DOCSLIB.ORG

Cydney M. Payton 1 Selected Exhibitions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cydney M. Payton 1 Selected Exhibitions CYDNEY M. PAYTON 2009–present Independent Curator & Writer San Francisco, California 2001–2008 Director & Chief Curator Museum of Contemporary Art Denver, Colorado 1992–2000 Director & Chief Curator Boulder Museum of Contemporary Art, Colorado 1984–1992 Founder & Director Cydney Payton Gallery, Denver, Colorado Payton Rule Gallery, Denver, Colorado SELECTED EXHIBITIONS 2013 Unbuilt San Francisco: The View from Futures Past (co-curator Benjamin Grant) featuring architects: John Bolles, Ernest Born, Mario Ciampi, Vernon DeMars, Lawrence Halprin, Legorreta & Legorreta, Daniel Libeskind, William Merchant, Willis Polk, Kenzo Tange, and Cathy Simon. California Historical Society and SPUR, San Francisco 2012 Temporary Structures (co-curator Glen Helfand) featuring Pawel Althamer, Roberto Behar & Rosario Marquardt, David Gissen, Amy H. Ho, David Ireland, Paul Kos, Roy McMakin, Christian Nagler & Azin Seraj, Ben Peterson, Michael Robinson, Jonathan Runico, Mungo Thomson, Together We Can Defeat Capitalism. San Francisco Institute of Arts (SFAI), San Francisco 2011 On Apology (co-curator) featuring Erick Beltran, Mark Boulos, Keren Cytter, Omer Fast, Shaun Gladwell, Ragnar Kjartansson, Amalia Pica, Slavs and Tatars, Dawn Weleski, Artur Zmijewski. Wattis Institute for Contemporary Arts, California College of the Arts (CCA), San Francisco The Thing Is To See: Selected Photo-Souvenirs of Daniel Buren 1968-1975, online at thethingistosee.com, Steven Leiber Archives, San Francisco Piggly Wiggly: Self-Serving Stores All Over the World, Wattis Institute for Contemporary Arts, California College of the Arts, San Francisco 2010 Yu-Cheng Chou: Because 64 Crayons Made in the USA. Superfrog Gallery, New People, San Francisco 1 CYDNEY M. PAYTON 2009 Heather & Eric Chan Schatz. The Family of Natasha Congdon Large Works Gallery, MCA DENVER Rex Ray. The Kent & Vicky Logan Promenade Space, MCA DENVER Anthony Goicolea: Related. Laura & David Merage Foundation Photography Gallery, MCA DENVER The Legend of Bud Shark and his Indelible Ink featuring John Buck, Enrique Chagoya, Bernard Cohen, Red Grooms, Don Ed Hardy, Jane Hammond, Robert Kushner, Hung Lui, Hollis Sigler, and Betty Woodman. The Joseph Cresenti Family Paper Works Gallery, MCA DENVER Yang Fudong: City Light. Lu & Chris Law New Media Gallery, MCA DENVER 2008 Adam Helms. The Joseph Cresenti Family Paper Works Gallery, MCA DENVER Jane Hammond: New Photographs. Laura & David Merage Foundation Photography Gallery, MCA DENVER Jonas Burgert. The Kent & Vicky Logan Promenade Space, MCA DENVER Damien Hirst: St. Sebastian. The Family of Natasha Congdon Large Works Gallery, MCA DENVER Yu-Cheng Chou. Lu & Chris Law New Media Gallery, MCA DENVER Jasper de Beijer. The Joseph Cresenti Family Paper Works Gallery, MCA DENVER David Adjaye: Making Public Buildings. Co-Organizer: Whitechapel Gallery, London. MCA DENVER. Traveled to Studio Museum Harlem and Artspace, San Antonio Trevor Appleson: Mexico City Photographs. Laura & David Merage Foundation Photography Gallery, MCA DENVER Susanne Kühn: Recent Paintings. The Family of Natasha Congdon Large Works Gallery, MCA DENVER Brad Kahlhamer: Rapid City. The Kent & Vicky