tyske besættelse af Danmark gået ind i vet af Dansk Center for Musikudgivelse og uropført ved en tors- den sidste fase, og han følte sig mere og mere isoleret i sine sidste dagskoncert i foråret 2014,4 ligesom en kommenteret udgave af år i Danmark. hans erindringer er under udgivelse.5 1944 var også året, hvor Klenau med hjælp fra en ung sekretær Med sine tyske og danske tilknytninger befandt Klenau sig nedfældede sine erindringer. Her omtalte han sin klaverkoncert som nævnt i en isoleret position i sine sidste år i Danmark, og på følgende måde: ensomheden voksede, efterhånden som modstanden mod be- sættelsesmagten tiltog efter august 1943. Dertil kom, at Klenau Samtidig med at jeg nedskrev disse Erindringer og Betragtnin- led af en alvorlig hjertesygdom, samtidig med at han var meget ger har jeg fuldført og gjort Udkast til fl ere musikalske Arbej- bekymret for sine slægtninge og venner i Tyskland, Wien og Eng- der, blandt andet en Klaverkoncert, en Cellosonate, Nietzsche- land.6 De traumatiske livsomstændigheder fi k til gengæld kom- sangene og Operaen “Faarekyllingen ved Arnen”.1 ponisten og skribenten Klenau til at være ekstra produktiv i sine sidste leveår. “Jeg arbejder igen og det er det bedste middel mod I slutningen af besættelsesårene havde Klenau fået kontakt til den bekymringerne”, skrev han i et af sine mange breve til hustruen, unge danske pianist Boris Linderud (1915-1995), som i 1944 var Margarethe Klimt.7 blevet ansat ved Statsradiofonien. I et brev til sin hustru Margare- Klenaus blækrenskrift (kilde A) af partituret til koncerten for the Klimt skrev han: klaver og orkester er dateret maj 1944. Dertil kommer en blækkopi af solostemmen (kilde D), formentlig udarbejdet af en professionel I går spillede en ung – højt begavet pianist – ved navn Linderud nodeskriver, samt kladden (kilde B) og nogle skitser i Klenaus hånd min nye klaversonate for mig. Jeg er tilfreds med værket. Kun (kilde C). Der er til gengæld intet klaverpartitur i det efterladte ma- synes den alvorlige kunst hjemløs.2 teriale, hvilket kunne tyde på, at der ikke har været planer om en udførelse af værket i Klenaus levetid; værket venter således ved nær- Senere (formodentlig den 11. februar 1944) spillede Linderud værende udgivelse endnu på sin førsteopførelse. sonaten i f-mol og et uddrag af Sechs Präludien und Fugen fra Klaverkoncerten består på klassisk vis af tre satser: 1941 ved en radiotransmission.3 Der er dog ikke noget vidnes- byrd om, at Linderud også kom til at spille klaverkoncerten, 1. Allegro men det var sandsynligvis det tætte samarbejde med Linderud, 2. Andante som inspirerede Klenau til at komponere en koncert for klaver 3. Lebhaft, und mit Humor og orkester. Partituret til klaverkoncerten indgik i den store samling af Paul Tonematerialet er konstrueret ud fra Klenaus tolvtoneprincip- von Klenaus efterladte papirer, som siden hans død i 1946 havde per, og i skitserne er den tilgrundliggende tolvtonerække med været opbevaret i Østrig af hans hustru og efterkommere, og som omvending og elleve transpositioner noteret. Man kan hævde, at han her i lighed med Schönberg fulgte den række, han hav- de fastlagt, og i øvrigt komponerede, som man førhen havde 1 Klaverkoncerten i blækautograf er slutdateret 28.5.1944. De øvrige nævnte værker er Sonate for viola da gamba eller cello og klaver (efter 1940), 9 Lieder zu Friedrich Nietzsche’s Das Nachtlied fra Also sprach Zarathustra (1944) og operaen Faarekyllingen ved Arnen (1944/45). Disse værker er dog ikke Klenaus 4 Paul von Klenau: Symfoni nr. 9, udgivet af Niels Bo Foltmann, Axel Teich sidste; året efter fuldførte han f.eks. sin niende symfoni. Geertinger, Peter Hauge, Niels Krabbe og Bjarke Moe. Dansk Center for 2 “Gestern spielte mir ein junger – hoch begabter Pianist – Namens Linderud meine Musikudgivelse, København 2014. Uropførelsen fandt sted i DR Koncerthuset neue Klaviersonate vor. Ich bin mit dem Werk zufrieden. Nur scheint mir die ernste 20.3.2014 under ledelse af Michael Schønwandt. Kunst heimatlos.-” Brev til Margarethe Klimt, 31.10.1943. DK-Kk, Klenausam- 5 Paul von Klenau: En Musiker Oplever den Europæiske Kultur 1900-1939, med lingen A263. Det omtalte værk er Klenaus sonate i f-mol fra 1943. Sonaten indledning, kommentarer og registre af Eva Hvidt, København, 2019. blev udgivet i 2010 af Dansk Center for Musikudgivelse, redigeret af Lisbeth 6 Andre levede som landfl ygtige i Sverige og USA. Ahlgren Jensen på baggrund af et lystryk fra 1944. 7 “Ich arbeite wieder und das ist das beste Mittel gegen die Sorgen”. Brev til 3 Brev til Margarethe Klimt, 23.1.1944. DK-Kk, Klenausamlingen A257. Margarethe Klimt, 2.12.1944. DK-Kk, Klenausamlingen A257.
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DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd viivii 226/09/20196/09/2019 14.1614.16 gjort.8 Men da tonematerialet er defi neret og anvendt ud fra kom- direktor, en stilling, som han bestred indtil 1930, hvor han måtte ponistens ideer om det, som han selv kaldte “toneartsbestemt trække sig som følge af en høreskade. I 1929 udnævntes han til tolvtoneteknik”, klinger værket ikke som den mere traditionelle, professor i Wien, og i 1930’erne levede han som komponist og atonale dodekafoni, selvom klaverkoncerten hører til blandt de freelance-dirigent med Frankfurt am Main og Wien som faste af Klenaus værker, der kan betegnes som gennemgående dode- holdepunkter. Klenau havde som komponist udviklet en højt dif- kafone. Med sine forholdsvis små intervaller er grundrækken ferentieret senromantisk orkesterstil, som foruden af hans læ- nemlig ganske melodiøs, og den adskiller sig strukturelt fra de rere også var påvirket af Richard Strauss, Beethoven, Bruckner, tonerækker, som Arnold Schönberg og Alban Berg brugte i deres Wagner og til dels Mahler. I 1930’erne begyndte Klenau intensivt tidlige dodekafone værker fra 1921-1925, og som indeholdt en at studere dodekafoniens kompositionsteknikker under inspira- del større intervaller (f.eks. Schönbergs Suite für Klavier og Bergs tion af Josef Matthias Hauer, Arnold Schönberg og ikke mindst Lyrische Suite). Til gengæld bestod grundrækken i Bergs senere Alban Berg, som han lærte at kende i Wien og havde et nært ven- opera Lulu af stort set de samme små intervaller som rækken i skab med. Mens musik af Hauer, Schönberg og Berg blev erklæ- Klenaus klaverkoncert. Det samme kan siges om Klenaus violin- ret for “entartet” efter nazisternes magtovertagelse i 1933, lyk- koncert og hans senere 9. symfoni. I denne sidste symfoni er der kedes det Klenau at få sin stort anlagte, grumme opera Michael tre forskellige tonerækker i brug; de anvendes dog kun i den før- Kohlhaas (efter roman af Heinrich von Kleist) opført på de store ste halvdel af værket og på en betydelig mindre stringent måde operascener i Tyskland i 1933. Først efter premieren afsløredes end i klaverkoncerten. det, at musikken til operaen var bygget over tolvtoneprincipper I klaverkoncerten gør tonerækkens opbygning af sekunder, eller, som Klenau selv benævnte sin metode, “toneartsbestemt tertser og kvarter det umiddelbart muligt at skabe tonale sekven- tolvtoneteknik”. Opførelsen skaffede ham på den ene side en stor ser eller ledetonevirkninger. Tonerækken, dens omvending og kunstnerisk succes; på den anden side stemplede den ham også krebsvending bliver ofte delt i celler af tre-fi re toner, som enten i offentligheden som temmelig nazivenlig, ikke mindst efter at forbereder fremførelsen af et tema eller anvendes senere i satsen han i en artikel i Zeitschrift für Musik havde konkluderet, at hans til udviklingen af det musikalske stof. I klaverkoncerten anvendes teorier om dodekafonien let kunne indpasses i et nationalsociali- tolvtonerækken således både melodisk og tonalt-harmonisk sam- stisk værdigrundlag.10 Ikke desto mindre blev Klenau også afkræ- tidig med, at komponisten omhyggeligt følger rækken.9 vet en grundig redegørelse for sine tolvtone-teorier af den nazisti- ske sammenslutning NS-Kulturgemeinde. Herefter fi k han endnu Biografi to store operaer Rembrandt van Rijn og Die Königin (om Dronning Paul von Klenau var født i København, men levede den største Elizabeth I af England) opført på de tyske operascener, inden han del af sit voksne liv i Tyskland og Østrig. Som ung studerede han i vinteren 1939-1940 vendte hjem til Danmark, hvor han døde i violin og musikteori i København, og i 1901 rejste han til Berlin, august 1946. hvor han studerede komposition hos Max Bruch og violin hos Klenaus kunstneriske produktion omfatter musik i næsten Karel Halírˇ. Fra 1904 fortsatte han kompositionsstudierne i Mün- alle genrer: operaer, symfonier, instrumentalkoncerter, kammer- chen hos Ludwig Thuille, og fra 1908 tog han undervisning hos musik, klavermusik og sange. Dertil kommer, at han skrev libret- Max von Schillings. I 1908 debuterede han som komponist med to til fl ere af sine operaer, udkast til store romaner og skuespil, sin første symfoni, som blev uropført ved Tonkünstlerfest des all- memoirer samt en række musiklitterære artikler og foredrag. gemeinen Deutschen Musikvereins i München. I årene 1907-1914 bestred han forskellige poster som kapelmester og repetitør ved Eva Hvidt teatre i Tyskland, og i 1913 ansattes han som første kapelmester i Freiburg. Under Første Verdenskrig opholdt Klenau sig i længe- re tid i Danmark, hvor han ivrigt deltog i den hjemlige musikde- bat og arbejdede på at arrangere koncerter. I 1920 var han såle- des medstifter af Dansk Filharmonisk Selskab, som han ledede frem til 1926. Her opførtes et bredt spektrum af dansk og især udenlandsk moderne musik, og det lykkedes endda Klenau at få Arnold Schönberg til København, hvor denne i 1923 dirigerede en koncert med egne værker. I mellemtiden var Klenau blevet engageret som kordirigent ved Konzerthausgesellschaft i Wien med senere titel af Konzert-
8 Jf. Schönbergs ofte citerede forklaring: “Man folgt der Reihe, komponiert aber im übrigen wie vorher.” Citatet danner motto for Jan Maegaards disputats Studien zur Entwicklung des dodekaphonen Satzes bei Arnold Schönberg, Køben- havn 1972; se bd. 1 s. 9 og bd. 2 s. 583. 10 Paul von Klenau, “Zu Paul von Klenaus ‘Michael Kohlhaas’”, Zeitschrift für 9 Se faksimile af tolvtonerækkerne s. xiii. Musik, 101 (1934), s. 530-531.
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In 1939, after a career of almost forty years in Germany and Aus- ants in Austria after his death in 1946 and which the Royal Danish tria, Paul von Klenau (1883–1946) returned to Denmark, both on Library acquired in 2005. The collection consisted of more than medical grounds and because of the political situation in Europe. fi fty musical works besides articles, numerous letters and various During the fi nal six years of his life, he was active as a composer, versions of Klenau’s memoirs. The discovery initiated a thorough writer and speaker in Copenhagen, as well as composing several revaluation of his life and work, and among other things occa- large-scale musical works, of which the Piano Concerto of 1944 sioned the fi rst performance ever of his large, requiem-style Ninth is one. By that time, World War II and the German occupation of Symphony (1945–46). This symphony for orchestra, choir, and so- Denmark had entered its fi nal stage, and Klenau himself felt more loists was performed at a concert by the Danish Radio Symphony and more marginalized in Denmark. Orchestra in spring 2014, based on a revised edition by the Danish The year 1944 was also when Klenau, with the assistance of a Centre for Music Editing.4 Furthermore, Klenau’s memoirs will be young secretary, composed his memoirs in which he briefl y men- published in an annotated edition.5 tions his Piano Concerto in the following words: Due to his Danish and German relations, Klenau – as men- tioned above – lived in a rather secluded position during his last While I was writing these memoirs and refl ections, I fi nished years in Denmark. His isolation grew as the opposition towards and sketched a number of musical works, among others a Piano the occupying power increased after August 1943. Klenau also suf- Concerto, a Cello Sonata, the Nietzsche songs and the opera, fered from a severe heart condition, and at the same time he was ‘Faarekyllingen ved Arnen’ (The Cricket by the Fire Place).1 worried about his friends and relatives in Germany, Vienna and England.6 These traumatic circumstances made the composer During the fi nal years of the occupation, Klenau established con- and writer Klenau markedly prolifi c during his fi nal years: ‘I am tact with the young Danish pianist Boris Linderud (1915–95), who working again, and this is the best remedy against my worries’, in 1944 had been engaged by the Danish Broadcasting Corpora- he wrote in one of his many letters to his wife, Margarethe Klimt.7 tion. In a letter to his wife, Margarethe Klimt, he writes that The fair copy of the Piano Concerto (Source A) is end-dated May 1944. The piano part (Source D), a fair copy in ink, was probably Yesterday a young, highly gifted pianist, by the name Linderud carried out by a professional copyist. In addition to these sourc- performed my new Piano Sonata for me. I am satisfi ed with es, we have Klenau’s draft (Source B) and a number of sketches the work. The problem, however, seems to be that serious art (Source C). There is no piano score among the surviving material is homeless.2 suggesting that no performance of the work was planned during Klenau’s lifetime. Thus, the work is still awaiting its fi rst perform- Later (apparently on 11 February 1944) Linderud’s performances ance, based on the present revised edition. of the Sonata in F minor and extracts from Sechs Präludien und As its classic models, the present concerto consists of three Fugen of 1941 were broadcasted by the Radio.3 Nothing indicates movements: that Linderud ever played the Piano Concerto, though it was prob- ably the close collaboration with Linderud that prompted Klenau 1. Allegro to compose his Concerto for Piano and Orchestra. 2. Andante The score of the Piano Concerto was part of a large collection 3. Lebhaft, und mit Humor of Klenau’s papers which had been kept by his wife and descend- The work is based on Klenau’s twelve-note principles, and among the sketches for the work is a chart presenting the underlying
1 The pencil autograph of the Piano Concerto is end-dated 28.5.1944. The twelve-note series including inversion and eleven transpositions. other works mentioned are Sonate for viola da gamba eller cello og klaver (after 1940), 9 Lieder zu Friedrich Nietzsche’s Das Nachtlied from Also sprach Zarathustra (1944), and the opera Faarekyllingen ved Arnen (1944/45). These 4 Paul von Klenau, Symphony No. 9, ed. Niels Bo Foltmann, Axel Teich Geertinger, works, however, are not Klenau’s last works but were followed by his longest Peter Hauge, Niels Krabbe, and Bjarke Moe (Danish Centre for Music Editing, instrumental work, the Ninth Symphony. Copenhagen 2014). The premiere took place at the Concert Hall of the Danish 2 ‘Gestern spielte mir ein junger – hoch begabter Pianist – Namens Linderud Broadcasting Corporation, 20.3.2014, conducted by Michael Schønwandt. meine neue Klaviersonate vor. Ich bin mit dem Werk zufrieden. Nur scheint 5 Paul von Klenau, En Musiker Oplever den Europæiske Kultur 1900-1939 (A mir die ernste Kunst heimatlos.–’ Letter to Margarethe Klimt, 31.10.1943. Musician Experiences European Culture 1900–1939), with an introduction, DK-Kk, Klenausamlingen A263. The work in question is Klenau’s Sonata in F annotations and indexes by Eva Hvidt. minor from 1943, published in 2010 by Danish Centre for Music Editing, ed. 6 Some of whom were living in exile in Sweden and USA. Lisbeth Ahlgren Jensen (the edition is based on a collotype of 1944). 7 ‘Ich arbeite wieder und das ist das beste Mittel gegen die Sorgen’. Letter to 3 Letter to Margarethe Klimt, 23.1.1944. DK-Kk, Klenausamlingen A257. Margarethe Klimt, 2.12.1944. DK-Kk, Klenausamlingen A257.
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DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd ixix 226/09/20196/09/2019 14.1614.16 One might argue that similar to Schönberg, Klenau adhered to the hearing disorder. In 1929, he was appointed professor in Vien- predetermined series, though at the same time employing com- na, and in the 1930s he lived as composer and freelance conduc- positional techniques as in the past.8 However, since the predeter- tor with Vienna and Frankfurt am Main as his bases. As a com- mined material is defi ned and used according to the composer’s poser, Klenau developed a highly differentiated late Romantic idea of what he called ‘key defi ned twelve-tone music’ (tonarts- orchestral style, which was infl uenced both by his teachers and bestimmte Zwölf-Ton-Musik), the work does not sound like most by Richard Strauss, Beethoven, Bruckner, Wagner, and to a cer- other atonal, traditionally dodecaphonic music, even if it is one tain degree by Mahler. During the 1930s, he started on an inten- of the works by Klenau which is dodecaphonic throughout. With sive study of dodecaphonic techniques inspired by Josef Matthias its comparatively small intervals, the series is quite melodic, and Hauer, Arnold Schönberg and, not least, Alban Berg, whom he had structurally it is very different from those used by Arnold Schon- met in Vienna and with whom he developed a close friendship. berg and Alban Berg in their early dodecaphonic works from While their music was labelled ‘entartet’ after the Nazis’ seizure 1921–25 which employ larger intervals (e.g. Schönberg’s Suite für of power in 1933, Klenau succeeded in having his large-scale and Klavier and Berg’s Lyrische Suite). On the other hand, the series in gruesome opera, Michael Kohlhaas (based on a novel by Heinrich Klenau’s Piano Concerto has an interval structure very much like von Kleist), performed at the leading opera stages in Germany Berg’s later opera Lulu. The same holds true of Klenau’s Violin that same year. Not until after the premiere, was it revealed that Concerto and his Ninth Symphony; in the latter, three series are the opera was built on twelve-note principles, or – as Klenau him- in use, although only in the fi rst part of the work and markedly self would call it – key related twelve-note technique. On the one less rigidly than in the Piano Concerto. hand, the performance was a great artistic success; on the other, it In the Piano Concerto the series’ seconds, thirds and fourths branded him as Nazi friendly – not least after he had stated in an makes it possible to create tonal sections or leading-note effects. article in Zeitschrift für Musik that his theories about twelve-note Often the series, the inversion or the retrograde are grouped in music could easily fi t into the core values of National Socialism.10 cells of three or four notes, which either introduce a motif or later Nevertheless, the Nazi organization NS-Kulturgemeinde demand- take part in the development of the musical progression. Thus, ed a statement from Klenau about his twelve-note theories. Sub- the dodecaphonic material of the Piano Concerto is used both sequently he had two large-scale operas – Rembrandt van Rijn and melodically and tonal-harmonically, even if the composer metic- Die Königin (about Queen Elizabeth I of England) – staged at the ulously follows the series.9 German opera houses, before he during winter 1939–40 returned to Denmark, where he died in August 1946. Biography Klenau’s production comprises music of almost all genres: op- Klenau was born in Copenhagen in 1883, but he spent most of his eras, symphonies, instrumental concertos, chamber music, piano adult life years in Germany and Austria. As a youngster, he stud- music, and songs. In addition, he wrote librettos to several of his ied violin and music theory in Copenhagen, and in 1901 he trav- operas, drafts for ample novels and plays, memoirs, and a great elled to Berlin to study composition with Max Bruch and Karel number of articles and lectures on musical subjects. Halírˇ. From 1904, he continued to study composition in Munich with Ludwig Thuille, and from 1908 he took lessons with Max von Eva Hvidt Shilling. That same year he made his début as a composer with the performance of his First Symphony at the Tonkünstlerfest des allgemeinen Deutsc hen Musikvereins in Munich. Between 1907 and 1914, he held various positions in Germany as conductor and the- atre rehearser, and in 1913 he was employed as kapellmeister in Freiburg. During World War I Klenau stayed in Denmark for sev- eral years eagerly taking part in the Danish music debates and was active in organizing concerts. Thus in 1920 he became cofound- er of Danish Philharmonic Society, acting as its head until 1926. In the society a broad repertoire of Danish and foreign modern music was performed, and Klenau even persuaded Schönberg to come to Copenhagen as conductor of his own works. By that time, Klenau was offered the job as choral conductor, later named Concert Director, at the Konzertgesellschaft in Vien- na – a job that he held until 1930 when he had to retire due to a
8 Cf. Schönberg’s often cited statement: ‘Man folgt der Reihe, komponiert aber im übrigen wie vorher’. The sentence is used as a motto for Jan Maegaard’s thesis Studien zur Entwicklung des dodekaphonen Satzes bei Arnold Schönberg (Copenhagen, 1972; Habilitationsschrift), vol. 1, p. 9, vol. 2, p. 583. 10 Paul von Klenau, ‘Zu Paul von Klenaus “Michael Kohlhaas”’, Zeitschrift für 9 See facs., p. xiii. Musik, 101 (1934), pp. 530–31.
x DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd x 226/09/20196/09/2019 14.1614.16 Kilde A, autograf, renskrift, første sats, t. 157-162: i pf.1 er tilføjet Source A, autograph, fair copy, fi rst movement, bb. 157–162: in 16-dels noder med blyant som en form for udfyldning af akkorder- pf.1 several semiquavers are added in pencil as a kind of fi lling in ne; noget lignende gælder t.158 i pf.2. Disse tilføjede noder er ikke of the chords; the same goes for pf.2, b.158. The added notes in medtaget i nærværende udgave. pencil are not included in the present edition.
DCM 023 xi
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd xixi 226/09/20196/09/2019 14.1614.16 Kilde B, autograf, kladde, particel, første sats, t.104-118: orkester- Source B, short score, ink and pencil draft, autograph, fi rst move- satsen (i klavernotation) med blæk, mens antydninger af solostem- ment, bb.104–118: the orchestral part in ink (with few pencil addi- men efterfølgende er tilføjet med blyant oven over orkestersatsen. tions), with the solo part in pencil added above.
xii DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd xiixii 226/09/20196/09/2019 14.1614.16 Kilde E, skema med 12-tonerækken i retvending, spejlvending og Source E, list of 12-tone row and its inversion followed by 11 trans- 11 transpositioner. positions.
DCM 023 xiii
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd xiiixiii 226/09/20196/09/2019 14.1614.16 BESÆTNING ORCHESTRA
2 fl auti
2 oboi
2 clarinetti (Bb)
2 fagotti
4 corni (F)
2 trombe (C)
2 tromboni tenori
trombone basso
tuba
timpani
archi
xiv DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd xivxiv 226/09/20196/09/2019 14.1614.16 K L A V I E R K O N Z E R T P I A N O C O N C E R T O I
6 I a 2 Allegro (q = 96) I 5 B 1 E5 5E5 !5: B !5: M M Flauto 1 E5E5 : 5EB: 5:!5B 5 2 G 0 ?43 I =? ? I 6 fff 6 5I I 1 E5 5E5 : Oboe E5E5 5 B B !B B 2 G 0 ?43E5E5 5 E5 : =? ? ' B 5 5 E5 I : f ff a 2 1 Clarinetto (Bb) 2 =? ? G 005: 'B ! B: 5 fffI: I 1 II Fagotto 5: B !' B 2 005: =? ? B : 5 !' B: 5 2 fff M M 1 I Corno (F) 5 2 1 0 ? =? 0 : 5EB 5:!5B 5 G EB 5: ' : B: 5 E!B 5: f f I 3. M M 3 Corno (F) 5 4 0 ? =? 0 : 5EB 5:!5B 5 G EB !5: : f I B B B 5 5 f 1 Tromba (C) 2 G 00 0000 1 Trombone tenore II5 B 2 005: =? ? B 00 ff Trombone basso I 005: =? ? B 00 ffI Tuba 00=? ? 00 2 5: B ffI I Timpani 1 0 ? M M = ? ? 5 5M 00 2 EBM !5M 5 M p ffM
G 00 0000 Pianoforte 00 0000 Allegro (q = 96) - 5! 5 5 5 5 ! 5 5 Violino 1 . . 5 5M B: 5 1 EB 5: 3 ? !5 ? 5 G B E5 E 5 !5: f E5 5 EB 5 ! 5: ff 5 : I I ! 5 . . 5 5 Violino 2 EB 5: 5 !5 5 5 35 ? !5 ? 5 G B E5 E 5 !5: 5 5 B: f E5 5 EB 5 ! 5: ff M 5 : I I . . ! 5 5 5 Viola !5: 5 B E5 EB 5: 5 !5 5 5 5 3 ? !5 ? E5: 5 EIB E B 5 5 B: 5 f I ff M . . I !5 5 Violoncello B ? 5 E5 E5 5 EB EB 5: 5 !5 5 5 5 5 3 ? !5 f : I E!B 5: ff 5 M B: . . I !5 5 Contrabbasso B E5 =? 0 ? ! 5 ? 5 E5: 5 EB EB !5 2 f I I: f
DCM 023 1
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1 226/09/20196/09/2019 14.1614.16 7 a 2 I 5II5 B E5 1 BI B B: Fl. 1 B 5 E5 2 G ? ? 4 4 4 0 fff f I I I I 1 5 5 B Ob. B B B 5 5 B: E5 2 EB5 !5 !B !B ? ? 4 4 4 0 G I I fI ffI f a 2 I I 1 I Cl. (Bb) B 5 5 BB: 2 G E' B ? ? 54 54 E : 4 0 fI f f fI I I 1 Fg. B 2 ' B E5 0 B B ? B ? 54 54 B 4 2 B B 5 5 E5 fI fI ffII I I 1 I I Cor. (F) B 2 1 B 5 E5 ? B ? 5 4 5 4 B E5 4 0 G B EB B B 5 5 EB: I fffI I I f I 3 I I I Cor. (F) 5 E5 B 4 G B ? ?B 5 4 5 4 B 4 0 B: E5 E5 !5 EB B B 5 5 I I fI ffI f 1 Tr. (C) 2 G 00 0 0 0 0
1 Trb.t. 2 00 0 0 0 0
Trb.b. 00 0 0 0 0
Tb. 00 0 0 0 0 2 Timp. 1 5M M M M M ?4 5M 5 =? 5M 5 =? 54 54 BM 5 4 0 2 f f f f f f I I I 5 E5 I 5 5 5 5I E5 5 E5 5 G 00 0 04=5 E5 5 5 E5 5 5 E5 5 Pf. I 5 5 5 5 I I I 5IE5 I 5 I 5 5 5I 5I I I 00 0 04= E5 5 E5 5 I 5 5 E5 5 5E5 5 I I I5 5 5 5 I 5IEI5 I I5 I I 5I 5I B E5 - II5IIE5 BI E 5 !B 5 E5 5 !B: Vl.1 1 5 5 B !5 5 E5 !5 E5 G E5 !5 5 5 B E5 =4 !5 =4 5 = 5 = 4 0 5 5 5 5 5 f f f f I I I II BI !B 5 5 E5 5 5 B Vl.2 5II5 5 E5 E5 B ! 5 5 E5 !5 E5 B: E5 G E5 !5 5 5 B E5 =4 !5 =4 5 = 5 = 4 0 5 5 5 5 5 f f f f II I I I I E5II!5 5 5 B B 5 5 E 5 5 5 !BB: Va. 5 5 5 E5 5 E5 !5 ! 5 5 E 5 !5 E 5 : 5 5 5 5 !5 E=45 ! 5 =4 5 = 5 = 4 0 f f f f II I E 5 I 5 Vc. 5 5 II I E 5 !BI 5 5 E 5 5 5 B E5 5 5 B E5 =4 !5 =4 = = !B: 4 0 f f f f II I BI 5II5 B Cb. 5 5 5II5 B B: E5 B ? B ? 54 54 4 0 2 f f f f
2 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2 226/09/20196/09/2019 14.1614.16 13 1 Fl. 1 2 G 000000
1 Ob. 2 G 000000
1 Cl. (Bb) 2 G 000000
1 Fg. 2 000000 2
1 Cor. (F) 1 2 G 000000
3 Cor. (F) 4 G 000000
1 Tr. (C) 2 G 000000
1 Trb.t. 2 000000 2
Timp. 1 0000? BM 5 4? 2 p f
5 3 E5 B E 5 I 5I 5 BI 5 5 5 EB E 5 5 EBI EB !5: !5 5 5 5 5 M I B E5 5 5 E5 B E5 : EEB ! 5: 5 !5 5 5 B G E5 5 5 5 5 5 5 ? E5: 5 EB 5 5 5 35 5 3 3 f 5 Pf. 5 3 E5 3 3 E5 5 5 5 E5E 5 EBI 5!5 5 5 5 5 E5 5 5 E5 ? B E5 : 5 EEB !5: 5 !5 35 5 B E5 5 5 5 5 5 EB E5: 5 EB EB !!5: 5 5 5 5 5 B 5 3 3 B II: 5M I BI E5 pizz. M M M M M M 8)))))) 5 EE5 !5 5 Vl.1 1 E5 E5 G 0 ? M 4 M 4 4 M 4 M ??4M B E5 5 5M M p f pizz. M M M M 8)))))) E5 M M Vl.2 ? 5 EE5 !5 5 G 0 5 4 E5 4 E5 4 4 ??4 B E5 5 M M M M M p f M pizz. M M M M M M 8)))))) 5 Va. M E5 E5 E5 E5 !!5 5 0 ? B E5 5 5 4 4 4 4 ??4 p f M M M M M M pizz. M M M M M M 8)))))) E5 5 5 Vc. M 5 E5 E5 E 5 5 5 0 ? B E5 5 5 5 4 4 4 4 ??4 p f M M M M M M pizz. M M M M M M 5 E5 5 5 Cb. 004 5 4 E5 4 E5 4 E 5 4 !5 ??45 2 M fM M M M M
DCM 023 3
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3 226/09/20196/09/2019 14.1614.16 leidenschaftlich 19 5 5 1 5 : ' Fl. 1 5 5: E5 2 G 0005 E5 ' f espressivo
1 Ob. B 2 G 000 0 ? B f
1 Cl. (Bb) 2 000 G B B EEB B !!B f
1 Fg. 2 000B B B B ' B B 2 f
1 Cor. (F) 1 2 G 000 0 0
3 Cor. (F) 4 G 000 0 0
1 Tr. (C) 2 G 000 0 0
1 Trb.t. 2 000 0 0 2
Timp. 1 5M 00?4 5M 5 =? 0 2 mf fM
M M 5 !5 I II 5!5 5 5 5E5 5 E5 5E5 5 5 ! B: 5E5 !B 5: !55 5 5 5 5 E5 5 E5 5 E5 5 !5 55 5 G !B B B 5 5 E5 !5 !5 E5 35 3 5 355 5 5!5 E!B 5 !5 5II5 Pf. f I 5 II !5 5 5 5E5E5 5 E5 5 5E5 5 !5:5E5 5 !5 5 5 5 5 5 5 E5 5 5 5 5 5 5E55 ! B !B B : 5 5 5 E5 !5 !5 5 5 5 55 !5:5M E5 B 5:!55 5 5 5 5 5E5 5 5 5 !B M I5 I II leidenschaftlich M arco M M M M M 5 !5 5 5: Vl.1 1 5 5 5 5 E5 E5 ' G ?4M ?45 E5 !5 M M M M M f espressivo M M M M M M arco Vl.2 !5 5 5: G ?4?45 5 5 5 E5 5 E5 ' M 5 5 f espressivo M M M M M M !5 M M M M M Va. 5 5 ?4M ?45 E5 !5 5 5 00 M M M M M M M M !5 M M M arco Vc. 5 5 5 5 5 ?4M ?45 5 5 ' B B M M M f M M M !5 MM Cb. M 5 5 MM ?4M ?45 5 5 00 2
4 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4 226/09/20196/09/2019 14.1614.16 24 5 1 B !5 !5 5 Fl. 1 5 5 5 5 5 !5 2 G 5 5 5 B !5 !5 !5 5 5 5 5
1 Ob. 5 B !B 2 5 4 B B B G ? 00
1 Cl. (Bb) 2 G B B B B EEB5 !B !5 !5
1 Fg. B B !5 2 B B B B !5 B 5 2 B ! B:
1 Cor. (F) 1 2 G 000
3 Cor. (F) 4 G 000
1 Tr. (C) 2 G 000
1 Trb.t. 2 000 2
Timp. 1 000 2
!5 5 5 5 E5 5!5 !5 5 !5 5 3 !55 !5 5 5 5 !5 5 5 55 5 5 53 55 !5 5 5 !5!5 !5 5 5 5 5 G 5 5 5 35 35 5 3 Pf. 5!5 5 5 5 !5 5 5!5E5 5 !55 5 5 55 !5 5 5 55 !5 5 5 E5 5 5!5 !5 5 !5 5 !55 5 55 55 !5 5 5 !5 5 !5 !5 !5
5 I5 I MMM5 B !5 !5 !5 5 Vl.1 1 5MMM5 5 5 5 5 5 G 3 3
3 3 Vl.2 5 G 5 5 5 5 5 B !5 !5 !5 5 I 5MMM5 5 I5 MMM
Va. 0 0 0
Vc. IB B B 5 2 BI I I BI:
DCM 023 5
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5 226/09/20196/09/2019 14.1614.16 27 B: 5 ' 1 B !B ' Fl. 1 B 5 2 G B !B : f
B B 1 5 Ob. EB EB: 2 B B B G B EB 5 EB: f
1 Cl. (Bb) 2 G !EB B 5 EB ' E B EB: : !5 ' f
1 EB !B Fg. ' 2 5: 5 5 E5 5 5 EB !B ' 2 5 E5 5 5 5 E5 5 f
1. 1 Cor. (F) 1 ' 2 G 00 f
3. 3 Cor. (F) 4 G 0 B: 5 B B f
1 Tr. (C) 2 G 000
1 Trb.t. 2 000 2
Timp. 1 M 00BM: 5 2 fp
5 !5 5E5 5 !5 5 5 55 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 E5 5 5 5 5 5 G 35 3 3!5 3E5E5 3 5!5 35 5 35 5 3 5 5 Pf. 5 5E5E5 5 E5 5 !5 5 5 5 5 5 5 5 55 5 5 5 E5!5 5 5 5 5E5 5 5 !55 55 5 5 5 5 5 5 5 E5 5 !5 5 5 5
5 ' B !B B: Vl.1 1 G f ' Vl.2 B 5 G B !B : f
Va. 0 0 0
Vc. 5 E5 5 5 E5 5 5 EB !B ' II f arco Cb. 5 E5 5 5 E5 II5 5 EB !B ' 2 f f
6 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6 226/09/20196/09/2019 14.1614.16 30 1 B Fl. 1 B B B 2 G ? !??B EB p p 1 Cl. (Bb) 2 G 000
1 Fg. 2 000 2 B B B BE5 5 B EB E!B G !5 5 5 3 5 5 !?B3 E5 B 95 E5 3 55 E5 5 3E5 !5 3 Pf. p 5 p 5 E5 5 5 5 5 !5E5 5 E5 5 5!5 ? 5E5 5 5 5
Vl.1 1 G 0 ? I5E5 I5 5 5I 5 0 f I I5 I 5I I
Vl.2 G 0 ? I5E5 I5 5 5I 5 0 f I I5 I 5I I arco Va. 0 ? 5E5 5 5 5 5 0 fI I 5I I I 5I I I Vc. 0 ? 0 5E5 5 5 5 5 2 fI I I5 I I 5I I I
33 1 Fl. 1 5 2 G B ? 0 5 5 5 5 p 5 1 Cl. (Bb) 2 G 0 5 5 5 0 5 5 E!5 p 1 Fg. 2 00 0 2
? !5 !5 5 5 G !B 55 E5 E5 5 5 5 ! 5 5!5 ! 5 5 55 E5 E5 Pf. 3 5!5 p 55 E 5E5!5 E5 !5 p 5 !55 E 5 !5 5!5 ? E5!5 E5!5 E5 !55!5
Vl.1 1 -G ? 00 5 5 5 5 5 5 fI I5I I I I5 I I Vl.2 ? 00 G 5 5 5 5 5 5 fI I5I I I I5 I I I I I Va. ? 5 I55I 5 5I I5 I5 5 00 f Vc. ? 5II5 I I5 5 5 5 00 5 I I5 I I f Cb. II I ? 5 5 I 5 5 5 I5 00 2 5 I I5 I f
DCM 023 7
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7 226/09/20196/09/2019 14.1614.16 36 1 M M Fl. 1 5 5 5 !5 5 5 2 G 5 =4 ? 5 5 5 !45 45 5 p cresc. 1 Cl. (Bb) 2 4 G = 5 5 5 5 5 5 5 5 5 E5 4 !5 5 5 5 5 5 5 !5 !5 !5 5 5 5M 5 cresc. M p p M 1 M Fg. 5 2 004 5 4 2 5 5 pM M cresc.