Logan Promenade Space, MCA DENVER Omer Fast. Lu & Chris Law New Media Gallery, MCA DENVER 2 CYDNEY M. PAYTON 2007 Star Power: Museum as Body Electric featuring David Altmejd, Carlos Amorales, Candice Breitz, Rangi Kipa, Wangechi Mutu, Chris Ofili, and Collier Schorr. MCA DENVER Erwin Redl: FADE, Denver. MCA DENVER (temporary |contemporary) Creative Acts That Matter (Part III): The Peace Project by Roberto Behar & Rosario Marquardt/R&R Studios. MCA DENVER (temporary |contemporary) Decades of Influence: Extended Remix featuring Rokko Aoyama, Lawrence Argent, Carolyn Braaksma, Robert Brinker, Don Coen, Suchil Coffman-Guerra, John DeAndrea, Kim Dickey, Mary Ehrin, Atomic Elroy, Paul Gillis, Jim Green, Patti Hallock, Ana María Hernando, Homare Ikeda, Matthew Larson, Chris Lavery, R. Edward Lowe, Paola Ochoa, Jason Patz, Bruce Price, Steven Read, Carl Reed, Clark Richert, Barbara Shark, Stacey Steers, Carley Warren, Ivan Wilson, and Leafe Zales. MCA DENVER 2006 Decades of Influence: Colorado Art 1985 to Present featuring Robert Adams, Mark Amerika, Lawrence Argent, Jack Balas & Wes Hempel, James Balog, Stephen Batura, Roland Bernier, Stan Brakhage, Carolyn Braaksma, Phil Bender, Scott Chamberlin, Dale Chisman, Albert Chong, Joseph Clower, Martha Daniels, John DeAndrea, Kim Dickey, Rebecca DiDomenico, Richard Devore, Tracey Felix, Sushe Felix, Chuck Forsman, Carlos Frésquez, John Fudge, Linda Girvin, Nick Havholm, John Hallin, CharlesHayes, Linda Herritt, Homare Ikeda, Pamela Joseph, Jim Johnson, Wesley Kennedy, Rodger Lang, Terry Maker, Robert Mangold, John McEnroe, Heidi McFall, James & Nan McKinnell, Myron Melnick, Susan Meyer, Kay Miller, Kevin O’Connell, Paola Ochoa, Eric Paddock, Burt Payne 3, Bruce Price, Jeanne Quinn, Clark Richert, Carl Reed, Daneil & Maruca Salazar, Frank Sampson, Mark Sink, Phil Solomon, Jeffrey Starr, Stacey Steers, James Surls, Gary Sweeney, Barbara Takenaga, Ruth Thorne-Thomsen, Rebecca Vaughan, Carley Warren, Susan Wick, Betty Woodman, Francesca Woodman, George Woodman, and David Zimmer. MCA DENVER Truss Thrust: the Artifice of Space featuring Peter Weltz in a collaboration with William Forsythe, Pipolotti Rist, Sergio Prego, The Blue Noses, and Michelle Ellsworth. Live performance by Locust Dance/Music/Video Company. MCA DENVER See Into Liquid featuring Chiho Aoshima, Whitney Bedford, Tony Capellán, Vija Celmins, Rebecca DiDomenico, Ellen Gallagher, Amy Globus, Don Ed Hardy, Roni Horn, Robert Longo, Richard Misrach, Jacco Olivier, Catherine Opie, and Massimo Vitali. MCA DENVER 3 CYDNEY M. PAYTON 2005 PILLish: Harsh Realities and Gorgeous Destinations featuring Barton Lidice Benes, Richard Billingham, Glenn Brown, Albert Chong, Larry Clark, David Critchley & Dr. Liz Lee, Elisabeth Diller & Ricardo Scofidio, Barnaby Furnas, Tom Fruin, Nan Goldin Damien Hirst, Carsten Höller, Mr., Takashi Murakami, Roxy Paine, Thomas Ruff, and Fred Tomaselli. MCA DENVER Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art featuring Slater Bradley, Larry Clark, Greg Fiering and Matt Luem, Lilah Freedland, Tim Gardner, Luis Gispert, Anthony Goicolea, Janine Gordon, Ryan Humphrey, Nikki S. Lee, Julia Loktev, Maria Marshall, Ryan McGinness, Chloe Piene, Jeff Reed, Tom Sachs, Dean Sameshima, Collier Schorr, and Type A (Adam Ames and Andrew Bordwin). Nationally traveled