5 5 5 !5 5 5 55 !5 5 55!5 !5 5 E5 !5 5 5 5 ! 5 !!5 G 5 5!55 5!55 5 5 5 !5!5!5 5!5 5 5!5E5 5 !5 5 ! 5 5 Pf. 5 5 p 555 !55 5!5 5E5 5 !5 5 5 !5 5 5 5 !55 5!55 !5 !5 5!5 5 E5 5 3 !5 5 3!5!5 5 5 5 55 !5 5 3 5 3!5 cresc. 39 5 1 5 B Fl. 1 ' 2 G 00
1 Cl. (Bb) 5 B 2 G '5 00
1 Fg. ' 2 00 2
Timp. 1 M ?45 4?5 0 2 mfM E5 E5 E5 : B B E5 E5: E5 !!B G 0 E5 E5 B B f 5 B5 BB Pf. B 5 B 3 E5 3 5 3 5 3 5 3 EE5 3 5 E5 5 G 5 E 5 5 5 5 E 5 E5 5 5 3 E5 3 5 5 5 3 !5 3 5 5 5 f= E5 = 5 = 5 5 E 5 5 5 ! 5 5 5 E 5 5 E 5 5 = 5 5 = 5 5 55 555 5 5 5 5 5 EE 5 5 5 ! 5 5 5 3 555 5 5 EB B EB 5 !B 5 EB B EB ! B
Vc. 1 0 E' B B mf I Cb. 0 E' B B 2 mf I
3 42 I 5 B E5 !5 5 5 5 5 5 5 !5 E5 5 5 5 5!5 5 B E5 !5 !5 E5 G 5 5 5 5!5 5 5 5 I 3 Pf. 5 5 5 5 5 5 !5 3 5 5 3 5 G 3 553554 3 5 3 5 4335 5535 3 5 3 5 3 5 5 5 3 E!5 3 5535 3 5535 5 3E5 5 5 5 !!5 5 5 5 E 5 5 !5 5 !5 E5 5 = E 5 = 5 = 5 = 5 = 5 = 5 = 5 5 = !5 = 5 B 5 4 ! !5 4 B 5 5 B 5 5 5 EE 5 ! 5 B 5 B 5 EB B B B B EB B Vc. 1 BI IB B BI I E'I Cb. BI IB B 2 BI I E'I
8 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8 226/09/20196/09/2019 14.1614.16 45 !B EB EB: B E B E B: !`5 !!BB E!B EB EB: ! B EB G !5 EB 3 !5 E5 Pf. 3 !5 3 5 3 5 5 3EE5 5 335 5 E5 3 5!B 3 3 !5 3 5 33!5 3 5 553 55 5 5 3 5 3 5 5 5 G E 5!5 5 5!5 5 5E5 5 5 5 5 EE 5 5 5 5 ! 5 5 5 5 !5 5 5 E5 5 5 = E5 I I = E5 = !5 = 5 = 5 = 55 5 = 5 5 E5 E5 E5 E5 5 5 EB EE 5 5 !B ! 5 !5 B !5 5 5 5 B E 5 5 5 5 5 E5 E5 EE B !BB BB 5 EI5 EI5 I5 I5 EB !B B B EI5 I I I Vc. 1 E5 E5 EI5 5I 5 EBII!B ' I I5 EI5 I I I Cb. E5 E5 EI5 5I 5 EBII!B ' I 2 I5
etwas ruhig anfangen und steigern bis martellato 48 5 5E5!5 !5 E5 5E5 !5 5!5 1 55 5 !5 !5 5 5E5 !55 Fl. 1 5 5 5 E5 5 !5 5E5 E5E5 5 !5 5 2 435 5 5 5 !5 !5 43!5 5 43E5 43!5 5 E5 5 !5 5 G 5 5 E5 !5E5E5 !5 p f mf mf p f 1 Ob. 2 G 000
1 Cl. (Bb) 2 000 2G
Timp. 1 M 4? 5 4 E45 0 2 pp5M M E5 5 !5 5 !5 5 !5 !5 5 5 E5 5 5 5 !5 !5 3 5 5 3 5 3 5 G 55 5 5 !5 !E5 !5 5 E5 5 !5 E5 5 5 5 5 p p p 5 5 f Pf. p Ef5 E5 5 !55 E 55 !!5 55 ! 5 E5 E5 5 !5 !5 B !5 EB 3 5 !5 E5 B !!5 EB E5 5!5 5 B B E5 etwas ruhig anfangen und steigern bis martellato pizz. E5 5 M arco Vl.1 1 !5 G ? 5 E5 =4 =4 = 4 = mf mf p 5 pf 5 pizz. f 5 5 arco Vl.2 5 E5 G ? = 4 =4 = !5 4 = 5 !5 mf mf pM pf 5 5 pizz. f arco E5 Va. ? 5 =4 5 =4 5 =? = 5 5 pf mf mf 5 f pizz. arco E5 Vc. !5 M E 5 4 5 5 = !5 =E5 =? E5 = 5M M 5 ppfpmfp mf f pizz. Cb. M 4? !5 4 E45 0 2 p5M ppM
DCM 023 9
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9 226/09/20196/09/2019 14.1614.16 51 5 5 5 5 M I 1 5!5 5 5E5 !5 M 5M I B Fl. 1 5 5 5 5 E5 ! 5 5 5 5 B EB 2 G 5 !5 5 5 E5E5 !5 5 p p p cresc. M 1 Ob. M I 2 0 E5 5 B G 5 E5 5 5 !B B p cresc.5M M !5M I 1 Cl. (Bb) 2 0 G E5 5 B EB 2 E 5M E5 E5M 5 B I p cresc.M E5M I B !B !5 5 5 5 B !5 !5 !5 !5 3 5 3 5 3 5 3E 5 3 5 3 5 3 5 3 5 !B !55 E555 5 !5 !5 5 5 5!5 5 5 !5 5 E5 5 5 5 5 G 55 E5 E5 E5!55 3 5 3 5 3 5 3! 5 3 !5 3 5 3 535 55 Pf. p p E! 55 p 5 5 5 5 !5 5 5 5 E5 5 E5!55 !55 35 5 55 3 E5 5 G E5 G 5 E5 5E!55 55!5 !5 Ecresc.5 !5!5 5 pizz. Vl.1 1 G 4 5 =4 E5 = 00 mf mf pizz. Vl.2 4 G 5 =4 = 00 5 E!55 mf pizz. mf Va. 4 5 =4 = 00 5 E5 mf mf pizz. Vc. 4 5 =4 !5 = 00 2 EE 55 mf mf 54 I BI 1 B !B I Fl. 1 5 2 G ? ? 4 E5 4 mf mf mf I 1 I Ob. BI B I 4 2 G B ? ? 5 4 mf I5 5 mf mf ? 1 Cl. (Bb) I 4 2 G ? !?B 4 2 B IB 5 E5 mfI mf mfI ? 5 5 5 5 5 5 !5 5 5 5 5 5 5!5 5 5 !5 G 5 IB 5 5 55 E5 5 Pf. f f IB f I f !5 5 5 BI I I 5 B 5!BI 5 55 I 5 5 55 !5!5 5 5 !5 5E!5 55 !5 5 5 5E5 arco 5!5 55 - 55 555 !5!5 5 5 5 55 5 Vl.1 1 5 5 5 5 !5 5!5 5 !5E5E5 G ? 55 5 5 5 ? 5!5 !5!5 !5 5 4 5 5 5 4 E5 5 5!5!5 5 !5E5 p p arco Vl.2 ? ? 4 4 G B k 5 p 5 B I E5k p 5 arco I Va. ? B ? 4 5 4 B !B I 5 p p I arco I I Vc. ? ? 4 5 B B 5 4 5 2 B E5 p p I I
10 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1010 226/09/20196/09/2019 14.1614.16 57 55!5E5 !5 5 5E5 E5 5E5!5!5 1 55 E5!5 !5!5 5 5 5 E5 5 5 Fl. 1 5 5 5 !5 E5 5 !5 5 5 5 5E5 5 E5!5 5 2 435 5 5 E5 !5 E5 !5 !5 5 5 5 43E5 5 E5 !5 5 2G 5 5 E5 5 5E5 !5 p f p p p f E5 !B !!5 E5 E 5 !B 5 !5 5 E5 !B !B E5 G E5 !5 !5 !5 !5 5 E 5 E5 5 5 E!55 !!55 E5 5 Pf. p fpfp f p f EE5 E5 5 !!5 !5 5 E5 !5 5 5 5 5 5 E5 5 !5 3 !5 5 5 3E5 5!55 3 5 5!55 3 E5 5 E5 !5 55 !5 5 E5 5 5 EE5 pizz. 5M arco Vl.1 1 G ? =4 5 =4 5 = 4 = E5 E5 5 !5 pizz. pf mf p f arco pizz. arco E5 Vl.2 4 =4 =4 = 5 4 = G E5 E55 M E5 !5 55 5 5 pf mf pf pizz. arco Va. ? =4 5 =4 5 =? = 5 E5 5 E5 5 pf mf pf pizz. arco Vc. ? 5 = 4 E5 =4 55 ==? E5 = 2 E5 5 pf5 pf mf 60 !5 5 5 5 55 5 5 5 M M 1 5 5 M !5 M 5M M Fl. 1 !5 5 5 5 5 5 5 5 5 E5 5 5 !5 5 5 !5 2 G 5 5 ! 5 5 !5 p p p cresc. M M M M 1 M M M Ob. M M M 2 0 5 5 5 5 G 5 5 5 5 5 5 pM M M Mcresc. M M M 4 1 Cl. (Bb) M 2 0 G E5 E5 5 5 2 pM E5 M !5 E5M 5 5M !5 cresc.M M E5M 4 !B B 5 !B E5 55 5 !5 !5 !5 G !5 B 5 E555 E5 E5!55 E5!55 !555 5 !5 5 5555 !55 !55 E5 5!55 Pf. f f p cresc. 5!5 5 5 5 5 E5 5 5 5 !5 ! 5 5 5 E555 E5!55 E5!55 !55 555 35 5! 55 35 5 55 G 5 G !5 G !5 5 5 E555 E5!55 5!5 5 pizz. Vl.1 1 G 4 5 =4 5 = 00 mf pizz. Vl.2 4 =4 = 00 G 55 55 mf pizz. Va. 4 5 =4 5 = 00 !5 mf pizz. Vc. 5 4 5 =4 055 = 0 2 mf
DCM 023 11
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1111 226/09/20196/09/2019 14.1614.16 63 I 5 5 5 EB !5 G 5 5 5 ! B !5 B5 5 I !!5 Pf. f I B ! I5 I5 5I 5 I5 5 !5 B5 5 !!5 5 B ! I5 !EB !5 arco M M M 5 5M 5 M 5 5 5 !5 5 5 M 5 5M !5 Vl.1 1 E5 E5 !5 5 5 !5 5 !5 5 5 5 5M 5 E5 !5 E5 G E5 !5 E5 E5 mf mf arco
Vl.2 5 5 5 M 5M 5 5 !5 5 5 5M 5 !5 G E5 M E5 !5 5M 5 !5 5 !5 5 5 E5 5 5 M E5 5 E5 !5 E5 2 mf mf M M !5 E5
martellato (Tempo I ma vivace) 65 I I I I 5I 5I I I5 I I 5I 5 5I I 5I 5 !5I I I I E5 E5 E5I 5 !5 !5I !5I !5 1 5I 5 5 5 5 5I 5 !5I 5 !5 5 E5 Fl. 1 5 5 5 E5 E5 !5 !5 !5 2 = 5 5 5 5 5 5 5 5 5 5 5 5 !5 !5 5 !5 5 E5 E5 5 !5 G f
1 I I Ob. 5 5 5 E5 E5 !5 !5 !5 2 = 5 5 5 5 5 5 !5 5 E5 E5 5 !5 G 5 5 5 5 5 5 5 5 5 !5 !5 5 E5 E5 !5 !5 !5 5 I I5 5 5 I 5 5 5I 5 I 5 5 5I 5 !5 !5I 5 !5 5 E5 I E5I 5 I !5I I fI I I I I I I I I I a 2 1 Cl. (Bb) 2 = E5 !5 G E5I 5 !I5 5 5 5 5I 5 5 !5 5 E5 I EI5 E5 5 I !5 EI5 !I5 I5 I EI5 5 !I5 I I 5I I5 I !5I I I EI5 5 I I I a 2 f 1 Fg. 2 5 5 E5: 5 E5 !5: 5 !5 5 5 5 !5 I: 5II!5: 5 5 2 fI I I I 5I: 5 I I: I I a 2 1 Cor. (F) 1 2 2G E5 5 E5 !5 5 !5 5 5 5 !5 5I: 5 5IIE5: 5 5 fI: I I: I 5I: 5 I I: I I Timp. 1 4: ?: 00 2 E5: E5 : 4: ?: 00 Pf. 4 ? 00 E5: : : E5: - martellato (Tempo I ma vivace) I I I I I I I EI5 E5I I !5I I I !I5 5I 5 !5 I5 5 5 I5 5I 5 5 5 5I 5I 5 5 !5I !5 5I !I5 5 EI5 E5 5 !5 !5 Vl.1 1 G = f E5 I !5 I Vl.2 5 !5 5 5 5 5 5 5 5 !5 5 E5 E5 E5 5 !5 !5 !5 G = 5 5 5 5 5 5 5 5 5 !5 !5 5 E5 E5 !5 !5 !5 5 I !I5 5 5 I 5 5 5I 5 I 5 5 5I 5 !5 !5I 5 !5 5 E5 I E5I 5 I !5I I fI I I I I I I I I I arco Va. I E5 5 E5 !5 5 !5 5 5 5 !5 5: 5 5II!5: 5 5 fI: I I: I 5I: 5 I I: I I arco Vc. 5 5 E5: 5 E5 !5: 5 !5 5 5 5 !5 I: 5II!5: 5 5 fI I I I 5I: 5 I I: I I arco Cb. 5 5 E5: 5 E5 !5: 5 !5 5 5 5 !5 I: 5II!5: 5 5 2 fI I I I 5I: 5 I I: I I
12 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1212 226/09/20196/09/2019 14.1614.16 68 I I I I5 I poco rall. 5 5I 5 5 IIE5 5I EII5 5!5 5 5I 5M 1 !5 5E5 5 Fl. 1 5 5 5 5 E5 5 E5 5 !5 5 5 5 2 G !5 5 E5 ==4: 00
1 I I 5 I Ob. 5 I 5 5 E5 5 5 5 5 2 5 !5 5 E5 E5 5 !5 00 G 5 5 5 E5 5 I5 5 5 5 ==4: 5 !II5 5E5 I I EII5 5 !5 I M
a 2 1 Cl. (Bb) 2 G 5 5I 5 E5E5 I5 I5 E5 5 5I I5 5 5 ==4 =?: 0 I5 I !II5 5 E5 I I EII5 5 !5 I I5 I
a 2 1 Fg. 2 5 !5 E5 5 E5 5 5 5 E5 4=?: 0 2 EI5: 5 I I5: 5 I I: I I: I I:
a 2 1 Cor. (F) 1 5: 5: 2 G !5 5 5 E5 E5: 5 !5 E5: 5 !5 E5: 4=?: = 5 = EI5: 5 I I: I IIIII p : p5:
3. 3 Cor. (F) 4 G 000 = 5: = 5: 2 p p
Timp. 1 M M 000E5M 5 = 5M 5 = 2 p p
0000 G Pf.
0000
- poco rall. I I 5 I 5I 5I EI5 I II5 5I I I 5 5I I 5 !II5 5E5 5 E5 5!5 5 5 5 5 5 5I I Vl.1 1 !5I 5 5I 5 G ==4: = 5 I5 = 5 5 dim. mf p I
I 5 I 5I 5I 5 5I I 5 5I Vl.2 5 !5 5 E5 E5 5 E5 5 !5 5 5 5 5 5 = = G 5 5 5 E5 5 I5 5 5 5 5 5 5 5 5I 5 5 5 5I 5 5 5 5 5 !II5 5E5 I I EII5 5 !5 I 5 I 5I I I 5I I I 5 I5 I dim. mf p
Va. 5 !5 E5I: 5 E5 I5: 5 5 E5I: 5 E5 I5: 5 5 E5 = E5I: 5 I I5: 5 I I I I I 5 I5 5 I5 dim. pmf p
Vc. 5 5 5 !5 E5I: 5 E5 I5: 5 5 E5I: 5 E5 I5: 5 5 EB B E5I: 5 I I: I I I dim. I I p
Cb. 5 5 5 !5 E5I: 5 E5 I5: 5 5 E5I: 5 E5 I5: 5 5 EB B 2 E5I: 5 I I: I I I dim. I I p
DCM 023 13
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1313 226/09/20196/09/2019 14.1614.16 72 etwas ruhiger Timp. 1 4? 00 0 2 E5
G 4 E5 B 5 E'B ! 5 E5 EB E5 Pf. p espressivo 5 = E5 E5 E5 = E5 E5 E5 5 E5 5 E5 ' 5 5 5 5 5 E5 5 E5 M E' E5
76 5 5 5 !5 G = 5 5 EB B !B B E ' 5 5 B E B EB ! ' ' B B Pf. p p 3 3 5 5 5 5 5 555 4 B G E5 5 5 E5 5 5 5 B 5 = E5 5 5 5 5 5 5 5 5 5 5B5 5 5 B ' E5 5 5 5
81 5 1 5 B 5 B Fl. 1 5 5 5 B B B 2 G : 5 0 0 pp pp
1 Ob. 2 B B 0 5 5 0 G B B B B pp pp 5 1 !555 55 Cl. (Bb) 5 5 !5 55 5 2 G E5E5 5 5E5 0 5 555 5 0 B5 B B5 B pp pp 1 Fg. 2 000 0 2
1 Cor. (F) 1 2 G 000 0
3 Cor. (F) 4 000 0 2G
5 5 5 B B G !5 5 B 5 B 5: 5 5 B B 5 !5 B5 B B55 5 5 B B Pf. p p 3 3 3 55 !5 4 ? 555 B B 55 5 5 B B 55 5 B B 5 5 3 5 !B B B B 5 3 5 5 3
14 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1414 226/09/20196/09/2019 14.1614.16 85 B B BB 1 ' BB Fl. 1 BB 2 G BB pp
1 BB Ob. B B B 2 ' B BB G p p BB
1 55 5 5 5 Cl. (Bb) 3 5 5 5 5 BB 2 G 55 5 BB 5 0 p BB B 55 p B
1 BB Fg. BB BB 2 '' BB 2 pp
1 Cor. (F) 1 2 0 '' '' G pp 3 Cor. (F) 4 G 0 2 pp'' ''
55555 5 5 5 5 5 5 5 B 5 5 5 5 5 5 5 5 5 555 5 5 5 5 5 5 5 5 5 B B 3 55 5 3 5 5 5 G B 555 555 f Pf. f 55 5 5 5 5 5 5 5 5 5555 5 !5 5 5 355 5 5 5
1. poco animato 88 3 5 1 555 555 Fl. 5 55 5 55 2 1 0 = 555 0 = 5 55 0 G 3 55 3 3 5 3 3 3 2 p p 3
Timp. 1 5 4? 0000 2 p 5 55 B B 5 5 G 4 5 B 4 55 4 5 5 B 5 5 Pf. p f p 5 5 5 5 5 5 5!5 = 5 5 5 = 5 5 5 55 5 5 5 5 5 5 5 ' 5 5 ' 5 poco animato Vl.1 1 4 4 4 G B ' B: pB: ' p : p Vl.2 G 4 4 4 B ' B: pB: ' p : p Va. 4 4 4 B ' B pB: ' p : p : Vc. 4 B ' 4 B: ' 4 B: 2 p : p p
DCM 023 15
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1515 226/09/20196/09/2019 14.1614.16 93 1. 5 5E5 5 5 1 5 5 5 5 5E5 5 5 5!5 Fl. 1 5E5 5 5E5 5 E5 5E5!5 5 2 = 5 0 =E5 5 = = 5 = !5 0 G 3 3 3 3 3 3 3 3 3 3 3 3 p
1 Ob. 2 G 00 0 0 0
1 Cl. (Bb) 2 G 00 0 0 0
1 Fg. 2 00 0 0 0 2
1. 1 Cor. (F) 1 2 G ' 00 0 0
3 Cor. (F) 4 00 0 0 0 2G
Timp. 1 00 0 0 0 2
5 5 E5 5 5 5 5 5 5=5 !5 5 5 5 5 G EB EB !'B B E'' E IB B ! ' ' Pf. f 5 5 5 5 5 5 = 5 4 B G E5 5 5 E5 5 = 5 B B 5 = E5 5 5 5 5 5 5 5 5 5 B ' E5 5 5 5
Vl.1 1 G 4 B: EB B !B B E' ' p
Vl.2 4 G B: B EB '' B B p
Va. B B 4 B EB !'' EB p :
Vc. B 4 B = 5 E5 5 5 E5 B : 5 5 5 E5 5 5: 5 5: p : I BI
Cb. 00 0 0 0 2
16 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1616 226/09/20196/09/2019 14.1614.16 beleben 98 E5 5 1 5 E5 5 Fl. 1 E5 5 5 2 G 00?=5 E5 0 ?=5 0 p 5
1 Ob. 2 G 0000 0
1. 1 Cl. (Bb) 2 G 00004 E5 EB p E5 cresc.
1. 1 Fg. 2 '' ! ' 2 pp'' pp p cresc.
p espressivo p 1 Cor. (F) 1 4 4 2 G E5 E5 EB 5 5 B B B 0 0 ' 0 0 0
3 Cor. (F) 4 0000 0 2G
3 3 3 3 Timp. 1 M M M 'M 5 5 5 5 5 5 !'M 2 ppp' p5 5 5 5 5 5 ppp p p cresc.
E5 E5 B B E5 E5 E5 G ?4E5 5 5 5 ?4!5 5 5 5 ?=E5 p !5 5 E5 E5 Pf. p E5 cresc. 5 E5 5 5 B 5 B ?4E5 ?4!5 !5 5 5 5
beleben Vl.1 1 G 0000 0
Vl.2 00004 G E5 EB p E5 cresc.
Va. 0 ? 4= ' BB'' EB Ep' E5 p p cresc.
Vc. E5 5 B B 4 5 EB '45 B 4=E5 B p espressivo ppcresc.
Cb. ' ' ' ' !' ' ' !' 2 pp' ' pp p cresc.
DCM 023 17
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1717 226/09/20196/09/2019 14.1614.16 103 1 Fl. 1 2 G 00 0 0
1 Ob. 2 G 00 0 0
1. 1 Cl. (Bb) B: B EB 2 G 4 E5E5 EB B: EE5 B EB !B E B mf f
1. 1 Fg. 5 2 !' B: 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 2 mf f
1 Cor. (F) 1 2 G 0 B: E5 B B B ' B EB !B EB f
3. 3 Cor. (F) 4 0 2G B E5 B EB B EB f :
Timp. 1 'M B: 5 = 00 M 2 mfM f
5 5 !5 5 5 E5 E5 5 E5 !5 E5 ?=5 5 ?4= 5 5 5 5 $ 5 5 5 5 G 5E5 5E5 5E5 5 5E5 E5 !5 5E5 E5 Pf. mf E5 5 5 E5 ?45 5E5 5 5
5I 5 Vl.1 1 5 B B G 0 = 5 5E5 B B f
Vl.2 4 5 = 5I 5 5 G 5 EB 5 5 5 B EB !B EB mf f
Va. 4= = 5I 5 5 B B 5 EB 5 5E5 B B mf f 5I 5 5 Vc. 4=5 B = 5 5 5 B EB !B EB mf f
' B: 5 5 E5 5 5 5 5 5 5 5 5 5 !5 5 5 Cb. 5 5 5 5 ' B: 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 2 mf f
18 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1818 226/09/20196/09/2019 14.1614.16 107 Tempo I 1 Fl. 1 2 G 000
1 Ob. 2 G 000
1 B 5 B B Cl. (Bb) EB B EB 2 G B 5 E5: B EB !B E5 f :
I I 1 I I Fg. 5 5 E5: 5 5: 5 E5: 2 = 5 5 5 5 5 5: 5 2 5 5I 5 E5: 5 5: 5 I5: 5 E5: fI I I I I I I I
f 1 Cor. (F) 1 B B 2 G ' B B 4 B: B EB !B B f
3. 3 Cor. (F) 4 G = 5 B: EB B B EB 2 f
Timp. 1 000 2
5 5 !5 5 5 5 5 5 5 5 5 E5 = 5 = 5 = 5 = 5 = 5 = E5 5 = 5 5 = G 5 5 5 5 !5 5 5 5 5 Pf. 5 5 E5 5 f 5 5 !5 5 3 5 5 5 5 = E5 = E5 = = 5 = 5= = E5 = E5 5 5 5 5 !5 5 E5 5 5 5 5 5 5 E5 5 5 5 Tempo I B Vl.1 1 B 5 I B G 5 5 EB B f
Vl.2 B B EB G B 5 B B B B f I5 5 EB I I Va. = 5 I 5 5 5 5 5 E5: 5 5: 5 E5: f I I5 I I I5: 5 I I I I 5 I 5 I I I I I Vc. = 5 5 I5 !5 5 E5 5 5 5I 5 5 5 5I 5 E5 5 I I 5 I f EI5 I5 I EI5 I I 5 I 5 I I I I I Cb. 5 5 I 5 5 E5 5 5 5I 5 5 5 5I 5 E5 5 = 5 I I 5 I 2 f EI5 I5 I EI5
DCM 023 19
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 1919 226/09/20196/09/2019 14.1614.16 lebhaft 110 1 B Fl. : ' EB: E5 !' 2 1 4 G B: ' EB: E5 !' f
1 Ob. 2 G 00 0 0
1 ' B EB B: E5 B 5 Cl. (Bb) : 2 G ' B EB B: E5 B: 5 f
1 Fg. 2 00 0 0 2
a 2 1 Cor. (F) 1 2 G ' B EB B: 5 f E5 B:
3. 3 Cor. (F) 4 4 2G B: ' EB f : E5 !'
Timp. 1 M 5 4? ? 4 =E5 E5 4? 0 2 fM f M
5 5 5 !5 5 5 5 5 5 E5 E5 E5 !5 5 5 5 G =5 5= = 5= 5= = !=5 ==E5 = E5 = !5 = 5== = 5= 5 Pf. f 5 E5 5 5 5 5 5 !5 5 = = 5= 5= 5 = 5= = = E5 E5= E5= !5= 5 ==5 = = = 5 5 5 5 !5 E5 E5 !5 5 5 5 5 5 E5 5 5 5 5 - lebhaft I I I5 I5 I 5 !I5 I II5 Vl.1 1 5 5 E5 E5 !5 5 G 5 5 5 5 5 !5 E5 5 E5 5 : 5 5 5 5 I5 E5 5 E5 !5 5I: 5 f I I I 5I I5 I I I5 I5 I 5 !I5 I II5 Vl.2 5 5 E5 E5 !5 5 5 G 5 5 5 5 5 !5 E5 5 E5 : 5 5 5 5 5 E5 5 E5 !5 5I: 5 f I I I I 5I I5
Va. = 5 I5 !5 I5 5 ? I 5I 5 5 5 I E5 E5 !5 5 f 5I I I E5 I II I I5 I I5 I I I5 !5I I II5 5 Vc. 5 II5 5 5 E5 E5 !5 I5 = 5 E5 I5 5 5 f I I
I I5 I I I5 !5I I II5 5 Cb. 5 II5 5 5 E5 E5 !5 I5 = 5 E5 I5 5 5 2 f I I
20 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2020 226/09/20196/09/2019 14.1614.16 114 1 Fl. 1 EB B B 5 5 2 G EB !B 5 5 ? E5 =? f
1 Ob. 2 G 000
1 Cl. (Bb) 2 GEB !B B5 5 ? =? E5 !5 E 5 f
1 Fg. B B B 2 B B ? E!5 5 =? 2 B 5 f
1 Cor. (F) 1 2 G 000
3 Cor. (F) 4 000 2G
Timp. 1 5 5 = 5M 5 = B 5 =4 0 2 M M Mf Mf
I I I 5E5 5 5 55 55 3 IE5 !5 E5 5 !5 I !5I 5I 5 E5 5 5 5 55 3 3 5 3 5 5 5!5E5 E5E5 !5 !5 5 5 55 !5 55 5 5 55 555 5 !5 5 3 3!53!535 G E55 E5 5 !5 55 55 5 55 53 5 !5 3 f 5 3 5 3 55 3 5 3 55 3 Pf. 5 I I 5!5 IEI5 !5 E5 5!5 I !5I 5I 5 E55 !55 555 !5E5 E5E5 !5 !5 5 55 55 35 5 !5 !5 5 !5 !5 5 G 5 3
5 pizz. Vl.1 1 =? =4 0 G 4 E5 =4 5 ff fM
pizz. Vl.2 5 =4 0 G 4 = 4 =? 5 ff5 fM 5 Va. 5 4 5 =4 = 00 ff
pizz. 5 M Vc. 4 !5 =4 5 =? 5 =4 E5 ? 5 M 5M ff ffM
pizz. 5 Cb. 5M 4 !5 =4 = ? =4 E5M 5 ? 2 ff ffM
DCM 023 21
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2121 226/09/20196/09/2019 14.1614.16 117 1 5 5 Fl. 1 E5 5 EB 2 G =? 0 EB ? f f
1 Ob. 2 G 00 0
1 Cl. (Bb) 2 G 5 5 =? B EB E5 ? E5 5 B E B B E5 f f f
1 Fg. 5 5 2 E5 5 =? !B EB EB ? 2 B E B ! B f ff
1. 1 Cor. (F) 2 1 0 0 G B B f
3 Cor. (F) 4 00 0 2G
Timp. 1 0 5 4? !BM 5 =4 2 fmf
` 5I I I 5I 5 55 5 5 I 5I 5E5E5E5 5 !5I !5 5 !5 5 55 !E!55 55 5 5!5 5 5 335 3!5 35 3 5 5 5 E5!5!5 3 55 3E5 355 335 5 !5 5 G !5 = E5E5!5 5E5 E55 E5 5 Pf. ff 3 !E55 E 5 I !5 ! 55 3 55 55 55 I 5 5 !5 5!5 E5E5!5 5E5 3 E55 3 3E35 5 5 5!5 G 5E5E5E5 5 !5 !5 5 5 55 5 !5 !5 5 E5!5 5 5 55 !5 5 !I5 5 = 5 5 I !I5 I I 3
M 5 5M Vl.1 1 5M G 0 5M ? !5 =4 f
M M 5 M M Vl.2 5 E5 G 0 5 E5 E ? =4 fM E 5 M !5 M M
Va. 0 0 0
Vc. M M E5 5?0 ? 5 =4
M Cb. E5 5?M 0 ? =4 2 5
22 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2222 226/09/20196/09/2019 14.1614.16 120 1 Fl. 1 2 G 00 0
1 Ob. 2 G 00 0
1 Cl. (Bb) 2 00? G B p
1 Fg. 2 00? B 2 B p
1. 1 Cor. (F) 1 2 G 5 5 =? 5 5 =? ? f f pB
3 Cor. (F) 4 00 0 2G
Timp. 1 00 0 2
I I I !5I I5 I I I EI5 5 I5 5I I 5 5 5 5 5 5I 5I !5I E5 : 5 5 !5 5 3 5 BI E5 35 E5 !5: 5 5 35 !5 3E5 5 535 B G 5 5 35 335 !35 3 3 3 3 3 B f f Pf. I 5I I I EI5 5 5 5I I I I EI5 !5: 5I 5 !5 I E5 5 5 5 5 !5 !5: 5 5 !5 E5 B 5 5 5 5 5 !5 E5 5 G 5 5 5 5 B 5 5 I I I5 I5 arco 5 5 5 5 5 5 Vl.1 1 55 5E5 G =? =? ? 35 5 5 f f
arco 5 5 Vl.2 5 5 =? 5 5 =? ? 3 G 5 5E5 f f 55 55 5 5 Va. 5 !5 5 5 =? =? 0 f f
arco 5 Vc. 5 5 5 5 5 5 =? =? 0 f f
arco 5 Cb. 5 5 5 =? = ? 0 2 ff
DCM 023 23
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2323 226/09/20196/09/2019 14.1614.16 123 5M 1 5M Fl. 1 E5 2 G ?4E5 =?40 = f f
M 1 M 5 Ob. 5 5 2 G ?45 =?40 = f f
1 Cl. (Bb) 2 G ? !B ' 5 EB EE'5 5 EB E 5 p f f
1 Fg. B !' 2 !' ? B !B 2 !5 !B: !5 : p f f
1. 1 Cor. (F) 1 2 G ? B ' f' p f
3 Cor. (F) 4 000 2G
Timp. 1 M ?45 0 ?45 2 fM f
!!5 5I I B ! 5 !BB ` 5 5 5I 5I B !5 !5 !5 ! B5 E5 E5 5 5 B ! 5 !BB E 5 G ! 5 3 3 335 5 ! B5 E5 Pf. f f 5I 5I I ! B !!BB 5 5 5I !5 B5 !5 B5 E5 E5 5 5 5 B ! 5 E5 !5 !!!5 ! 5 5 B !5 E 5 B ! 5
!5 5 5 55!5 5!5 5 5!5 5 5 5 5 5 5 5 5 5 5 5 Vl.1 1 5!5E5 5 5 5 5 5 5 5 5 5 5 55!55 G ?3 f f
Vl.2 !5 5 5 ?35 5 !5 5 !5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 G 5!5E5 5 5 5 5 5 5 5 5 5 5 55!55 f f
pizz. Va. M ?45 0 ?45 fM f
pizz. Vc. M ?45 0 ?45 fM f
pizz. Cb. M ?45 0 ?45 2 fM f
24 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2424 226/09/20196/09/2019 14.1614.16 Tempo energico 126 M BI BI I 1 5 B IB Fl. 1 5 B B 2 G 4? 000000 B B f f
BI BI I 1 M B IB Ob. 5 B B 2 G 4?5 000 B B f f
1 M Cl. (Bb) 2 G 5 4? 00000 fM
M a 2 1 I I Fg. 5 4 BII I 5 5 5I 5 I 5 2 B B 5: B 5 !5 5I I 5 I55 5I 5 55 II5 5 I 5I 2 B I I 5IIEB I I I I I5 I I I5 fI
1. 1 Cor. (F) I M 2 1 4 B 5 5 =4 ? 0 G 5 B BI 5: BI 5E5 5 I fM I I 5IIEB I I I
3. 3 Cor. (F) I M 4 B B B 5 5 =4 ? 0 2G B B I 5I: I 5E5I 5I I fI I 5IIEB I
Timp. 1 00000 5 4? 2 fM
5 G 5 4? 00000 f Pf. 5 5 4? 00000 5 5k Tempo energico I I I I I I I 5I I I I!5I5I I 5 5 5 5I 5I 5I 5I5I I I!5I!5I 5I!5 5 5I B B IB IB Vl.1 1 55I I 5I I 5I5 5 5 E5 5 G = 5 5 5I 55 f I I f
I I I I I I Vl.2 I 5 5I 5 I 5I !5 5 I B B I G =5 5 5 5 5!5II5 5 5 III5 5 5 5 I E5 5!5II!5 5 B IB I5I 5 5I 5 I I5 I I I I I f f I I5I 5I
arco I I I I I Va. B BI BI 5 5 5 5 I5 II55 I B B 5I: 5 !5II5 I III55 5 5 5 55I 5 5 5 fI I 5IIEB I I I I I
arco I I Vc. BII I 5 5 5I 5 I 5 B B B 5: B 5 !5 5I I 5 I55 5I 5 5 55 5 II5 5 I 5I fI I I 5IIEB I I I I I I I I
arco I I Cb. BII I 5 5 5I 5 I 5 B B B 5: B 5 !5 5I I 5 I55 5I 5 5 55 5 II5 5 I 5I 2 fI I I 5IIEB I I I I I I I I
DCM 023 25
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2525 226/09/20196/09/2019 14.1614.16 132 I I I 5I I5 I E5I I I E5I 5I I I 1 I BI I I 5 E5I 5 E5 5I 5 E5 I E5 I 5 !5 Fl. 1 5: 5I E5 5 5 5 E5 E5 E5 5 5 2 G 5 EB B 5 5 E5 5 E5 5 5 E5 E5 E5 5 5 !5 5: 5 EB 5 E5 II I I I I I E5I I 5I 5 I5 E5I I E5I E5I 5I I5 I 1 I B I I 5I 5 E5 5 5 E5 E5I I5 !5 Ob. 5: 5 EB 5 E5 E5 5 5 5 E5 E5 E5 5 5 2 G 5 B 5 E5 5 5 E5 5 5 E5 E5 5 !5 : 5IIEB 1 Cl. (Bb) 2 G 0000 a 2 I 1 I I I I !5 EI5 I I I Fg. III 5 !5 !5 EI5 5 I 5 !5I I I I 5 5 EI5 I II I 2 5 5 5 E5 E5 !5 EI5 EB E5 5 E5 E5 5 2 I I I 5I I5 I E5I I I E5I 5I I I I BI I I 5I 5 E5I 5I E5 5I 5 E5 E5I E5 I5 5 !5 Vl.1 1 5: 5IIEB 5 E5 G
Vl.2 I I5 I I I I I 5I II G B 5 5 E5 5 E5I 5 5 5 E5 E5 E5I E5 E5 I5 5 !5 5I: 5 EB I 5 E5I I I II I II I I I I I I5 !5I !I5 EI5 I5 I !5 E5 I5 !5I I I I I5 I5 EI5 I I I Va. 5I 5 5 E5 E5 !5 EI5 EB E5 5 EI5 E5I 5 I I I I !I5 I I I !5 EI5 I I I I I5 I I I Vc. II5 5 5 !5 E5 5 E5 5 !5 E5 !I5 EB 5 E5 E5 II5 I5 5 EI5 E5 EI5 I I 5I !5I !I5 I I5 I !5 EI5 I5 I I I I5 I5 I I Cb. 5II5 5 E5 E5 !5 E5 !I5 EI5 EB E5 E5 II5 E5 E5 I5 2 I
136 I I I E5I !5I 5I I I I B BI I 1 5 I 5 5 5 BI B 5: II Fl. 1 E5 E5 !5 5 B B 5 EB 2 G 5 E5 5 5 5 B B 5: 5 EB f I I I E5I !5I 5I I I I B BI I 1 5 I 5 5 5 BI B 5: II Ob. E5 E5 !5 5 B B 5 EB 2 G 5 E5 5 5 5 B B 5: 5 EB f I IB BI I 1 IB B 5: II Cl. (Bb) B B 5 EB 2 G 0 B B 5: 5 EB f a 2 1 I Fg. E5I I I 5 5I 5I 5I I5 II 2 5 !5 E5 5 5 I5 5 E5 5 !5 5 5 5 5I 5 5 !5 2 III III I I I5 I I5 II5 5 I !I5 EI5 I 5I 1. 1 Cor. (F) I 2 1 0 B G B B BI 5: fI I I II5 EB 3. 3 Cor. (F) I 4 0 B B 2G B B I I5: fI I II5 EB I I I I5 I 5I E5 !5 5 I5 I5 I I Vl.1 1 E5 5 E5 5I I 5I I I I5 IIII I II 5I I III G 5 5 !5 5 5 5 5 5 5 5 5I 5 5 5 EB I Vl.2 IIE5 !5 5III G I5 E5 5 5 5 5 E5 5 5 5 5 I I I I 5I I I5 !I5 I 5 II5 5 I5 I5 5I 5 5 I I5 5I 5 EIB I I I I I I Va. EI5 I I 5 5 5I 5 I5 I 5 !5IIE5 5 I5 5 II5 E5 I5 !5 5 5 5 5I 5 5I !5 I III5 I I5 II5 5 I !I5 EI5 I 5I I Vc. I I I 5 5I I 5I I II E5 5 !5 E5 5 5 I5 5 E5 5 !5 5 5 5 5I 5 5 5 5 !5 III III I I I5 I I5 II5 5 I !I5 EI5 I 5I I Cb. I I I 5 5I I 5I I II E5 5 !5 E5 5 5 I5 5 E5 5 !5 5 5 5 5I 5 5 5 5 !5 2 III III I I I5 I I5 II5 5 I !I5 EI5 I 5I
26 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2626 226/09/20196/09/2019 14.1614.16 140 I I I5 I I I 5I I I I I IB I I I5 E5I 5I E5 5 5 E5 E5I E5I E5 I 5 !I5 E5I 5I E5 !5 5 I5 !I5 1 5I !5 5 5 5 E5 Fl. 1 B 5 E5 5 E5 5 5 E5 E5 E5 E5 5 !5 E5 5 E5 !5 5 5 !5 2 G 5 !5 5 E5 I I I5 I I I 5I I I I IB I I I5 E5I 5I E5 5 5 E5 E5I E5I E5 I 5 !I5 E5I 5I E5 !5 I5 I5 !I5 1 5I !5 5 5 5 E5 Ob. B 5 E5 5 E5 5 5 E5 E5 E5 E5 5 !5 E5 5 E5 !5 5 5 !5 2 G 5 !5 5 E5 I I I I I I I I I IB I I 5I E5 E5I I I I I I I I I I I II 1 5 E5 E5 5 5 5 E5 !5 E5 E5 5 5 E5 !5 5 Cl. (Bb) B 5 E5 E5 E5 E5 E5 E5 E5 5 !5 2 G 5 E5 I I I I I I I I I I I I I I I I I I I I a 2 1 5I 5I I I I I 5I I I I I Fg. !5 5II I 5 E5 E5 5 5 !5 E5 5I 5 2 5 E5II!5 I I5 5 5 5 5 E5 2 I I I E5I I
1. 1 Cor. (F) 1 II5I I5 I EI5 IIE5I 5I II II!5I II 2 G B 5 5 E5 5 E5 5 E5 E5 EI5 5 !5 E5 5 E5 5 5 !5I I 5I E5I I I I I 3. 3 Cor. (F) II5I I5 I EI5 IIE5I 5I II II!5I II 4 G B 5 5 E5 5 E5 5 E5 E5 EI5 5 !5 E5 5 E5 5 5 !5I I 5I E5I I I I I
1 Trb.t. 2 0000
Trb.b. 0000
Tb. 0000 2
Timp. 1 0000 2
G 0000 Pf. 0000 - I I I I5 I I5 5I 5 5I I5 I 5I 5I 5I E5 I I 5I 5I I5 I I Vl.1 !5I E5 5 E5 E5 !5 5 5 1 : 5 G EI5: I5 I
Vl.2 II I G 5 5 5 5 5 5 5 5 E5 5 5 5 E5 !5 5 5 5 5 EI5: I !5I: EI5 I I I II I III E5I I I III 5I 5I 5I 5I I I I 5I I I I Va. II!I5 5I II5 E5 E5I 5 5 !5 EI5 5I 5 I5 E5 !5 5 5 5 5 5 E5 III E5I I 5I 5I I I I I 5I I I I I Vc. !5 5II I 5 E5 E5 5 5 !5 E5 5I 5 5 E5II!5 I I5 5 5 5 5 E5 I I I E5I I 5I 5I I I I I 5I I I I I Cb. !5 5II I 5 E5 E5 5 5 !5 E5 5I 5 5 E5II!5 I I5 5 5 5 5 E5 2 I I I E5I I
DCM 023 27
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2727 226/09/20196/09/2019 14.1614.16 I I II I I I 144 I I I I IE5 I I I 5I5I !5 B I B B 1 B 5 5 5 5 5 5 5 B B B ' Fl. 1 E5 5 5 !5 5 B B I 2 G B 5 5 5 5 5 I IIII f I I I I I I I II I I I I I I IE5 I 55 !5 I I I I 1 B 5 5 5 5 5 5 5 B B Ob. E5 5 5 !5 5 ' B B B B 2 G B 5 5 5 5 5 I B B I I II IIII f I I I I I I I I I I I I I I I I I I I I I 1 E5 !5 55!5 I Cl. (Bb) B 5 5 5 5 B B B B 2 G E5 5 !5 B B B B 'I I IIII I I I I I II fI I I I a 2 1 I Fg. 5 I5 I I II II 2 E5 5 B EB !5: I5 5 5 B B B 5: B 2 I I fI I I 5I I
1. I I 1 I I I Cor. (F) 1 I I 5I 5 I 2 EI5 5 5 !5 5 ' B B B B G IB 5EI5 I5 !I5 I5 II B B B 'I fI I I I 3. 3 I I I Cor. (F) I I 5I 5 I I 4 E5 5 5 !5 5 ' ' B B G IB 5E5 I 5 !5 I5 II B I I I 'I B B B f I I I I I I I I 1 I Trb.t. ' B B B B 2 00 B B B 'I I fI I I I Trb.b. 00'IIIB B B IB f
Tb. 00 B B B 2 fI I B B 5 I I I I5: I
Timp. 1 00M =? 00 2 f5 5M 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 G 00= = = 5 5 5 = = 5 5 5=5 5 5 f Pf. 5 5 5 5 5! 5 5 5 5 5 5 5 5 5 5 5 5 5 00= 5 5 5 = 5 5 5 = 5 5 5 = 5 !5 5 = 5 5 = 5 5 5 5
I I I I I I5 5I I I 5I I I I 5I5I 5 5 B IB I IB B B Vl.1 1 5I 5E5 5 !5: 5 B G f I I I I Vl.2 II5 5 B IB I B B G II5 5 5E5 5I 5 !5 5 5I 5 B B I5 I I I I: I f I 5I I I I I Va. 5E5 5EBIII!5 B IB : 5 5I 5 B B I5: B I fI I 5I I I I I Vc. 5 5E5 5IEBII!5 BIIB : I5 5 5 B B 5: B I I fI I I 5I I I I I Cb. 5 5E5 5I II BII EB !5: I5 5 5 B B B 5: B 2 I I fI I I 5I I
28 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2828 226/09/20196/09/2019 14.1614.16 I 149 I I I !B I I 1 ' B B B ' ' Fl. 1 I B 'I ' 2 G I ffI I I I I I 1 I I Ob. !EB !B B B ' ' 2 G B 'I 'I fI I I I f I I I 1 I Cl. (Bb) !B B B E'I !'I 2 G ' B B ' ' ffI I I I I a 2 1 I Fg. I 5 B 5 5 IB 2 B 5 !5 5I I I 5 I 5 ' 5 5 2 f I I I I fII: I
I I I I I 1 I I Cor. (F) 1 B ' B 2 G B !B ' B ' 'B B B I fI I fI I I I I I I 3 I I Cor. (F) !B ' B 4 G !B !B B E' B E B ' fI ' I I I fI I I I I 1 B Trb.t. !B I I B 2 ' B'' ' 'I ffI I I I I I Trb.b. EB !BI !B IIB ' ' ff
Tb. I I B !5 5 5I B I5 I5 2 5I I I I5 5I 'II5: B f f I5 I
Timp. 1 M 5 5 =? 00M = 2 M mfB: 5 Mf
5 5 5 5 5 5 5 5 E 5 5 !5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 G = 5 E5 5 = !5 5 = 5 = 5 = 5E5 5 5 5 5 = 5 !5 5=5 5 5 =3 3 5 5 5 Pf. f E5 5 5 5 f f 5 5 5 5 5 5 5 5 E5 E5 5 E 5 5 !5 5 5 5 E5 E5 5 !5 5 5 5 5 = = !5 5 5 = 5 5 = 5 3E5 3 3E5 3E5 3 = 5 5 = 5 5 5 E5 5 5 E5 E5 5 !5 5 E5 5 I !B BI BI IB 'II' Vl.1 1 G ff
Vl.2 !BI I II I G B B B '' ffI I I I I Va. BI 5 B 5 I 5 I B 5 !5II5 I 5 5 ' 5 I5 f I fII: I Vc. I 5 B 5 5 IB B 5 !5 5I I I 5 I 5 ' 5 5 f I I I I fII: I I Cb. I 5 B 5 5 IB B 5 !5 5I I I 5 I 5 ' 5 5 2 f I I I I fII: I
DCM 023 29
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 2929 226/09/20196/09/2019 14.1614.16 M I 153 M I M I I 'I 5 5 E5 5 1 5: 5 5 E5: 5 !5 : 5 ! 5 5 Fl. 1 'I 2 G M I M I M I I f M M 5 5M 1 I 5: 5 E5: 5 : II Ob. ' 5I !5I 5 5 5 EE5 E5 2 G I 5: 5 5 E5: 5 5 : f M M M I I 1 I I I Cl. (Bb) ' 5: 5 E5: 5 5: 5 5 E5 E5 2 G 'I 5 !5 f M I M I M I I a 2 1 Fg. 2 ' B !B B !5 fI II II 2 5 I I I I 1 I Cor. (F) 1 ' B !B B EE5 E5 2 G 'I B ! B f I I I I I I I I 3 Cor. (F) I B !B B E5 5 4 ' B E 5 5 G 'I B E B f I I I I I I I I 1 I Trb.t. ' B EB B !E5 5 2 'I B ! B f I I I I II Trb.b. 'IIIB !B B E5 E5 f
Tb. ' B !B B !5 fI II II 2 5
Timp. 1 M BM: 5 = 00 2 mf 5 5 E5 5 = 5 5 5 5 !5 5 5 I 55 5 5 5 5 5 !5E5 5 5 !E5 5 G 5 55 5 5 5 5 !!5 5 E 5 E5 Pf. =35 3 5 3 5 5 5 E 5 I I f 5 5 I I 5 5 5 5 5 5 !5E5E5 !5 5 5!5 5!5 5 5E5 3 5 3 5 3 35 5 55 5 !5E5!5 5 5 5 5 5!5!5 5 5 5 !5 !5
I M M M I 5 ' 5: 5 5I E5: 5 !5I 5: 55I E5 Vl.1 1 G f
Vl.2 I M M M I I 5 G ' 5: 5 5 E5: 5 !5 5: 5 5 E5 f I I
Va. 'I B !B IIB !5 f II 5
Vc. ' B !B B !5 fI II II 5
Cb. ' B !B B !5 5 2 fI II II5
30 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3030 226/09/20196/09/2019 14.1614.16 156 Tempo I 1 Fg. 2 1 000 2
Timp. 1 'M 00 2 p
5 3 5 !5: 5 !5: E5 B B 5 5 5 5 5 G 5 E5 B B 5 5 5 5 5 5 5 5 5 5I5 Pf. f E5 5 3 5 5 5E5 5 5 5 5 55 5 5E5 5 E5E5 !5E5 5 5 5!5 5 5 5 5 5 5 5 !5 5 5 5 5 55 !5 55 5 5 Tempo I Vl.1 1 G B B B p !B B B
Vl.2 G B B p !B B B B Va. B EB ' B B p Vc. ' B B p B B
Cb. ' B B 2 p B B
159 1 Fg. 2 1 000 2
Timp. 1 000 2 5 B !5 !5 BII!B 5 5 !5 5 B E B G 5 B !5 !5 !5 5 B !B Pf. f 5 !5!5 5 555 5 5 55 5 5 E5!5!5 5 !5 5 E5 55 555 5 !5!5 !5 5 5 5 5 5 5 5 E5 5 5 !5 5 5 E5 5 5 E5 5 5
Vl.1 1 B !5 IIB !B G B !IB: I
Vl.2 G B B B !5 !B: I !IB Va. B EB 'B !I IB I Vc. IB B B I5 B IB: I Cb. I B B I5 B B 2 IB: I
DCM 023 31
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3131 226/09/20196/09/2019 14.1614.16 162 1 Fg. B 2 1 00? 2 p
Timp. 1 0 M 0 2 B: 5M !5 ' 5 55 B: 5 'B B 3 55 5 5 G 5B EB !5 ' 5 5 3 5 : !55 E5 5 Pf. p E5 5 5 5 B 5E5 5 5 !55 5 55 5 5 B B 5E5 E5!5 5 5 55 5 5 5 E5 5 !5 5 5 5
Vl.1 1 G 0 BI: 5I B B
Vl.2 G 0 5 B: ' Va. 0 BI: !'5I Vc. EB !B ' 0
Cb. EB !B 0 2 '
165 1 EB Fg. 1 B 2 !B ?? ? 2 p
Timp. 1 000 2 E5 5!5 5 !5 5 5E5 !55 G 3 !5 ?35E5 3 E5 5 3 5!5 ? !5 5E5 E5!5 95 5!5!5 Pf. E5E5 EB B B !B ? B ?