exhibition organized by ICI. Guest curator: Shamim M. Momin. MCA DENVER 2004 Over One Billion Served: Conceptual Photography from the People’s Republic of China featuring Zhao Bandi, Zhang Dali, Zhu Fadong, Liu Jin, Wang Jinsong, Sheng Qi, Wang Qingsong, Liu Wei, Wu Xiaojun, Wu Xiaojun, Bai Yiluo, and Liang Yue. Co-Curator: Julie Seagraves. MCA DENVER Paola Ochoa: True Love. MCA DENVER 2003 POPjack: Warhol to Murakami featuring Matthew Abbott, Jim Dine, Keith Haring, Robert Indiana, Jasper Johns, Hideaki Kawashima, Masahiko Kuwahara, Roy Lichtenstein, Mr., Vik Muniz, Takashi Murakami, Yoshitomo Nara, Tam Ochiai, Tom Sachs, Aya Takano, Andy Warhol, Tom Wesselman, and Brenda Zlamany. MCA DENVER The Work of Robert Crumb, MCA DENVER Elegy: Contemporary Ruins featuring Shimon Attie, Robert Dawson Christopher James, Richard Misrach, Patrick Nagatani, Catherine Opie, and Ron Pollard. Co- Curator: Katharine Smith Warren. MCA DENVER Blood: Lines & Connections featuring Adel Abdessemed, Sama Alshaibi and Joe Farbrook, Art for Humanity (various artists), Heman Chong, David D’Agostino, Boryana Dragoeva, Zhang Huan, Lea and Pekka Kantonen, Oleg Mavromati, Zhu Ming, Sabah Naim, Marcos Ramirez, Tarja Pitkanën-Walter, and Victor Sydorenko. MCA DENVER 2002 Archipelago: an Intimate Immensity featuring Suzanne Anker, Lillian Ball, John Bowman, Chuck Cave, Kim Dickey, Rebecca DiDomenico, Jim Dingilian, Drew Dominick, Ellen Driscoll, Mary Ehrin, Madeleine Hatz, Linda Herritt, Elana Herzog, Lisa Hoke, Stacy Levy, Terry Maker, Howard McCalebb, Burt Payne 3, 4 CYDNEY M. PAYTON Kate Petley, PLOT, Elizabeth Olbert, Helen O’Leary, Katie Holten, Julie Poitras Santos, Bruce Price, Chandler Romeo, Ann Shostrom, Peter Soriano, Sarah Schwartz, Yuken Teruya, Kim Turos, John Torreano, Sarah Vanderlip, and Jaeha Yoo. Co-Curator: Ann Shostrom. MCA DENVER 5 Abstract featuring Dale Chimsan, Robert Mangold, Clark Richert, Beverly Rosen, and Al Wynne, MCA DENVER 2001 The Sensational Line featuring Franz Ackerman, Jeremy Blake, Nina Bovasso, Marcel Dzama, Neil Farber, Michelle Fierro, Chris Finely, Elliott Green, John Hogan, Monica & Daniel Lorenzi, Jason Jagel, Chris Johanson, Martin Kensels, Manuel Ocampo, Monique Prieto, Stephanie Pryor, and Jacqueline Tough. MCA DENVER Ten Shades of Green, Co-organized by the Architectural League of New York, co- Curator: Peter Buchanan featuring Andrew Lee for Hackland & Dore; Fernau & Hartman, Foster & Partners, Herzog & De Meuron, Michael Hopkins, Jourda & Perraudin, Rick Joy, Brain McKay-Lyons, Lake/Flato, Neutelings Riedijk, Renzo Pain Building Workshop, Webler & Geisler. MCA DENVER 2000 The Living End featuring Fiona Banner, Luca Buvoli, Liz Cazabon, Diana Cooper, Nancy Davidson, Rochelle Feinstein, Dianna Frid, Linda Herritt, Kimowan McClain, The Murthy Sisters, Michelle Segre, Arlene Shechet, and Alyson Shotz. Co-Curator: Ingrid Schaffner. Boulder Museum of Contemporary Art (BMOCA), Colorado Elbows & Tea Leaves: Front Range Women in the Visual Arts featuring Michelle Amota, Linda Herritt, Virginia Maitland,
Load more

Recommended publications
  • 78 WINE SPECTATOR • DEC. 15, 2016 WS121516 Tribecagrill.Indd
    THETR BECAERA 78 WINE SPECTATOR • DEC. 15, 2016 I WS121516_tribecagrill.indd 78 10/21/16 11:24 AM From left: Tribeca Grill co-owners Drew Nieporent and Robert De Niro, wine director David Gordon and managing partner Marty Shapiro have run the restaurant through the ups and downs of a quarter century. ROBERT DE NIRO AND DREW NIEPORENT’S GRAND AWARD–WINNING TRIBECA GRILL HAS HELPED SHAPE ERA NEW YORK CITY’S WINE AND DINING SCENE SINCE 1990 BY BEN O’DONNELL // PHOTOGRAPHS BY QUENTIN BACON DEC. 15, 2016 • WINE SPECTATOR 79 WS121516_tribecagrill.indd 79 10/21/16 11:24 AM David Gordon (pouring) started at Tribeca Grill as a manager but eventually changed his focus to wine, building the restaurant’s list into one of Manhattan’s most impressive. always believe in things being around for a long, De Niro then set about asking friends for investments. Some of long time.” the names of those who said yes may be familiar: Sean Penn, Bill Robert De Niro, 73, made his first screen appear- Murray, Mikhail Baryshnikov, Christopher Walken, Ed Harris, Lou ance in 1965 and has more than 130 film credits as Diamond Phillips, Russell Simmons. an actor, director and producer. But he’s talking But others declined: De Niro’s faith in Tribeca Grill’s future was about Tribeca Grill, a restaurant he opened in 1990. at odds with the reality that New York City chews up restaurants It’s still going strong. “People like tradition; they and spits them out. Even the hottest fame magnet can burn out like coming back; they like knowing it’s there.” quickly.
    [Show full text]
  • Portraiture: People & Places in Time Teaching Resource
    Portraiture: People & Places in Time Teaching Resource Ages: 8+ (Grades 3–12) Essential Questions: • What is a portrait? What is a self-portrait? Materials needed: • What are some traditional portraiture • Paper techniques? What are some of the • Pencil, marker, crayon, or pen different artistic mediums that can be • Access to a mirror used to create portraits? • Ruler (optional) • How does an artist use colors and shapes • Materials for adding color to portrait when building a portrait? scenes (optional) • How does an artist use stance and expression to communicate a specific Duration: 1 hour (includes one 15-minute emotion or emotions in a work of activity and two 20-minute activities) portraiture? • What can a portrait of a person or group of people tell us about a specific time and place? Image: John White Alexander (American, 1856–1915). Azalea (Portrait of Helen Abbe Howson), 1885. Oil on canvas. Gift of Mrs. Gertrude Farnham Howson, 1974 (74.19.6). hrm.org/museum-from-home 1 Part 1: Introducing Portraiture Portrait painting, or figural painting, is a fine art genre in which the intent is to depict the visual appearance of the subject, typically a person (sometimes multiple people or even an animal). Portraits in different mediums and contexts help us understand the social history of different times. In addition to painting, portraits can also be made in other mediums such as woodcut, engraving, etching, lithography, sculpture, photography, video and digital media. Historically, portrait paintings were made primarily as memorials to and for the rich and powerful. Over time, portrait-making has become much easier for people to do on their own, and portrait commissions are much more accessible than they once were.
    [Show full text]
  • Modernism 1 Modernism
    Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking.