Vl.1 1 ? 5 5 5 0 ? G IEI5 5 I I5 5 I 5I 5 5 5 5 5 5 f I I fI I5I I I 5I I I Vl.2 ? 5 5 5 0 ? G IEI5 5 I I5 5 I 5I 5 5 5 5 5 5 f I I fI I5I I I 5I I I I I I Va. ? 0 ? 5 5I5I 5 5I 5I 5I 5 5E5 5 5 5 5 5 5 fI I I I I I I I f Vc. 5II I5 5 ? 5 5 5 0 ? 5I5 I5 5 5I I fIE5 5 I 5 5 I 5 I I I I I I f Cb. 00? II5 5 I 5I 5 5 5I 2 5 I 5I I f
32 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3232 226/09/20196/09/2019 14.1614.16 168 1 Fl. 1 5 2 G 0 5 5 5 5 p 5 1 Cl. (Bb) 2 G 5 5 5 0 p 5 E!5 1 Fg. 2 0000 2
5 5 !5 !!5 5 5 5 5 G 5 5 E5EE5 5 5 5 !5 5 !5 ! 5 5 5 5 5 E5EE5 Pf. p 5 E5 !5 E5 5 !5 E5 !5 E5 !5 E5 !5
Vl.1 1 G 00
Vl.2 G 00
Va. 0 0
Vc. 00
Cb. 00 2 170 1 Fl. 1 5 5 5 !5 2 G 5 =4 ? 5 5 5 ! 5 5 p
1 Cl. (Bb) 2 = 5 G 5 5 5 5 5 5 5 5 !5 5 E5 5 5 5 !5 !5 5 p 5 1 Fg. 2 0000 2 5 5 5 5 5 !5 5 !5 G !5 5 5 5 5 !5 5 !5 5 5 5 !5 !5 5 !5 5 E5 5 E5 5 5 5 5 5 5 !5 Pf. 5 5 5 !5 5 !5 5 5 5 !5 5 !5 5 !5 !5 !5 5 E5 5 5 5 5 5 5 5 !5 5 !5 5 E5
Vl.1 1 G 00
Vl.2 G 00
Va. 0 0
Vc. 00
Cb. 00 2
DCM 023 33
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3333 226/09/20196/09/2019 14.1614.16 172 5 5 5E5!5 1 M 5 B 55 5 !5 Fl. 5M 5 ' 5 5 5 E5 5 2 1 4 5 5 5 !5 G 45 435 55 5 !5E5 ppp p
1 Ob. 2 G 00 0
1 Cl. (Bb) 5 2 4 4 5 B 0 G !5 5 ' ppp5M M
1 Fg. 5M ' 2 4 5 4 0 5 5 2 pppM
Timp. 1 0 ?45 4? 2 pp5M
I 5 BB 5 !5 5 B5 B 5 5 5 !! 5 !!5 5 5 B 35 55 5 G !5 5 5 5 5 5 5 !E5 5 5 M 5 E5 Pf. I I M !5 5 5 !5 5 5 5 !5 3 5 3!5!5 5 3 5 355 55 5 5 5 5 !B 5 !5 3!5 5 5 !5 5 555 5 5 5 !B ! 5 !I5
Vl.1 1 G 00? 5 E5 = pf
Vl.2 00? = G 5 !5 pf
Va. 0 0 ? 5 5 = pf
pizz. arco Vc. 0 ?45 5 4 5 5 = ppM M p f
pizz. Cb. 0 ?45 4? 2 ppM 5M
34 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3434 226/09/20196/09/2019 14.1614.16 175 !5 E5 5E5 !5 5!5 5 5 5 5 1 !5 5 5E5 !55 5!5 5 5E5 Fl. 1 !5 5E5 E5E5 5 !5 5 5 5 5 E5 2 43!5 5 43E5 43!5 5 E5 5 !5 5 5 5 !5 5 5 E5 G !5E5E5 !5 E5 mf mf p f p p
1 Ob. 2 G 00 0
1 Cl. (Bb) 2 G 00 0
1 Fg. 2 00 0 2
Timp. 1 M 5 4 E45 00 2 pM
M M M !5 E5 !5 B E5 5 5 !5 !5 !B !5 5 5 5 3 5 5 B G 3 E5 5 !5 E5 5 55 !B E5 !5 5 5 5 5M E! 55 Pf. p p p M p p M M E 5M !5M !!55 E 55 ! 5 55 5 5M !5 EB E 5 3E5 5!5 !5 3 5 5 55 3E5E5 5 5 B E5 5 5 5 E5 5 E5 5E!55 B EB !5M E5 M
pizz. 5 E5 arco pizz. !5 Vl.1 1 4 =4 = 4 =4 5M =4 = G E5 mf p 5 5 mf M f pizz. 5 arco pizz. 5 E5 M Vl.2 4 5 =4 = 4 =4 =4 M = G !5 55 mf p 5 5 E!55 f mfM M pizz. pizz. arco E5 M M Va. 4 5 =4 5 =? =4 5 =4 = 5 5 E5 mf 5 f mfM M pizz. pizz. arco E5 M M Vc. !5 E 5 !5 =E5 =? E5 = 4 5 =4 E!55 = pmfpmf 5 E5M f mfM M
Cb. !5 4 E45 00 2 pp
DCM 023 35
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3535 226/09/20196/09/2019 14.1614.16 178 I I 1 !5M M I B B Fl. 1 ! 5 5M 5 B EB 2 G !5 5 ? p M
1 Ob. M I BI 2 E5 5 B ? G 5 E5 5 5 !B B p M M !5M I
1 Cl. (Bb) 2 G E5 5 B EB B ? E p5M 5 E5 5 B I B E5M M E5M I I
1 Fg. 2 00 0 2
Timp. 1 00 0 2
3 3 3 3 5 5 !5 !5 !5 !5 3 5 5 35 E!5 3 5 5 3 5 55 5 !55 E555 5 5 !5 5 5 5!5 55 55 5 5 5 5 5 55 G E5 E5!55 5 5 !5 !E5 !5 5 5 55 5 B p 3 3 5 3 5 53 f I Pf. 3 3 3 f 3 !5 5 5 BI E5!55 E5!55 5 B G !5 G !5 5 5 55 E555 !5!5 5 55
arco 5 55 55 55 Vl.1 1 5 5 5 5 5 G 00? 55 5 5 p
arco Vl.2 G 00? B p
arco Va. B 0 0 ? B p
arco Vc. 00? B p
Cb. 00 0 2
36 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3636 226/09/20196/09/2019 14.1614.16 181 B 55!5E5E5 1 !B 5 55 !5 Fl. 1 5 5 5 5 !5 E5 E5 5 2 G ? 4 E5 4435 5 5 !5E5 f pp 5 f
p 1 Ob. B 2 B ? 4 4 0 G 5 5 f p ?
p 1 Cl. (Bb) 2 !?B 4 4 0 G B 5 E5 f p5 ?
1 Fg. 2 00 0 2
Timp. 1 00 0 2
M 5 EE5 !5 5 5 E5 E5 5 5 5 !5 5 5 G !5 5 5 55 E5 E5 !5 ! 5 5 IB I 5!5 5 5M 5 Pf. ffffI M I 5I EE5 5 B 5 5 5 I !5 55 E5 !5!5 !B 5 5 !5 5E!5 3 !5 5 !5 5 5 5E5 !5 55 !5 5!5 M
5 !5!5!5 5 5 5 5 E5 5 Vl.1 1 ? 5!5!5 5 5 5 5 5 !5E5 G !5 5!5!5 !5 4 5 4 !5E5E5 5 ? = 5!5 E5 E5 p pf
pizz. arco Vl.2 E5 G ? 4 4 E5 4 = 5k B 5 k p E5 I5 f E5 !5 pf
Va. ? 4 4 ? = !B 5 5 p 5I E5 pf
I Vc. ? 4 5 4 ? 5 = B 5 5 E5 B E5 pf p I
Cb. 00 0 2
DCM 023 37
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3737 226/09/20196/09/2019 14.1614.16 Solo (mit großer Kraft) 184 5 !5 5 5 5 5 5 5 !5 5 5 5E5 5 !5 5 5 5 5 5 !5 !5M 5 5 !5 5 5 5 !5 5 5 5 5 5 5 !5 5 5 G 5 !5 !5 5 5 5 5 5 5 5 Pf. ff 5 5 5 B B B B B 5: 5 B B I BI 5: IB I I 5I BI 187 E5 I 5 !5 !5 E5 5 !5 5 I B IB !5 E5 5 !5 E5 5 B !B B B G 5 !5 B !B Pf. I E5 5 E5 5 !5 B 5 E5 5 5 5 !5 5 5 5 5 5 5 5 5 5 B 5 E5I 5 E5 5 5 5 5 5 5 !5 5 I I5 E5I I !5 5 5 5 5 5 - 190 5 E5 E5 I BI I I 5I EI5 E5 E5 E5 5 5 5: 5 EB E5 E5 E5 5 E5 5 E5 G 5: B E5 E5 5 E5 E5 E5 5 Pf. 5IIEB !5 E5 I I 5 5 5 !5 E5 E5 5 E5 5 !5 5 95 EB E5 !5 5 5 !5 E5 E5 5 !5 E5 5 !5 E5 E5 !5 5 5 5 E5 5 95 E5 EIB
- 193 !5 5 E5 E5 E5 5 E5 E5 E5 !5 5 5 E5 E5 E5 5 5 !5 5 G !5 5 E5 E5 5 E5 5 5 E5 E5 5 5 5 Pf. E5 E5 E5 E5 E5 5 5 5 E5 E5 !5 E5 5 5 E5 E5 E5 E5 E5 E5 E5 E5 5 5 5 E5 !5 E5 E5 5 5 E5
- I I I 195 I I ! II B 5B 5 5 5 B5 5 5 5 5: B5 E5 E5 5 ! 5 5 5 !B B 5 5 5 EEB G B B !5 5: 5 5 EB Pf. p 5 5 5 5 E5 !5 E5 E5 !5 !5 5 5 !5 5 5 5 5 E5 E5 !5 5 5 5 !5 5 5 5 5 5 5 5 5!5 E5 5 E5 E5 !5 !5 5 5 5 5 5 !5 E5 E5 5 198 !5 E5 E5 5 E5 E5 5 E5 5 5 ` EBI 5 E5 E5 E 5 E5 5 5 5 5 95 5 E5 E5 5 5 E5 !B 5 E5 !5 E5 5 E5 E5 5 5 E 5 5E5 55 5 5 G E!B I 95 5 E5 E5 5 E5 Pf. I EI5 E5 E5 E5 5 E5 E5 5 5 E5 E5 E5 !5 !5 5 5 E5 5 5 E5E5 5 5 E5 !5 E5 E5 E5 5 E5 E5 5 E5 E5 !5 5 5 E5 EI5 I I E5 201 ` 5 !5 E5 5 E5 E5 !5 5 5 !5 E5 !5 !5 !5 5 5 5 ! 5 5 E 5 5 5 5 B E5 5 5 5 E5 5 5 !!5 !5 ! 5 5 5 5 5 5 G E 5E5 5 5 E5 5 5 5 5!5 E5 E5 5E5 5 5 5 5!5 5 5 !5 5 Pf. cresc. E5 !5 5 !5 E5 E5 5 5 E5 !5 E5 E5 E5 !5 E5 E5 !5 !5 E5 !5 !5 E5 5 5 E5 5 !5 E5 : 5 5 5 5 E5 E5 E5 !5 E5 E5 !5: !5 5 5 5 5
38 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3838 226/09/20196/09/2019 14.1614.16 204 B B B 1 B B B B B B Fl. 1 B B 2 G f
1 B B Ob. B B B B B B 2 G B B B f
1 Cl. (Bb) B B B 2 G B B B B B B f
a 2 1 Fg. B B 2 B B I5: 5 B 2 f I I
1 Cor. (F) 1 2 G B B B B B B B B B B B f
3. 3 Cor. (F) 4 G B B B B B 2 f B
Timp. 1 5M 5 =? 00 2 f M
I 5 `II5 5 5 I 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 Pf. ff I I 5 I5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 : 5 5 5 5 5 5: I5 I I 5I 5 MM MM 5MM5 5MM5 5MM5 5MM5 5MM5 5MM5 MMMMMM 5 5E5MM5 5 5 MM MM 5 5E5 5 5 5 ` 5MM5 MM5MM5 !5 5 5MM5 5 5 Vl.1 1 5 5 G ======f
MMMMMM MMMMMM MM MMMM 5MM5 MM5MM5 Vl.2 5 5 5 5 5 5 5 5 5 5 5 5 5MM5 MM5MM5 5 5 E5 5 5 5 5 5 MMMMMM G = = = E5 5 = = = !5 5 5 5 5 5 f
5MM5 MM5MM5 5MM5 5MM5 5MM5 Va. = 5 5 5 5 5 5 = 5 5 5 5 5 5 = 5 5 E5 5 5 5 = E5 5 = = !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 fMMMMMM MMMMMM 5MM5E5MM5 5MM5 !5MM5 5MMMM5 5 5
I Vc. B BI B B I5: B fI I 5I I
arco I Cb. B BI B B 5I: B 2 fI I 5I I
DCM 023 39
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 3939 226/09/20196/09/2019 14.1614.16 207 B B 'I I 1 B B B B E' !' Fl. 1 EB !B 2 G f
1 'I I Ob. !B EB B EB ' ' 2 G B B ' f
1 I Cl. (Bb) E E' I 2 G EEB E B !B EEB ''' B fI I
a 2 1 I I I III Fg. BI E5 B E5 I 5 I ' 5: B 2 5 E5II5 I 5 5 I5 2 I f
1 Cor. (F) 1 I I 2 G EB B EB B ' ' ! B EB B EB fI 'I
3. 3 Cor. (F) 4 G EB EB E' 2 EB !B fI 'I
Timp. 1 00BM 5 0 2 f : M
5 5 5 5 E5 5 !5 !E5 E5 !5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 !5 5 5 5 G !E5 E5 !5 E5 E5 5 5 !5 Pf. f 5 E5 5 I !5 E5 E5 !5 5 E5 5 5 5 5 5: B 5 5 E5 5 5 5 5 E5 5 !5 E!5 5 E5 !5 E5 I 5 I 5 : BI I5E5I I I I I 5 !5I
5MM5 MM5MM5 MM MME5MM5 MM MMMM 5MM5 MM5MM5 5MM5 MM5MM5 MM MM MM MM E5 5 E5 5!5 5 5MM5E5MM5 5MM5 5 5E5 5 5 5 E5 5 5 5 5 5 5MM5 5 5 5 5 5MM5 5 5 Vl.1 1 G ======f
MM MMMM MM MM MM MM MM MMMM MMMMMM Vl.2 5 5 E5 5 5 5 E5MM5 !5 5 E5 5 MM 5 5 E5MM5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5MM5 MMMM5 5 5MM5 MMMM5 5 G = = = 5 5 E5MMMM5 5 5= = = = 5 5 = 5 5 f
Va. E5 5 MM MM = 5 5 E5 5 5 5= E5 5 !5 5 = 5 5 E5 5 5 5= 5 5 E5 5 5 5 = 5 5 E5 5 5 5= 5 5 5 5 5 5 = 5 5 5 5 5 5= 5 5 5 5 5 5 5 5E5 5 5 5 !5 5 E5 5 MM MMMM 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 MMMM MMMM MM MMMM E5MM5 MM MM MME5MM5 MM fMM MMMM MMMMMM II Vc. I E5 BI E5I 5I ' 5: IB B 5 E5 5 I I5 5I 5 I II f I
I I I III Cb. BI E5 B E5 I 5 I ' 5: B 5 E5II5 I 5 5 I5 2 I f
40 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4040 226/09/20196/09/2019 14.1614.16 211 'I IIB EB BIIB 1 ' B ! B B B Fl. 1 2 G f
1 'I II II Ob. ' B EEB B EB 2 G f
I I I I 1 I Cl. (Bb) ' B EB B EB 2 G 'I B E B B E B f I I I I
a 2 1 Fg. 2 'I B !B BI B 2 f II BI
1 I I Cor. (F) I I 2 1 ' ' G ' B EB fI B E B B EB I I II 3. 3 Cor. (F) 4 G ' B EB B EB 2 fI II I I
Timp. 1 M BM: 5M 00 2 f
5 M M 5 5M 5 5M 5 5 5: 5 E5: 5 : : 5 5 5 5 5 E5 5 5 5 5 5 5I G 5 5 5 : 5 : !5 : 5 : E5 5 5 5 EE 5 I5 Pf. f I I M M I 5 5: 5M I E5: 5M I 5: 5 5I 5: 5 5 5 5 5 E!5 5 5 5 5 5E5 5 5 5: 55 E5: 5 !5 : 5 : 5
MMMMMM MMMMMM MMMM MMMM MMMM MMMM 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5E5 5 5 5 5E5!5E5 5 5 5 5!5 5 5!5 5 5 5 5 5 5 5 5 Vl.1 1 G = = f
Vl.2 5MM5 MM5MM5 5MM5 MM5MM5 MMMM MMMM 5MMMM5 5 5 5MMMM5 5 5 5 G = 5 5 = 5 5 5 5 5 5 5 5 E5 5 E5 5 5 5 5 E5 !5 E5 !5 5 5 !5 5 5 5 f
MM MM MM MM MMMM MMMM Va. = 5 5 5MM5 5 5 = 5 5 5MM5 5 5 5MMMM5 5 5 5 5 E5 5 E5MMMM5 5 5 5 E5 !5 E5 5 5 5 5 !5 5 5 !5 5 5 5 5 5 5 5 5 f
I I Vc. ' B B I IIB !B B f I I
Cb. IB 'I B !B BI 2 f II
DCM 023 41
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4141 226/09/20196/09/2019 14.1614.16 etwas ruhiger 214 1. solo 1 5 B ' Fl. 1 5 EB B 5 E5 2 G 4 5 p espressivo 1 Ob. 2 G 00 0 0 1. 1 Cl. (Bb) 2 G 3 3 3 E5 5 5 5 3E5 5 5 5 5 5 5 5 555555555555555 555555555555555 5E5555555 5 5 5 5 5 5 5 5 5 5 p 1 Fg. 2 00 0 0 2
Timp. 1 'M 'M ' ' 2 pp ppM M etwas ruhiger pizz. Vl.1 1 G = 5M 5 0 = ??= E5 p M 5 pp5 5 M 5 M 5M M 5M M M Vl.2 G 00 0 0 pizz. M Va. 0 = 5 ?= = 5M =4 5 5MM5 E5 E5 pM ppM 5MM5 M Vc. '' pp''pp Cb. '' 2 pp''pp
1. 218 1 5 5 5 Fl. 1 5 5 5 5 B 2 G = EB !B B ' p 1 Ob. 2 G 4 B: B B ' ' pB: !B ' ' 1. 1 Cl. (Bb) 2 G 3555555555555555 35E5555553555555535!55555555555555 3555555555555555 p p 1 Fg. 5 5 5 2 0 = 5 5 5 5 5 B 2 0 5 5: 5 5: 5 : B 0 ? p Timp. 1 5M 4? 000 2 p
Vl.1 1 G 0000
Vl.2 G 0000
Va. 0 0 0 ?= 5 5M M 5pM 5 Vc. 5 5 5 5 5 5 B: 5 == !5 5 5 5 5 5 5 5 5 p p M 5 5 5 M B Cb. B: 5 = 000 2 p
42 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4242 226/09/20196/09/2019 14.1614.16 222 1 Fl. 1 2 G 000 0
1 Ob. 2 G 000 0
1 Cl. (Bb) 2 G 000 0
pppp pp 1 Fg. 2 B 1B B 1B EB EB EB EB 2 0 0 0 0
p p 1 Cor. (F) 2 1 0 0 G B B B EB 0 0
3 Cor. (F) 4 000 0 2G
Timp. 1 000 0 2
5 5 B 5 E5 B B B B5 EB G 0 B 0 E5 B p espressivo p Pf. 5 55 5 E5E5 5 5 5 55 5 E5E5 5 5 E5 0 B G 5 55 0 EB5 G E5 5 1 B EEB5
arco Vl.1 1 5 B !5 5 5 5 E5 G 5 5 5 5 !B 5: 5 5 EB p espressivo pp p espressivo pp
Vl.2 G B B B B B EB B pppp ppEB
arco Va. 5 B B !B B E5 B B B pppp pp
3 E5 5 I5515 5E5 I 5E5 Vc. 55 5 5 B B 5E5E5 5 5 B EB 5 5 3 3 3 p pp p pp
EB EB EB EB Cb. B 1B B 1B 2 pppp pp
DCM 023 43
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4343 226/09/20196/09/2019 14.1614.16 226 1 Fl. 1 EBB 2 G 00 EBB '' p
1 Ob. EB 2 G 00B EB ' p B '
1 Cl. (Bb) 2 G 00 0 0
1 Fg. 2 ' ' 00 2 ' ' p
1. 1 Cor. (F) 1 E 2 G E'' E ' ' p p
3 Cor. (F) 4 G 00E' ' 2 p
Timp. 1 ' ' 00 2 pM M
EB !B EB !B ` E5 5 5 E5 5 5 5 5 5 5 5 5 E555E555555555 G 0 35!55 E5 5 5 5 5 5 5 5 5 3555 p p Pf. E5 5 5 E55 5!55 55E555555555 G 0 55 G E5555E55!5 3 G 3555E5 5E5 5 55
B EBB EBB Vl.1 1 EB !B B EBB G EBB p pp p p
EBB Vl.2 ' EB EBB G B EBB EB p pp p p B
' B Va. !B 00 p pp
!5 3 55E5 55 Vc. 5E5 !5 ' 00 5 3 E5 3 3 p5 pp
Cb. '' 00 2 p pp
44 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4444 226/09/20196/09/2019 14.1614.16 230 E5 E5 E5 5E5 1 E5 Fl. 1 E5 E5 E5 5 E5 2 G 00?= 0 ?=E5 00 p p
1 Ob. 2 G 000000
1. 1 Cl. (Bb) 5 E5 2 G 00004 5 B 4 E5 EB p mf cresc. pp pp 1 Fg. 2 '' 00 2 ''0000
1. 1 Cor. (F) 1 E5 5 EB 2 G 4 E5EB E' 4 5 EB B 00 p espressivo p
3 Cor. (F) 4 000000 2G
3 3 3 3 Timp. 1 M M 'M 5 5 5 5 5 5 'M 5 5 5 5 5 5 E'M ' 2 ppp pMMMMM M ppp p p mfM cresc.
E5 E5 5 !5 E5E5 E5 E5 E5 E5 B ?4 5 EB ?=5 !5 ?=E5 G ?4E5 !5!5 E5 5 5 !5!5 E5E5 Pf. p pmf E5 cresc. E5 E5E5 E5 B 5EB ?4E5 ?4!5!5 E5 5 5
Vl.1 1 G 000000
Vl.2 5 E5 G 00004 5 B 4 E5 EB pmf cresc.
Va. 0 ? 4= 4= EE' EBB'E ' !5 !B E5 EB pp pmf cresc. E5 5EB Vc. E5EB E' 5 EB B !5 B E5 B 4 4 4= 4= p espressivo ppmf cresc. ' ' E' ' Cb. ' ' ' ' ' ' E' ' 2 pp pp p mf cresc.
DCM 023 45
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4545 226/09/20196/09/2019 14.1614.16 236 1 Fl. 1 2 G 00 0
1 Ob. 2 G 00 0
1 B B Cl. (Bb) EB: !5 B B B 2 G E B: !B B f
a 2 1 Fg. 5 15 5 2 EB: 5 E5 !5 !5 5 5 5 5 5 5 5 E5 !5 5 5 2 f
1 Cor. (F) B 2 1 B 5 B B !B G ': B B ! B B f
3. 3 Cor. (F) 4 G EB 5 B B EB B 2 f :
Timp. 1 M = 00 2 EBM: 5 f 55 !55 5 5 !5 5 5 5 5 $ !5!5 5 5 G ?4=5 5 5 5 5 55 5 !5 E5 5!5 5 Pf. cresc. 5 5 E5 5 !5 ?45 5 !5 5 - I5 5 5 I BI Vl.1 1 5 B I G = 5 5 B B f
Vl.2 I5 5 5 I I G = 5 5 E5 B B B B f I
I I BI Va. 5 5 5 B BI = 5 5 5 B f
I I 5 5 5 5 5 BI BI B Vc. = E5 B f I I I I I I I I EB: 5 5 !5 15 5 5 E5 !5 5 5 5 5 5 5 15 E5 !5 5 5 Cb. EB: 5 E5 !5 5 !5 5 5 5 5 5 5 5 5 E5 !5 5 5 2 f I I I I I I I I
46 46 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4646 226/09/20196/09/2019 14.1614.16 239 1 Fl. 1 2 G 000
1 Ob. 2 G 000
EB 1 !B 5 B EB EB ! B Cl. (Bb) E5: B B B 2 G !B 5 E5 f :
a 2 1 I I I !I5 5 I I5 5 I Fg. E5 I 5 E5 E5: 5 E5: 5 : E5: 2 = E5 I5 !5 5 E5 5 E5 5 5: 5 E5 2 f E5 : I: :
f 1 Cor. (F) 1 !' EB EB EB EB 2 G 4 EB: E B E B ! B E B f
3. 3 Cor. (F) E5 B: EB EB 4 G = EB EB 2 f
Timp. 1 000 2
E5 5 !5 E5 5 E5 5 5 5 E5 5 !5 E5 E5 5 EE5 = 5 = E5 5= 5 5= ! 5 = 5 = E 5E5 = 5 5 = G E5 5 E5 E5 E5 5 E5 5 f E5 Pf. E5 5 5 5 3 E5 5 !5 E5 = E5 = E5 E5 = E5 = E5 = E5 E5E5 !5 E5 5 E5 E5 = 5E=5 E5 !5 = 5 E5 E5 E5 E5 E5
!IB 5 B EB Vl.1 1 EB EB G E5 5 f
Vl.2 EB EB !B EEB G B 5 B E B fI E5 5 E B
I I Va. E5 I 5 I = E5 5 I5 5 E5: 5 E5 5 I5: 5 E5: f EI5 I I: I
I I I I5 5 I I I 5I I5 5 I I Vc. E5 5 E5 E5 5 5 E5 5I 5 E5 5 = E5I I5 E5I 5I E5I f EI5
I I I !I5 5 I I I 5I I5 5 I I Cb. E5 I 5 E5 E5 5 5 E5 5I 5 I E5 5 = E5 I5 E5I 5 E5I 2 f EI5
DCM 023 47
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4747 226/09/20196/09/2019 14.1614.16 242 1 EB: ' EB: 5 Fl. 1 2 G 4 EB: ' EB: 5 f
1 Ob. 2 G 000
' B EB B: 5 1 Cl. (Bb) ' B EB B 5 2 G : f
1 Fg. 2 000 2
1. 1 Cor. (F) 1 2 G ' B EB B: 5 f
3. 3 Cor. (F) 4 4 G EB: E' !B: 5 2 f
Timp. 1 54M ? ? 4 = 4? 5 5M 2 f fM
5 !5 5 E5 5 E5 E5 E5 !5 5 E5 E5 E5 5 E5 95 !5 G = = E5 = E5 = 5= = = 95 ==E5 = E5 = !5 = Pf. 5 !5 5 E5 5 E5 E5 E5 !5 = 5 = E5 = E5 = E5 = = 5 = E5 = 95 = = = !5 = - E5 E5 5 95 E5 E5 !5 I I I5 I !I5 5 E5 I I I5 E5 I EI5 EII5 !5 Vl.1 1 5 E5 E5 5 E5 95 5 !5 G E5 E5 E5 5 95 5 E5 E5 !5 f I I I5 I !I5 5 E5 I EI5 I5 E5 I EI5 EII5 !5 Vl.2 5 E5 E5 5 E5 95 5 !5 G E5 E5 5 95 5 E5 E5 !5 f
I I Va. II5 5 EI5 !5 = E5 E5 5 I5 EI5 E5 !5 f EI5 I 9I5 II I I5 EI5 I I5 EI5 I II!5 Vc. EI5 EI5 5 5 9I5 E5 E5 !5 = f
I I I5 EI5 I 5 EI5 I II!5 Cb. EI5 EI5 5 5 9I5 E5 E5 !5 = 2 f
48 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4848 226/09/20196/09/2019 14.1614.16 245 1 EB Fl. 1 E' B B 2 G E' EB !B 5 5?
1 Ob. 2 G 00 0
B E5 1 : Cl. (Bb) B E5 EB B !B5 2 G : E!B B E5 ?