    [Show full text]
  • John Richard Fudge B
    John Richard Fudge b. 1940, Des Moines, IA d. 1999, Lakewood, CO Education 1966 MFA, University of Colorado, Boulder 1963 BFA, University of Colorado, Boulder Solo Exhibitions 2012 John Fudge Paintings and other Allegories, RULE Pop-up at the Pattern Shop Studio 1988 John Fudge: From Hell to Breakfast, Arvada Center for the Arts, Arvada, CO 1983 Twenty-Year Retrospective, Boulder Center for the Visual Arts, Boulder, CO 1978 Regis College, Denver, CO 1977 J. Magnin Gallery, Denver, CO 1974 Walker Street Gallery, New York 1974 Paintings, Wilamaro Gallery, Denver, CO 1972 Wilamaro Gallery, Denver, CO! 1970 Henderson Museum, University of Colorado, Boulder 1968 University of Arizona, Tucson! 1968 University of Colorado, Boulder Select Group Exhibitions 2017 Audacious, Denver Art Museum, Denver, CO 2016 Looking Back: 40 Years/40 Artists, Arvada Center for the Arts, Arvada, CO 2006 The Armory Group: 40 Years, Mizel Center for Arts and Culture, Denver, CO 1999 Using Your Faculties, University of Colorado, Denver, CO 1996 20/20 Vision, Arvada Center for the Arts and Humanities, Arvada, CO! 1995 The 32-Year Show, Emmanuel Gallery, University of Colorado, Denver, CO 1995 John Fudge: Recent Work, Rocky Mountain College of Art and Design, Denver,! CO 1994 Nature Morte, Rule Modern and Contemporary Art, Denver ! 1993 Preternatural Worlds, Center for Visual Arts, Metropolitan State College, Denver, CO 1992 John Fudge and Jim Hayes, Boulder Center for the Visual Arts, Boulder, CO 1990 Fat-Free Surrealism, Michael Leonard Gallery (curator, Red Grooms),
    [Show full text]
  • Artist Bios Alex Katz Is the Author of Invented Symbols
    Artist Bios Alex Katz is the author of Invented Symbols: An Art Autobiography. Current exhibitions include “Alex Katz: Selections from the Whitney Museum of American Art” at the Nassau County Museum of Art and “Alex Katz: Beneath the Surface” at the Middlesbrough Institute of Modern Art. Jan Henle grew up in St. Croix and now works in Puerto Rico. His film drawings are in the collections of The Metropolitan Museum of Art, New York, The Museum of Modern Art, New York, and The Modern Art Museum of Fort Worth. His collaborative film with Vivien Bittencourt, Con El Mismo Amor, was shown at the Gwang Ju Biennale in 2008 and is currently in the ikono On Air Festival. Juan Eduardo Gómez is an American painter born in Colombia in 1970. He came to New York to study art and graduated from the School of Visual Arts in 1998. His paintings are in the collections of the High Museum of Art, Atlanta, Museum of Fine Arts, Boston, and Bowdoin College Museum of Art, Brunswick. He was awarded The Richard and Hilda Rosenthal Foundation Award from American Academy of Arts and Letters in 2007. Rudy Burckhardt was born in Basel in 1914 and moved to New York in 1935. From then on he was at or near the center of New York’s intellectual life, counting among his collaborators Edwin Denby, Paul Bowles, John Ashbery, Frank O’Hara, Kenneth Koch, Alex Katz, Red Grooms, Mimi Gross, and many others. His work has been the subject of exhibitions at the Instituto Valenciano de Arte Moderno, the Museum of the City of New York, and, in 2013, at Museum der Moderne Salzburg.
    [Show full text]
  • Ryan Mcginley
    www.teamgal.com Ryan McGinley Born 17 October 1977 in Ramsey, NJ Lives and works in New York, NY Education: 2000 B.F.A. in Graphic Design, Parsons School of Design, New York, NY Solo Exhibitions: 2017 Museum of Contemporary Art, Denver, CO, The Kids Were Alright (curated by Nora Abrams, with catalogue, forthcoming February) Team Gallery, New York, NY, Early (forthcoming March) 2016 Tokyo Opera City Art Gallery, Tokyo, Ryan McGinley: Body Loud (curated by Motoaki Hori, with catalogue) GAMeC, Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy, The Four Seasons (curated by Stefano Raimondi, with catalogue) 2015 Team (bungalow), Los Angeles, CA, Winter (with catalogue) Team Gallery, New York, NY, Fall (with catalogue) Kunsthal KAdE, Amersfoort, The Netherlands, Ryan McGinley Photographs 1999 – 2015 (curated by Robbert Roos) Embassy of the United States, Sofia, Bulgaria, Masters of Photography: Ryan McGinley (curated by Dessislava Dimova) 2014 Team Gallery, New York, NY, Yearbook Galerie Emmanuel Perrotin, Hong Kong, Vertical Color of Sound 2013-14 Daelim Museum, Seoul, Magic Magnifier: Photographs 1998 to 2013 (with catalogue) 2013 Galerie Emmanuel Perrotin, Paris, Body Loud Ratio 3, San Francisco, CA, Yearbook Frieze Art Fair, New York, NY (under the auspices of Team Gallery) Bischoff Projects, Frankfurt, Running Water, What Are You Running From? 2012 Tomio Koyama Gallery, Tokyo, Reach Out, I’m Right Here Tomio Koyama Gallery at Hikarie 8, Tokyo, Japan, Animals Team Gallery, 83 Grand Street, New York, NY, Animals Team Gallery, 47 Wooster Street, New York, NY, Grids 2011 Alison Jacques Gallery, London, Wandering Comma Galerie Gabriel Rolt, Amsterdam, Somewhere Place 2010 Ratio 3, San Francisco, CA, Life Adjustment Center (with catalogue) Team Gallery, New York, NY, Everybody Knows This is Nowhere (with catalogue) The Breeder, Athens, Crooked Aisles team gallery, inc.
    [Show full text]
  • Ryan Mcginley
    www.TeamGallery.com Ryan McGinley 1977 born on 17 October in Ramsey, NJ lives and works in New York, NY Education: 2000 B.F.A. in Graphic Design, Parsons School of Design, New York, NY Solo Exhibitions: 2012 Team Gallery, New York, NY, Animals Team Gallery, New York, NY, Grids 2011 Alison Jacques Gallery, London, England, Wandering Comma Galerie Gabriel Rolt, Amsterdam, The Netherlands, Somewhere Place 2010 Ratio 3, San Francisco, CA, Life Adjustment Center (with catalogue) Team Gallery, New York, NY, Everybody Knows This is Nowhere (with catalogue) The Breeder, Athens, Greece, Crooked Aisles 2009 Alison Jacques Gallery, London, England, Moonmilk (with catalogue) 2008 Ratio 3, San Francisco, CA, Spring and By Summer Fall Team Gallery, New York, NY, I Know Where The Summer Goes 2007 FOAM Fotagrafiemuseum Amsterdam, Amsterdam, The Netherlands, Ryan McGinley Team Gallery, New York, NY, Irregular Regulars 2006 Kunsthalle Vienna, Vienna, Austria, Project Space agnes b. galerie du jour, Paris, France, Sun and Health (with catalogue) Frieze Art Fair, London, UK (under the auspices of Team Gallery) 2005 Museo de Arte Contemporáneo de Castilla y León, León, Spain, Laboratorio 987: Entre Nosotros Arles, France, Rencontres Internationales de la Photographie 2004 P.S. 1 Contemporary Art Center/The Museum of Modern Art, Long Island City, New York, New Photographs (curated by Bob Nickas, with catalogue) University of the Arts, Philadelphia, PA Team gallery, inc. 83 grand street New york, ny 10013 tel. 212.279.9219 fax. 212.279.9220 www.TeamGallery.com 2003 The Red Eye Gallery, Rhode Island School of Design, Providence (curated by David Sherry) The Whitney Museum of American Art, New York, NY, The Kids Are Alright Bailey Fine Arts, Toronto, Canada 2002 MC Magma, Milan, Italy Galerie Giti Nourbakhsch, Berlin, Ryan McGinley: Photographien 2000 420 W.