1 EB B B Fg. B 2 0 E B B ? 2
1. 1 Cor. (F) 1 2 G B: E5 00
3. 3 Cor. (F) 4 00 2G '
Timp. 1 0 M = 5 5 = M =4 2 E5M 5 M fB 5 f M
I E5E5 !5 5 55 55 IE5 E5 E5 ! 5 5 !355 3 55 3 3 5 5 5E5E5 E5 5 E5 E 5 5 5 ! !5 5!5 5 5 55 5 55 5 G E5 == = = E5 E5E5 E5 E5 !5 !5 !55 55 55 55 3 5 E5 5 E5 E5 E5 !5 3 5 3 55 3 5 3 55 3 Pf. f 55 55 IEI5 E5E5 !5!5 5 5 5E5 E5 = E5 5 = E=5 = E5 !5!5 3 5 5 E5 E5 E5 E5 5 E5 E5 E5 3
!5 pizz. EI5 Vl.1 1 : 5 E5 E5 4 =4 =4 G E5: 5 E5 =? 5 I EI5 EI5 ff fM
pizz. EI5 !5 Vl.2 : 5 E5 E5 4 =4 =? =4 G E5: 5 E5 5 I EI5 EI5 ff fM !5 Va. 5 4 E5 =4 = 0 E5I 5 I EI5 EI5 ff 5 pizz. I !5 M Vc. E5 5II E5 5 5 E5 E5I 4 E 5 =4 =? =4 ff f 5 pizz. I !5 M Cb. E5 5II E5 5 E5 E5I 4 =4 =? =4 2 ff f
DCM 023 49
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 4949 226/09/20196/09/2019 14.1614.16 248 1 E5 5 Fl. 1 E5 5 E 5 E5 2 G E 5 =? =? 0 f f
1 Ob. 2 G 00 0
1 Cl. (Bb) E5 5 2 G E5 5 =? 5 EE!5 =? B B 95 E5 f f f 1 E5 5 Fg. E5 5 E 5 E5 !B !B 2 E 5 E5 =? =? B B 2 f f f
1. 1 Cor. (F) 1 2 G 00B B f
3 Cor. (F) 4 00 0 2G
Timp. 1 0054 ? 2 f
I I ` E5 5 5!5E5 !5 5I EI5 !5I 5 I I I5 E5 5 E5 E5 !5 !5 5 E5 5 5E5 5 5 5I !5I !5 5E5 5 5 3 3 5 3E5 3 3 E5 5 3 53 3 3!5 3 5 E5 5 5 !5 55!5 G 5 !5 = 555!5 ff Pf. !5I I I 5I E5 5 5!5E5 5I E5 !5 5!5 E5 E5 !5 E5 !5 5 5 5 5 555!5 5 G E5 5 5 E5 5 5 !5 !5 E5 5 5 5 55 E5 5 5 !5 5I 5 = E5 5 5 I I5 !I5 I
E5M M M 5 Vl.1 1 E5 5M G 00 f M M 5 M M 5 !5 Vl.2 005 5 G M ! 5 M f M M
Va. 0 0 0
M M Vc. E5M E5 E5 E5M ? ? 0 f
M M Cb. E5M E5 E5 E5M ? ? 0 2 f
50 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5050 226/09/20196/09/2019 14.1614.16 251 1 B Fl. 1 2 G ?B 0000 f
1 Ob. 2 G 000
1 Cl. (Bb) 2 ? G B5 5 00 f
1 Fg. B 2 B ? 00 2 f
1. 1 Cor. (F) 1 5 5 2 G 0 5 5 =? =? f f
3 Cor. (F) 4 000 2G
Timp. 1 000 2 I I I I5 5 5 I !5 5 !5I I I 5I I5 5: 5 I5 I5 5 55 55 5!5IE5 5E5E5 !5 !5 5 5 3 35 5 55 55 5!55 E5 !5 5 3!5 3!5 5 3 5 : 5 5 G 3 55 3 3 55 33 5 !5 3!5 3 3 3 3 3 Pf. I 55 55 I I I5 5I I5 I I5 5I 5 55 55 55 55 IEI5 !5 5E5E5 5 !5 !5I !I5 5 : 5 5 3 55 355 !55 5 !5 !5 5 5: 5 5 5 5 3 3 35 5 !5 E5 !5 5 !5 !5 5 G 3
arco !5 5 E!5 5 M E!5 5 Vl.1 1 5 G ? =4 =? =? ff f
arco 5 E5 5 E5 5 Vl.2 ? ! 5 5 =? =? G 5 =4 ffM f
E5 !5 Va. E 5 5 E5 !5 0 =? G E 5 =? f f
arco E5 EE5 5 Vc. 5 5 5 ? 5M =4 E !5 =? =? ff f
arco E5 E5 5 5 Cb. ? 5M =4 =? =? 2 ff f
DCM 023 51
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5151 226/09/20196/09/2019 14.1614.16 254 5M 1 Fl. 1 5 2 G 0 ?4 = 0 f
1 5M Ob. 5 2 G 0 ?4 = 0 f
1 Cl. (Bb) B 2 G ? EB !5' 5 B ? !B p p f
1 B Fg. B ' B 2 ? B 5 B: ? 2 p p f
1. 1 Cor. (F) 1 2 G ? B' ? B p p f
3 Cor. (F) 4 00 0 2G
Timp. 1 0 ?45M 0 2 f
I 5 5I !5I I5 I !5I I 5 5 B 5 BB `5 5 !5I !5I ` 3 !35 5 B 5 B5 5 5 !5 3 5 !B G 3 3 5 35 3!35 !5 !B f Pf. !5I I BI BB 5 !5I !5I 5 B 5 B5 5 !5 5 B G 5 !5 5 B 5 5 !5 !5 !B I5 5 5 B I !I5 5I
55 555 55 5 5 5 5 5 5 5 5 5 5 5 !55!5!55 Vl.1 1 5!5 5 5 5 G ?35 5 ?3 f
Vl.2 ?35 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ?3!5 5 !5 !5 5 G !5 5 5 5 5 5 5 f
pizz. Va. M G 0 ?4 5 0 f
pizz. Vc. 0 ?45M 0 f
pizz. Cb. 0 ?45M 0 2 f
52 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5252 226/09/20196/09/2019 14.1614.16 M 257 5 1 5 Fl. 1 5I 5 5 5I I 2 G ?4=4 5 5 5 !!5 !5 f ! 5
M 1 5 Ob. 5 2 G ?4= 00 f
1 Cl. (Bb) ' 5 2 G 5 B 00 f
1 ' Fg. B: B 5 2 5 4 B 5 B !!B 2 f
1. 1 Cor. (F) 1 B: B 2 G ' 4 B 5 B B f !B
3. 3 Cor. (F) 4 0 4 B 5 B 2G B
Timp. 1 ?4 5 M M 2 fmfM ' '
5 ` 5 ` 5 555 5 !5!5 5 BB 5 5!55 5 5 5 5 5 55 55 5!55!5 !5!5 G B5 5 5 3 5 555 5 !5 Pf. 55 5 5!555 5 5 55 !55!5!5 5 G BB 5 G 3 5555!5 5 5 5 5 5 !5 !5 !5!5 5 B5 5 5 55 5
5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 I 5 5 5I Vl.1 1 5 I5 !5 G 4 !5 ff
5 5 5 Vl.2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 4 5 I5 ffI I5 !5 !5
5M Va. ?4 00 f
M arco Vc. ?45 ff''
M arco Cb. ?45 2 ff''
DCM 023 53
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5353 226/09/20196/09/2019 14.1614.16 260 1 5 I Fl. 1 I5 5 !5 5 5I 5 5 !E5 5 5 5 E5 5 5 5 2 G 4 5 5 5 5 5 5 5 5 f f
1 Ob. 2 G 0000
1 Cl. (Bb) 2 G 0000
1 Fg. B 5 5 5 5 5 2 4 B: 5 5B: B 5 !E5 5 5 5 E5 5 5 5 2 f f
1 Cor. (F) 1 B: B 5 E5 5 5 5 E5 5 5 5 2 G 4 EB !5 5: 5 !B E!5 5 E!5 5 E!5 5 E!5 5 f f
3. 3 Cor. (F) 4 G 4 B !5 5 B 5 !5 5 5 5 5 5 5 5 2 ff
Timp. 1 E'M E'M E'M EBM 5 2 mf f :
5 !5 5 5 5 !5 5 !5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 E5 5 !5 !5 G = E5 = !5 ======Pf. 5 5 5 !5 5 5 5 5 5 5 5 !5 !5 !5 5 !5 5 5 5 E5= 5= !5 = = 5 = !5 = = 5 = = 5 = = 5 = = 5 = = 5 = E5 5 !5
I 5 5 5I I 5 !5 5 5 5 Vl.1 1 5 5 5 5 5 5 5 G 4 ff
Vl.2 5 5 G 4 5 I5 5 5 5 !5 5 5 5 5 5 5 5 fI I f
arco Va. 0 0 5 E5 5 5 E5 5 fI I EI5 I I I EI5 I
Vc. E'' 5 E5 5 5 E5 5 f fI I E5I I I I EI5 I
Cb. 2 E'' 5 E5 5 5 E5 5 f fI I E5I I I I EI5 I
54 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5454 226/09/20196/09/2019 14.1614.16 264 E' ' ' B: 5 1 Fl. 1 E' ' ' B: 5 2 G = 0 fp cresc. f
1 Ob. 2 G 00000
1 Cl. (Bb) 2 G 00000
1 Fg. E'' '' '' B: 5 2 = 0 2 fp cresc. f
1. 1 Cor. (F) 2 1 E''' B: 5 = 0 G fp cresc. f
3. 3 Cor. (F) 4 G E''' B: 5 = 0 fp cresc. f
1 M Tr. (C) !B: B: E5 2 004 = 0 2G !B: B: E5 p mf f
Timp. 1 00000 2
5 5 5 5 5 5 5 5 I 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5EE5 5 E!B E 5 =3 353 =3 353 =3 353 353 353 5 EE5 !B E5E5=4 G 333 E 5 E5 Pf. f fz fz fff 5 5 5 5 5 5 5 5 I 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5EE5 5 E5 = 5 = 5 = 5 5 5 5 EE5 !B E5E5=4 333 E 5 E!B E5 fz fz
E B B E' E' EB: 5 Vl.1 1 M M M M M G M M M M M = 0 fpcresc. f
Vl.2 EB B E' E' EB: 5 G M M M M M = 0 MfpMcresc. M fM M
Va. 0 0 0 0 0
Vc. 00000 2
DCM 023 55
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5555 226/09/20196/09/2019 14.1614.16 M 6 I 269 E5 !5 5 1 E5 5E5 E5 5E5 !5: Fl. 1 E5E5E5 E5E5 : 2 G ?3 M 4? ? 43 =? 6 I f f M E5 5I 1 E5 E5E5 5 : Ob. E5 E5 5: 2 G 0 4? ? 43E5E5E5 5 =? f 6 f M 1 I Cl. (Bb) E5 E5 E5 2 GE?35 5E5E5E5 4? 0 5: =? M 5: f fI 1 I Fg. 5: 2 0 5 4? 0 : =? 2 5 f fM
1 M I Cor. (F) 1 2 G 0 5 4? ? EB 5: =? E5 E!B 5: fM f fI 3. 3 Cor. (F) 4 G 0 E5 4? ? EB !5 =? fM f fI: 1 Tr. (C) 2 G 00 0 0
1 Trb.t. M I5 2 0 E5 4? 0 5: =? f f Trb.b. 0 5M 4? 0 I5: =? f f Tb. 0 4? 0 =? 2 5 5 fM fI:
Timp. 1 ? EBM 5 4? ? = ? EBM !5M 5 2 p f p f I EEB I I I EB E B I !5I E5I E5 E5 E5 EI5 5I B 5 5 E5 E5 E5 E5 E5 5 E5 !5 5 G EB E5 E5 !5 E5 E5 E5 E5 5 E5 !5 !5 5 E5 !5 5 Pf. I 5 5 E5 I EI5 5 E5 !5 5 E5I I I I I I I I I I !5I !I5 I I5 E5I !5 I5 I E5I E5I !5 E5 5 EI5 E5I I I I EB !5 E5 E5 5 5 !5 E5 5 5 E5 EI5 EI5 !5 5 5 5 EB 5 5 E5 E5 E5 E5 5 E5 !5 5 5 5 EB E B !5 E5I E5I I E5 E5 !5 5 !5 5 5 5 5 I EBI I I I I I I I I5 I 5 . . !5 5 5 5 Vl.1 1 0 EB 5: G B E 5 !5: f E 5 EB 5 ! 5 f E 5: 5 I I: . . Vl.2 0 EB 5: 5 !5 5 5 G B E 5 !5: 5 f E 5 EB 5 ! 5: f E 5: 5 I I . . !5 Va. B E5 5: 5 0 E5 5 EB EEB : !5 5 5 5 f : I I f . . I I Vc. 0 B E5 EB 5: 5 !5 E5: 5 EB E!B 5 5 5 5 f : f . . I I Cb. B =? 0 E5 E5 5 EB 2 f : I EB !I5:
56 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5656 226/09/20196/09/2019 14.1614.16 I a 2 273 B 1 B !5: M M 5 Fl. 1 5EB: 5: !5 B 5 B 5 E5 2 G ? =4 ? ffI I 1 Ob. B B B 5 2 ? B ' !B B 5 5 E5 !5 B !5 =4 ? G : 5 B ! ffI a 2 1 I Cl. (Bb) 2 ? B !' B =4 ? G B : 5 E' 5 ffI
1 I Fg. B !' B 2 ? B : 5 ' 5 =4 ? !' B: 5 B 5 2 ff B M M 1 Cor. (F) 1 5: 5EB 5: !5 5 5 E5 5 2 G 0 ' : B B B EB 5 =4 ? f : 5 B
M M 3 Cor. (F) 5 5 5 5 E5 5 4 G 0 : EB: : !5 B 5 B =4 ? B B B 5 5 E5 !5 EB 5 f 1 Tr. (C) 2 G 00000
1 Trb.t. BI 2 ? B 0000 f Trb.b. ? B 0000 fI Tb. ? 0000 2 B fI
Timp. 1 M 5M ? 5 5 =?400 5 4? 2 M f M Mf I I I 5 I I I I I5 I I I I5 E5I 5 5!5I I I !5I I I 5 5 5 5 5 !5 E5I !5 !5 I5 5 5 5 5I 5 5 5 5 5 E5 5 5 5 5 55 5 !5 5 !5 !5 5 5 5 5 5 5 5 E5 5 !5 5 5 !5E5 5 5 5 G !5 5 5 5 5 5 5 !5 !5 5E5 5 5 Pf. 55 I I I I I I I ff !I5I5 5 I5 I5 I I I I I I I5 5I!5!5 5I I IE5I I I I !I5 I5 I!5I!5E5 I5 5I I5 I5 I5 5I 5!5 !5!5 5E5 5 I 5 55 5 5 !5 E5 5 !5 5 5 5 5 E5 E5 5 5 !5 5 5 5 5 5 5 5 5 5 !5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55I 5I I !5I 5 5 I I I5 I I 5 5 5 3 M 5 IIII5 E5 5 Vl.1 1 5 B: ? 5 ? 5 E5 !5 5 5 5 G 5 5 5 5 5 5 =4 ? f 5 5 5 IIII5 E5 5 Vl.2 35 ? 5 ? 5 E5 !5 5 5 5 =4 ? G 5 B: 5 5 5 5 5 5 M f 5 IIII5 5 5 5 5 5 E5 !5 5 5 5 Va. 5 ? 5 5 5 E !5 =4 ? 5 3 B ? 5 5 5 5 5 5M : f 5 5 II5 5 5 Vc. 3 ? 5 ? 5 II5 5 5 =4 ? 5 B 5M : f
5 5 5II5 5 Cb. 0 ? 5 ? 5 5II5 =4 ? 2 f
DCM 023 57
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5757 226/09/20196/09/2019 14.1614.16 M 278 ' 5 1 Fl. 1 ' 5 2 G 00 M =4 ? 0 fp f
M 1 ' 5 Ob. ' 5 2 G 00 =4 ? 0 fp fM M 1 Cl. (Bb) 2 00' 5 =4 ? 0 G fp fM
1 Fg. ' 5M 2 00' 5 =4 ? 0 2 fp f
1 M Cor. (F) 2 1 00' 5 =4 ? 0 G ' 5 fp fM
3 M Cor. (F) 4 G 00' 5 =4 ? 0 2 ' 5 fp fM
Timp. 1 M 005MM5 5 M5 M 'M 5 4? 2 fmf
I I 5I5 I I I I 5 I !5II5 I I I 5 5 5 5 55 55I 5 !5!E 5 5 5 !5 !5 5 5 5 5 5 E55 E5E5 5 5!5 5 55 G 5 5 5 55 !5 !5 5 5 5 5 !5 !5 !5 5 5 5 5 3 55 55 !5 !I5 5 5 5 5 5 5 5 5 Pf. fff I I!I5!5!5 ff I I!5I!5I 5I I I 5 5I I I 5E5 5 5 5 5 I55 5 !5!5 !I5 !5 5 555 5 5 5 5 5 5!5 !5 5 5 5 5 5 5 3 G 5 5 55 5 I !5 E!5 5 5 5!5 !5 !5 5!5 5 5 5 5 5 5 5 5 5 5 I I5I I! !555 I I 5I 5 5 5 5 5 III5I!5I I I II 5I I I I5 !5 5 5 5 5 5 5 5I I5 5I I I B Vl.1 1 5 5 5 I 5 !5 5 5 5 5 5 5 5 I5 B 5 5 ? 5 !5 5 5 5 5 5 5 5 5 B B G 5 5 5 5 B B fffI f I 5I I I I5 !I5 5 5 5 5 5 I5 5I I I Vl.2 5 5 5 I 5 5 5 5 5 5 5 5I 5 B B G 5 5 ? 5 ! 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 B B fffI I I f B
II II 5 5 5 5 5 5 I I 5 !5 I Va. 5 5 5 55I 5 5 !5 5 5 5 5 I5 B B 5 5 ? 5 !5 5 5 5 5 II5 5 5 5 B B I I I5 5 fB B fff I I I I I I I I5 5 5 5 5 I5 I I I Vc. 5 5 5 5?5I 5 !5 5 5 5 5 5 5 5 5I 5 B B 5 !5 5 5 5 II5 I f fffI I I
5I I B Cb. 5 I5 I I5 B 5?5I !I5 5 5 5 5 0 B B 2 fff f
58 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5858 226/09/20196/09/2019 14.1614.16 M 283 E' 5 1 ' 5 Fl. 1 2 G 0 =4 ? fp fM
M ' 5 1 Ob. E' 5 2 G 0 =4 ? fp fM M 1 Cl. (Bb) ' 5 2 0 ' 5 =4 ? G fp fM
1 M Fg. ' 5 2 0 ' 5 =4 ? 2 fp f
1 M Cor. (F) 1 2 4 B: ' 5 =4 ? G E5 B E' 5 f fp fM
3 Cor. (F) M 4 4 =4 ? G 5 EB ' 5 2 B: ' 5 f fp fM
Timp. 1 MMMM M ?45 5 5 5 5 B: 5 2 fM M Mfp f
E5 5 5 !5 5 5 5 5 E5 5 5 E5III5 5 G 5 5!5 5 5 E5 5 E5 5 E5 5 5 5 E5 5 5 E5 5 5E5 E5 5 5E5 5 Pf. 5 5E5 5 E5 ff 5 5 5 5!5 5E5 5E5 5 5 5 5E5 5 5E5 5 5 5 5 5 E5 5 5 5E5 E5 5 5 5 5E5 5 III5 5 5 I 5 E5 5 5 5 E5 5 5 5 5 5 EB EE5 5 5 5 5 5 Vl.1 1 EE5 5 5E5 5E5 G 5 I 5 5 5E5 5E5 ff 5 5E5 5 5 I 5 B E5 5 5 5 E5 5 Vl.2 5 5 B 5 5 5 5 5 EE5 5 5 5 5 5 5 5 5 5 G 5 5EE5 5 5 5 5 5 5 5 5 I ff E5 5 I 5 EB Va. 5 B E5 5 5 5 5 5 5 5 5 0 I ff
IB 5 5 5 5 Vc. 5 5 5 5 5 0 5 ff
5 I Cb. 5 B 5 5 5 5 0 2 5 ff
DCM 023 59
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 5959 226/09/20196/09/2019 14.1614.16 a 2 286 I I 1 E' E' EB B Fl. 1 2 G ff I I 1 Ob. EEBB EEBB EEBB 55 2 G ? ? 4 ff I I I I 1 Cl. (Bb) B B B 5 2 G ? ? 4 ff I I
1 Fg. 2 000 2
1 Cor. (F) 1 E B EB EBI I5 2 G ? B ? B 4 B 5 ff 3. 3 Cor. (F) I I 4 G ? EB ? EB 4 EB 5 ff 1. 1 Tr. (C) 2 G E'' E EB B ff
1 Trb.t. 2 000
Trb.b. 000
Tb. 000 2
Timp. 1 000 2
E5 5 E5 5 E5 5 E5E5 E5 E5E5 E5 E5E5 E5 = E5= 5 5 5 5 = E5= 5 5 5 5 = E5 5= 5 5 5 G 5E5E5 E5 5E5E5 E5 5E5E5 E5 E5 Pf. E5 E5 E5 E5 5 E5 5 E5 E5 E5 5 E5 E5 5 E5 5 E5 E5= 5 = E5 E5= 5 = E5 E5= E5 5 = E5 E5 E5 I I EEB EEB EE5 5 Vl.1 1 EIB EI5 I5 G I I EIB f I I EB EB E5 5 Vl.2 G B B 5 5 EIB fI EIB I EI5 I5 I I EB EB E5 5 Va. ? E B ? E B 4 E 5 4 5 f I I II B B 5 5 Vc. ? ? 4 4 2 f
60 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6060 226/09/20196/09/2019 14.1614.16 a 2 289 I I II 1 EB B E5: E5: Fl. 1 2 G =? =? I I 1 II5 5 Ob. 55 EEBB 55 5: 5: 2 G : =? : =? I I I I I I 1 Cl. (Bb) 5 B 5 E5: E5: 2 G 5: =? 5: =? I I I I II 1 E5: E5: Fg. : : 2 0 =? =? 2
1 Cor. (F) 1 I I 5 5 2 5 EB 5 4=E5 44 = E5 4 G 5 E5 E5 5 E5 E5 ff E5 E5 3. 3 Cor. (F) I I 5 5 4 5 EB 5 4=E5 44 = E5 4 G 5 E5 E5 5 E5 E5 ff E5 E5 1. 1 Tr. (C) II 2 G EB B EB: 4 EB: 4
1 II Trb.t. B: B: 2 0 EB: 4 EB: 4 ff
Trb.b. 0 IIB: 4 B: 4 ff
Tb. 0 B 4 B 4 2 ffII: :
Timp. 1 0 BM 5 5 4 BM 5 5 4 2 ffMM MM
E5 5 5 5 E5E5E5 5 5E5 5 5E5 G = E5 E5 = 5 E5 3 5E5 5 E5E5 E5 E5 3 5E5 5 E5E5 E5 E5 E5 5E5 E5 E5 5 5 E5 E5 E5 5 5 E5 E5 Pf. 5 E5 5 E5 E5 E5 5E5 E5 E5 E5 E5E5 =35 5 E5 5 5 E5 E5 = 5 E5 E5 E5 E5 3E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 E5 I I EE5 5 E5: 5 E 5 E5: 5 E 5 Vl.1 1 EI5 I5 : E5 4 : E5 4 G I I I I 5 5 Vl.2 E5 5 5 E5 5 E5 G 5 5 E5: 5 4 E5: E5 4 EI5 I5 I I I I
Va. E5 5 5: 5 E5 5: 5 E5 4 E 5 4 5 5: E4 5 5: E4 5 I I I I 5 5 5 5 Vc. 4 4 5: E5 4 5: E5 4 5: E5 5: E5 I I Cb. 0 =? =? 2 II5: 5:
DCM 023 61
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6161 226/09/20196/09/2019 14.1614.16 292 II II 1 E5: 5: E5: 5: E' 5 Fl. 1 2 G = = = = 4? f 1 5II5 5 II5 E' 5 Ob. 5: 5: 5: 5: ' 5 2 G : = : = : = : = 4? f 1 Cl. (Bb) E5II5 E5 II5 E' 5 2 G 5: = 5: = 5: = 5: = ' 54 ? f II II 1 E5: 5: E5: 5: E' 5 Fg. : : : : 2 = = = = 4? 2 f
1 Cor. (F) 5 5 5 5 ' 5 2 1 = E5 5 E5 5 G 5 E5 = 5 5 = 5 E5 = 5 5 E' 5 4? E 5 5 E 5 5 f E 5 5 E 5 5 3 Cor. (F) 5 5 5 5 4 = E5 = 5 = E5 = 5 ' 54 ? G 5 E5 5 5 5 E5 5 5 ' 5 E 5 E5 5 5 E 5 E5 5 5 f 1. 1 Tr. (C) II II 2 G E5: = 5: = E5: = 5: = E' 5 4? f
1 Trb.t. ' ' ' 5 2 E' ' ' 5 4? f Trb.b. '''5 4? f Tb. 4? 2 '''f 5
Timp. 1 M M M M M 4? 2 5 5 5 5 5 5 5 5 5 5 5 5 f' 5 E`5 5 5 E`5 5 5 E' 5 5E5 5 5 5 5 5E5 5 5 5 5 ' 5 G E5 5 5 5E5 5 E5 5 5 5E5 5 E' 5 4? Pf. E5 E5 fff E5 E5 E5 5 E5 5 ' 5 E5 5E5 5 5 5 5 5 5 5 E5 5E5 5 5 5 5 5 5 5 E' 5 4? E5 5 5 E5 5 5 b b b ` ` ` E5 5 5 5 E5 5 5 5 E' 5 Vl.1 1 E5 5 E5 5 G E5 5 E5 5 4? f
5 5 5 5 Vl.2 5 E5 5 5 5 E5 5 5 ' 5 G E5 E5 5 5 E5 E5 5 5 E' 5 4? f
5 5 E5 5 5 5 5 5 E5 5 5 5 ' 5 Va. 5 E5 5 5 5 E5 5 5 ' 5 4? f
Vc. 5 E 5 5 5 5 5 E5 5 5 5 5 E5 E5 5 5 5 ' 5 4? 5 5 5 5 f' 5
Cb. 5 4 5 4 5 4 5 4 ' 5 4? 2 f
62 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6262 226/09/20196/09/2019 14.1614.16 II
Andante (q = 60) 1 Fl. 1 2 G 000? B '' 000 p 1. solo
1 B Ob. 2 G 00000B 00 p espressivo 1 Cl. (Bb) 2 000? ' 000 G B ' p 1 Fg. 2 00000000 2
1 Cor. (F) 1 00000 00 2 G ?4 ?4 0 ?4 E5 !' 5 ' E5 ' ' pp pp pp 3 Cor. (F) 4 000000 00 G ?4 ?4 ?4 E5 B !B ' 5 ' 5 ' pp pp pp 1 Tr. (C) 2 G 00000000
1 Trb.t. 2 00000000
Trb.b. 00000000
Tb. 00000000 2
Timp. 1 M 0000BM: 5 000 2 ppp
G 00000000 Pf. 00000000 - Andante (q = 60) Vl.1 1 ?4 ?4 0 ?4 G E'5 ! 5' Epp5 ' pp ' pp Vl.2 G ?4 ?4 0 ?4 pp'5 pp5 ' pp5 B B ' arco pizz. arco pizz. arco pizz. MMM Va. MMM E'5 ! 5 5 5 5 E5 5 5 5 EB EB 5MMM5 5 ' 0 B B p p p pizz. arco pizz. arco pizz. arco MMM Vc. E5 5 5 E'5 ! B B 0 5 5 5 5 B MMM5 EB EB 5MMM5 5 B p p p pizz. arco pizz. arco pizz. arco Cb. B MMM E5 5 5 E5 !B B B 0 5 5 5 5 B MMM5 EB EB 5MMM5 5 B 2 p p p
DCM 023 63
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6363 226/09/20196/09/2019 14.1614.16 9 a 2 1 Fl. 1 2 G B B E' ' 0000 pp '
1 Ob. 2 G 00 0 0 0 0 0 0
p 1 Cl. (Bb) 2 00 0 04 G EB E' 5 !5 B5 B B :0 0 5 B !B 5 : p
p 1 Fg. ' ' 4 2 ' !E'B !'B ' ' EB: ' 5 5 !B B5 B B 2 pp 00B 5 : p
pp 1 Cor. (F) 1 B B 2 G ''E' ' ' B B ' 0 0 0 0 ' B B ' B B p p
pp 3 Cor. (F) 4 0000 2G B B E' ' 0 0 ' 0 0
Timp. 1 ' 5 =? M 5 4? ? E5M 5 E5M 5 =?4000 2 pppM ppp ppp mf
Vl.1 1 0 ?4 G B B E' ' ' 5' B B pp pI
Vl.2 G ' ' 0000 pp ' '
Va. ' 4 B B '' !' E5 E5 E5 5 EB 5 5 !B5 !B 5 5 B: pp p IIp
I I I Vc. ' !5 5 ' B BB ' !E'B !B 5 5 5 EB 4 E5 B 5 55 5 !B B5 B EB I E5 E5 5 EB 5 ! B 5 : pp p I I p
I Cb. ' !5 ?45 EB !B 5 5 EB 5 EB 000 2 pp
64 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6464 226/09/20196/09/2019 14.1614.16 17 1 Fl. 1 2 G 0000000 0
1. solo 5 5 1 5 5 Ob. E5 5 5 5 E5 5 5 B 5 5 5 5 5 5 2 G 4 E5 5 EB !B 5 5 5 5 5 5 mf p espressivo
1 Cl. (Bb) 2 4? 00 0 0 0 0 0 GEE 5 p
1 Fg. 2 !E5 4? 00 0 0 0 0 0 2 p
1. 1 Cor. (F) 1 '5 ' ' 2 G E5 4?00 0 ? 4 E5 p mf p
3 Cor. (F) 4 0000000 0 2G
Timp. 1 M M 'M 'M 'M 'M E'M !'M 'M 'M 2 pp mf
I I Vl.1 1 ' 5 !5 5 G E' 5 EB 5 '' ' ' 5 '' '' '' p I I crescendo mf
I Vl.2 I G E' 5 !B 55'' '' ' '5 B E'' !'' : p I I crescendo mf
I I Va. !' 5 B 55'' E' '' '' '' '' p I I crescendo mf
I I Vc. EE' 5 B 5 ' ' ' ! ' 5 B 5 ' ' E' !' ' ' p I I crescendo mf
I I
Cb. EE' 5 B 5 ' ' E' !' ' ' 2 ! ' 5 B 5 ' ' ' ' p I I crescendo mf
DCM 023 65
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6565 226/09/20196/09/2019 14.1614.16 25 5 5 5 5 !5 5 1 Fl. 1 5 5 5 5 !5 5 2 G 0 4 0 4 000 0 1. p p 1 Ob. 5 5 2 G 54?000000 45B: p p mp 1 Cl. (Bb) 2 ' ' !E' '' 0 0 4 B G p B B 5B 5 0 p
1 ' Fg. ' ' !!' '' ' 2 000' 2 p p 1. 1 Cor. (F) 1 5 2 G 4? 0000000 2 p Timp. 1 5M 4? 0004?5 000 2 p p 5 Vl.1 1 4 5 4 5 !5 4 5 5 G 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 B B !5 p p pp p tutti Vl.2 G 5 5 5 5 4 4 5 B 5 5 5 5 !5 5 5 5 5 5 5 5 B: 5 p p B 5 !'I p pp !B Va. 4?0000 4 4 5 5 B E5 E'I p mp pp p tutti I Vc. 5 5 5 5 5 5 5 5 !5 5 5 5 II ' 5 5 5 5' B !B ' ' p ppI pI I Cb. II ' 5 4?000 ' B !B ' ' 2 p p pp pI
poco a poco cresc. 33 1 5 5 5 !5 Ob. 1 B 5B 5 5 2 G ' B 4 : 4 B 4 5B 5 mf : 1 Cl. (Bb) B B 2 G ' 4 5 45 5 E5 !5 4 EB mf E B: 1 Fg. ' I 'I E'I 2 ' ' 2 ' 'I E'I poco a poco cresc. I 5 5 5 !5 Vl.1 1 B B 4 5 4 5 4 5 5 G mf 5
Vl.2 B 5 5 G B B 4 5 4 5 4 5 5 mf 5 B 5 5 Va. B 5 5 5 B 4 4 4 5 5 mf
Vc. 5 !5 5 B 55 5 5 5 E5 5 5 5 5 5 5 5 55 B 5 5 5 555 5 5 5 !5 5E5 5!5 5 55E5 5 5 5E5 B ' I Cb. 'I ' EB E5 5 5E5 2 ' 5 5 5E5
66 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6666 226/09/20196/09/2019 14.1614.16 37 1 EB: 5 Fl. 1 EB EB 2 G 0 f
1 5 Ob. 5B E5 E' 2 G 4 : EE''' f
1 Cl. (Bb) 2 4 EB: E' ' G E B: E ' f
1 E' Fg. 5 ' 2 E' EB: EB 5 ' 2 f :
1. 1 Cor. (F) 2 1 0 G EIII5 5 5 5 EB EB f I 3. 3 Cor. (F) 4 G 0 E5 5 5 IIII5 EB EB f a 2 1 Tr. (C) EB 2 G 0 : 5 EB EB f
1 Trb.t. E' ' 2 0 E ' ' f
Trb.b. E''' p f
Tb. 0 2 EB: 5 EB EB f
Timp. 1 M M M E'M E5IIII5 5 5 EBM BM 2 p f
III 5I E5 5 5 I5 Vl.1 1 5 E5 EB EB G 4 f IIIII Vl.2 5 E5 E5 5 5 5 G 4 5 E' f I 5 5 EIIII5 5 5 5 ' Va. 4 E5 f E5 E5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Vc. 5 5E5 E5 5 5 E5 5 5E5 B E5 f E5 E5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Cb. 5 5E5 E5 5 5 EB E5 5 5 5 E5 2 f
DCM 023 67
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6767 226/09/20196/09/2019 14.1614.16 40 E!5 5 1 B: : Fl. 1 2 G = B '' 0 p
p 1 5 5 Ob. EB: E5 5: 2 E B: : = 0 G B'? 0
p 1 Cl. (Bb) E' !5 2 G E ' 5: = 0 B? ' 0
1 Fg. ' 5: B B 2 ' 5 = B 0 2 : B B B p
1 I II Cor. (F) 1 II = 2 G E5 5 5 E5 !5: !B ' 0 0 ? ! B ' p 3. 3 Cor. (F) 4 E5 !5 =? 00 G EIII5 5 5 II: a 2 1 Tr. (C) E5 !5 2 G B: : =? 00
1 Trb.t. E!' 5 2 ' 5: =? 00
Trb.b. E' 5: =? 00
Tb. =? 00 2 B: 5 5:
Timp. 1 M =? 00 2 5I5 III5 5 5 5 5III5 5 EII5 !5: B Vl.1 1 G = B ' B p p I III I Vl.2 E5 5 5 5 E5: G = B'B ' B p p B II 5III5 5 E5 !5: Va. = !B ' 35555555? B B p p 5 5 5 5 5 5 5 5 Vc. 55E5 5 5 5 5 5 E5 5 5 5555555 5555555 5E5 = 355555553 3 ?35555555 p p
E555555555555 E55555 Cb. 5E555 = B !B !B 0 2 p
68 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6868 226/09/20196/09/2019 14.1614.16 44 Andante, fließend B 5 B 5 B 5 EB E5 EB G 5 B: B E!B'' E5 4 Pf. p p 5MMM5 5 G = = 5 5 5 = = = 5 5 5= E5 5 5 5 5 5 E5 5 5 5M 5MMM5 5 5 5 5 5 E5 III5 5 5 E5 5 5 5M II5 5 5M E5 5 EE5 5 5 5 E5 5 5MMM5 5 MMM MM M IIM MM
50 5 5 5 IIII II !5 E5 5 5 5 5E5 5 EII5 5 = = 5 5 = 5 5 = 5 5 E5 B 5 E 5 5 G !5 5 E 5 EB: 5 E!B: 5 5 5 5 5 5 5 5 E5 5 Pf. p E5 E5 E5 = !5 E5 E5 G !' B B EI5 5 5 5!5 5 5 5 5 5 5E5 5 !5 E5 ! ?' B B BB I M
56 1 Fl. 1 2 G 0000
1 Ob. 2 G 0000 p p 1 Cl. (Bb) 4 2 G 5 5 B: E5 E5 5 E5 E' 0 5 0 E5 0 0 1 Fg. 2 0000 2
3 3 33 3 G 4 !5 5 5 5 5 5 B !5 5 5 5 5 5E5 5 E5 5 5 5 5 5 Pf. p espressivo 5 5 p5 5 E5 5 5 5 5 5 3 !5 5 !5 5 5B 5 !5 5 5 !B 5 E5 4 5 5 E5 B: 5 5 5 5 B ! B 5 5 E5 5 B 5 5 5 5 B !B 5 5 : 3 3
Vl.1 1 G 0000
Vl.2 G 0000
Va. 0 0 0 0
Vc. 4 5 5 E' 5 !5 B B B 5 p p
Cb. 4 5 5 2 E' 5 5 B B !B 5 p p
DCM 023 69
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 6969 226/09/20196/09/2019 14.1614.16 p
3 3 60 3 3 5E5 5 1 55 5 Fl. 1 = 555E5 5 E5 5 2 G 005 E555 5 0 4 55 3 3 3 p
1 Ob. 2 G 0000
1 Cl. (Bb) 2 5 ' 4 E5 G 5 E5 !5 ! 5 E5 EE5 !' E5 E95 9 5 ? !5 EE5 E 5 E 5 p pp
p p
1 5 E5 Fg. 5 5 ' E5 2 ? !5 E5 E5 4 E5 2 0 0 p' 0
1 Cor. (F) 1 0 2 G 00 0 p'
3 Cor. (F) 4 0000 2G
Timp. 1 00M 0 2 p'M un poco
5 5 ======G E5 55 5 !5 5 5 E5 5E5 5 !' E5 5E5 5 5 5 p5 5 !5 5 5 5 5 5 ' 5 5 E5 5 5 5 5 5 Pf. E5 5 !5 fp 5 5 E5 5 5 5 E5 ' 5 5 EE5 5 5 5 5 5 B 5 5 !5 55 E 5 !55 E5 = 5= !' 5 E5 5 = 5= 5 = !5==EE 5== 5= ' = 5 ==EE 5 ==5 = B 5
5 5 5E5 5 Vl.1 E55 1 555 3 G 00= 5 3 0 3 3 p
3 3 3 Vl.2 5 G 00= E555 5 5 E5 0 555 3 p5
Va. 0 0 0 0
Vc. B 5 5 000
Cb. 5 5 000 2 B
70 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7070 226/09/20196/09/2019 14.1614.16 p 64 5 E5 5 1 5 5 E5 5 Fl. 1 5 E5 E5 5 5 5 2 = E5 5 5 5 5 5 E5 0 4 G E5 E5 3 E5 5 5 3 0 3 3 p
1 Ob. 2 G 000
1 5 Cl. (Bb) 5 5 5 2 ' 4 5 5 5 5 5 G E' 5 5 p p p E5 1 E' 5 Fg. 4 5 5 4? 2 ' 2 p 00
1 Cor. (F) 1 0 5 5 2 G 4 B: 4 5 5 5 p' pB: p5
3. 3 Cor. (F) 5 4 G 0 4 B 4 5 5 2 p : p
Timp. 1 M 00 2 p' un poco
5 = 5 5 = 5 = = = =5 5 5 = 5=5 5 5 5 5 5 5 G !' 5 5 5 5 5 5 E5 5 5 5 5 5 E ' 5 5 = 5 == = Pf. f p 5 ' 5 5 5 5 5 5 5 5 5 E!' E5 5 5 5 5 5 = 5 = = 5 ==E5 ==5 = ' E5 5 5 = == =
5 5 5 E5 5 E5 Vl.1 1 5 5 E5 E5 G = E5 3 3 00 3 3 p
3 3 Vl.2 5 = 5 5 E5 5 E5 00 G 5 E5 E5 3 E5 5 3 p
Va. 0 0 0
Vc. 000 2
DCM 023 71
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7171 226/09/20196/09/2019 14.1614.16 67 E5 !5 E5 !5 !5 5 !5 5 5 5 !5 !5 1 E5 !5 E5 !5 5 !5 5 5 5 !5 5 Fl. !5 E5 E5 5 5 !5 !5 5 5 5 5 5 5 !5 2 1 = E5 E5 !5 5 5 = !5 !5 5 5 = 5 5 5 = !5 5 !5 G E5 E5 E5 3 !5 !5 !5 5 E5 !5 3 5 !5 2 E53 3 p f p p Timp. 1 4? 00 2 5 I5 I5 I I I I !5 5 5 5 E!5 5 5 IB 5 5 I 5 E !5 B 5 !B 5 5 5 G EB B 5 5 Pf. E B I ff I I I !BI !B 5I 5 EE B !B 5 5 E!5 5 5 5 5 5 5 E !5 5 !5 5 5 5 I I I5 I5 I I - 5 E5 !5 !5 5 5 5 !5 E5 5 E5 E5 !5 !5 5 !5 5 5 5 5 !5 5 !5 Vl.1 1 E5 5 E5 E5 !5 !5 5 !5 G = E5 3 3 = = = 3 3 p f p p
3 3 E5 !5 !5 5 Vl.2 = E5 5 E5 E5 5 = 5 !5 !5 5 !5 = 5 5 5 5 = 5 !5 5 !5 !5 G 5 E5 E5 3 !5 !5 5 E5 E5 3 !5 p f p p Va. 0 0 0
Vc. 000 2
p 70 !5 a 2 1 E5 5E5 !55!5 5 5 5 !5!5 5 5 5 5 Fl. 1 = E5E5E5E5 !5 !5!5!5 5 55 5E55 5!5 55 2 G E5 E5 5 E5 E5E5E5!5 5 = !5 5 !5!5!5 5 5 5 = 555 5 5= E55!5 !5 =5 = 5 4 = E5E5E5 !5!5 4 5 p p p f p p a 2 3 3 3 3 1 Cl. (Bb) 5 5 2 G 000= 5 55 = 555 2 p5 p5 Timp. 1 4? 000 2 E5 I I EE5 5 5I 5I I I I E E5 I 5 !5 5 5 5 55 I 5I EB ! 5 B 5 5 5 5 55 5 5 G EE B !!B 5 5 5 5 5 Pf. ff I I I ff I EBI BI 5I II I EE B !!B 5 5 5 5 55 5 5 EB 5 B 5 5 5 5 55 5 E5 5 !!5 5 5 5 5 5 5 EE 5 5 5I 5I I I I I EI5 5I * F pizz. E5 5E5 !5!55!5 5 5 5 !5!5 M M 5M Vl.1 1 E5E5E5E5 !5!5!5!5 55 5E55 5 !5 G =E5 E5 5 E5 = !5 5 !5 = = 4 p f p p f pizz. Vl.2 = E5 5E5 =!5 !5 5 !5 = 5 5 5= !5 !45 5 G E5E5E5E5 !5!5!5!5 55 5E55 5 !5M M E5E5 5E5 !55!5 fM p f p p pizz. Va. 0 0 04 5 5 5M fM M pizz. Vc. 0004 2 5 5 5M fM M
72 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7272 226/09/20196/09/2019 14.1614.16 a 2 74 !5 !5 5 1 5 !5 5 5 5 5 ' !B: 5 Fl. 1 55 5 !5 5 ' E ' 2 G =5 = 5 4= p p f f
1 Ob. 2 00' ! G ' E 'B: 5 f
a 2 1 Cl. (Bb) E5 !5 5 2 = =5 !5 5 4=5 5 5 5 ' E' G 5 5 5 5E5 ' E ' p5 p f f
1 Fg. 2 ' E' 00' 2 f
f 1 Cor. (F) 1 2 G 00''E 0 0
3 Cor. (F) 4 G 000 0
1 Tr. (C) 2 G 000 0
Trb.b. 000 0
Tb. 000 0 2
Timp. 1 000 0 2 I I 5 ` 5 II!5I 5 E 5I ! 5 5 ! 5 E 5 B 5 !5 5 55 I ! 55 I ' 5 5 5 5 5 !B: E5 5 5 5I B5 5 ! 5 5 5 E5 ! 5 ' !5 5 5 5 !5 5 E B: 5E5 !5 5 E5 5 G 55 E55 ' 5!5 5 5 !B:E5 5 55 = 5 3 = 5 3 Pf. 3 3 3 I 3 5 II 3 ! 5 5 ! 5 E 5 5 B5 5 !5 5 5!5 5 5 5 5 5 = E5! 5 5 E 5 5 5 BB5 5 ! 5 !5 5 5 = !55 5 5 5 ' E5 !5 5 5 5 5 !5 5 5 5 5 ' 5!5 5 5 5 E!' E5E5 5 E5 5 ! 5 !5 5 5 ' 5 3 ' I 5 5 ' 5 ! 5 M 5M 5MM5 !5 Vl.1 1 G 00 0
Vl.2 M MM!5M G 5 5 5 00 0
M Va. 5MMM5 5 !5 00 0
Vc. 5M 5 5 !5M 00 0 2 MM
DCM 023 73
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7373 226/09/20196/09/2019 14.1614.16 78 1 B E' B: 5 Fl. 1 ' EB 2 G E' B: 5 = ff
1 Ob. ' B 5 2 G 'B EB ' B: 5 = ff
1 Cl. (Bb) 2 = GE'B EB EE' B: 5 ff : 1 ' Fg. ' ' B 5 2 ' B: 5 = 2 ff :
1 Cor. (F) 1 2 G E' B: 5 = B EB ' B 5 0 ff : 3. 3 Cor. (F) 4 0 = G ' B: 5 ff 1. 1 Tr. (C) B 2 G 0 4 EB: E5: = mf f
Trb.b. 00B 5 = f :
Tb. 000 2
Timp. 1 0 'M BM 5 = 2 f f : I I I 5 E' E`5I I I 5 !5I 5I I 5I I IE5I 5I 5E5 I EB 5 EB 5 ' 5 5 E5I E5I 5 5I I E5I E5I 5 5 5 E`5I I5 5 B 5 5 BE5 5 5 5 5 E' E5 5 5 !5 5 5 5 5 5 E5 5 5 5 G B 5 5 5 5 EB E5 5 5 E5 E5 5 5 E5 E5 5 E5 5 5 5 5 E 5 = Pf. = = I I EB 5 5I !5I 5I I I 5I I IE5I 5I 5E5 !BB 5E B E5 5 = 5 5 E5 E5 5 5 5 5 5 BBE5 5 5 G E5 5 5 5 !5 E5 5 5 E5 5 5 G 5 5 5k !5 5 5 B E5 5 ' E5 E5 5 5 E5 E5 5 5 E5 = 5 5 5 E5 5 E' EI5 5I 5E5 I5 I I E5 5 5I 5 ! 5 = ' I IE5I I I arco I E 5I I5 5I B EI5: Vl.1 1 G 0 4 = f arco Vl.2 I I II B I G 0 4 E5 5 5 E5: = f arco I Va. 0 4 E5I I5 5I B EI5: = f arco Vc. BI 0 4 EI5 I5 5I EI5: = f
Cb. BI 0 4 E5I I5 5I EI5: = 2 f
74 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7474 226/09/20196/09/2019 14.1614.16 81 1 E' B: 5 E' B: 5 Fl. 1 2 G E' B: 5 = E' B: 5 = ff ff
1 Ob. ' B: 5 ' B: 5 2 G ' B: 5 = E' B: 5 = ff ff 1 Cl. (Bb) 2 = = GEE' B: 5 EE' B: 5 ff : ff :
1 Fg. ' 2 ' B: 5 = E' B: 5 = 2 : E' B: 5 ff ff
1 Cor. (F) 1 2 G E' B: 5 = E' B: 5 = ' B 5 ' B 5 ff : ff : 3. 3 Cor. (F) 4 = = G ' B: 5 E' B 5 ff ff : 1. 1 Tr. (C) B 2 G 004 EB: E5: = mf f Trb.b. 00 = E' B: 5 f
Tb. 00 = 2 E' B: 5 f
Timp. 1 M M 'M BM 5 = E'M EBM: 5 = 2 f ff: f I IEI5 ` BI I ` I5EI5 I E5I I 5I I IE5I 5IE5E5 `I IEI5 E5E5 5 5 5 5 5 5 5 5 5 5 EB EE5 E5 I5 I5 5I II E5 E5IE5IE5E5 5 5E5E5 E5E5 5 5 5 5 5 5 5 5 5 5 B EB E5 5 E5 E5 5 E55E5E5 5 E5 E5 E5 5 E5 E5 E5 E5 G = 5E5E55 E5E5 = Pf. ff I I I = E 5 5 5 5 5 5 5 5 5 5 5 B EIB = I I I IEI5E5IE5E5 5 E5 E5E5I5E5 5 E5 5 E5 E5 5 E5 5 5 5 5 5 5 5 5 5 5 B EB E5 G E5 5 5E5 E5 E5E5 E5 E5 5 5 5 5 5 E 5 I5 E5E5 5 E55E5E5 I5 E5E5 E5 5I E5 E5 E5 I I I I5 I I EI5E5I I I I `b ` 3I 5I I I I I I I5E5I I I I I IB I E5 5I 5I I I 5 5 5I 5I 5 I I5I I5E5 5 `I5I5I E5 E5 5 5 EB Vl.1 E5E5 5IE5E5 E5 1 3 G = 3 3 ff 3 I I I I E5 5 5IEI5 I I I I I IE5I5I5 E5 I Vl.2 E5 5 5E5I I I 5I I IIE5 5 5 E5 EI5 I5 I5 B EIB G = 3 5 5 E55 5 ff 5E5 3 3 I I I 3 I 3 I I E5 5I 5IEI5 I I I IE5I5I5 E5 I Va. = E5 5 II5E5 5 5 5E5 5I 5 E5 EI5 I5 I5 B EIB 3 I 5 I E5E55 II ff 3 I I5 I II 3 E5I I I 3 II E5I Vc. 5 5EI5 I II II IE5I55 I = E5 5 5E5I 5 5 5E5 5 5 E5 E5 5 5 B EB ff 3 I 5 I E5E55 I I I I I I 3 I I5 I II 3 E5I I I 3 II E5I Cb. 5 5EI5EI5 II IIE5IE5I55 I = 5 5E5I 5 5 5E5 5 5 E5 5 5 B EB ff 3 I 5 I E5E55 I I I I I I 2 3 I I5 I II
DCM 023 75
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7575 226/09/20196/09/2019 14.1614.16 85 1 Fl. E' B: 5 2 1 E ' B: 5 = EB: 4 0 G '5 EB: '' E B: ff f p
1 Ob. ' B 5 EB 2 GEE' B: 5 = 5 B : 4 0 ff 55'E B EB EB: f p 1 Cl. (Bb) 2 G = 4 0 EE' B: 5 EB: ff '5 EB: '' E B: f p p 1 Fg. 5 EB = 2 E' B: 5 = 55'E B EB EB: 2 ' B: 5 E B: E5 B E5: ff f p 4 0
1 Cor. (F) 1 5 EB 2 G E' B: 5 = 5 EB EB E5 4? 0 ' B 5 5 EB 5 ff : f EB EB E5 p 3. 3 Cor. (F) 4 = 0000 G E' B 5 ff : 1 Tr. (C) EB 2 G 00' ' : 4 0 ' ' EB: f p Trb.b. = 4 0 E' B: 5 ''EB: f f p Tb. = 0000 2 ' B: 5 f Timp. 1 = M M M M M 'M 'M EBM 5 4 BM E5M 5 = 2 f'M ffBM: 5 p ppp I E5 5 5 5 5 5 5 5 5 5 5 5 B EIB I E 5 B E5 5 5 5 5 5 5 5 5 5 5 EB ' 5 B 5 00 G = E5 5 5 E B EB Pf. ff ' I 5 B 5 I f E 5 5 5 5 5 5 5 5 5 5 5 B EIB I B 4 E5 5 5 EB 00 EE5 5 5 5 5 5 5 5 5 5 5 5 EB ' E5 5 5 B EB 5I E5 5 E B EB = `3 I5 I I I E5E5 I5 5I I I I IE5IE5IE5I ! 5 Vl.1 1 E5E5 5IE5I I I5 IE5I5IE5E5 5 = 3 E5 E5E5E5 4? 0 G 3 E5 II E5 5 5 ff 3 I I EB EB EI5 3 I I I 5E5E5I I5 5I I I I IE5IE5IE5I ! 5 Vl.2 E5E5 5IE5I I I5 IE5I5IE5E5 5 = 3 E5 E5E5E5 4? 0 G 3 E5 II E5 5 5 ff 3 I I EB EB EI5 3I I I II 5E5IE5I I5 I I I IE5IE5II Va. 5E5E5I I I IE5IE5E5 5 !'5 EBB: 5'B 5 E55 = 5E5IIE5 5 E5E5IIE55 5 ' E 5 4? 0 3 3 E5E5 I ff 3 I I I 3 I5 I I I I I I E5E5 I5 5I I I I IE5I E5IE5I !'5 5 B 5 I I I Vc. = E5E5 5IE5I I I5 IE5II5E5E5 5 E5 5 5 EB EE5 = 3 E5 E5E5E5 EB B ff 3 E5 I I I E5 5 5 E5: 3 I I 3 pI I I I5 I I I I I I E5E5 I5 5I I I I IE5I E5IE5I !'5 5 B 5 I I I Cb. = E5E5 5IE5I I I5 IE5II5E5E5 5 E5 5 5 EB EE5 = 3 E5 E5E5E5 EB B ff 3 E5 I I I E5 5 5 E5: 2 3 I I pI I I
76 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7676 226/09/20196/09/2019 14.1614.16 91 Tempo I ' G = B ' 0 5 5 5 5 ' E5 5 5 5 E' 5 5 5 E5 !5: B ' MMM'5I B B Pf. pMMMI E B EB pMMMII: p p B B 5 5 5 5I ' E5 5 5 5 E' 5 5 5 E5 !5: = B 0 '5 B B I E B EB II B B B 5MMM5 5 E5MMM5 5 5MMM5 5 * solo Tempo I B Vl.1 1 G 00000B 00 2 p
99 1. 1 Cl. (Bb) 1 B B 2 G 000' EB E'B ! 2 ppcresc. 1. 1 Cor. (F) 1 2 G ''E'' E'B ! B B 2 pp p EB p cresc.
4 5' B B G B B E' ' E5 E5 5 EEB 5 55 !B5 !B B5 B: B B ' ' E5 ! 5 Pf. E' p p cresc. 5 ' B B ' I' E5 EB 5 55 !5 !B B5 B ' !EB' !B ' 5 4 E5 E5 5 E B 5 ! B 5 5 ' EB !B ' EB 4 5 EB 5 106 1. 1 Cl. (Bb) 2 1 E5 4? 00 0 0000 2G 1. 1 Cor. (F) 2 1 4? 00 0 0000 2G E5
Timp. 1 0000 M M M M 2 Epp' EB: 5 p' B: 5 5 5 5 5 E5 5 5 B 5 5 5 5 5 4 E5 E5 E5 EB !B 5 5 5 '5 E5 5 5 5 5 5 G EEB !B 5 '' E'' ' E EB 4 E B 5 E ' Pf. p espressivo mf ? 4 5 [ ' ] ' ' E' 5 !B 5' E'' ' !' ' ' E ' 5E B 5 E'' E ' ' ' ' ' E' 5 EB 5 ' E' !' 5k 5
Vl.1 1 E'' B: 5' ' ''' G pp
Vl.2 G E'''' pp B: '5 ' '
Va. ' ''' Epp' 5 !B: ''
Vc. E''''' ' E' '' '' ' ' pp
E' ' ' ' Cb. E ' ' '' '' E'' ! ' ' 2 pp
DCM 023 77
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7777 226/09/20196/09/2019 14.1614.16 114 3 3 I 3 3 I I 5 5 G B B B B5 EB B 5 5 5 4 5 5 5B 5 5B 5 5B 5 B5 5 ! 5B 5 5B 5 5BB BB5 5 5 5 5 5 5 5 5 5 Pf. p 5 I I I B B B B EB B BB BB 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5 B: 5 B: 119 5 55 E5 5 = !5 5 = 5 5 5 5 5 5 5 G 5 5 5 5 E5E5 5 !5 =!5!5 = 5 5 5 5 5 5 5 5 5E5 !5 E5 5 5 5 5 5 = 5 5 5 Pf. 5 5 3 5 55 5 5 5 5 5 5 EE' ' 5 5 B !B E' ' 5 3 3 3 B !B ' 5 123 5 !5 5 5 555 !5!5 5 5 5E5 5 5 5E5 5!5 5 5 5 5E5!5 5 E5E5 5 5 G = 55 5 55 5 5 = E5E5 5 E5 5E5!5 5 = 5 = = cresc. Pf. p 5 E5 5 E5 4 4 5 5 4 5 E5 5 ' G 5 5 E' E5 EE5 5 ' 5 5 !5 E' ' ' 5 E' E'
a 2 127 1 E5E5 5 5 5 5 E5E5 5 5 5 5 E5E5 5 5 5 5 Fl. 1 E5 5 E5 5 E5 5 2 G = E5 = 5 = E5 = 5 = E5 = 5 3 3 3 3 mf mf mf mf mf mf
a 2 3 3 1 Cl. (Bb) E5 !5 E5 5 !5 E5 E5 !5 E5 5 !5 E5 E5 !5 E5 5 !5 E5 2 G = E5 = 5 = E5 = 5 = E5 = 5 2 3 E5 3 5 E5 5 E5 5 mf mf mf mf mf mf M E5 5M 5 5M 5 5M M E5 5M 5 5M 5 5M E5 5 E 5 5 5 5 5 5 5 5 E5 5 5 5 E5 5 5 5 EE 5 5 5 5 5 5 5 E5 5 G E5 5 5 5 5 5 E 5 5 5M 5 5 5M 5 5 5M 5 5 5M E5 5 5 Pf. f E5E5 5M E 5E5 5M 5E5 5M E5 5 5 5 5 5 5 E5 55 55 E5 5 5 E5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 E55 55 5 5 E5 E 5 5 5 5 5 5 E 5 5 5 5M M E 5 5M E5 5M EE5 5 M M M M E 5 5M p p a 2 130 E5 5 !5 5 5 1 E5 5 5 !5 5 5 5 5 5 Fl. 1 E5 E5 = !5 5 5 5 E5 2 G = 5 E5 5 mf ? 0 0 p a 2 1 Cl. (Bb) 5 2 = E5 !5 E5 = 5 E5 !5 5 E5 5 ? G E5 !5 5 5 5 E5 5 5 E5 5 2 mf E5 ? 0 0 !5 5M 5I K EE 5 5 5 G !5 !B '' BB ? Pf. B ' B K ! pB ' B E5 !E5 5 5 B !B B B ? - E 5 5M I5 B !B B B 78 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7878 226/09/20196/09/2019 14.1614.16 133 fließend B B EB 1 B EB Fl. 1 B EE' 4 5 EB 5 EB 2 G 0 E5 2 pp pp pp 00 fließend 5 MM 5 MM E5 MM 5 B 5 5 MM EB E5 5 E5 5 5E5 Vl.1 1 5 B: 5 5 5 5 E ' E5 5 5 EB: E5 EB G : 5 5 5 5 5 5 : 5 E B: EE5 MM 5 5 5 MM MM MM ppppp p ppp pizz. Vl.2 = 5 5 E5 5II5 5M 0 E5 5 5 E5 G E5 5 5 5=M 0 5 = = =E5 5 5 =E5 p
pizz. 5MM5 MM5MM5 5M E5MM5 5M 5M 5 5 5 Va. E5 5 5 E5 5 5 E5 = = 0 = = = 0 = = = = 2 p
139 !5 1 4 4 5 4 5 4 5 E5 Fl. 1 5 5 E 5 EEB: 5 !B: ' B 5 E5: 2 G 5 5 5 5 5 5 E B: ' B 5E 5: 2 = p = = = p
5 !5 5 5 E5 5 E5 EE5 Vl.1 E5 EB: 5 1 !5 5 5 = 5 5=5 5=5 5 E 5 E B: 5 E!B: 5 E5 5 5 E5 EE5 G ! 5 p
arco Vl.2 !' =E5 5 !5 5M G ' B B 5 5 B 5 5E5 5M !B EB !B EB p
pizz. arco arco MM MM E5 5 5MM5!5 5 5MM5 5MM5E5MM5 !5 Va. ' E5 !5 E5 ? B = = = !5 E5 !5 E5 2 p
145 Tempo I 1 Fl. 2 1 0000004 E5 5 5 G 5 5 5 pIII
1. 1 Cl. (Bb) 2 G 0000004 2 5 5 5 pIII K 4 4 4 G E5 5 5 B B ' II EB EB E5 EB 5 E5 EIII5 5 5 EB Pf. p poco cresc. p 5 5 K E5 5 5 5E5E5 5 5 5 EB 5 5E5E5 EB 5 5E5 5 ' 5 5 5 B ' E5: E5E5 4 5 5 5 EB III
DCM 023 79
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 7979 226/09/20196/09/2019 14.1614.16 rall. 152 1 5 K Fl. 1 B E5 5 EB E' 5 2 G EB 5 E5 E5 000? E B E ' 5 4? B EB 5 E5 pp pp p 1. 1 Cl. (Bb) 2 G 005 E5 E5 00 000 2 p E5
Timp. 1 M M 00 000E'M E'M E5M 4? 2 ppp
G 00 0B E'B ' ' 5 4? p EEB B EE' ' 5 Pf. E B B E ' ' 5 p
00 00EEB B EE' ' 5 4? EB B E' ' 5 rall. 5 E5 Vl.1 1 0 5 E5 00 4? G 5 E5 5 E'' 5 pp pp E5 pp Vl.2 0 000 4? G 5 E5 5 pp E5 Epp' ' 5 Va. 0 0 00 4? 5 E5 5 E'' 5 pp E5 pp Vc. 00 000E' ' 5 4? E'pp' 5
Cb. 00 000E'' 5 4? 2 pp
80 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8080 226/09/20196/09/2019 14.1614.16 III
Lebhaft, und mit Humor (q h 1 Fl. 1 2 G 00 0 0 0 0 0
1 Ob. 2 G 00 0 0 0 0 0
1 Cl. (Bb) 2 G 00 0 0 0 0 0
1 Fg. 2 00 0 0 0 0 0 2
1 Cor. (F) 1 2 G 00 0 0 0 0 0
3 Cor. (F) 4 G 00 0 0 0 0 0
1 Tr. (C) 2 G 00 0 0 0 0 0
1 Trb.t. 2 00 0 0 0 0 0
Trb.b. 00 0 0 0 0 0
Tb. 00 0 0 0 0 0 2
Timp. 1 00 0 0 0 0 0 2
3 5M 5M B !5 5 5 : 5 5 5 5 E5 5E5 !5 5 44 55 5 5 5 G 5 5 E5 EB 5E5 5 5 f E5 p Pf. M M 5M 5 5 5 5 B M 5 EE5: !!5 55 5 5 5 5 445 5 5 B 5 EE5 E5E5 5 ! 5: = 5 5 5 4 5 44 E I5 B 5 M M M Lebhaft, und mit Humor (q h
Vl.1 1 G 00 0 0 0 0 0
Vl.2 G 00 0 0 0 0 0
Va. 0 0 0 0 0 0 0
Vc. 00 0 0 0 0 0 2
DCM 023 81
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8181 226/09/20196/09/2019 14.1614.16 8 1 Fl. 1 2 G 0000000
1 Ob. 2 G 0000000
1 Cl. (Bb) 2 G 0000000
1 Fg. 2 0000000 2
1 Cor. (F) 1 2 G 0000000
3 Cor. (F) 4 0000000 2G
Timp. 1 000000? 2 mf5
M M !5M 55 5 M M !5 ! 5 5 M 5 !5 5 5 5 E5 E5 E5 5 !5 5 5 4 G E5 !5 5 E5 5 5 5 E5 5 E5 5 5 E5 5 !5 5 5 5 E5 5 M !! 5 !5 Pf. p p p p ff M M M M !5 M M M M !5 5 EE5 5 EE5 5M 5 !5 IB 5 E 5 4 4 5 4 EE5 E5 !5 4 B 5 !5M 4 5 !5 5 5 5M M 5M M 5M M
Vl.1 1 G 0000000
Vl.2 G 0000000
Va. 0 0 0 0 0 0 0
pizz. Vc. 000000? mf5
pizz. Cb. 000000? 2 mf5
82 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8282 226/09/20196/09/2019 14.1614.16 3 15 I M M I 5 5 M I M I 1 B 5 5 5 5 5 5 B Fl. 1 5 5 5 5 E5 E5 EB !5 B 5 2 G I M E5 5 5 E B ! 5 B: I M E5 : mfM f 3 M fI I
a 2 5 1 55 5 5 E5E5 E5!5 I Ob. M 5M 5 EBI 5E5 !5 B: 5 5 5 5 2 G 5 5 5 B 5 5 E5 55 3 f f mf
I M I 1 I M M M I Cl. (Bb) 5 2 5E5 5 5 5 !5 5 5 E 5 E B E5 EB !5 B: B G B 5 E5B:5 5 : 5 5 E5 E595 5 E B ! 5 B: 5 B fI M I fI M I mfM I I M M I 1 I M 5 5 EB !5 5 Fg. 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 2 B 5 B5: E EB5 E5 5 B: 2 B 5 5 !B 5 5 5 5 5 5 B: fI M I M I I I M fI M mf
1 Cor. (F) 1 5 B 2 G B : B 5 E5 B EB !5 B B: B 5 E5 B : fI M B: B 5 M I EB !5 B B: I I M fI M I: mfI 3. 3 Cor. (F) 4 G B 5M B: E5 EIB B 2 fI I B 5 M EB !5 mfI: I M fI M BI:
Timp. 1 5MM5 5M 5 5M 44 00 005 44 2 mf M mfM
G 00 0 0 0 0 0 Pf. 00 0 0 0 0 0
- - 5M 5M BI: 5 !5 BI 5 5 5 5M 5M 5M 5M E5E5 5E5!5 : 55 5 5 5 Vl.1 1 I 5E5 5 G E5 EB f 3 f mf
3 - M M I I Vl.2 5 5 B: 5 5 5 !5 B: 5 5 5 5 G 5 5 5 5 5 5 E5 E5 E5 E5 !5 55 MMMM E5 EB 5 f I f mf
I M I I M M I I M I I Va. B 5 B: 5 E5 B EB !5 B: B: B 5 B 5 5 B 5 E 5 B E B ! 5 B: B: fI M I I M M I fI M I mfI
arco I I M M 5 5 M EB !5 5 I Vc. B 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 B 5 B5: E EB5 E5 5 B: B 5 5 !B 5 5 5 5 5 5 B: fI M I M I I I M fI M mf M M Cb. M !5MM5 5 5 5M 4 5 5M 44 4 5 E5 5 4 4 44 44 2 f M 5M M M f mf
DCM 023 83
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8383 226/09/20196/09/2019 14.1614.16 M I M M M 22 M I M M M I B M M M 5 55 5 5 5 M 1 5 B EB 5 55 5 Fl. 1 5 EB !5 E5 B E5 5 E5 2 G !5 I M M M M M M 4 M I M M I pM M f fM a 2 M I M 1 !5 5 5 5 E5 5E5 5 5 M M M M M M Ob. E5 E5 5 !5 5 5 5 E5 5 5 5 5 ! 5 5 2 G 5 5 EE5 !5 !B 5 5 5 5 5 !5 5 4 E5 M M M M pM M M I M f f M I M M M 1 I M I M M 5 M M Cl. (Bb) M M M 5 !5 5 5 2 5 B EB 5 5 5 5 5 4 G 5 EB !5 EE5 E B E5 E5 M M M E5 E5 I M M M M M I M M I p M f fM I M 1 I I M M I M I M M M Fg. B: 2 B: B EB: 5 E5 5 !B 5 B 5 !5 5 4 2 B : B E5 B 5 5 : I : E5 M I M M M I I pM M I M ff M 1 M M Cor. (F) 1 B E5 !B 5 5 5 2 G EB : EB: 5 5 5 5: 5 5 4 : BI: E5M 5 5 !BI M B 5 E5 5 EBI: EBI: MM p ffI M M M 3. 3 Cor. (F) 4 4 G BI: EB E5 E5 5 B !5 B 5 !5 E5 2 EIB: I: pM M M I M ffI M M M
Timp. 1 M 44 5M 44 M =4 ? 544 5 005M 5M 5 2 M mf fM
G 0000000 Pf. 0000000
- M M 5 !5 5 5 5 E5 M 5M 55 5 5 5M E5 !5 5E5 5 5 5 E5 5E5 5 5 E5M M !5 55 E5 5M Vl.1 1 5 5 4 G !!5 5 p f fM
!5 5 5M M M 5M Vl.2 !5 5 5 5 E5 5 5 5M 5 5 5 5 E5 5 4 G E5 5E5 5 5 5 E5 E5 5 E5 5 !5M 5 5 !!5 5 pM M f fM I M M M I M M I I 5 M M Va. !B: EB E5 5 5 !B !5 5: 5 5 E!B: : E B: 5 E5 5 B !5 B 5 !5 !5 4 : I : I I pM M M I M ffI M M M
I I I M M M I M I M M M Vc. B: 5 E5 B: EB: 5 E5 E5 !B 5 B 5 ! 5 !5 4 B B: B E5 B 5 5 : I : E5 M I M M M I I pM M I M ff MM M E5M M 5M 5 !5 M Cb. M 5 5MM5 5M 5 544 44 44E5 E5M 4 4 4 2 p ff
84 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8484 226/09/20196/09/2019 14.1614.16 29 energico 1 Fl. 1 2 G 0000 0 0 0 0
1 Ob. 2 G 0000 0 0 0 0
1 M Cl. (Bb) 2 00 44 000 G EEBB: BB: !5 M
M 1 Fg. EB B !5 2 00E B: B: 44 000 2 M
1 Cor. (F) 1 2 G 0000 0 0 0 0
3 Cor. (F) 4 0000 0 0 0 0 2G
Timp. 1 0000 0 0 0 0 2
I 5 E 5M !5 5 E5M E 5 !55!5 5 E5M G EE55 E5M 5!5!5!5 4 !5 5M = E5 5 5 = fp5 5 5 EB M E5 f 5!55 p5MM5 MM Pf. II: M E5M 5 5 5E5 5 E5M M E5 M E5EE55M !5 !5 5 MM 5 E5MM5 5 5 5 5 EB E5 5 5 5 4 5 5 II: EE55E5M 5!5!5!5 55 5 5 E5 I5 M !5 5 5 `b energico pizz. arco M Vl.1 1 5 G 0 4 00 0 44 E5 5 5 E5 5 5 5 5 f I fp5MM5 I5 5MM5 pMMI MM
pizz. Vl.2 M G 0000 0 445 00 f
pizz. arco Va. 0 ? 5M 4 00 0 5 5 5 5 5 5 5 5 5 5 E5 5 5 fpMMI MM pMMI MM f I
pizz. arco M MMI MM Vc. 0000 0 ? 5 5MM5 5I 5MM5 E5 5 5 5 5 2 fp p
DCM 023 85
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8585 226/09/20196/09/2019 14.1614.16 37 1 MM MM Fl. 1 BB BB: 55: 2 G 00445 5 5 5 : : =4 mfMM mfMM 1 Ob. 2 G 00 0000
1 Cl. (Bb) B B 5 2 G 00 0B4EB: 5: =4 mf mf 1 Fg. 2 00 0000 2 I 5 5 5 5 !B 5 B 5 B 5 5 5 5 5 MM E5MMM!5 5 5 5 5 5 G E5 5E5 = 5 5 5 5E5 5 4 Pf. p f f f E5 E5 MM E5 5 !5 5E5E5!5 5!5 5 5 5 5 5 5 5 5 5E5 5 E5E5!5 5 5 5 5 5 5 5 4 E5E5!5 5!5 5 5 5 5 5 5 5 pizz.
Vl.1 1 5 G E5 5 5 5 5 !B B B B: 5: = 5 pMMI MM p : mp: mp: mf f pizz. arco Vl.2 5 G 00 B 5 = 5 mpB: mpB: mf: : f pizz. Va. MMI MM E5 5 5 5 5 B: B: B: B: 5: = 5 p p mp mp mf f pizz. E5MM5 5I 5MM5 B 5 Vc. EB: B: B: : : = 5 2 p p mp mp mf f
43 I MM I M M !5 3 5 5 5 5 !5!5 I I M 55 5 5 55 5 4 5 5 !5 4 !!5 5M 5 44 G B M B 3 B BB 55!5 !5 I =B :5B = :5!B M Pf. pfI f f 3 I I MM M 3 5M 5M II5 5 !5 5 !5 5 4 5 45 5 !5 4 BB BB: 5 ! 5 5 ! 5 5 5 5 5 5!5 :5 B :5 !B 55 !5 5 5M 5M !5 = = M 5M !5 5M M M M M 5 5 5M Vl.1 1 !5M 5 5 G 445M 0 5 4 4 44 44 4 4 4 pmfM 5MM!5 fff M Vl.2 004 4 44 44 4 5 5MM4 54 G 5 5M 5 5M mfM 5MM!5 fffM M Va. 0 0 4 4 5 44 44 4 5MM545 4 5MM5 5 5 5 M mf M fffM M Vc. 0 ? 5 00000 0 2 pM
86 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8686 226/09/20196/09/2019 14.1614.16 Tempo I p M M I 3 51 5 5 5 B: 5 5 E5 !5E5!5!5 B: 5 5 5 5 1 5 55 5 5 E5 E5 55 Fl. 1 5 B E5EB E!5 !5 B B 2 G 5 5 5 5 E5 5 !5 : 445 5 I 4 E5E5 I 4 M 4 pM f
1 I I M Ob. I M 2 0 B 4 5 5 5 5 B 4 G B: B 5 E5 EB E5 !5 B: 5 5 B : I f pI M I M
p M M I 3 1 5 5 B !5 Cl. (Bb) : 5 5 E5 B: 5 5 5 5 2 E5 5 5 !5 5 5 E5 E5 E5 E5 !5 5 5 G 44 5 B 4 E5EB EE5 4 !5 B B 4 E5 E5 5 5 5E5 E5 !5E5E5 : M I E5 I M f p
M I I M I M 1 5 B Fg. B B 5 E5 !5 B5 5 5 5 5 B 2 ? 5 B: 5 EE5 EB 4 : 4 2 I f pM I M I M
Timp. 1 5MM44 5 44 00 000 2 p
G 00 0 0 0 0 0 Pf. 00 0 0 0 0 0 - Tempo I Vl.1 1 44 00 0 0 00 G 5 p
Vl.2 00 0 0 00 G 5 44 p
Va. 00000044 5 p
pizz. Vc. 44 ? 5 00 0 0 0 5 p fM
pizz. Cb. 4400 0 0 0 ? 5 5 2 p fM
DCM 023 87
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8787 226/09/20196/09/2019 14.1614.16 M M M M 58 M M 5 !5 5 5 5 E5 M M 5 5 5 5 5 5 M 1 !5 5 E5 5 5 5 E5 5E5 5 5 !5 5 5 5 5 5 Fl. 1 E5 !B E B E5 5 5 E5 2 G ! B M M M M M 4 4 4 4 pM M 4 f M fM M M M M M M M 1 M 5 5 Ob. 5 5 B 5 2 4 B 4 4 5 E5 4 5 5 5 5 !5 !545 G EB EB E 5 M M M M M ffM M M M M M M M M 1 !5 5 M M 5 M M Cl. (Bb) E5 5 E5 5 E5 E5 5 !5 5 !5 5 5 2 GE5 5 E5 5 5 !B5 E5 E5 4 5 E5 E5 !5 4 5 5 E5 5 4 E B4 4 E B E 5 E 5 !5 5 5 B 5 ! 5 E5 M pM M M M f M fM M M M M M 1 B M M M M Fg. EB B EB E5 E5 5 2 B4 4 B 4 E 5 E 5 !5 !5 4 5 B 5 !5 5 4 2 ! 5 5 5 pM M M ffM M M M M Timp. 1 000000? 5 2 fM
G 0000000 Pf. 0000000
Vl.1 -1 G 0000000
Vl.2 G 0000000
Va. 0 0 0 0 0 0 0
Vc. ? 5?M ? 5M 00 00 5M Cb. ? 5?M ? 5M 00 00 2 5M
65 grazioso G 5 5 5 5 5 B 5 5 5 5 5 5 B 5E5 !5 B 5 5B 55 5 !5 !B 5 445 445 55 !5 5 B Pf. p mf M p M p mf p 5 5 5 5 5 5 5 5 5E5 !55 5 5 5 5 5 5 5 5 55 = 55 4= 5 5 55 !5 5 5 5 5 5 5 5 5 5 !5 5!5!5 5
73 MM MM MM5 5 5 I 5 I !5 5 5 5 5MM5 5 5 5 ! 5 G 5MM5 E5 5 5 5 E5 5 5 5 5 ! B !5 B: 5 B 5 5MM55MM5 MMMM ! 5 5 IB: 5 5 Pf. p ffI I MMI MMI B: 5 !B B EB: !5 E5 5 5 5 5 5 ! 5B 5 !5 4 5 5B 5 5 B: 5 EB 5 5 5 B: 5 55 5 5 5 5 B: 5 : 4 5 MMI 5 MMI 4 4
88 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8888 226/09/20196/09/2019 14.1614.16 lustig 80 M I M I M M M M 5 5 B 5 !EB5 !E5 !5 5 5 B 5 5 5 B G !EB: B5 5B E5EB B: 5M B B 5 ! IB: I : M EIB Pf. pfcresc. I M I M B 5 EB !E5 !5B: 5!5!5 5 B 5 4 B5!5B5 ! B5E5EB !5 5 5 5 5 !5: 5E5 5 5 E5 5 5 !5 5E5E5 5E5 5 E5 5 !5 f f E5
87 E5 5 B G = 5 E5 = 5 5M E5 5E5 5 5 5!B 55 55 55M 5 55 5 5 !5 B 5 5 B 5 5 M E5 4 4 5 44 5 5 M 5 p M f M Pf. pfM M cresc. M cresc. M 4 4 5 44E5 5 B B B B B B B 5 B : : : : : : : : EB: EB: EB: EB: B: B: B: B: 95 M 5 5 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G = 5 5 B B 5 5 p M Pf. cresc.
B: B: B: B: B: B: B: B: B: B: B: B: B: B:
Vl.1 1 G 0000000
Vl.2 G 0000000 arco Va. 0 4=5 5 5 4=5 5 5 4=5 5 5 4=5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 pMMM cresc.MMM MMM MMM MMMMMM MMMMMM Vc. 0000000 2
martellato 102 MM I M M 5 5 5I I MM5I 5 5 M 5M 5 M M 5M M M 5M 5 5M M 5 5 5 E5 5 5 5 !5 5 B 5 5 5 5 !5 5 5 5 5 G 5 5 E5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 IB 5M 5 5 !5 Pf. f 5M M M M MM I M f M 5 5 5I 5I 5 5 5M 5 5M M 5M 5 5M 5 5 5 E5 5 5 5 !5 5 B 5 5 5 5 !5 5 5 5 5 5 5 E5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 I MM M IB 5 5M M M 5M 5 !5M M M arcoM M martellato 5MM5 I I 5I 5M M M 5 5I 5MM55 5M !5 5 5M I Vl.1 1 B G 0000 f arco MM I M Vl.2 5 5 5I MM5I 5 5 !5M MM G 0000 5 5 5 5 5 5 B f I M I MM I M Va. 5 5 5I I 5 5 M 0 0 0 0 5 5 5 5 5 !5 5 5 f I MM M MMIB arco MM I M Vc. 5 5 5I I 5 5 M 0000 5 5 5 5 5 !5 5 5 2 f I MM M M M IB
DCM 023 89
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 8989 226/09/20196/09/2019 14.1614.16 Tempo I 3 110 I M M I 5 5 M I M I 1 B 5 5 5 5 5 5 B Fl. 1 5 5 5 5 E5 E5 EB !5 B 5 2 G I M E5 5 5 E B ! 5 B: I M E5 : mfM f 3 I M f I
a 2 5 1 55 5 5 E5E5 E5!5 I Ob. M 5M 5 EBI 5E5 !5 B: 5 5 5 5 2 G 5 5 5 B 5 5 E5 55 3 f f mf
I M I 1 I M M M I Cl. (Bb) 5 2 5E5 5 5 5 !5 5 5 E 5 E B E5 EB !5 B: B G B 5 E5B:5 5 : 5 5 E5 E595 5 E B ! 5 B: 5 B fI M fI M I mfM I
I M M M I 1 I 5 5 5 5 EB !5 55 Fg. 5 5 5 5 5 5 5 E5 E5 5 5 5 5 5 B 2 B 5 B: E 5 EB5 55 5 5 : 2 B 5 !B 5 5 5 B: fI M I M I I I M fI M mf
1 Cor. (F) 2 1 B 5 B: 5 E5 B B: G B 5 B EB !5 B: fI M B B 5 E5 B B I: I M M I EIB !5M IB: mfI: 3. 3 Cor. (F) 4 G B 5M B: B 5 E5 EIB B: fI I I M M EIB !5M IB: mfI a 2 1 M M I Tr. (C) 5 B: 5 M B: 2 E5 = 0 G ? =4 4 5 =4 4 2 mf ffEBI M
Timp. 1 44 00 0044 5MM5 5M 5 5M 5 2 mf M mfM
G 00 0 0 0 0 0 Pf. 00 0 0 0 0 0 Tempo I - 5M 5M BI: 5 !5 BI 5 5 5 5M 5M 5M 5M E5E5 5E5!5 : 55 5 5 5 Vl.1 1 I 5E5 5 G E5 EB f 3 f mf
3 M M I I Vl.2 5 5 B: 5 !5 B: 5 5 5 5 5 5 5 E5 E5 5 E5 !5 5 5 5 5 5 G MMMM E5 EB 5E5 5 f I f mf I M I I M M I I M I I Va. B 5 B: 5 E5 B EB !5 B: B: B 5 B 5 5 B 5 E 5 B E B ! 5 B: B: fI M I I M M I fI M I mfI
I I M M 5 5 M EB !5 5 I Vc. B 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 B 5 B5: EB5 E5 5 B: B 5 E 5 !B 5 5 5 5 5 5 B: fI M I M I I fI M mfI pizz. M M M Cb. M 5MM5 5 5 I5 4 5 I5 44 4 5 E5 5 4 4 44 44 2 f M 5M M M f mf
90 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9090 226/09/20196/09/2019 14.1614.16 M I M M M 117 M I M M M I B M M M 5 55 5 5 5 M 1 5 B EB 5 55 5 Fl. 1 5 EB !5 E5 B E5 5 E5 2 G !5 I M M M M M M 4 M I M M I pM M f M a 2 M I M M 1 !5 5 5 5 E5 5E5 5 5 M M M M M M Ob. E5 E5 5 !5 5 5 5 E5 5 5 5 5 ! 5 5 2 G 5 E5 EE5 !5 !B 5 5 5 5 5 !5 5 4 M M M M M pM M M I f M I M M M 1 I M M I M M M 5 M M Cl. (Bb) M B 5 5 !5 5 5 2 G EB !5 B EB E5 5 5 5 E5 5 4 E5 B EE5 E B E5 M M M M I p M f M M M I M M I M M I M 1 I I M M I M I M M M Fg. B: 2 B: EB: 5 E5 5 !B 5 B 5 !5 5 4 2 B B: B E5 B 5 5 : I : E5 M I M M M I I pM M I M f M 1 M M Cor. (F) 1 5 2 B: E5 5 5 !B 5 5: 5 5 5 4 G EB: EB: 5 5 BI: EB E5M 5MM5 !BI M B 5 E5 EBI: I: M M M 3. fI 3 Cor. (F) 4 4 G BI: EB E5 E5 5 B !5 B 5 E5 5M EIB: I: M M M I M fI MM a 2 1 5M M 5M Tr. (C) 5M 5 5 E5 2 G 000E5 5M 0 4 2 pM 5M f
Timp. 1 M 44 5M 44 00M =4 ? 544 5 5M 5M 5 2 M mf fM
G 0000000 Pf. 0000000
M - !5 5 5 5 M 5 5 5M M !5 5 5 5 5 E5 5E5 5 5 M !5M 5 5 5 5 M Vl.1 1 E5 E5 5 E5 E5 5M 5 E5 5 G ! 5 5 4 p f !5M 5
!5 5 5M M M 5M Vl.2 !5 5 5 5 E5 5 5 5M 5 5 5 5 E5 5 4 G E5 5E5 5 5 5 E5 E5 5 E5 5 !5M 5 5 !!5 5 pM M f M
I I M M M I M M M I !5 5 M Va. !B: EB E5 5 5 !B 5: 5 5 4 E!B: : E B: 5 E5 5 B !5 B 5 !5 !5 : I : I I pM M M I M fI M M M I I I M M M I M I M M M Vc. B: 5 B 5 E5 B: B EB: 5 E5 E5 !B 5 B 5 ! 5 !5 4 B : B E5 B 5 5 : I : E5 M I M M M I I pM M I M f MM M E5M M 5M 5 !5 M Cb. M 5 5MM5 5M 5 544 44 44 E5 E5M 4 4 4 2 p f
DCM 023 91
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9191 226/09/20196/09/2019 14.1614.16 poco animato 124 a 2 1 Fg. 1 B: 5 B: 5 2 B: 5 =4 4 B: 5 =4 4 =4 4 =4 4 2 p fp fp fpf 1. 1 Cor. (F) 1 B: 5 B: 5 2 G B: 5 =4 4 B: 5 =4 4 =4 4 =4 4 p fp fp fpf 3. 3 Cor. (F) B: 5 B: 5 4 G B: 5 =4 4 B: 5 =4 4 =4 4 =4 4 2 p fp fp fpf
5 55 5 5 5 5 5 55 55 555 55 5 G = 5 5 = 55 = 5 5 = 55 =5 = 55 = 55 = 55 5 55 5 5 55 Pf. p fpfp fpf 5 5 5 5 5 55 55 55 55 5 = 5 5 = 55 = 5 5 = 55 = 55 = 55 = 555 = 55 55 55 5 5 5 55 poco animato
Va. B: 5 B: 5 1 B: 5 =4 4 B: 5 =4 4 =4 4 =4 4 p fp fp fpf
Vc. B: 5 B: 5 B: 5 =4 4 B: 5 =4 4 =4 4 =4 4 p fp fp fpf arco
Cb. B: 5 B: 5 B: 5 =4 4 B: 5 =4 4 =4 4 =4 4 2 p fp fp fpf
132 a 2 1 Fg. 1 5 2 B: =4 4 =4 4 B: 5 =4 4 B: =4 4 2 5 !B: 5 p fpfp fpf 1. 1 Cor. (F) 1 5 2 G B: =4 4 = 4 4 B 5 =4 4 B: =4 4 5 EB: 5 : p fpf p fpf 3. 3 Cor. (F) 5 4 G B: =4 4 = 4 4 B 5 =4 4 B: =4 4 2 5 EB: 5 : p fpfp fpf 5 55 55 !5 5 5 5 5 5 5 5 55 = 55 = E5E5 = 5 = 5 5 5 5 5 5 = 5 5 G =5 E5!5 5 5 5 5 = 5 5 = 5 5 5 Pf. p fpfpfpf 5 55 55 E5!5 5 5 5 5 5 5 5 = 55 =5 5 = E5E5 = 5 = 5 5 = 5 5 = 5 5 = 5 5 5 !5 5 5 5 5 5 5 5 5 5
Va. B 5 1 B: 5 =4 4 !B =4 4 B: 5 =4 4 : =4 4 : 5 p fpf p fpf 5 Vc. B: =4 4 =4 4 B: 5 =4 4 B: =4 4 5 !B: 5 p fpfp fpf 5 Cb. B: =4 4 =4 4 B: 5 =4 4 B: =4 4 2 5 !B: 5 p fpfp fpf
92 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9292 226/09/20196/09/2019 14.1614.16 140 a 2 1 Cl. (Bb) 2 1 =4 4 =4 4 B: 5 =4 4 B: 5 =4 4 G EB: 5 EB: 5 p fp fp fpf a 2 1 B: B: Fg. 5 5 5 5 2 B: =4 4 B: =4 4 = 4 4 = 4 4 2 p fpfp fpf
5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5 = 5 = 5 5 = 5 =5 = 5=5 55 = 55 G 5 5 5 5 5 5 5 Pf. p fpfp fpf 5 55 5 5 5 5 5 5 5 5 5 5 5 = 5 5 = 5 5 = 5 5 = 5 5 = 55 = 5 5 = 55 5 = 5 5 5 5 55 5 5 5 55
B: 5 B: 5 Va. 1 B 5 B 5 : =4 4 : =4 4 =4 4 =4 4 p fpfp fpf
B: 5 B: 5 Vc. B 5 B 5 : =4 4 : =4 4 = 4 4 = 4 4 p fpfp fpf
B: 5 B: 5 Cb. B 5 B 5 : =4 4 : =4 4 = 4 4 = 4 4 2 p fpfp fpf
148 a 2 1 Cl. (Bb) 1 E5 2 G B =4 4 = 4 4 EB E5 =4 4 B: =4 4 : 5 B: 5 : p fp fp fp f a 2 1 E5 Fg. B EB E5 B: 2 : 5 =4 4 B: 5 =4 4 : =4 4 =4 4 2 p fp fp fp f 5 5 5 5 5 55 E5 E5 E5 5E5 555 5 5 5 55 55 E5!5 5E5 5E5 5 5 G =5 = =5 = 5 = !5E5 = E55= E5 5 = E5 p fp fpfp f Pf. 5 5 55 5 5 55 55 E5 5 E5 E5 5 = 55 5 5 = 55 5 5 !5E5 E5 = E5 5 5 5 5 = =5 = E5 !5 =E5 5E5 5E5 =E5
B E5 Va. 1 B: 5 B: EB: E5 : =4 4 5 =4 4 =4 4 =4 4 p fp fp fp f
E5 Vc. B E5 B: : 5 =4 4 B: 5 =4 4 EB: =4 4 =4 4 p fp fp fp f
E5 Cb. B E5 B: : 5 =4 4 B: 5 =4 4 EB: =4 4 =4 4 2 p fp fp fp f
DCM 023 93
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9393 226/09/20196/09/2019 14.1614.16 156 a 2 1 B: !B B: Fl. 1 5 B: B 5 E5 EB E5 2 G B : EB f a 2 1 Cl. (Bb) 2 B B: EB E5 B: G !B E5 B: 5 E5 EB: EB f a 2 1 Fg. B B: !B E5 B: 2 !B 5 B: 5 E5 EB: EB 2 f !5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 E5 5 5 E5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E! 5 5 5 E 5 5 5 5E 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 !E5 5 5 E5 5 5 E5 5 5 E5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 EE5 5 5 EE5 5 5 E5 5 5 5 5 5 Pf. f !5 5 5 5 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 5 E 5 5 5 E5 5 5
I BI: !B I I BI: Vl.1 1 5I B: B 5I E5 EBI E5 G B : EB f Vl.2 G 000 0 0 0 0 0 !B BI !B I I Va. I I B : I E5 B: 5 B: 5I E5 EBI: EB f !B I I Vc. I B B: !B I E5I B: 5I B: 5I E5 EBI: EB f !B Cb. 4 00 0 0 0 0 0 2 f
164 B B EB 1 B: B: B: B: E B: EB: Fl. 1 B B 2 G B: B: f f 1 Cl. (Bb) B: B: B: B: EB: EB: 2 G B: EB B: EB EB: B: E B: B: f B: B: f
1 B: B: B: B: EB: EB: Fg. B: B: B: B: E B: B: 2 B: B: 2 f f 5 5 5 5 5 5 5E5E5 5 5 5E5 E5 5 5 5!5 5E5 E5 E5 G 5 5 5!5 5 5 5 5 5 5 5 5 5 5 5 E5E5 5 5 E5E5 5 5 f5 E5 E5 Pf. f 5 5 !5!5 5 5 5 5 E5 !5 5 5 5 5 5 5 5!5!5 5 5 5 E5 5 5 E5E5 5 E5E5E5 5 5 5 5 5 5 5 5 5 5 5 5 E5E5 5 E5E5
B 5I B 5I B: EB: EB: B: BI: BI: Vl.1 1 G ff
Vl.2 B 5I B 5I B: EB: EB: B: G B B ffI: I:
Va. B I B I B: EB EB B 5 B 5 B : : : ffI: I: I I B: I B: I B: B: EB: EB: Vc. B: B: : : E B: B: B: B: 2 fI I I I f
94 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9494 226/09/20196/09/2019 14.1614.16 172 B B 1 B: B: Fl. 1 EB: EB: B B B 5 2 G : : B: B: B: 5: =4 f p cresc. f
1 Cl. (Bb) B: B: 2 G EB: EB: EB: EB: =4 f B: B: B: B: B: 5: EpB: cresc.B: B: f5:
1 B B Fg. B: B: B B B 5 2 EB: EB: B: B: B: 5: =4 2 f p cresc. f
1 Cor. (F) 1 5 5 B 5 5 5 5 5 5 5 5 2 G 000044E5 5 EB 5 5 E5 5 5 5 E5 5 4 pMM Icresc. MM I MMI fMM
3. 3 Cor. (F) 4 G 0000445MM5 B 5MM5 5 5MM5 5 5MM5 4 pfcresc.I I I
1. 1 Tr. (C) B: B: B: 5: 2 G 0000 =4 2 p cresc. f
Timp. 1 0000 4 EBM EBM EBM E5M 5M 2 p : cresc.: : fMM M M M 5 5 5 5 5 5 5 5 5 5 5E5 5 5E5E5 E5 5 5 5 E5 5 5 5 E5 5 5 E5 5 5 5 E5 5 !5 5 5 5E5 5 5 5 5 5E5 5 5 5 5E5 5 5 E5 5 5 5 E5 5 5 5 E5 5 5 5 5 5 E5 5 5 G 5 5 ! 5 5 E 5 E5 5 5 5 5 5 5 5E5 E5 5 5 5 5 4 5E5 E5 5E5 M Pf. M f M ff
B EI5 B EI5 BI: BI: Vl.1 1 B: B: B: 5: G =4 f p cresc. f
I I Vl.2 B E5 I B E5 I G B: B: B: B: B: 5: =4 f p cresc. f
Va. B EI5 B EI5 B: B: B: B: B: 5: =4 f I I : : : : p cresc. f I I I I B: B: Vc. : EB: : EB: EB: B: B: 5: I B: I B: =4 f I I EB: B: B: 5: p cresc. f
Cb. 0000EB: B: B: 5: =4 2 p cresc. f
DCM 023 95
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9595 226/09/20196/09/2019 14.1614.16 180 Tempo I : 5 4 5 4 5 5 5 5 5 5 5 5 5 !5 4 5 5 4 5 5 5 5 G : 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Pf. p p 5 5 5 !5 5 5 : 4 5 5 4 5 5 44 544 5 44 4 5 4 5 44 : 5 I5 I * F
186 5 5 5 5 5 5 5 5 5 5 5 5 !5 E5 5 5 5 5 5 E5 5 5 5 5 !E5 E5 5 5 5 5 E5 E5 5 5 5 5 G 5 5 5 5 5 5 EE 5 5 5 EE5 5 5 5 5 5 5 5 5 Pf. I !5 !5 5 E5 44 44 ? 5 44 ? 44 !I5 !5 !5I E5I E5 !I5 E5I
192 1 Fl. 1 2 G 00000 0 0 1. solo 1 Ob. 5 5 5 5 5 5 2 G 0 ? 5 5 =4 5 5 =4 5 B: E5: =4 0 3 M 3 M 3 p mf 1. solo grazioso p p 3 3 1 Cl. (Bb) =4 2 G 00 =4 4 =4 4 EB: = 5E5 5E5 5 5 E B: E95: 4 E5 E5 E5 ppMM mf 0 1 Fg. M 2 00000 0EE5 =4 4 2 p
Timp. 1 000004 E5M 4 0 2 p 5MM`5 !5 E5M E5 5 5 E5 5 !5 5 E5E5 5 5 EE 5 G E95 5 5 E95 5 4445 445 !5 44 4E5 4 Pf. E5 5 5 E5 M pmf E 5M M M M M E5 5 5 44G 45 E4E5 4 E5 E5 5 44 E5 5 EE5 44 4 E5 M !5 E5!5 5 E 5M * M F M E5 - pizz. Vl.1 1 M G 005 =4 4 5 =4 4 54 4 E5 44 0 ppMM mfpM pizz. Vl.2 00 = 4 4 = 4 4 44 44 44 G 5 5 E5M E5 ppMM mfpM 5M pizz. Va. E5MM 0 05MM=4 4 5 =4 4 44 E445 44 pp mfp E5M pizz. Vc. 000004 4 E445M Ep5M pizz. Cb. 000004 E5M 4 0 2 p
96 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9696 226/09/20196/09/2019 14.1614.16 199 1 Fl. 1 2 G 0000 0 0 0
1 Ob. 2 G 0000 0 0 0
mf 3 3 1 Cl. (Bb) =4 = 2 G 5E5 E5 E5 !B: 5 5 5 EB: 0 0 : 0 5 B: EEB: 5EE5 5 5 5 5 E5EE5 5 5 5 5
p f
1 M B Fg. E5 B: 5: 2 E 5 =4 4 =4 B: !B: B: B: 2 mf B: B: B: B: p f
1. 1 Cor. (F) 1 2 G 0000 0 2 B B f : :
Timp. 1 004 4 0 0 0 0 2 5
5M 55 5 5 EE5 5 5 5 5 E5 E5 5 5 5 5 E5 E5 5 5 5 5 G 4 4 44 =E5 5 5 5 5 5 5 G 55 5 55 !5 5E5!5 Pf. fp5 f 5 5 5 5E5 4 G E5 4 5 5 5 5 5 44 5 5 55 = !5 5 B: B: E 5M 55 B: B:
Vl.1 1 G 0000 0 0 0
Vl.2 G 44 44 44 0000 5 5 5M mfM pM
arco M Va. 44 44 44 E5 5M 5 B: EB: 5 E5 5 5 5 5 5 E5 5 5 5 5 M : B: B: mf pM p f
arco M Vc. M 5 E445 44 45M 4 B: !B: B: B: mf p B: B: B: B: p f
M Cb. 004 5 4 0000 2 p
DCM 023 97
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9797 226/09/20196/09/2019 14.1614.16 206 1 Fl. 1 2 G 00 000000
1. solo
1 Ob. B B: B 2 G 00 0? E5E5 B: : : p f
1 M Cl. (Bb) B 2 5 4 B B BB G B: 5 5 5 5 5 5 44 4EEB B 4 4 E!B: B: 5 5 5 5 5 5 5 f M p f f
1 B B Fg. M 2 B: B: B: 5 44 004 4 2 B: B: B: 5 0 0 p f
1. 1 Cor. (F) 2 1 0000 G 00B 5 44 2 f : M
Timp. 1 00 04 5 4 0000 2 fM
B B B M !B G E5 5 = !55 5 !5 445 4 4 4 4 E5 5 5E5 !5 5 5 5 5 5 5 Pf. f p f 5 5 M 5 E5E5 5 5E5 !555 B: 5 E 5 5 5 55 5 = B: 5 444E445 44 44 5 fM
pizz. M M Vl.1 1 00 004 44445M 545 4554 G E5M pmffM M
pizz. Vl.2 4 44 G 00 00 5 445 445 4 Epmff5M MMM M 5 Va. EB: !B: 5 5 5 5 5 5 44 0000 : B: 5 p f M
M Vc. B: B: B: 5 44 0000 B: B: B: 5 p f M
Cb. 00 04 5 4 0000 2 fM
98 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9898 226/09/20196/09/2019 14.1614.16 1. 214 M M M M 1 5M M 5M M 5M M 5M 55M 5 5M 5 5M 5 Fl. 1 5 5 5 2 G =4 4 00 =4 4 00 f f
1.
1 5 B 5 5 B 5 Ob. 2 G =4 4 00=4 4 0 0 f f
1 B 5 B: 5 Cl. (Bb) B: 5 5 B E5 5 2 G =4 4 00 =4 4 00 f f
1 B B Fg. B: B : 5 2 00 5 0000 B: B 2 B: B 5 5 f f
1 Cor. (F) 2 1 00000000 2G
Timp. 1 M M 00BM: BM 00B: B 5 2 f 5 M M M EI5 I I 5 5 I5 I5 5 5 `M 5I I I 5 5 E5 5 5 5 5 5 5 5 5 0 G = 5 5 5 4=0 5 5 5 5 5 5 5 4 5 I5 5 Pf. f f I M I I 5 I I5 5E5 I I I5 5 5I I5 5 E5 5 5 5 5 5 5 5 0 = 5 5 5 5 5 4=0 G 5 5 5 5 G 5 5 4 5 5 5M 5I
arco Vl.1 1 =4 4 005M M 5 5 5M =4 4 00 G 5M 5 5M 5 5M 5 5M 5 MM5 MM5 f M M M f
arco Vl.2 G 5 B 5 =4 4 005 B 5 =4 4 0 0 f f
Va. B: 5 B: 5 5 =4 4 B B B !5 5 =4 4 B: B : 5 5 f f f f
Vc. 00B B 00B: B : 5 5 f f
arco Cb. 00 00B: B 2 B: B 5 5 f f
DCM 023 99
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 9999 226/09/20196/09/2019 14.1614.16 222 I II 5I 1 !B 5 I 5 B: B I E5I I Fg. : 5 B: 5 E5 B: B 5 2 1 !B 5 5 B B 5 : 5 : B: 5 E5 E5 B B 5 2 ff I : I
Timp. 1 !445M 0000000 2 f I I EI5 IB 5 !I5 I I IB E5 I II!5 I5 IB !I5 : 5 5 E5 EB: 5 !5 E5 B: 5 !5 5 B G 4 E5 E5 EB: 5 !5 !5 5 B 4 !5 5 ff Pf. I I I I E5I !I5 I I I E5 B: 5 !5 I5 I5 B E5 EB: 5 !5 5 B !5 E5 !5 4 E5 !5 5 B 4 !5 B: 5 5 5 B EI5 EIIB: 5 !5
Vl.1 1 G 00000000
Vl.2 G 00000000 II I Va. !IB 5 5 B: B 5 I : 5I BI: 5 E5 E5 B: B 5 ff I I I I Vc. I 5IIB B 5 !B: 5 5 : B: 5 E5I E5 B B 5 ff I I I I: I I Cb. !IB 5 5IIB B 5 : 5 : B: 5 E5I E5 B B 5 2 ff I I I I: I
230 1 I I I5 I Fg. 1 5 B 5 5 5 2 EB: 5 5 : 5 EB: 5 5 5 !B: 5 E5 EB 5 5 B: 5 5 5 EB 5 !B 5 5 2 I: 5I I II: I5 I: EI5 I I I 5 I IB: E5 I EIB: 5 5I IB EI5 I EIB 5 5 E5 E5 5 : E5 : G 4 5 B: 4 E5 EB: 4 5 B: 4 E5 E5 EB: Pf. I5 I EI5 I 5I I I I I 5 B: E5 EB: 5 B: E5 E5 EB: 4 5 B 4 E5 EB 4 5 B 4 E5 I5 : EI5 : 5 : EI5 EB:
Vl.1 1 G 00000000
Vl.2 G 00000000
Va. I5 EB 5 5 B 5 I5 5 EB 5 !B 5 I5 I: I 5I I: II: I5 I: EI5 Vc. 5 E5 EB 5 5I B: 5 I5 5 EB 5 I !B 5 I5 I: 5I I II: I5 I: EI5 Cb. I 5 B 5 5 I5 5 E5 2 EIB: 5 I 5I I: I II5 EB: 5 I5 !IB: 5 I
100 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 100100 226/09/20196/09/2019 14.1614.16 238 1 Fl. 1 2 G 00 0 0 0 0 0 0
1. 1 Ob. 2 G 4 B B: B: B: 00 0 0 p f
1 Cl. (Bb) 2 G 4 B B: B: B: 00000000 p fB: B:
1 Fg. 2 B: B: B: B: 00 0 0 2 fpB: B: fB: B:
1 Cor. (F) 1 2 G 4 B B 00 0 0 B B: B: B: p : fB: B: 3. 3 Cor. (F) 4 4 00 0 0 G B B p : fB: B:
1 Tr. (C) 2 G 00 0 0 0 0 0 0
1 Trb.t. 2 00 0 0 0 0 0 0 2
Timp. 1 00M M M M BM: BM: 2 pB: B: f5 5MM5 5 MMM5 5
5M 5M 5M 5 5 ` 5E5 5 5 5 5 5 5 5 5 E5E5E5E5 !5E5E5!5 5E5E5 5 4 5 55 5 E5!5 E5E 5 E5!5 G 5 5 5 5 5 5 E5 5E5E5 E5E5E5E5 Pf. 5M 5M 5M 5 5 5 E5 5 5 5 55 !5E5E5E5 5 5E5E5 4 5 5 5E5 G !5E5 5 E5!5E5E5
Vl.1 1 0 4 G 5 5 EB EB EB B pII fB: B: fII: : f : :
Vl.2 G 0 4 5 5 !B B B B pII fB: B: fII: : f : :
Va. 444 5 5 EB: EB: I5 pIIfB: B: f I I fB: B: I I I I I I I I Vc. B: B: 5 5 5 5 5 5 B: EB: B: B: B B 5 5 5 5 5 5 E B: B: B: : : I f fpI ffI I I I I I B B Cb. IIIIIIB: B: 5 5 5 5 5 5 00: : f 2 fp f
DCM 023 101
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 101101 226/09/20196/09/2019 14.1614.16 246 1 Fl. 1 2 G 00 0 0 0 0 0 0 :
1. 1 Ob. 2 G 4 B B: B: B: 00 0 0: p f
1 Cl. (Bb) 2 G 4EEB B: EB: B: 00 0 0: p : E fB: B:
1 Fg. 2 EB: B: B: B: 00 0 0: 2 : EpIB: B: fB: B:
1 Cor. (F) 2 1 4 G EB B B B 00 0 0: B B: EB: B: p : f : : 3. 3 Cor. (F) 4 4 00 0 0: G EB B EB B : p : f : :
1 Tr. (C) 2 G 00 0 0 0 0 0 0 :
1 Trb.t. 2 00 0 0 0 0 0 0 : 2 :
Timp. 1 EB: EB: E5 5MM5 E5 M5 M5 M 00 0 0: 2 : pM M f M M M 5 5 5 5E5E5 55 55 ` 5 55 5 555 5 4 E5 5 E5 5 5E5 E5 5 5 55 55 555 5 : G 5E5E5EE5 5E5 !55!5!5 555 5 : Pf. E5 5 M M M E5 5 5 5 E5 5 5E5 5 5!5 555 5 4 E5 5 E5 5 E5 55 5 G 5 55 : 5 555 5 :
Vl.1 1 G 0 4 : B: B: B: B: pII5 5 fB: B: fIII
Vl.2 G 00 0 0 : B B fII: : IB: B: I I Va. 0 4 : E5 5 EB: B: !B: B: B B : E B: B: fI I I: : pI I f I I I I I I I I Vc. EB: B: 5 E5 5 E5 5 5 B: B: B: B: : EB B 5 E5 5 E5 5 5 B: : : : : I I fp f I I I I I f I I Cb. II I I I B: B: EB: B: 5 E5 5 E5 5 5 00 : 2 fp f
102 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 102102 226/09/20196/09/2019 14.1614.16 254 1 Cl. (Bb) 1 2 G 5E5 5 5 5 5 00 0 0 0 0 p 5E5 5 5 5 5 pM MMMM M 0 1 M M M Fg. 5 5 5 2 5 5 5 00 0 0 0 0 2 0 5 5 5 pM M M 5M 5M B: !5 M !5 5 5 5 5 5 5 E5 5E5!5 5 5 5 E5 EB 5E5 5 G 44 0 E5 44 p 3 Pf. M 5 440 44G 5 5 5 B 5 E5: = !5 55 5 5 5 5 5 5 B 5 E5 E5E5 5 !E 5: ! 5 5 !5 5 5M 5 44 I M EE 5 B Vl.1 1 G 00 0 0 0 0 pB: B: Vl.2 G 44 0000 0 0 0 p5 Va. 00 0 0 0 0 pB: 5 E5 5 5 5 5
Vc. B: B: 00 0 0 0 0 p : : Cb. B: B: 00 0 0 0 0 2 p
262 Timp. 1 44 0000000 5 2 M !5M mfM !5 5 E5M M !5 ! 5 5M M M 55 5 5 5 !5 5 5 5 E5 5 5 5 E5 5 !5 55 55 M M 5 E5 5E5 5 5 5 E5 E5 5 E5 5 !5 5 55 5 !E5 5 G ! 5 !45 Pf. M !5M 5 4 5 4 5 4 E5 4 5 E5 4 5 4 G 5 E5 E 5 E5E 5 5 5 !5 B 5 5 5M 5 M E 5M E5MM5 !5 5 IB 5MM!5 5 M 5 M 5M ! 5M 5M M M -270 energico 1 M Cl. (Bb) 2 1 00 44 000 G EEBB: BB: !5 p M M 1 Fg. EB B !5 2 00E B: B: 44 000 2 p M 5 EE55 !5!55 5 E5 E5 !5 5 5!5 4 5 = 5 E5 = G EE55E5 !5!5 5!5 5 5 5 E5MM5 5 5 5 EB: E5 5 5 5 pMM Pf. fpMMII f 5E5 5 cresc. E5 E5 MM E5EE55 !5 !5 5 5MM5 5 E5 5 5 5MM5 II5 EB: E 5E5 E5 !5 5 5 5 E5 5 4 5 E 5 !5 5!5!5 5 5 55 5 energico Vl.1 1 G 0 4 00 0 0 E5 5 5 E5 5 5 5 5 f I p5MM5 cresc.5MMM5 5 MMMMM Va. 00 0 0 0 4 5 5 5 5 5 5 5 5 5 5 E5 5 5 pMMcresc.MMM MMMMM f I MMMMM Vc. 0000 0 05MM5 5MMM5 5 E5 5 5 5 5 2 p cresc.
DCM 023 103
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 103103 226/09/20196/09/2019 14.1614.16 278 I I 1 MM MM Fl. 1 BB BB: 55: 2 00? 5 5 5 5 : : =4 G I I pMM MM 1 Ob. 2 G 00 0000
1 I Cl. (Bb) BI B 5 2 G 00 0B4EB: 5: =4 p 1 Fg. 2 00 0000 2 !BI 5 5 5 5 5 5 5 MM B B 5 5 5 5 MME5 E5 !5 5 5 5 5 5 5 G E5 5 = 5 5 5E5 5 4 ff f Pf. E5 MM E5 E5 5 !5 5E5 5 5 5E5 5 E5!5E5E5!5 5!5 5 5 5 5 5 5 5 5 5 4 5E5E5!5 5 5!5 5 5 5 5 5 5 5 5 5 pizz.
Vl.1 1 5 G E5 5 5 5 5 !B B B B: 5: = 5 MMM MM f : f : : I f pizz. Vl.2 00 = 5 G B: B: B: 5I: 5 f f pizz. Va. MMM MM I E5 5 5 5 5 B: B: B: B: 5: = 5 ff f pizz. E5MM5 5M 5MM5 B B B 5I Vc. EB: : : : : = 5 2 ff f
284 I MM M M M M 5 5 5 !5!5 3 5 5 5 5 !5 !5M M G B5 5 5 B5 5 4 5 4 !5 4 B 5 5 5 !!5 44 B 4 B 3 BB: B : 5!5 M p pI M fp= 5B = 5!B f Pf. 3 MM M 3 M M I M !5 5 5 5 5 5 5 !5 B BB: 5 ! 5 5 !5 5 5 4 5 5 5 45 5 !5 4 B :5 B :5 !B 55 5 5 !5 5 = = !5 5 5M !5 5M 5M M M M 5M 5 5 Vl.1 1 0 5M 5 44 4 4 4 G ? 5M 5 4 5 !5 4 44 ppM MMfp pf
M Vl.2 004 4 44 44 4 5 5MM4 54 G 5 5 !5 5M 5 5M pM MMfpM pf M Va. 0 0 5 44 4 5MM54 5 4 5 5 4 445 5M 4 pMMfpM 5M M pf
Vc. 0 ? 5 0 000 0 0 2 pM
104 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 104104 226/09/20196/09/2019 14.1614.16 Tempo 292 1. solo 1 M M I Fg. 1 5 5 B: B: B: 5 M M 2 5 5 5 5 5 B B B 5 5 5 2 p p M M I: : : 5 MMM M M MM M M M 5 0 = 5 5 5 5 5 55 5 5 0 = 5E5 5 5 5 5!5 55 5 5 0 G 5 5 55 5 55 5 5 55 5 55 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 E5 5 5 5 5 Pf. M M M M M M pM M M M 000
301 1. 1 Fg. I 2 1 B: B: B: 5!5 2 E5M 5M EBI: B: B:
MMM M M E5 E5 5 5 5 5 E5 E E5 5 E5 E5 E5 E5 5 E 5 = 55 5 55 5 55 5 5 5 5 0 = 5 E5 E5 E5E 5 5E 5 5E 5 E 5 ! 5 E 5 E 5 5 G 5 555M 5 5555 5 5 E5 E5 E E 5E 5 E 5 E 5 Pf. 5M M M M 5 E 5E 5 E 5 M M M 5M5M M M M M M = 555 0
308 1 Cl. (Bb) 1 EB 2 G EB EB: : B: EB: EB: : p
1 Fg. B: 2 EB EB: EB: 2 B: EB: : p
E5 E5E5 E5 !5 E5 E5 E5 E5 E5 E5 5 ` E5 !5 E5 E5 !5 E5 E5 E5 E5 E5 = E5E5 E5 5 E5 G = ! 5 = E5 =E 5 E5 E5 = 5 E5 E5 E5 E5 =E 5 5 Pf. p E5 E5 E5 E5 E5 !5 E5 E5 E5 E5 E5 !5 = 5 = E=5 = E5G = E5 E5 E5 = E5 E5E5
- arco Vl.1 1 G EB B: B EB: EB: : p : EB: arco Vl.2 G EB B: B EB: EB: : p : EB: arco B Vc. EB: : B EB: EB: p : EB: B Cb. EB: : B EB: EB: 2 p : EB:
DCM 023 105
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 105105 226/09/20196/09/2019 14.1614.16 314 M 1 M Cl. (Bb) 1 I I 2 !B: 5 5 5 5 5 G B: B 5 EB B 5 EB: B 5 E5 5 M E B: EEB: pI pI M : I I M M 1 I I Fg. B: B 5 5 5 2 B: 5 B 5 B 5 !B: EB5 5 5 EB 2 I E B E B: p M : pI M : I I 5 5!5 5 5 5 !5 5 !5 5 5 5 55 55 5 5 5 E5E5!5 E5 G =! 5 5 = 5 5 5 =5 = 55 55 5 5 !5E5!5 5E5!5 5 5 E5E5E5E5 Pf. !55 5 p !5 E5 5 55 55 5 5 5 !5 5 = !5 5 5 55 5 5 5 E5!5 E5 5 5!5 E5E5 = = 5= 5 E5E5!5 !5 E5E5E5E5
Vl.1 1 G B: B 000 0 B: 5 B 5 Vl.2 G B: B 000 0 B: 5 B 5 Vc. B: B B: 5 B 5 000 0
Cb. B: B: B 5 B 5 000 0 2
322 a 2 1 Ob. B 2 1 0000: B: B: B: G p 1 Cl. (Bb) 2 G 0000EEB: B: B: B: p : B: B: B:
1 Fg. B: EB: !B B 2 0000B: : B: B: 2 p 1. 1 Cor. (F) 1 2 G 0000B: B: B: B 2 p : Timp. 1 0000B 5 00B 5M = 2 pM pM !5 M B ` 5 5 5 5 5 5 5M E5 5 !5B 5 5 E5E5 !5 5 !5!5 5 5 5 5 !5!5E5!5 B 5 B 5 B G E5 !5 5 5 5 5 !5E5 5B Pf. M B E5E5E5!5 5 !5!5 55 5 5 !5 5!5 5 5 M 5 !5 5 5 5 5 5 E5!5 5 5 E5 G B !5 E5!5!5 !5 5 5B pizz. 5 5 5 5 Vl.1 1 M M 5 G E5 5 5 !B 5 5 5 0 44 44 44 p : !B: mf mf pizz.
Vl.2 E5 !5 5 G EB E5 5 0 44 44 44 5 I M !B: BI M mf mf p !B: pizz. arco 5 Va. E5 ! 5 5 E5 E5 5 5 0 44 44 44 p M !B: 5 5M !B: mf mf I Vc. EB 5M BI M !B 5 0000 p : EB: Cb. 00000000 2
106 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 106106 226/09/20196/09/2019 14.1614.16 330 a 2 5 1 5 5E5 Fl. 1 5 5 5 5 2 G 0000 00= 5 5E5 a 2 p 1 Ob. B: 2 G B: B: B: 00 0 0 a 2 1 Cl. (Bb) 5 2 B 00= 5E5 E5 G !B: B: B: B: 5E5 5 5 B: B: B: p5 E5E5
1 Fg. B: B 2 B: B: B: B: 00 0 0 2 B: 1. 1 Cor. (F) 1 2 B 00 0 0 2G : B: B: B: Timp. 1 000B 5M 00B: B 5 = 2 M M M M M M M M M 5 5 I MMMM !B B 5 5 5 5 5 5 5 5 5 5 5 B: B: 0 445 44 5 44 5 5 5 5 5 5 5 5 5 !B: B: G 5 5 5 Pf. ffM M M 0 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 !B: B: I MMMM !B: B: arco B 5 5 55 5 5M B 55 B Vl.1 1 5 5M 5 5 G 00 0 0 arco B 5 Vl.2 B 5 5 5 B G 5 5 5 5M 5 00 0 0 5 5M 5 Va. 0 0 0 0 0 0 0 0
Vc. 0000 00 0 0
Cb. 0000 00 0 0 2 338 5 5 5 !` 5 5 ! 5 5 5 5 5 5 5 5 5 !5 5 5 5 E5 5 !5 5 5 G 4= 5 4= 5 4=!5 5 4=!5 5 = 5 5 E5 5 5 5 5 !5 f !5 5 5 5 5 5 Pf. 5 5 5 5 ! 5 5 5 5 5 5 5 4=5 5 4=!5 5 4=G 4= 5 = E5 5 !5 5 5 5 !5 5 5 !5 5 5 5 E5 5 5 5 5 !5 5 !5 5 !5 5 5 5 5 5 5 M Vl.1 1 G 4 4 5 4 5 4 E!B5 B 5 44 5 5 5 5 5 5 5 5 : f 5 5 f M Vl.2 M G 4 4 5 4 5 4 44 5 5 5 5 5 5 5 5 !E5B B !5 5 f 5 5 f M arco M Va. 0 0 0 0 44 EEB: !5 5 f M
Vc. 5 5 4 5 5 4 00 5 5 5 4 5 5 5 4 5 5 f
Cb. 5 5 4 5 5 4 00 5 5 5 4 5 5 5 4 5 5 2 f
DCM 023 107
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 107107 226/09/20196/09/2019 14.1614.16 344 E5 E5 E5 1 B: E5 5 E5 Fl. 1 5 5 5 B E5 E5 E5 E5 2 G : 00= E5 f
1 B: Ob. 5 5 5 2 G B: 00 0 0 f
1 Cl. (Bb) E5 95 E5 2 5 B: 00= E5 E5 E5 E5 G 5 5 B: E5 E5 95 E5 f
1 Fg. 5 2 5 5 B: 00 0 0 2 5 5 5 B: f
1 Cor. (F) 1 2 G 00000B: fB:
3. 3 Cor. (F) 4 G 0 00 0 0 fB:
1 Tr. (C) 2 G 000000
1 Trb.t. 2 000000 2
MMMMMM Timp. 1 0 5 5 5 5 5 5 00 0 0 2 f
5 E5I 5MM5 5MM5 E 5 5 5 EB: B: 5 5 5 5 E 5 5 5 5 5 E 5 5 5 EE B: B: G 0 = 5 5 5 5 5 E5 5 5 5 5 E5 5 5 EB: B: Pf. f ff 5 5 5 E5I 0 5 5 E 5 EB: B: = 5 5 5 5 E5 E5 5 5 5 EE5 5 5 EE B: B: 5 E 5 5 5 5 E5 5 5 EB: B: MMMM `b
5 5 5 5 5 5 Vl.1 1 5 5 5 5 5 5 5 5 5 5 G 5 5 00 0 0 f
Vl.2 5 5 5 5 5 5 00 0 0 G 5 5 5 5 5 5 f
Va. 5 5 5 5 5 5 00 0 0 5 5 5 5 5 5 f
Vc. 5 5 5 5 5 5 5 5 5 5 5 5 00 0 0 f 5 5 5 5 5 5 Cb. 5 5 5 5 5 5 5 5 5 5 5 5 00 0 0 2 f
108 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 108108 226/09/20196/09/2019 14.1614.16 Tempo I 350 I M 3 M I 5 M I M I 1 5 5 5 5 B Fl. B 5 5 5 5 5 5 E5 5 B 2 1 E5 5 EB !5 B: G I M E5 E5 5 E B ! 5 B: I f M 3 M fI M I a 2 5 1 55 5 5 E5E5 E5!5 I Ob. M 5M 5 EBI 5E5 !5 B: 5 5 5 5 2 G 5 5 5 B 5 5 E5 55 f 3 f I M I 1 I M M M I Cl. (Bb) 5 2 5E5 5 5 5 !5 5 5 E 5 E B E5 EB !5 B: B G B 5 E5B:5 5 : 5 5 E5 E595 5 E B ! 5 B: 5 B fI M fI M I M I I M M I 1 I M 5 5 EB !5 5 Fg. 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 2 B 5 B5: EB5 E5 5 B: 2 B 5 E 5 !B 5 5 5 5 5 5 B: fI M I M I I I M fI M
1 Cor. (F) 1 2 B 5 B: B 5 E5 B B: G B 5 E5 B EB !5 B: fI M B: B 5 M I EB !5 B B: I I M fI M I: I a 2 3 Cor. (F) 4 G B 5M B: E5 EIB B fI I B 5 M EB !5 I: I M fI M BI: a 2 1 M M I Tr. (C) 5 B: 5 M B: 2 E5 = 0 G ? =4 4 5 =4 4 mf f EBI M 1 Trb.t. 2 00 0 0 0 0 0 2
Timp. 1 5MM5 5M 5M 44 00 0044 2 mf 5M 5M
G 00 0 0 0 0 0 Pf. 00 0 0 0 0 0 Tempo I - M M I 5 5 B: 5 !5 BI 5 5 5 5M 5M 5M 5M E5E5 5E5!5 : 55 5 5 5 Vl.1 1 EBI 5E5 5 G E5 f 3 f mf 3 5M 5M BI !5 I Vl.2 5 : 5 5 E5 5 E5 !5 B: 5 5 5 5 G 5 5MM5 5MM5 E5 E5 55 E5 EB f5 f I mf I M I I M M I I M I I Va. B 5 B: 5 E5 B EB !5 B: B: B 5 B 5 5 B 5 E 5 B E B ! 5 B: B: fI M I I M M I fI M I mfI I I M M 5 5 M EB !5 5 I Vc. B 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 B 5 B5: E 5 EB5 E5 5 5 5 B: B 5 !B 5 5 5 5 B: fI M I M I I fI M mfI pizz. M M M Cb. M 5MM5 5 5 I5 4 5 I5 44 4 5 E5 5 4 4 44 44 2 M 5M M M f mf
DCM 023 109
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 109109 226/09/20196/09/2019 14.1614.16 M I M M M 357 M I M M M I B M M M 5 55 5 5 5 M 1 5 B EB 5 55 5 Fl. 1 5 EB !5 E5 B E5 5 E5 2 G !5 I M M M M M M 4 M I M M I pM M f M a 2 M I M M 1 !5 5 5 5 E5 5E5 5 5 M M M M M M Ob. E5 E5 5 !5 5 5 5 E5 5 5 5 5 ! 5 5 2 G 5 5 EE5 !5 !B 5 5 5 5 5 !5 5 4 E5 M M M M pM M M I M f M M I M M M M 1 M I M I M M 5 M M Cl. (Bb) B 5 5 !5 5 5 2 G EB !5 B EB E5 5 5 5 E5 5 4 E5 B EE5 E B E5 M M M M M I p M f M M I M I M M M I M 1 I I M M I M I M M M Fg. B: 2 B: EB: 5 E5 5 !B 5 B 5 !5 5 4 2 B B: B E5 B 5 5 : I : E5 M I M M M I I pM M I M f M 1 M M Cor. (F) 1 5 5 2 G B: EB: E5 5 5 !B 5: 5 5 5 4 EB: B: E5 !B 5M 5 E5 5 I EB pM 5MM5 I B EBI: I: M M M a 2 fI 3 Cor. (F) 4 4 G BI: EB E5 E5 5 B !5 B 5 !5 E5 EIB: I: pM M M I M fI M M M a 2 1 5M M 5M Tr. (C) 5M 5 5 E5 2 G 000E5 5M 0 4 pM 5M f
1 Trb.t. 2 0000000 2
Timp. 1 M 44 5M 44 00M =4 ? 54 4 5 5M 5 5 2 M mf fM
G 0000000 Pf. 0000000
M - !5 5 M 5 M M !5 5 5 5 5 5 5 E5 5E5 5 5 M !5M 5 55 5 5 5 M Vl.1 1 E5 E5 5 E5 E5 5M 5 E5 5 G ! 5 5 4 p f !5M 5
!5 5 5M M M E5 5M Vl.2 5 5 5 E5 5M 5 5 5 5 5 4 G E5 !5 5 E5 5 5 5 E5 5 E5 5 5 E5 5 !5M 5 5 ! 5 pM M f !5M 5 I M M M I M M I I 5 M M Va. !B: EB E5 5 5 !B !5 5: 5 5 4 E!B: : E B: 5 E5 5 B !5 B 5 !5 !5 : I : I I pM M M I M fI M M M I I I M M M I M I M M M Vc. B: 5 E5 B: B EB: 5 E5 E5 !B 5 B 5 ! 5 !5 4 B : B E5 B 5 5 : I : E5 M I M M M I I pM M I M f MM M E5M M 5M 5 !5 M Cb. M 5 5MM5 5M 5 54 4 44 44 E5 E5M 4 4 4 2 p f
110 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 110110 226/09/20196/09/2019 14.1614.16 poco animato 364 E5 5 5 !5 5 5 5 5 5 4 5 5 5 5 5 5 5 5 5 5 E5 5 E5 5 G 4 5 5 4 !5 5 4 5 4 5 5 4 E5 5 5 E5 5 5 5 5 5 5 Pf. p cresc. 5 5 5 5 5 !5 5 5 5 5 5 5 5 4 5 445 445 445 44E5 44 4
lo stesso tempo (ganze Takte) ma mosso 370 M M I 5 M M M M I 1 M M I 5 5 5 B: 5 5 5 BI: E5 5E5 5 EEB: Fl. 1 5 5 5 5 B: 5E5 5 5 B: 5E5 5 5 B E 5 E5 2 G 5 : : f
M M I 5 M M M M I 1 M M I 5 5 5 B: 5 5 5 BI: E5 5E5 5 EEB: Ob. 5 5 5 5 B: 5E5 5 5 B: 5E5 5 5 B E 5 E5 2 G 5 : : f
1 Cl. (Bb) M M I 5 M M I 2 5 5 B 5 5E5 5 EB: 5 5 5 B: E5EE5 E5 5 EEB: G E5 5 5M 5M EBI: E5E5 : 5E5 5 5 B: E 5 f M M I
a 2 1 Fg. 2 B: B: 5 2 f M BI B: EIB: B: B: B:
1. 1 Trb.t. 1 B: B: 5M 2 B B EB: B: B: B: 2 f I : I
5 5 5 5 ` ` ` ` E`5 5 `5 5 5 5 5 5 5 E5 5 5 E 5 5 5 G 0 5 0 5 5 5 0 5 5 5 0 E5 5 5 Pf. fff f 5 5 E5 E5 5 5 5 5 E5 5 5 E5E5 5 0 5 5 5 0 5 5 0 0 5 5 5 5 E5 5 EE5 5
lo stesso tempo (ganze Takte) ma mosso
Va. 1 B: B: 5M EB: B: B: B: f BI B: I
Vc. B: B: 5 f M BI B: EIB: B: B: B: arco B: B: 5M I Cb. BI B: EB: B: B: B: 2 f
DCM 023 111
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 111111 226/09/20196/09/2019 14.1614.16 378 M M 5 5 5 5 5 5 B E5M 1 5 ! 5 5 5 5 5 5 5 5 !5 E5 5 5 5 Fl. 1 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5E 5 5 5 2 G 5 5 5 5 M M 5 5 5 5 5 5 B E5M 1 5 ! 5 5 5 5 5 5 5 5 !5 E5 5 5 5 Ob. 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5E 5 5 5 2 G 5 5 5 5
1 5M 5M 5 B M Cl. (Bb) 5 !5 5 5 5 5 B 5 5 5 5 5 5 E5 E5 E5 5 5 2 G 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5 E 5 5 5 5 5 5 5 a 2 1 Fg. 2 B: B 5 5 5 2 III: I5: 5: 5I: EBI M 1. I 1 Trb.t. 1 III M 2 B: B 5 5: 5 5 5 2 I: 5I: I: EBI 5 5 5 5 5 5 5 5 5 E!5 5 5 0 4=5 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5 !5 5 5 5 G 5 E5 Pf. f 5 5 5 5 E5 5 5 !5 0 4=5 5 5 5 5 5 5 5 !E5 5 5 5 5 5 5 5 5 5 5 5 E 5 5
Va. 1 - IIB: B 5 5: 5 5 5M I I: I5: I: EIB Vc. B: B 5 5 5 III: I5: 5: I5: EIB M III I M Cb. B: B 5 5 I I I 5 : 5: I5: 5: EB 2 383 E5M 5M M M M M 1 5 5 E5 5 E5 5E5 5 M M 5 5 5 5 5 5 5 5 5 5 55 5M 5M 55 5 5 5 5 Fl. 1 E5E 5 E 5 E5 E5EE5 5 5 ! 5! 5 5 5 5 5 5 5 5 5 5 5 5 5 2 G E5M 5M M M M M 1 5 5 E5 5 E5 5E5 5 M M 5 5 5 5 5 5 5 5 5 5 55 5M 5M 55 5 5 5 5 Ob. E5E 5 E 5 E5 E5EE5 5 5 ! 5! 5 5 5 5 5 5 5 5 5 5 5 5 5 2 G
1 Cl. (Bb) E5M 5M M M M M 2 E 5 5 E5 5 E5EE5 E5 5 E5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G E5E 5 E 5 E 5EE5 5M 5M ! 5 5M 5M 5 5 5 a 2 1 Fg. I M I 2 EB B B B 5 B: B: B: 2 I: : : 1. 1 I M Trb.t. I B 5 I 2 1 EB: B: B: B: B: B: 2 5 5 E5 5 E5 5 !5 5 5 5 B: 5 E5 5 5 EE 5 5 5 EE5 5 5 B: 5 5 5 5 5 5 B: 55 E 5 5 5 5 5 E5 5E5 5 E 5 5 5 !B: 5 B: 55 5 5 555 5 G E5 E5 5 4 5 5 5 5 5 Pf. f E5 5 = !5 5 B 5 5 E5 E5 5 5 5 5 5 5 5 BB: 55 E5E5 5 5 5 E5 5 5 EE 5 5 5 B 5 B 5k B : 5 E 5 5 5 EEE5 5 5 5 E5 5 B : 4 I 5M B: 5 I I M Va. 1 EBI: B: B: B 5 BI: B: B: I Vc. B 5M I EBI: B: B: B: B: B: EBI: B: B: I Cb. B 5M BI: B: B: 2
112 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 112112 226/09/20196/09/2019 14.1614.16 390 M M 1 55 5 5 5 5 5 5 5 55 M M 5M 5M 5M 5M M M Fl. 1 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5!5 5 5 5 5 5 5 5 5 5 5 2 G 5 5 5 M M 1 55 5 5 5 5 5 5 5 55 M M 5M 5M 5M 5M M M Ob. 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5!5 5 5 5 5 5 5 5 5 5 5 2 G 5 5 5
1 Cl. (Bb) M M 2 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5M 5M 5 5 M M 5 5 M M 5 5 5M 5M a 2 1 Fg. BI M I 2 5 BI: B: B: IIB: B: 2 1. 1 I Trb.t. B 5M I IB II 2 1 B: B: : B: B: 2 B I 5M M B: 5 5 5 5 5 5 B: 5 5 5 5 5 5 5 5I 5 B: 5 B: 5 5 5 5 5 5 5 5 5 = 5 5 5 = 5 G 4 5 5 5 Pf. ff = 5 5 B : 5 5 5 5 5 5I 5 5 5 5 5 5 BB: 5 5 5 5 5 5 5 5 B 5 B 5 B : 5 5 5 5 5 = 5 = 5 5 B : 4 5 5 5 I 5M B: 5 M I5 5M I I Va. 1 B 5M IIIIB: B: B: B: B:
Vc. IB M I 5 IB: B: B: IIB: B: Cb. IB 5M B B IB: B B 2 I: : II: : 396 M M I 5 5M 5M BI: 1 5 M M 5 M M 5 5 5 5 B: !5 5 5 5 B: Fl. 1 5 5 5 5 5 5 5 5 5 5 2 G 5 5 5 5 5 5 f M M I 5 5M 5M BI: 1 5 M M 5 M M 5 5 5 5 B: !5 5 5 5 B: Ob. 5 5 5 5 5 5 5 5 5 5 : 2 G 5 5 5 5 5 5 f
1 M M I Cl. (Bb) M M I 5 5 5 B: 2 5 5 5 5 5 5 B: !5 E5 5 5 B: G 5 5 5 5 5 5 5 5 M M M M f a 2 1 Fg. IIII 2 B: !B: B: B: EB: B: 2 1. 1 IIII Trb.t. B: !B: B: B: EB: B: 2 1 2 I M 5 5 I5 5 5M 5 5 5 5I 5 5M 5 5 I M 5 5 5 = 5 5 = 5 5 5 5 5 5 5 5 = 5 5 5 5 5 G 5 5 = 5 5 ! 5 5 E5 5 5 Pf. 5 5 5 5 = 5 5 5 5 = 5 !5 5 5 = 5 5 5 5 5 = 5 E5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 E!5 5 5 5 5 I M I M I M 5 5 I M 5 5 IIII Va. 1 B: !B: B: B: EB: B: II Vc. IIB: !B: B: B: EB: B: II Cb. IIB: !B: B: B: EB: B: 2
DCM 023 113
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 113113 226/09/20196/09/2019 14.1614.16 von hier ab nach und nach lebhafter werden 402 5 5E5 1 55 5 5 5E5 5 5 Fl. 1 5 5 5 5 5 E5 5 2 G 0005 0 000 p p
1 Ob. 2 G 00000 0 0
1 Cl. (Bb) 5E5E5 2 0005 5 5 0 5E5E5 5 5 000 G 5 5 5 5 5 E5 p p
1 Fg. 2 00000 0 0 2
1 Cor. (F) 1 2 G E5 5 B B E5 5 B 5 5 B 5 5 B B: E B B: 5 5 B E B B: B: B: : : B: : p p cresc. 3. 3 Cor. (F) 4 G B: B: B: B: pB: B: pB:cresc. 1 Tr. (C) 2 G 00000 0 0
1 Trb.t. 2 00000 0 0 2
Timp. 1 M M M M M M M BM: BM: BM: BM: BM: BM: BM: 2 p p cresc.
5 5 E5 5 5 5 5 BI: 5 5 5 E5 5 !5 5 5 5 5 B: 5 5 5 E5 5 G 5 5 E5 5 B: 5 ! 5 E5 5 5 p 5 B: p cresc. 5 Pf. I E5 5 I 5 5 E5 5 5 55 5 5 5 B: 5 5 5 !5 5 5 B: B 5 IB: : von hier ab nach und nach lebhafter werden M M 5M 5M M M !5M 5M 5M 5M Vl.1 1 5 5 E5 5 5 5 E5 5 5 5 G 5 5 IB: 5 5 p IB: p cresc.
Vl.2 E5 5 B E5 5 B 5 5 B G 5 5 B IB: 5 5 B p IB: p cresc. I I I I I I I B B B B: Va. B: B: EB: EB: B: EB: : : : I I : I I pI I pI cresc. 5M 5M 5M 5M 5M 5M 5 !5M 5M 5M 5M 5 BI 5 E5 5 Vc. 5 IB: E5 5 : 5 5 p p cresc.
II Cb. B: B: B: B: B: B: B: 2 p p cresc.
114 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 114114 226/09/20196/09/2019 14.1614.16 409 1 Fl. 1 2 G 000000
1 Ob. 2 G 000000
1. 1 Cl. (Bb) 2 G 5 5 !5 5 5 5 5 5 5 5 5 5 E5 !5 E5 5 5 E5 !5 E5 EB: B: p5 5 E5 E5 cresc. I I 1 II I IIB !5 5 E IB B B Fg. B !5 5 B B ! 5 5 E B B: B: 2 B E 5 5 2 p cresc.
1 Cor. (F) 1 0 0 0 0 0 0 2 G B 5 5 B B 5 5 B B: B: pI cresc. I 4. 3 Cor. (F) 4 G B 5 5 B B 5 5 B B: B: pI cresc. I 1 Tr. (C) 2 G 000000
1 Trb.t. 2 000000 2
Timp. 1 M M M M M M 2 pB: B: cresc. B: B: B: B:
5 E5 5 5 5 !5 5 5 5 !5 !5 !5 5 5 E5 E5 5 5 5 5 E5 5 5 5 5 G 5 5 E5 !5 !5 5 ! 5 5 E 5 5 5 5 5 5 5 5 5 5 E5 !5 5 5 5 !5 5 5 !5 E5 E5 5 E5 5 Pf. 4 cresc.
Vl.1 1 G 000000
Vl.2 G 000000
Va. 0 0 0 0 0 0
I I Vc. B 5 5 B B 5 5 B B: B: p cresc.
I I Cb. B 5 5 B B 5 5 B B: B: 2 p cresc.
DCM 023 115
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 115115 226/09/20196/09/2019 14.1614.16 415 1 Fl. 1 2 G 000000
1 Ob. 2 G 000000
1 Cl. (Bb) 2 G!BB: BB: BB: BB: BB: BB: p cresc. molto
1 B B B B B B Fg. B: B: B: B: B: B: 2 2 p cresc. molto
1 Cor. (F) 1 000000 2 G B: B: B: B: B: B: p cresc. molto
4. 3 Cor. (F) 4 G B: B: B: B: B: B: p cresc. molto
1 Tr. (C) 2 G 000000
1 Trb.t. 2 000000 2
Timp. 1 M M M M M M 2 pB: B: B: cresc. molto B: B: B:
5 5 5 5 5 5 5 5 5 5 E5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 E5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 cresc. molto Pf. f 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Vl.1 1 G B: B: B: B: B: B: p cresc. molto
Vl.2 G B B B B B B p : : : cresc. molto : : :
Va. B: B: B: B: B: B: p cresc. molto
Vc. B: B: B: B: B: B: B: B: B: B: B: B: p cresc. molto
Cb. B: B: B: B: B: B: 2 p cresc. molto
116 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 116116 226/09/20196/09/2019 14.1614.16 sehr lebhaft M I 421 M I 3 1 5 B: 5 Fl. 5 B: 5 : 5 5 5 E5 2 1 445 : 44 5 5 5 E5 G M I 5 E5 5!EB fM I f M I 3 1 M I 5 B: 5 Ob. 5 B: 5 5 5 5 5 5 E5E5 2 G 445 B: 445 B: 5 5 E5 5 EB f ! B f M I M I 3 1 5 B: 5 5 E5 Cl. (Bb) 5 EB: 5 B 5 5 5 5 5 E5 2 G 445 B: 44 : 5 5 5 5 5 E5 5 EB fM I fM I I M I I M I 1 I M I Fg. B 5 B: B: E5 EB 2 B 5 B: B: B: B: 5 B 2 B: B: fI I fI I I I M I 1 M I Cor. (F) 1 B 5 B: B EB 2 G B 5 B: B B B: E5 B: B: : : E 5M IB fI I fI 3 Cor. (F) 4 G 0000 0 0 1. 1 M I M Tr. (C) 5 B: M I M E5 2 G 44 445 B: 5 =4 4 = E5: = f f I
1 Trb.t. 2 0000 0 0 2
Timp. 1 5 44 00005 44 2 f
M 5 M 5 5 M 5 5 5 5 5 5 5 5 5 5 5 E5 G 4 5 5 4 5 5 5 5 5 5 5 5 5 5 !5 E5 5 5M Pf. f f !5 M M 5 5 5 M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 5 4 5 5 5 5 5 5 5 E5 !5 5M 5 5 E5 5 E5 sehr lebhaft M M I 5M 5M IB: 5 Vl.1 1 5 5 B: 5 5 5 5 5 5 5 E5E5 G 5 5 E5 EB f f I M I 3 I M 5M 5M B 5 5 B: 5 5 Vl.2 5 B: 5 5 : 5 5 5 5 E5E5 G 5 M E5 EB I f I I f 3 I M I I M I Va. B 5 B: B: E5 EB B 5 B: B 5 B: B: ! 5 B IB 5M IB: f f I M I I I M I I M I M Vc. B IB E5 EB B 5 B: B: 5 : B: ! 5 B B: B: : fI fI I I M I I I IB Cb. B 5M B: : M IB IB 5 IB: E5 2 ffM
DCM 023 117
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 117117 226/09/20196/09/2019 14.1614.16 427 1 5 5 5 5 5 !5 5 5 Fl. 1 E5 5 !5 5 5 5 5 5 !5 5 E5 5 5 2 EE5 5 5 ! 5 5 5 5 5 5 55 5 5 5 5 5 55 5 5 5 5EE5 5 5 5 5! 5 5 5 E5 5EE5 5 5 G E5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 f
1 5 5 5 5 5 !5 5 5 Ob. E5 5 !5 5 5 5 5 5 !5 5 E5 5 5 2 5EE5 5 5 5 5 ! 5 5 5 5 5 5 55 5 5 5 5 5 55 5 5 5 5EE5 5 5 5 5! 5 5 5 E5 5 5EE5 5 5 G E5 !5 5 5 5 5 5 5 5 5 5 f a 2 1 Cl. (Bb) !5 5 2 G 5: E5 5 5 5 5 5 5 5 5 55 5 5 5 E5 5 5 5 5 5 5 E5E5 E5 5 5 f 5 5 5 5 5 5 5 E5 E5 5 E5
1 I I I Fg. B: IIB: B: 2 !B: B: B: B: EB: EB: ! B: B: B: B: B: 2 f I I
1 I Cor. (F) 1 IB I IB !B: 2 : !B: B: B: !B: B: EB: G EB: ! IB: : E IB: E IB: f
3 Cor. (F) 4 G 0000 0 0 0
1. 1 M Tr. (C) 5 M MMM M 2 =4 4 =4 4 5 =4 4 5 =4 4 5 =4 4 5 =4 4 E5 =4 4 G 5M
1 Trb.t. 2 0000 0 0 0 2
Timp. 1 0000 0 0 0 2
5 5 5 5 5 5 5 5 5 5 E5 5 5 !5!5 5 5 5 55 5 5 5 55 !5 !5 5 E5 5 5 5 5 E5E5 5 E5 5 5 G 5 !5 5 Pf. !5 5 5 !5 5 5 5 5 E5 E5 5 5 !5 5 5 55 5 5 55 5 5 5!5 E5 5 5 5 5 5 E5 5 E5E5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 Vl.1 1 E5 5 !5 5 5 5 5 5 !5 5 E5 5 5 G 5E5 !5 5 5 55 5 5 5 5 5 5 5 E5 5 5 5 E5 E5 5
5 5 5 5 5 5 5 5 Vl.2 E5 5 !5 5 5 5 5 5 !5 5 E5 5 5 G 5E5 !5 5 5 55 5 5 5 5 5 5 5 E5 5 5 5 E5 E5 5 I I I I I I B I B B: Va. : !B: B: !B: B: EB: EB: ! B: B: : ! B: E B: I I I I I I I I I I I I I I B Vc. B: B: B: B: : EB: EB: !B: B B: B: B: : B: B: I I I I I I I I I I IB IB: I B: I Cb. EB: B: : B: B: 2
118 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 118118 226/09/20196/09/2019 14.1614.16 434 B B: 1 !B: B: B: : B: B: Fl. 1 B EB: B B 2 G : : : f f B B: 1 !B B B: : B B Ob. B: EB: : B: B: 2 G : : : f f
1 B B: B: Cl. (Bb) B: B: B: B: 2 G EB: EB: B: f : f
1 Fg. 2 B: EB B: B: B: B: EB: E B: !B B: : : 2 f : : f
1 Cor. (F) 1 EB: B: B: B B: B: 2 G EB EB: B: B: : : fB: B: f 3. 3 Cor. (F) 4 G B: EB: B: B: B: B: f f
1. 1 I I Tr. (C) I B: B: 2 G B: BI: IB: B: f f
1 Trb.t. 2 00000 0 2
Timp. 1 M 0000BM: 5M 44 2 f
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 E5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 E5 5 5 5 5 5 5 5 5 Pf. f !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 E5 E5 5 5 5 !5 5 5 5 5 5 5 5
I - I I I I B: B: B: B: B: B: B: Vl.1 1 B: EB: : B: B: G I I fI I fI I I I I I B: B: B: B: B: B: B: Vl.2 B: EB: : B: B: G I I fI I fI I I I I I Va. B: EB: B B B: B: B: B: B: B: B: B: fI I I I fI I I I I I Vc. B B: EB: B: B: B: B: EB: E B: !B: : I fI fI I I I IIBI BI: B: Cb. EB: EB: !B: : 2 f f
DCM 023 119
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 119119 226/09/20196/09/2019 14.1614.16 440 1 Fl. 1 B: 2 G B: B: B 4 00 0
1 Ob. B: 2 G B: B: B 4 00 0
1 Cl. (Bb) B: B 2 G B: EB: B 4 00 0
1 Fg. 2 !B: B: B 4 00 0 2 B: B:
1 Cor. (F) B 2 1 : B: B 4 00 0 G B: EB: B
3. 3 Cor. (F) 4 G B: !B: B4 00 0
1. 1 Tr. (C) M 2 G 004 5 5 00 0 5M M f
1 Trb.t. 2 000000 2
Timp. 1 005M 5 =4 000 2 f
5 5 5 5 5 5 5 5 5 5 5 5 5 4 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 !5 5 5 5 5 5 Pf. 5 5 5 p cresc. 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 4 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
I I I Vl.1 1 B: B: B 4 00 0 G B: B: B I I I I I I Vl.2 B: B: B 4 00 0 G B: B: B I I I I I I Va. B: B 4 00 0 B: B: B I I I I I I Vc. B: !B: B 4 00 0 B: B: B I I I I I Cb. B: B: B 4 00 0 2 I
120 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 120120 226/09/20196/09/2019 14.1614.16 446 1 Fl. 1 2 G 000 0 00 0
1 Ob. 2 G 000 0 00 0
1 Cl. (Bb) 2 G 000 0 00 0
1 Fg. 2 000 0 00 0 2
1 Cor. (F) 1 2 000B: B: B B G B: B: B: B: mf : : 3. 3 Cor. (F) 4 G 000B: B: EB B mf : :
1 Tr. (C) 2 G 000 0 00 0
1 Trb.t. 2 000 0 00 0 2
Timp. 1 000M M M M 2 pB: B: B: B 5M
5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 55 5 5 E5 5 5 5 E5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 Pf. f 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 55 5 5 55 5 5 E5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Vl.1 1 G 000 0 00 0
Vl.2 G 000 0 00 0
Va. 0000 00 0
Vc. 000 mfB: B: B: B:
Cb. 000 2 mfB: B: B: B:
DCM 023 121
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 121121 226/09/20196/09/2019 14.1614.16 453 mit Bravour 5 1 5 5 5 Fl. 1 5 5 5 5 5 5 5 5 2 G 0000 5 5 5 5 5 5 5 5 5 5 5 5 5 f =4 4 0
1 Ob. 2 G 0000 0 0 0
1 Cl. (Bb) E 5 2 G 0000 05 E5 5 5 5 5 E5 5 5 5 E5 5 5 5E 5 5 5 5E5 5 5 f
=4 4 0 1 5 5 5 5 5 5 5 Fg. 5 5 5 5 5 5 5 5 5 2 00005 5 5 5 5 5 2 5 5 5 f
1 Cor. (F) 1 2 G 00000000000000
3 Cor. (F) 4 G 0000 0 0 0
1 Tr. (C) 2 G 0000 0 0 0
1 Trb.t. 2 0000 0 0 0 2
Timp. 1 00005 44 0 0 2 f ` 5MMM5 `5 5MM`5 5MM`5 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 4 5 5 4 5 5 4 5 5 4 5 Pf. f f MM MM MM MM 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 44 44 44 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 mit Bravour pizz. 5M Vl.1 1 G 44 0005 44 0 0 f f
pizz. Vl.2 M G 5 44 0005 44 0 0 f 5 f
Va. 00000 0 0 pizz. 5 Vc. 00005 44 00 f pizz. 5 Cb. 000044 00 2 f
122 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 122122 226/09/20196/09/2019 14.1614.16 rall. 460 M 5 B 5 B B 5 1 5 5 5 : : : Fl. 1 5 5 5 5 5 5 B: 5 B: B: 5 2 G 5 5 5 5 44 44 0044 M f f
1 M Ob. 5 B: 5 B: B: 5 2 G 0 5 44 B: 5 44 000B: B: 5 44 f f
1 Cl. (Bb) M EB: 5 EB: B: 5 2 5 B: 5 44 B: B: 5 44 G 5 =4 4 5 44 00 f f M 1 5 5 Fg. 5 5 5 5 5 2 5 5 5 5 5 44 B 5 44 00B B 5 44 2 5 5 5 5 : : : 5 5 fB: 5 fB: B: 5 10 M
1 Cor. (F) M 2 1 0 5 44 B: 54 4 000B: B: 5 44 G 5 B 5 B: B: 5 ff: f
3 Cor. (F) 4 G 0 54 4 B: 5 44 000B: B: 54 4 5 ffM B: 5 fB: B: 5
1 Tr. (C) B 5 2 G 00: 44 0B: B: 5 44 0 f
1 Trb.t. 2 0 000 00000 2
Timp. 1 M M M 0 5MM44 BM: 5 44 5 44 BM: BM: 5 44 0 2 fpff p f
` 5 5M B: 5 B: B: 5 5 5 5 5 5 B: 5 B: B: 5 G 44 : 44 0 B: B: 5 44 0 Pf. 10 f f B: B: 5 5 5 5 5 44 B 5 44 00B: B: 5 44 5 5 5 5 5 B: 5 : : 5 5M B: 5 rall. arco 5 B: 5 B: B: 5 Vl.1 1 5 B 5 B B 5 G 0 44 5: 44 005: : 44 f f arco
Vl.2 5 B: 5 B: B: 5 G 0 5 44 B: 5 44 00B: B: 5 44 f 5 5 f pizz. arco B: 5 B: B: 5 Va. 5 B: 5 B: B: 5 0 44 5 44 005 44 f 5 5 arco f 5 Vc. 0 5 44 B: 5 44 00B: B: 5 44 f B: 5 B: B: 5 5 f5 arco 5 Cb. 0 44 B: 5 44 00B: B: 5 44 2 f f
DCM 023 123
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 123123 226/09/20196/09/2019 14.1614.16 ABBREVIATIONS
b. bar cb. contrabbasso cl. clarinetto cor. corno DK-Kk Det Kgl. Bibliotek, København Royal Danish Library, Copenhagen fg. fagotto fl . fl auto fol. folio ob. oboe p. page str. strings tb. tuba timp. timpani tr. trombe trb.t. trombone tenore trb.b. trombone basso va. viola vc. violoncello vl. violin ww. woodwind
124 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 124124 226/09/20196/09/2019 14.1614.16 CRITICAL COMMENTARY Paper type: 24 staves (‘Beethoven Papier Nr. 37 (24 Linien) / 1942’). DESCRIPTION OF SOURCES Sketches in pencil though half a page is in ink.
A Score, autograph, fair copy D Solo piano part, transcript, ink fair copy. B Short score, autograph, ink and pencil draft DK-Kk, Paul v. Klenaus Samling 103, mu.0603.2900. C Sketches Title on front page: ‘Konzert / für / Klavier und Orchester. / D Solo piano part, fair copy Paul v. Klenau’. E Series of dodecaphonic tone rows, ink fair copy, autograph 34.5x27 cm; title page, blank page, 31 numbered pages notat- ed with music, 7 blank pages, in all 10 bifolios. A Score, autograph, fair copy. Paper type: 12 staves ‘W.H. Nr.3 F.12’. DK-Kk, Paul v. Klenaus Samling 103, mu. 0603.2900. Source contains only few corrections and additions in pencil, Title page: ‘Konzert / für / Klavier und Orchester / Mai 1944’ some of which are in Klenau’s hand. Title on fi rst music page: ‘Klavier Konzert / Paul v. Klenau / 1944’ End-dating on p. 134: ‘28 Mai 44.’ E Series of dodecaphonic tone rows, ink fair copy, autograph. Paper type: 24 staves (‘Beethoven Papier Nr. 37 (24 Linien) / DK-Kk, Paul v. Klenaus Samling 103, mu 0603.2900. 1942’). Title (fol. 1r): ‘Reihen für Klavier Konzert. 1944’, in ink. 34x27 cm.; 34 bifolios in 3 gatherings: 34x27 cm; one bifolio, of which fols. 1v–2v are blank. 1: 19 bifolios, paginated 2–76 (fi rst page unnumbered) Paper type: 24 staves (‘Beethoven Papier Nr. 37 (24 Linien) / 2: 11 bifolios, paginated 77–120 1942’). 3: 3 bifolios, paginated 121–132 Source lists the series of dodecaphonic tone rows and its in- All gatherings in a folder (bifolio): fol. 1r (title page), fol. 1v version as well as in 11 transpositions of each employed in the b b b b b (blank), fol. 2 (p. 133–134). work: tone row: E–E –A –B –D –g –F–A–D–C–B–G; inversion: b # # # # Source written in ink with few pencil and ink corrections and E–F–C–B –G–D–D –B–F –G –A–C . The missing accidentals additions in Klenau’s hand. are added in pencil. See facsimile p. xiii. Small numbers in pencil from 1–30 (12 is missing) have been added below the piano part at certain intervals throughout EVALUATION OF SOURCES the score; the signifi cance of these fi gures is not evident, The main source – the only source in full score – is the autograph though it may be an indication of the duration of the music in fair copy, source A. The score contains a few corrections in given in minutes. Klenau’s hand but has also a number of defi ciencies and errors in terms of articulation, dynamics and performance instructions – B Short score, autograph, ink and pencil draft. in particular indications of ‘primo’, ‘secondo’ and ‘a due’ in wood- DK-Kk, Paul v. Klenaus Samling 103, mu. 0603.2900. winds and horns. Revisions are mainly based on internal readings Title on fi rst music page: ’ENTWURF FÜR KLAVIER- with consultations of the piano score B. KONZERT / 1944’, added in pencil. Only in very few cases has the dodecaphonic tone row been 34x27 cm; 48 pages consisting of 3 gatherings: used as argument for a revision, as Klenau would often deviate 1: 20 pages, paginated 1–20 (movement 1) from a given row by changing or omitting a note, or by using only 2: 12 pages, paginated 2–12, fi rst page unnumbered an extract of a given row. The source material indicates that a per- (movement 2 and parts of movement 3) formance may have been planned while the sources were being 3: 16 pages, paginated 13–25, last 3 pages unnumbered produced. No such evidence of a performance, however, is extant. (part of movement 3) Draft in pencil and ink; written on 4 staves, 2 in ink and 2 in EDITORIAL STRATEGY pencil. Some passages on the ink staves sketch the orchestra Incomplete notation has been emended without comment un- while some sketch the piano. Movements 1 and 2 are untitled less the reading is ambiguous. Missing rests in empty bars and and movement 3 has ‘Rondo’. other missing rests have been added tacitly, except in cases where Paper type: 24 staves (‘Beethoven Papier Nr. 37 (24 Linien) / there may be doubt as to whether a note or notes might have been 1942’). intended. Klenau’s notation of two instruments on a single stave is par- C Sketches. ticularly challenging. Frequently he alternates between one- and DK-Kk, Paul v. Klenaus Samling 103, mu. 0603.2900. two-part notation without indicating whether phrases should be Title on fi rst music page: ‘Klavier Konzert’. interpreted as a2 or 1., for example. Each instance has been de- Title of third movement: ‘Rondo’ termined in view of internal contexts such as the notation of the 34x27 cm; one gathering with 6 bifolios, various systems of previous section or by comparable instrumental parts as well as pagination, in all 22 pages with music and 2 blank pages. the section’s general dynamic level. A phrase, interpreted by the
DCM 023 125
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 125125 226/09/20196/09/2019 14.1614.16 editor as only valid for the fi rst of two instruments, is listed in the 24-27 ob.1 incomplete beginning of slur in b.27 emended to b.24 Commentary as ‘1. added’. In that case, the addition is applicable by analogyn with cl., fg. 25 pf.1 note 12: added by analogy with b.24 and b.27 for the whole phrase including the repeated 1.-designations fol- n 25 pf.2 note 14: added by analogy with b.24 and b.27 n n lowing page turns. In two-part notation, such changes are formu- 26 pf.1 A: note 10: a corrected in pencil to g ; D: note 10: g lated as ‘rests added’ or ‘second part added’. 26-27 fg.1,2 end of incomplete slur of b.26 emended to b.27; A: Klenau is also inconsistent in the use of single and double page turn; A: b.27: fi rst crotchet to fourth quaver: slur f stems on one stave in the strings. Double stems do not always in- 27 cb. arco added because of pizz. in bb. 15-21; added by analogy with b.22 (vc.) dicate divisi, just as chords notated with single stems do not al- n 27 pf.2 note 11: n added ways mean that Klenau wanted the passage to be played with dou- 28 pf.2 note 12: added ble-stopping. The use of double stops and divisi is a question of 28-29 fl .2 slur added by analogy with fl .1 musical interpretation; the edition therefore reproduces Klenau’s 31 va. arco added 33-34 pf. A: 1) added in pencil below the staff notation, leaving interpretation to the performer. n #
34 pf. A: seventh semiquaver: a corrected in pencil to a Generally, the edition reproduces Klenau’s original beaming b b n n 37 pf. thirteenth semiquaver: e , e emended to e , e by practice, also when it seems to be inconsistent. analogy with fl .1, cl.1 b n Dynamic markings above and/or below groups of staves which 38 pf.1 chord 3: a emended to a because of the harmonic b n may be assumed to apply to all instruments of the group have structure of b.38; chord 4: d emended to d because of the harmonic structure of b.38 been added tacitly in each instrumental part in question. b b n n In two-part notation, Klenau usually only notates articula- 38 pf.2 tenth semiquaver: e , e emended to e , e because of the harmonic structure of b.38 tion such as accents or staccatos in the upper part. Articulation 38-40 tutti b.38, fourth crotchet: end of cresc.--- emended to b.40 has tacitly been copied to the lower part whenever the parts have 41 pf. second part of the bar emended to g-major as identical rhythms. In passages containing octave doublings in the indicated in B n #
same instrument, accidentals written in one part have tacitly been 41 pf.3 chord 1, note 1: C emended to C by analogy with vc., cb. added to the other part if missing. n # 45 pf.2 chord 5, note 3: d emended to d by analogy with n # pf.1; eleventh semiquaver: d emended to d by analogy with pf.1 VARIANT READINGS AND EDITORIAL EMENDATIONS # # # # 46 pf.1 chord 1 as in D; A: chord 1: g , c , e , g , the second # note (e ) being crossed out in ink. n FIRST MOVEMENT 46 pf.2 A: second crotchet: minim d corrected in pencil to c n n Bar Part Comment 46 pf.3 A: chord 3, note 3: d corrected to c in ink f n 2 cor.3 added by analogy with cor.1,2; 3. added 48 pf.2 chord 3: notes 1, 2: added by analogy with pf.1 2 vc. note 1: double stems emended to single stem by 50 pf.1 A: chord 1: minim corrected in pencil to crotchet # n analogy with va. 52 pf.1 note 10: g emended to g by analogy with the fi rst 3 ww. cor. half of the bar # n str. ten. added by analogy with trb.1,2, trb.b., tb. and b.272 52 pf.2 note 10: g emended to g by analogy with the fi rst half # n 4 vc. A: f added in pencil at the bottom margin of the bar; note 14: c emended to c by analogy with 5 vl.2 va. the fi rst half of the bar vc. cb. marc. added by analogy with vl.1 n n 53 pf. right hand, chords 1,2: added; chord 5:n added by 6 ob.2 note 2: marc. added by analogy with fl ., ob.1, cl., fg., analogy with b.179; left hand, chord 3: added by cor. w analogy with b.179 7 fg.1 emended to to fi t the metre 53 A: 2 added in pencil in the right margin ? 7 cor.3,4 emended to & 54 ob. ten. added by analogy with fl ., cl. 54 vl.1(1) note 6: b added by analogy with vl.1(2) 8 ob.2 cl. 55 fl . ob. cl. ten. added by analogy with bb.54 fg.2 ten. added by analogy with fl ., ob.1, fg.2 56 fl .2 ob.2 note 1: ten. added by analogyn with fl .1, ob.1 9 fl .2 ob. 56 pf.1 notes 6, 9: cautionary added by analogy with fl .1, cl.1 cl. fg. ten. added by analogy with fl .1 57 fl .1,2 p added by analogy with b.59 n # n 10 vl.1,2 va. chord 2, note 2: added as in #B and by analogy with 57 pf.1 chord 2, note 2: g emended to g by analogy with ob.2, cor1; fi nal semiquaver: added as in B n # pf.2 # n 11 fg.2 A: note 2: F corrected to F in pencil 59 fl .1,2 notes 8, 11:n g emended to g by analogy with pf., vc. 11 pf. 2 (l.h.) chords 1-2: ten. added# by analogy with pf.1 (r.h.) 59 pf. last chord: (D and G) added by analogy with str. 15 pf.1 chord 2, note 1: added by analogy with pf.2 # 59 pf.2 third# crotchet, note 2: added by analogy with pf.1; D: 17 pf.2 ten. added by analogy with pf.1 added in pencil 22 timp. note 1: stacc. omitted n 61 cl.2 note 4: cautionary n added by analogy with ob.1 22 pf. D: note added in pencil in the margin: x / Partitur 62 cl.1 tone 4: cautionary added by analogy with fl .1 overskrift (“x, heading in the score”, referring to the 63 pf.2 ten. addedn by analogy with pf.1 (chord 2) character designation Leidenschaftlich in A) 63 vl.1,2 note 6: added by analogy with pf.; note 16: b added b 22 vc. f added by analogy with all other parts # # n n by analogy with pf. and b.64; B: note 16: d added in
24 pf.2 notes 9-10: F , f emended to F , f by analogy with pencil fg.2, vc., pf.1 63 vl.1,2 arco added because of pizz. in b.60
126 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 126126 226/09/20196/09/2019 14.1614.16 # 63 vl.2 notes 7-8: slur addedn by analogy with vl.1 119 pf.2 chord 2, note 2: added by analogy with chord 1 and 64 pf. fourth crotchet: added by analogy with vl.1,2 and pf.1 b b.63 (pf.) 122 pf.1 chord 4, note 1: e emended to e by analogy with pf.2 64 pf.2 ten. added by analogy with pf.1 126 fl .2 ob.2 65 pf. timp. 4/4 emended to 12/8 by analogy with all other parts cl.2 fg.1 stacc. added by analogy with fl .1, ob.1, cl.1 65 va. vc. cb. arco addedn 126 cor.1,3 parts given to cor.1,3; A: no indication except cor. 67 cl. note 10:n added by analogy with fl ., ob., vl.1 126 va. vc. cb. arco added 67 vl.2 note 8: added by analogy with fl ., ob., vl.1 127 pf. A: tacet; 5 added in pencil below the word tacet n # 69 fg. note 6: c emended to B by analogy with va., vc., cb. 127-129 vl.2 ten. added by analogy with vl.1 69 vc. ten. added by analogy with va., cb. 129 fg. C emended to D by analogy with va., vc., cb. 69-70 cor.2 ten. added by analogy with cor.1 131 fg. A: a2, with no indication of length of section; here 70-71 timp. A: poco rall added in pencil on empty stave between interpreted# as bb.131-155 pf. and timp. 132 fl .2 note 3: # added by analogy with fl .1, ob., vl.1,2 71 timp. A: notes 2, 4: marc. added in pencil 133 ob.2 note 3: # added by analogy with fl ., ob.1, fg., str. 71 pf. 12/8 emended to 4/4 by analogy with all other parts 134 vl.2 note 8: added by analogy with fl ., ob., vl.1 q e 72 pf.2 top part, note 4: emended to to fi t the metre and 135 fl . ob. n as in D n vl.1,2 note 8: added 81 cl.1 notes 9-10: added by analogy with fl ., ob. 136 vl.1 notes 1-4: beaming in one group of four quavers 81 pf.2 A: 3) added in pencil in the margin emended to beaming in two groups of two quavers by 82 pf.1,2 lower part: fi rst to second minim: slur added by analogy# with fl ., ob., vl.2 analogy with pf.2 (upper part) 142 vl.2 note 1: added by analogy with vl.1 85 cl.1 note 6: b added by analogy with note 3 and fg.1,2 142-145 cl. second part added 85 cl.2 rest added 146 trb.t.2 note 1: b added by analogy with fl .2, ob.1, cl.2, cor.2 85 fg. a due added by analogy with bb.86-87 146 timp. note 2: stacc. added by analogy with b.149 85 pf.2 note 3: b added by analogy with fg. 146-147 cor.1,3,4 89 fl .1 note 7: b added by analogy with b.91; 1. added trb.b. ten. added by analogy with fl ., ob., cl., fg. b ≈ ‰ 91 fl .1 rest 1: emended to to fi t the metreŒ ? 147 cor.4 note 2: as correction in A; A: note 2: E crossed out in 94 pf.2 upper part, fi rst crotchet: missing added; added pencil and ‘C’ added in pencil at the end of the bar 153 ww. f added by analogy with str. 95-96 pf.2 end of slur emended from b.95, note 7 to b.96, note 1 153 str. ten. added by analogy with all other parts because# of the other slurs of bb.95 and 96 154-155 fl . cl. second npart added 96 pf.2 note 3: added 155 fl .2 note 4: added by analogy with fg., cor.1,3, trb.t.2, tb., 100-101 va. lower part: slur added by analogy with upper part vc., cb. n 102 cl. 1. added 155 va. note 2: added by analogy with fg., cor.1,3, trb.t.2, tb., 104 cor.3,4 3. added vc., cb. # # # 105 pf.1 A, B: 14th semiquaver: f /a changed to d /f : D: 14th 155 pf.2 note 12: added by analogy with ob.1, cor.2, trb.b., # semiquaver: f /a pf.1 107 tutti Tempo emended to Tempo I 155 va. vc. note 3: marc. and ten. emended to marc. by analogy 107 vc. note 6: ten. added by analogy with va., cb. with ww. and brass; A: may be interpreted as follows: 108 pf. A: 4 added in pencil in the right margin Klenau accidentally wrote ten. and changed it 109 fg.1,2 note 2: ten. added by analogy with b.108 immediately to marc., though not deleting ten. 109 cor.1,2,3 slur? added by analogy with b.108 156 tutti Tempo emended to Tempo I 109 cor.3 emended to & 156 pf. D: siehe Partitur added in pencil (Klenau), probably 110 cor.1,2 a2 added referring to the details mentioned above related to # # # # 111 pf.2 notes 7-8: F , f emended to D , d by analogy with pf.1, bb.156-163 str. n 156, 157, 114 pf.2 16th semiquaver: added by analogy with fl .2, pf.1, 158 pf.2 D: notes 1, 9: “” added in pencil vl.2; D: 11th semiquaver: b added in pencil 156-163 pf.1 as in A in ink; A: additions in pencil fi ll out the chords 115 pf.2 D: 10th and 13th semiquaver: b added in pencil and add a middle voice or replace the chords (see 116-118 pf. B: added in pencil below the three bars: A Dur (b.116), facsimile p. xi) n # D-dur (b.117), B-dur (b.118); later Klenau apparently 157 pf.2 note 13: added because of the following note (a b changed the major keys to minor by lowering the identical with b ); note 15: b added by analogy with thirds of the chords a semitone in pencil; A: the note 11 and pf.1 change is refl ected in A 160 pf.2 D: note 14: g 117 cl.2 slur addedn by analogy with fl ., cl.1, fg. 160 va. ten. addedn by analogy with vl.1, vc., cb. 117 pf.1 chord 4: added by analogy with pf.2; chord 5: natural 162 pf.2 note 11: moved from note 14 to note 11 b b -∑ added becausen of a in chord 6 164 fg.1,2 A: fi rst minim: e , g changed to ; added by 117 pf.2 chord 5: added by analogy with pf.1 and because of analogy with b.30-31 (fl .1,2) b
a in chordn 6 166-167 fg. added by analogy with b.32-33 (fl .) 118 pf.1 note 14: added because of change of key from the 167 cb. doubling vl., va., vc. by analogy with b.33; A: cb.-bar fi rst to the second half of the bar missing n # th 118 pf.2 notes 12, 15: added because of change of key from 168 pf. seventhn semiquaver: added as in B; 12 semiquaver: the fi rst to the second# half of the bar added by nanalogy with fi rst half of the bar; last note 119 pf.1 chord 3, note 1: added by analogy with pf.2 and as in D of the bar: added as in B
DCM 023 127
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 127127 226/09/20196/09/2019 14.1614.16 # 169 fl .1,2 p added by analogy with b.168 (cl., pf.) 209 pf.2 chord 3, note 2: added by analogy with chords 1-2; b 169 pf.1 fourth semiquaver: lower note d removed by chords 3-4: slur added by analogy with chords 1-2 and analogy of the structure of bb.168-169; A, D: fourth pf.1 b semiquaver:n d , f 209, 171 fl .1,2 note 4: added by analogy with pf. 211-212 vc. cb. ten. added by analogy with bb.210, 213 and ww., cor. 171 fg. A: 6) addedn in the margin in pencil 211 timp. stacc. added by analogy with b.209 171 pf.1,2 note 6: added by analogy with note 14 (the structure 211 pf.2 chord 2, note 3: b added by analogy with the overall of the second part of the bar being a parallel of the harmony; chords 3-4: slur added by analogy with structure of the fi rst bar) chords 1-2 and pf.1 ? 172 fl . cl. fg. stacc. added by analogyn with b.38 213 cor.3 emended to &; A: page turn bb.212-213 172 pf.1 chord 3, note 2: added by analogy with chord 1; n 213 pf.1 fourth crotchet: ten. added by analogy with chord 3 chord 4, note 3: added by analogy with chord 2 (the 213 pf.2 ties and articulation added by analogy with pf.1 structure of the second part of the bar being a parallel 214 cl. 1. added of the structure of the fi rst part) n 214 vl.1 note 4: q emended to e to fi t the metre 172 pf.2 ninth and tenth semiquaver: added by analogy with 214-215 cor.1,2 A: Horn Pedal added in pencil under the two bars: pf.1 174 pf.1,2 second crotchet: stacc. added by analogy with b.175 174 pf.1 third crotchet, lower part: ten. added by analogy with upper part 174 pf.2 third chord:n ten. added by analogy with pf.1;n A: fi rst chord: added in pencil; D: fi rst chord: no ; pencil addition in the margin questions whether the g of the b second chord should be g or g
174 vc. arco added -- 215 va. pizz. added by analogy with vl.1 (b.214) 174-175 timp. as b.48-49; A: ∑ ∑ n 216 vc. cb. A: B corrected to d in ink 175 pf.2 A: fourth crotchet, lower part: d corrected in pencil # 219 cl.1 one slur emended to two slurs because of the second to d n rest 176 fl .2 note 11: added by analogy with pf., vc. and b.50 222 fg.2 rest added by analogy with bb.223-225 176 vl.1,2 va. 223 pf.1 lower part: slur added by analogy with pf.2, lower part vc. arco added by analogy with b.50 n 223 pf.2 upper part, notes 10-12: slur added by analogy with 177 pf.1 chord 4, note 2: added by analogy with chord 3 b ∫ b.225, 2nd minim: b emended to b by analogy with 177 pf.2 slurs and stacc. added by analogy with bb.175-176; b fg.1, cb. and in accordance with pencil correction in B chord 1, note 1: added as in D and by analogy with n n 226 vc. A: note 12: added in pencil (Klenau) pf.1; chord 2, note 3: added by analogy pf.1 n 226 vc. cb. added by analogy with vl.1,2, va. 178 pf.1,2 note 10: added by analogy with fl .1, ob.2 and as in B n n & 179 pf. right hand, chords 1,2: added; left hand, chord 5: 229 pf.2 added as in D added by analogyn with b.53 230 cor.1 espressivo added by analogy with b.98 182 pf.1 notes 6, 9: added by analogy with fl .1, cl.1 230 cor.1,2 1. added 182 vc.2 note 2: ten. added by analogy with vc.1 231 fl . timp. p added by analogy with b.99 n p 183 pf.1 chord 2, noten 2: added by analogy with fl .1,2, pf.2 232 cor.1 added by analogy with b.100 184 pf.1 notes 12-13: added 233 fl . timp. p added by analogy with b.101 186 pf. A: 7) added in pencil in the margin 235 pf. A: 9) added in pencil in the margin # # 188 pf.2 notes 5-6: F , f emended to G, g because of the 236 pf. cresc. added as in D # # n structure of the whole bar; B: F , f in ink, whereas G, g 238 pf.1 chord 1, note 2: added by analogy with cl.2, vl.2 is added in pencil; B: notes 13-16: D, d added in pencil 238 cb. bar cancelled and arrow referring to stave below with next to C, c – a change effectuated in A, D corrected notes in ink (Klenau) p 195 pf. A: in the beginning of the bar and in the margin 238 tutti B: different chord progression:#˙ added in penciln in Klenau’s hand nn˙ # ˙ 198 pf.2 notes 9-10: added by analogy with pf.1 & #˙ 199 pf.1 lower part: ten. added# by analogy with pf.2 th th bœ bœ 200 pf.1 15 -16 semiquaver: n added as in B ? œ bœ#œ œ#œ œ 201 pf.1 15th-16th semiquaver: added { 201 pf.2 notes 3-6: courtesy accidentals added in pencil in Klenau’s hand (?) 239-240 fg. tie added by analogy with va., vc., cb. # 204 pf.1 D: chord 2, note 2: e 240 cor.3 A: note 1: a changed to b in ink (Klenau) and the word 204 pf.2 A: 8) addedn in pencil in the margin eis added 207 vl.1,2 note 9: addedn by analogy with fl .1, ob.2, fg., cor.1 240-241 fg. vc. 207 va. chord 9: added by analogy with ob.2, fg., cor.1, pf., cb. ten. added by analogy with bb.108-109, 239 vc., cb. 241-245 cor.3,4 3. added; A: rests in cor.4 bb.236-240 208 fg. note 1: ten. added# by analogy with vc., cb. 242 cor.1,2 1. added 209 pf.1 chord 3, note 3: added by analogy with chords 1-2 242 pf.2 third quaver: rest added # # 209 pf.2 chord 2, note 1: d emended to c by analogy with 243-244 cor.3 end of incomplete slur emended from last note of.243 all other notes in the chord which clearly indicate A to fi rst note of b. 244 by analogy with cor.1; A: (bb.243- # major; B, C, D also has the erroneous d 244): page turn
128 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 128128 226/09/20196/09/2019 14.1614.16 n f 244 cor.3 added by analogy with fl ., str. and b.112 281 cor. added by# analogy with ww. 244-245 cor.1 slur added by analogy with cl. 283 pf.2 note 16: added 245 cor.3 b added by analogy with fl ., pf., str. 283 cb. upper part, note 1: missing b and tie added by analogy 246-247 cl.2 two slurs emended to one slur by analogy with fl .2 with b.282, second chord # n # 248 fl .2 note 2: e emendedn to e by analogy with b.116 284 pf.1 note 8: added 248 pf.1 14th semiquaver: added as in B, D 285 cor. f added by analogy with ww. and because of e. x e ≈ x 248 pf.1 second crotchet: emended to n by analogy in b.284 # with bb.249,# 252; eighth semiquaver: added as in B 285 pf.2 chord 2,# note 2: added by analogy with pf.1 and as in D 248 vc. cb. A#: note 1: added in pencil (Klenau) 285 vl.2(2) note 6: # added by analogy with pf., vl.1(2) 249 fg.1 added by analogy with fl .1, cl.1, pf. 287 pf.2 note 4: added by analogy with b. 286 th b n 249 pf.1 12 semiquaver: emended to by analogy with 288-289 cl. ten. and# marc. added by analogy with fl ., ob. pf.2 and b.248; D: as in A and with a cross in pencil 289 ob.1,2 note 2: added by analogy with note 1 beneath the 12th semiquaver referring to an addition 289 vl.1 note 1: double stems emended to single stem by in the margin: b? Partitur analogy with b.288 f 250 timp. added byn analogy with the other parts 292 ww. ten. added by analogy with bb.290-291 250 pf.1 note 12: added n 292 cor. tr. articulation added by analogy with bb.290-291 250 pf.2 upper part: note 10: added 292 vl.1(2) 251 cl.2 b added by analogy with pf. vl.2(2) 251 pf. lower part, chord 1, note 1: b added by analogy with va.2 vc.2 marc. added by analogy with bb.290-291 upper part, chord 1 294 tr.1 f added by analogy with all other parts 252 str. arco added 294 pf.2 A, D: “ added in pencil (Klenau) 252-253 pf. A: 10) added in pencil below the staff 295 pf.2 A: 13) added in the margin 257 pf.1 4th crotchet, bottom note: b added by analogy with top note and pf.2 ? SECOND MOVEMENT 258 pf.2 emended to & 1 va. vc. cb. notes 1-3: stacc. added by analogy with bb.3, 7 b 259 cor.2 note 1: addedn as in B and by analogy with fl .2 5 cor.2 d emended to g by analogy with vl.1, va. and according 259 pf.1 notes 14-15: added as in D to almost illegible pencil correction in A; A: g added in b 259 pf.1,2 note 2: n added as in B and by analogy with fl .2; notes pencil and ‘d’ added in pencil above the tone d 12, 13: added 10-11 vc. fg.2 lower part: tie added by analogy with cor.1 261 fg.2 end of slur moved from note 2 to note 3 by analogy 13-14 cl.2 fg.2 rests added with cor.3 n 15 fg.1 va.1 n 262 vl.1,2 A: note 1: cautionary added in pencil (Klenau) vc.1 note 3: cautionary added by analogy with cl.1 263 pf.1,2 D: the bar (a repetition of b.262) is missing 15 vc. lower part, note 2: . emended to to fi t the metre 264 fl . fg. cor.3 16 va. lower part: slur added by analogy with vc. vl.1,2 A: f corrected in pencil to fp (Klenau) 17 cb. p added by analogy with vl.1,2, va., vc. 264 cor.1 f emended to fp by analogy with cor.3 24-25 timp. b.24: and the whole of b.25 added in pencil 264-265 fl . fg. vl.2 A: crescendo added in pencil (Klenau) (Klenau) 265 pf.2 D: chord 1: x 24-25 va. cb. b.24: end of slur emended to b.25, note 1 by analogy 265 vl.2 marc. added by analogy with vl.1 with cor.1 265-266 fl . fg. 25 cor.1 p added by analogy with all other parts cor.1,3 beginning of tie added; A: page turn 30 vl.2 end of emended from note 2 to note 3 by 266 fl . fg. analogy with va. cor.1,3 30 va. mp added because of and by analogy with cl.1 vl.1,2 A: note 1: f added in pencil (Klenau) 34 cl.2 note 2: as pencil correction in A; A: note changed b 266 tr.1,2 A: p added in pencil (Klenau) from c til b in pencil 268 pf.2 chords 2-3: e e emended to x x to fi t the metre 38 tr. a2 added 269 pf.2 A: 11) added in pencil in the margin 38-39 trb. added by analogy with ob., cl., fg., 270 str. marc. added by analogy with b.1 tb., vl.2, va. 272 timp. f added by analogy with ww. and b.3 38-39 trb.t.2 slur added by analogy with ob., cl., fg., trb.b. 272 va. upper part, note 1: a added by analogy with b.3 38-41 fl . second part added 273 ww. trb. 39 cor.3 added by analogy with cor.1, tr., tb., timp., tb. ten. addedn by analogy with b.4 n vl.1 275 fl . cor.1,3 note 2: moved from note 4 as in B; A: note 4: added 40 timp. in pencil (Klenau) vl.1,2 va. added by analogy with all other parts 276 vl.1,2 chord 3, note 1: d emended to e by analogy with vc., 40-41 ob.1,2 slur added# by analogy with fl ., cl., fg. cb. and in accordance with B 41 vl.2 note 1: added by analogy with ob.2, trb.b., vc., cb. 276-277 ob.1 tie added by analogy with bb.7-8 41 vc. notes 6-8, 9-12: two slurs emended to one slur by 278 vl.2 va. analogy? with bb.42, 43 vc. cb. chords 1-2: ten. added by analogy with vl.1 41 cb. note 6: added by analogy with fg. and va.2 278-280 pf.2 ten. added by analogy with pf.1 41-42 cl.2 rests added n . 279 pf. chord 6: n added 53 pf.1 chord 2: emended to to fi t the metre 279 vl.1 chord 2: added by analogy with vc., cb. 56 pf. espressivo added as in D; D: espr. added in pencil 279 va. vc. cb. ten. added by analogy with vl.1,2 (Klenau)
DCM 023 129
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 129129 226/09/20196/09/2019 14.1614.16 n #w œ n˙ nœ 60 cl.1 note 3: added to fi t the harmonic progression of the 106-107 pf.2 A: ? # w œ## ˙ ## œ ##w œ #˙ #œ second part of then bar and as in B 60 pf.1 chord 1, note 3: added to fi t the harmonic progression of the second partn of the bar #and as in B changed to 61 pf.2 lower part, chord 2, note 1: emended to by analogy #w œ n˙ nœ ? # w œ ˙ œ with fg.1 and as in B #w œ ##˙ œ 64 fl .2 added by analogy with fl .1, vl.1,2 65 cl.2 added by analogy with cl.1, fg., cor.1,2,3 107 pf.2 D: chord 2, notes 1,2: F, c; a pencil asterisk above the 65 cor.3,4 3. added chord refers to a pencil addition in the margin: fi s cis # 66 cl.2 added by analogy with fl .1, cl.1, cor.1,2,3 110 vc.1,2 A: g corrected to e # n b 67 fl .2 note 11: added by analogy with fl .1 111 vc.1,2 A: g corrected to e n #
67 pf. A, D: chords 1-2: d corrected to d in pencil (Klenau) 111 pf.2 top note: the square brackets in A and D probably n n 67 pf. cautionary (b ) added as in D indicate that it is technically diffi cult to make the 67 pf. A: 14) added in pencil below the staff note from the previous bar continue audibly into 67-72 pf.2 ten. added by analogy with pf.1 b.111 70 fl . p added by analogy with b.67 and vl.1,2 114-115 pf.2 ten. added by analogy with pf.1 70 pf. D: chord 1: fff 121 pf.1 top part, notes 1-2: slur added by analogy with b.120 73 pf. chord 1: ten. added by analogy with bb.67-72, 74 123 pf.1 top part, notes 1-2: slur added by analogy with b.120; 73 pf.2 D: chord 2: b added in pencil (Klenau?) top part, note 3-5: beginning of slur emended from 76 cor.1 f added by analogy with fl ., ob., cl., fg. note 1 to note 3 by analogy with bb.120, 121; D: top n 77 ob.1 note 1: added by analogy with fl .1, cl.1, pf. part, note 4: g corrected in pencil ton f 77 cl. #w #w 124 pf.2 A, D: fourth crotchet, chord, note 3: added in pencil # w cancelled in pencil and # w added #w (Klenau) 124-126 pf. end of cresc – – – emended from b.124, 12th quaver to (Klenau) b.127 as in D # 78 pf.1 second minim, chord: g emended to g by analogy 127 cl. notes 6-10: added by analogy with fl ., notes # # with fl .1, ob.2, cor.1; D: the chord has g , b , e , g ; B: 1-5 and bb.128, 129 # # # g , d , e , g 128 fl . notes 6-10: added by analogy with cl. notes # 78 pf.2 second minim chord: g emended to g by analogy with 1-5 and bb.127, 129# fl .1, ob.2, cor.1 128 pf.1 chord 5, note 2: added as in D and by analogy with 79 fg. added by analogy with fl ., ob., cl., fl ., vl. # cor.1,2,3, tr.1, timp. 128 pf.2 chord 5, note 1: # added by analogy with fl ., cl.; A, D: 79-80 tr.1 beginning of slur emended from b.80 (note 1) to b.79 second #quaver: added in pencil (Klenau?) by analogy with bb.83-84 130 fl .1,2 note 5: added by analogy with cl.1,2 81 pf. D: chord 2: fff added in pencil (Klenau) 130 fl . notes 1-5: added by analogy with cl.1 and 82 pf. A: 15) added in pencil below the staff (Klenau?) bb.127-129 82-83 pf.2 “ added because of the structure of bb.83-84 131 fl .1 added by analogy with cl.1 83 timp. added by analogy with bb.81, 85 134 vl.1 upper part and lower part: notes 7-8: slur added by 84 tr.1 f added by analogy with the dynamic level of the other analogy with notes 3-4 parts 151 cl. 1. added f # 84 timp. added by analogy with b.82 154 cl.1 note 3: added by# analogy with vl.1, va. ? 156 pf.1 chord 1, note 2: added by analogy with pf.2 84 pf.2 emended to & by analogy with previous bar (turn of 159 pf. A: 17) added in pencil in the margin (Klenau) page) 85 pf. ff added by analogy with ww., cor., str. and as in D; D: ff added in pencil (Klenau?) THIRD MOVEMENT 86 timp. f added by analogy with b.82 1 B, C : Rondo 87 pf.1 ten. added by analogy with pf.2, vl.1,2, vc., cb. 7-10 pf.2 note 1: stacc. added by analogy with bb.262-265 88 vc.2 cb.2 slur added by analogy with ob.2, fg.2, cor.2, pf., vl.1,2 11 pf.2 stacc. added by analogy with pf.1 and b.266 89 fl . emended to . by analogy with ob., cl., fg., tr., trb.b. 12 pf.1 chord 2: stacc. added by analogy with bb.13, 267 89 va. vc.2 12 pf.1 D: third quaver: a , d , the lower note being crossed cb.2 ten added by analogy with vl.1,2, vc.1, cb.1 out and the letter d added above the chord in pencil 97 pf.2 notes 1-3: stacc. added by analogy with pf.1 12 pf.2 chord 1: stacc. added by analogy with pf.1; chord 2: 101 pf.2 ? 4 w ? w chord 1: 4 ˙ emended to w stacc. added by analogy with b.11 (pf.1) and b.267 ˙ w 13 pf.2 chord 1: ten. added by analogy with b.268
15 cl. fg. ten. added by analogy with fl ., cor., va.1, vc. and as in B b.110 b b n n 104 pf. second minim: e / e emended to e / e as in B 15 cl. stacc. added by analogy with fl ., fg., cor., va., vc. and b 104 pf.2 top part, note 1: b emended to b by analogy with pf.1 b.110 b and as in D; D: top part, note 1: b changed to b 16 cl.2 ten. added by analogy with fg.2, cor.1,2,3, vl.1,2, va., 105 pf.2 lower part, note 2: . emended to by analogy with vc.2, cb. and b.350 previous bar; D: top part, chord 2: b added in pencil 16 cor.1,3 105 pf. A: 16) added in pencil in the margin (Klenau ?) vl.1,2 va. ten. added by analogy with cor.2, vc.2 and b.111 106 cb. pp added by analogy with timp., vl.1,2, va., vc. 17 fg.2 cor.3 articulation added by analogy with cor.1,2
130 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 130130 226/09/20196/09/2019 14.1614.16 17 vl.2 slur added by analogy with vl.1; notes 2-5: stacc. 96 pf.2 D: illegible notes added in pencil to the left hand added by analogy with vl.1 and b.112 tremolo 18 fg.2 cor.3 106-107 pf.2 stacc. added by analogy with pf.1 vc.2 articulation added by analogy with cor.1,2, va.1 110 ob. tr. a2 added 18 vc.2 stacc.n added by analogy with cor.1,2, va. 110 vc.2 articulation added by analogy with va., vc.1 19 cb. added by analogy with ob., fg.2, vl.1,2 110 cb. cautionary pizz. added 19-24 cb. stacc. added by analogy with bb.15-18 111 vc.2 ten. added by analogy with vl.1,2, va.1 20 cb. A: a corrected in pencil to f 112 vc.2 articulation added by analogy with fg.2, va.1 21-24 ob. one slur notes 1-6 emended to two slurs notes 1-4 113 vc.2 articulation added by analogy with fg.2, va.1 and 5-6 by analogy with vl.1,2 and bb.116ff. and 114 ob.1 notes 5-6: added by analogy with vl.1 356ff. 114 vl.2 slur and added by analogy with vl.1 21-24 cor.3 ten. added by analogyn with fg., cor.1,2, va., vc. 115 vl.2 va. ten. added by analogy with vl.1 23 fl .2 note 1: cautionary added by analogy with cl.2, cor.1, 116 ww. mf va.2 cor.1,2,3 addedn by analogy with timp., str. and b.21 25 cor.2 stacc. added by analogy with ww., cor.1,2 118 fl .2 note 1: added by analogy with cl.2, cor.1, va.1, vc.1 25-28 fl . cl. second part added 119 cb. stacc. added by analogy with bb.116-118 26 cl. note 1: stacc. added by analogy with fl ., vl.1 120 fl . cl. second part added 26 fg. note 1: ten. added by analogy with cor.1, va. 121 va.2 vc.2 added by analogy with ob., fg. and b.26 26 cor.3 note 2: stacc. added by analogy with fg.1, cor.1,2, va., 121 cl. vl.1,2 vc.2 va.1 vc.1 third crotchet: stacc. added by analogy with fl ., ob., 26, 27 cb. note 1: stacc. added by analogy with b.121 and fg., cor.1,2 preceding bars 121 cb. note 2: stacc. added by analogy with b.122 (note 2) 27 fg. cor.2,3 122 cb. note 1: stacc. added by analogy with b.121 (note 1) va.2 articulation added by analogy with vc. and note 2 27 cl. slur, stacc. and added by analogy with fl ., 122 ob.2 added by analogy with fl ., cl., vl.1,2 ob.2, vl.1,2 122 va.2 vc. articulation added by analogy with fg., cor. 27 cor.2,3 ten. added by analogy with fg., vc. 123 ob.1 va.2 33 cl.1,2 g emended to a by analogy with fg.1,2 as in B vc.2 stacc. added by analogy with all other parts 36-37 pf. added by analogy with b.35 124 cb. arco added 44 pf.1 note 3: stacc. addedn by analogy with b.43 124-125 cb. slur added by analogy with bb.126-127 and va., vc. 49 pf.1 chord 1, note 1: n added by analogy with b.290 125 fg. cor.1,3 49 pf.2 chord 2, note 2: added by analogy with b.290 cb. f added by analogy with bb.126-155 50 pf. chord 1: stacc. added as in D; D: stacc. only in pf.1 125 pf. omitted by analogy with b. 131 50 pf.2 A: 18 added in pencil below the staff (Klenau) 125 vc. ff emended to f by analogy with bb.126-155 51 Tempo emended to Tempo I 127 pf.2 note 3: b added by analogy with pf.1 Πp 53 cl.2 added to fi t the metre 130 cor.1,3 b added by analogy with fg. 55 fl .2 fg. stacc. added# by analogy with ob., cl.2 131 cor.1,3 added by analogy with fg., pf., va., vc., cb.; marc. 55 cl.1 note 3: added added by analogy with fg., va., vc., cb. 55-56 ob. f added by analogy with fl ., cl., fg. 132 pf. A: 20) added in pencil in the margin (Klenau) 57 vc. pizz. added by analogy with cb. and because of pizz. in 134-135 cor.1,3 p and f added by analogy with fg., pf. b.42 135 cor.1,3 62 ww. note 1: stacc. added by analogy with bb.26, 121 cb. marc. added by analogy with fg., va., vc. 62 fl .2 ob. note 2: stacc. added by analogy with cl.2, fg. 138-139 cor.1,3 one-part notation emended to two-part 62 cl.1 note 3: stacc. added by analogy with fl .1 141 fg. marc. added by analogy with cl., va., vc., cb. 63 ob.1 cl.1 145 pf.2 note 4: b added by analogy with fg., pf.1, va., vc., cb. fg. note 2: stacc. added by analogy with fl ., cl.1 (note 4) 147 va. vc. cb. marc. added by analogy with bb.125-151 69 pf.2 slur added by analogy with bb.67-68, 71-72; D: note 152-153 va. vc. cb. p and f added by analogy with cl., fg. and bb.125- b n
5: c corrected to B in pencil with a reference to the 151 margin where the following is added in pencil: NB 154 cl. va. emended to . to fi t the metre Partitur ces-ges? 154-155 va. vc. cb. p and f added by analogy with bb.126-151 and cl., 77 pf. chord 2: ten. added by analogy with b.79 fg. 81 pf.1 chord 1: ten. added by analogy with b.82 155 fg. marc. added by analogy with cl., va., vc., cb. n # 82 pf.1 D: chord 1, note 1: a in spite of a in pf.2 156 fl . a2 added 82 pf.2 chord 1: ten. added by analogy with b.81 and pf.1; 157 vl.1 ten. added by analogy with va., vc. # n D: chord 1, note 1: a in spite of a in pf.1 159, 83, 85 pf.2 top part: emended to . by analogy with pf.1, lower 169-171 va. emended to . to fi t the metre part 160 vl.1 note 1: . emended to to fi t the metre 87 pf.2 D: illegible notes added in pencil to the left hand 161 vl.1 va. vc. ten. added by analogy bb.66, 157, 159, 163 tremolo 163 vc. emended to . to fi t the metre 92 pf.2 D: illegible notes added in pencil to the left hand 164, 166, tremolo 172, 174 vl.1,2 va. note 2: ten. added by analogy with bb.156, 158, 160, 94 pf.1 third crotchet: stacc. added by analogy with bb.89, 90, 162 93 164-167 vc.2 ten. added by analogy with vc.1 95 pf. A: 19) added in pencil below the staff 167 pf. A: 21) added in pencil in the margin
DCM 023 131
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 131131 226/09/20196/09/2019 14.1614.16 # 170 pf.2 note 6: c emended to d by analogy with pf.1; B: 236-237 pf. ten. added by analogy with bb.225-235 237-238 pf. A: 23) added below the staff 238 fg. fp added by analogy with va., vc., cb.; emended to . to fi t the metre 238 ob. 1. added 238 cor.3,4 3. added 242 pf.2 vl.2 n vc. cautionary added . 243 vc.1,2 emended to to nfi t the metre 244 pf.2 note 1: cautionary added # 245 B: added in pencil: Wiederholung von A bis B (Klenau), 176 cl.2 added by analogy with fl .2, pf.1 thus calling# for a repetition of bb.1-50 176 cor.3,4 3. added 245 pf.2 note 5: added by analogy with pf.1 183 pf.2 D: chord 1: nD, d 246-249 ww. passage emended by analogy with bb.238-241; A: 188 pf.2 cautionary added; D: NB f? added in pencil notation of ob. and cl. on the wrong systems (cl. 191 pf.1 slurs emended from one slur (notes 1-6) by analogy and fg. respectively), thus erroneously omitting fg.; with b.189 a pencil arrow in the score indicates the necessary 192 pf.2 As correction in A (Klenau) and as in D; A: move of the two wrong parts 247 va. ten. added by analogy with vl.1 247-248 vc. cb. f added by analogy with ob.1, cl., fg., cor.1,2,3,# vl.1, va. 248 pf.1 note 6: added by analogy with pf.2, va.2 248-249 vc.2 ten. added by analogy with #vc.1, cb. 249 pf.1 top and lower part, note 4: added by analogy with b.248 193 pf.1 chord 2: stacc. added by analogy with pf.2 249 vl.1 emended to . to fi t the metre p . 194 ob.1 addedŒ by analogy with cl.1,2 and b.193 250 vc. emended to to fi t the metre 195 ob.1 ‰ and added by analogy with b.194 252 cb. ten. added by analogy with vl.1,2, va., vc. 197 cl.1 added by analogy with bb.198, 199 252-253 va. tie added by analogy with vl.1,2, vc., cb. 197 pf. A: 22) added in the margin (Klenau) 253 pf.2 note 6: b added by analogy with pf.1, va., vc.1 197 vc. cb. pizz. added by analogy with b.94 (vl.1,2, va.) 253 vl.1 emended to . to fi t the metre p p 198 fg. # added by analogy with b.197 (str.) 255 fg.2 added by analogy with b.254 (cl., fg.1) 198, 199 fg.2 added by analogy with pf., va. 261 pf.2 chord 1, upper note: stacc. added by analogy with pf.1; 201 pf. missing rests added sixth quaver: g emended to f by analogy with b.115 201 vl.2 va. stacc. added by analogy with bb.196-200 (vc.2); A: sixth quaver: ambiguous notation as either g 201 vl.2 va. p added by analogy with vc., cb. or f 202-204 va.1 b.203: incomplete ending of slur emended to b.204, 263 pf.2 chord 1: stacc. added by analogy with b.262, 264 and note 1; A: (bb.203-204): page turn by analogy with bb.7-14 202-205 fg.2 va.2 b.203: incomplete ending of slur emended to b.205, 265 pf.2 stacc. added by analogy with b.262, 264 and by note 1 by analogy with fg.1; A: (bb.203-204): page analogy with bb.7-14: A: second crotchet: e notated in ? & turn and the necessaryn following change to omitted; 202-205 vc.2 b.203, note 1: end of slur emended to b.205, note 1 by 266 pf.2 chord 3, note 1: omitted by analogy with b.120 (A analogy with vc.1 major chord) n 203-204 vc.1 incomplete beginning of tie removed by analogy with 267 pf.1 D: chord 1, note 2: cautionary added in pencil #fg.1 (Klenau?) 204, 205 cl.1 added by analogy with pf.1, va.1 273-274 pf. A: 24) added in pencil below the staff (Klenau) n n 204-205 cor.1 A: a cancelled in ink and changed to a 274 cl. g emended to a by analogy with b.33 205 fg.2 emended to . to fi t the metre 278 pf.2 notes 3-4: stacc. added by analogy with str. and as in D # 206 cl. d emended to d by analogy with va. 281 cl. p added by analogy with fl . 206 fg. p added by analogy with cl.1,2, va., vc. 281 va. added by analogy with vl.1,2, vc. 208 fg.2 A: b added in pencil 285 pf.1 lower part, chord 1, notes 1,2: b added as in D and by 208 vc.2 b added by analogy with fg.2, pf.2; analogy with b.284 209 pf.1,2 stacc. added by analogy with fg.1,2 289 pf.2 upper part, chord 1, note 1: b added by analogy with 209 va. vc. stacc. added by analogy with fg.1,2 pf.1 and as in D n 209 cb. stacc. added by analogy with pf.2 290 pf.1 chord 1: cautionaryn added by analogy with pf.2 212-213 vl.2 stacc. added by analogy with bb.210-211 and vl.1 290 pf.2 chord 2, note 3: added by analogy with pf.1, vl.1,2 214 fl . 1. added; A: no indication of 1., 2., or a2 and b.49 ? 290 pf. vl.1,2 214 pf. & added because of in b.210 va. stacc. added by analogy with b.49 216 cb. arco added 291 pf.2 chord 1: stacc. added by analogy with b.50 216-217 fg.1,2 incomplete beginning of tie added; A: bb.216-217: 291 vl.1,2 va. stacc. added by analogyb with b.50 page turn b 295 pf.1 lower part, note 4: added by analogy with upper part 226 pf. D: chord 1: cautionary added in pencil (Klenau?) 300-301 pf. A: 25) added in pencil below then staff (Klenau) 230 pf.2 chord 2: B, b emended to G, g by analogy with pf.1 307 pf.1 lower part, note 2: cautionary added
132 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 132132 226/09/20196/09/2019 14.1614.16 308 vl.1,2 vc. 363 fg. stacc. added by analogy with fl ., ob.2, cl., str. cb. arco added # 363-364 pf. A: 27) added in pencil below the staff (Klenau) 310 pf.1 lower part, note 4: added by analogy with cl., fl ., 370 trb.t. 1. added vl.1,2, vc., cb. 370 pf. D: L’istesso tempo; Partitur added in pencil . 311 vc. cb. emended to to bfi t the metre 370 cb. arco added because of pizz. in b.350 314 pf.1 lower part, note 4: added by analogy with upper part 370, 372 ob. cl. note 3: stacc.# added by analogy with fl . 323 va. vc. emended to . to fi t the metre 372 cl.2 note 2: added by analogy with fl .2, ob.2 324 vl.2 ten. added by analogy with vc. 373 cl. fg. emended to . to fi t the metre 324 va. vc. added by analogy with vl.1,2 374, 376 fl . ob. cl. note 3: stacc. added by analogy with bb.370, 372 b b # 329 va. wrong reading of clef: f , a emended to e , g in 376 fl .1 note 3: added by# analogy with ob.1, cl.1 accordance with the overall harmony of the bar 377 pf.2 chord 2, note 2: added by analogy with chord 1 331 cor.1 added by analogy with b.327 and ob., cl., fg., 378 ob. note 3: stacc. added by analogy with fl ., cl.; A: coll. fl . vl.1,2 (almost illegible) written in pencil, apparently before 333 cl. fg. emended to . to fi t the metre the music was notated in ink 334 pf. A: 26) added in pencil below the staff (Klenau) 378 cl. A: coll. fl ., ob. (almost illegible) written in pencil, apparently before the music was notated in ink 340 pf.2 missing & added as in D 378-383 cb. articulation added by analogy with va., vc. 342 va. arco added because of pizz. in b.327 380-381 pf. beaming emended from iiq iiq by analogy with 343 pf.2 chord 3-4: A, a and G, g emended to F, f and E, e by ww. and bb.382-386 b analogy with pf.1 and because of the parallel chord 381 ob.2 note 4: g emended to e by analogy with fl .2, cl.2, pf.1 progression of pf.1and pf.2 and in bb.338-343 381 fl .2 ob.2 note 5: b added by analogy with cl.2, pf.1 343 vl.2 va. stacc. added by analogy with vl.1 381 pf.1 chord 2, 4: b added by analogy with the overall 344 cl. second part added harmony of the bar 345 cor.3,4 3. added 382 pf.2 slurs added# by analogy with pf.1 350 Tempo emended to Tempo I 383 ob.2 note 2: added by analogy with fl .2, cl.2 350 ob. 383 ob. stacc. added# by analogy with fl ., cl.2 cor.3,4 tr. a2 added 384 ob.1 note 3: added by analogy with fl .1, cl.1 350 cb. pizz. added by analogy with bb.16, 110 385 fl . ob. cl. note 3: stacc. added by analogy with bb.382-384 350-354 cor.3 articulation added by analogy with cor.1,2 386 ob. note 3: stacc. added by analogy with bb.387-388 350-369 tutti B: no indication of a repetition of the beginning of the 386 pf.1 emended to . to fi t the metre movement, only an empty bar with the handwritten 387 fg. ten. added by analogy with trb.t., va., vc., cb. and b.391 pencil note, Thema?, followed by a sketch of bb.370 ff. 387 pf.2 lower part, chord 1: ten. added by analogy with va., vc., 351 timp. stacc. added by analogy with bb.16, 350 cb.; upper part: slurs added by analogy with pf.1 and 351 va. vc.2 ten. added by analogy with vl.1,2 as in D 352 fl .1 note1: c emended to d by analogy with fl .2, cl.1, 389-392 fl . A: bars crossed out in ink and wie Oboen added above fg.1, vl.1, vc. the staff 352 vc.1 note 4: stacc. added by analogy with fl ., ob., fg.1 390 pf.1 emended to . to fi t the metre 352 vc.2 articulation added by analogy with fg.2, cor.1,2, va. 390-392 fl .1 ob.1 353 vc.2 articulation added by analogy with fg.2, cor.1,2, va.1 cl.1 note 1: b added by analogy with pf. 353 cb. stacc. added by analogy with b.352 391 pf.1 chord 3: b added by analogy with pf.2 354 fl . stacc. added by analogy with cl.1, fg., cor., va.1, vc. 392, 393, 354 vl.2 notes 1-4: added by analogy with vl.1 395, 396 vc. emended to . to fi t the metre 354 cb. stacc. added by analogy with vc. 393 fl .2 ob.2 355 fl . ob. cl. cl.2 note 1: b added by analogy with fg., pf., va., vc., cb. vl.1,2 va. ten. added by analogy with tr. and bb.20, 115 394 fl .2 note 1: b added by analogy with ob.2, cl.2 355 cb. stacc. added by analogy with bb.356-359 394, 397, 356-358 vl.2 slurs added by analogy with ob., vl.1 398, 400 pf. ten. added by analogy with bb.395-396 356-359 ob. vl.2 added by analogy with vl.1 394-396 cb. ten. added by analogy with fg., trb.t.1, va., vc. 356-359 fg. 395 cb. emended to . to fi t the metre cor.1,2,3 ten. added by analogy with va., vc. and bb.21-24, 116- 396 pf. A: 28) added in pencil in the margin 119, 397 fg. trb.t.1 356-359 timp. stacc. added by analogy with bb.21-24 va. vc. cb. ten. added by analogy with bb.391-396 b 360 fl . cl. second part added 398 cl. notes 3-4: three pitches on one stem (g , b , d ) b 360 cor.3 vc. emended to two (b , d ) by analogy with notes 1-2; cb. stacc. added by analogy with cor.1,2, tr., vl.1,2, va. note 4: stacc. added by analogy with fl ., ob. 361 cl. note 1: stacc. added by analogy with fl ., tr., vl.1,2 400 cl. added by analogy with fl ., ob. 361 cor.3 ten. added by analogy with cor.1,2 401 pf.2 chord 2: b added by analogy with pf.1 361 vl.1,2 note 4: stacc. added by analogy with fl ., cl., tr. 402 pf. D: Partitur overskrift (“Heading from the score”) 361 cb. stacc. added by analogy with bb.352, 356-359 referring to the tempo indication in A 362 ob.2 cl. added by analogy with fl ., vl.1,2 402 cb. ten. added by analogy with va. 362 cl. note 3: stacc. added by analogy with fl ., ob.2, vl.1,2 402-408 cor.3,4 3. added 362 str. f added by analogy with ww., cor.1,2,3 403 pf.2 vl.2 ten. added by analogy with pf.1, vl.1, va., vc. 362 cb. stacc. added by analogy with b.363 403 va. vc. emended to . to fi t the metre 362-363 cor.2 articulation added by analogy with fg.1, cor.3 404 va. emended to . to fi t the metre
DCM 023 133
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 133133 226/09/20196/09/2019 14.1614.16 404 cb. ten.# added by analogy with va. 426 fl .1 ob.1 405 va.2 added by analogy with cor.2 cl.1 slur added by analogy with vl.1,2 406 cor.1,2,3 426 fg. note 2: ten. added by analogy with va., vc., cb. pf. p cresc. added by analogy with str. 426 fg. cor.1,2 408 pf.2 notes 3-6: slur added by analogy with upper part vc. articulation added by analogy with va., cb. 409 cl. 1. added 427-428 fl .2 ob.2 slurs added by analogy with fl .1, ob.1, cl. 409 fg. note 2: ten. added by analogy with bb.410-412 429 ob.1 vl.2 slurs added by analogy with fl ., ob., cl., vl.1 413 cl.1 fg. 429 fg. ten. added by analogy with cor.1,2, va., vc., cb. cor.4 ten. added by analogy with cor.2, vc., cb. 430, 431, 413 pf.1 D: lower part, note 1: c corrected in pencil to d (A 432, 433 fl .2 slurs added by analogy with fl .1, ob.1, cl., vl.1,2, pf. # clearly has c ) # 434 cor.3,4 3. added 414 pf.1 upper part, note 1: added by analogy with bb.413, 434 tr. ten. added by analogy with vl.1(1), vl.2(1), va.1, vc.1, cb. 415, 416 438-439 pf. in A notated as one bar with bis added above the bar; # 415 pf.1 lower part: sixth quaver: g emended to f by analogy D: fully written out as two bars b b b b with bb.413, 414 (sixth quaver) and as pencil 438-439 va. c , g emended to a , e by analogy with ww. correction in D (apparently Klenau’s misreading of the C-clef) 421 timp. f added by analogy with all other parts 442 pf. A: 30) added in pencil in the margin 421 pf.1,2 stacc. added by analogy with b.423 449 cor.3,4 3. added 421-422 pf.2 A: 29) added in pencil below the staff (Klenau) 458 cl. f added by analogy with b.457 (fl ., fg.) 423 pf.2 stacc. added by analogy with pf.1 461 fg. stacc. added by analogy with fl ., ob., cl., cor. 424 tr.1 str. ten. added by analogy with fl ., ob., cl., fg., cor.1,2 461 timp. stacc. added by analogy with b.464 b 425 ob.2 note 3: b emended to g by analogy with fl .2 462 tr. second part added 425 fg. va. 466-467 ob. vl.2 tie added by analogy with fl ., cl., fg., cor., tr., pf., vl.1, vc. cb. ten. added by analogy with cor.1,2 va., vc., cb.
134 DCM 023
DDCM_023_Klenau_Klaverkoncert_indmad.inddCM_023_Klenau_Klaverkoncert_indmad.indd 134134 226/09/20196/09/2019 14.1614.16