    [Show full text]
  • New York International Open 2012 Final Results
    Last Update: 06/28/2013 16:53 (UTC-05:00) Eastern Time (US & Canada) New York International Open 2012 Final Results Academies Results GERAL 1 - Alliance - 270 2 - Team Lloyd Irvin - 159 3 - Renzo Gracie Academy - 113 Athletes Results By Category WHITE / Juvenile / Male / Feather First - Brian Vizarreta - Brazilian Top Team Boston Second - Martin Koziol - Cesar Pereira Brazilian Jiu Jitsu - CTMMA WHITE / Juvenile / Male / Light First - Dean Smikle - Team Lloyd Irvin Second - Lenin Sales - Renzo Gracie Academy Third - Franklin Flint Laracuente - Tatu BJJ WHITE / Adult / Male / Rooster First - Peter Kim - SAS Team Pennsauken Second - Jason Fernandes - GF Team Third - Angel Zamora - Nova União Third - Madar Laffir - Brasa WHITE / Adult / Male / Light Feather First - eddie doud - Team Lloyd Irvin Second - Carlos Machado - World BJJ Third - Emilio Jose Rivas - Vicente Jr. BJJ Pennsylvania Third - Patrick Gilbride - Gracie Barra WHITE / Adult / Male / Feather First - Andrew Carter - Team Lloyd Irvin Second - Jonathan Alexander Connelly - Lloyd Irvin Martial Arts Third - Eric Todd Reese Jr. - Gracie Barra Third - colin o'laughlin - Yamasaki Academy WHITE / Adult / Male / Light First - chang hee Kim - Rodrigo Vaghi BJJ Second - Peter Petties - Team Lloyd Irvin Third - Evan McLaren - SAS Team Third - Teodoro Quijada Z - Rodrigo Vaghi BJJ WHITE / Adult / Male / Middle First - Gordon Ryan - Renzo Gracie Academy Second - Demetris Pringle - Broadway Jiu-Jitsu Third - Philip Mento - Team Lloyd Irvin Third - Ryan Nix - Kimura BJJ Academy WHITE / Adult / Male / Medium Heavy First - Thomas Schwarting - Yamasaki Academy Second - Luther Lockhart - Jungle Gym Third - Branden Lathan - Broadway Jiu-Jitsu Third - medo medunjanin - Alliance WHITE / Adult / Male / Heavy First - john kim - Lloyd Irvin Martial Arts Second - Tarie Miles - Team Lloyd Irvin Third - Francisco Antonio Laracuente - Tatu BJJ WHITE / Adult / Male / Ultra Heavy First - Patrick Augustine - Alliance Second - Jason Willis - Vicente Jr.
    [Show full text]
  • Oral History Interview with Red Grooms, 1974 Mar. 4-18
    Oral history interview with Red Grooms, 1974 Mar. 4-18 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Red Grooms on 1974 March 4-18. The interview was conducted at Grooms' studio by Paul Cummings for the Archives of American Art, Smithsonian Institution. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. This is a rough transcription that may include typographical errors. Interview PC: March 4, 1974, Paul Cummings talking to Red Grooms in his studio at 85 Walker Street. You were born in Nashville, Tennessee on June first, 1937. RG: No, on June second. This is getting to be ridiculous. Somebody has got to get this straight. PC: So it is June second? RG: Yes. But now the date is beginning to wander all over the place. I've seen it given as the seventeenth. You see, what happened is that the damn birth certificate—I finally had to get a passport and looked up my birth certificate and it had June first on there. Which I guess is a mistake unless my parents are goofy. So the birth certificate actually showed June first and they really make you put that on the passport even if it's wrong.
    [Show full text]
  • Karin Broker
    KARIN BROKER 1950 Born in Penn, Pennsylvania EDUCATION 1972 BFA, University of Iowa 1973 Atelier 17, Paris, France (Fall) 1980 MFA, University of Wisconsin-Madison 1980 Professor at Rice University 2003 Chair of Department of Visual Arts HONORS, AWARDS AND GRANTS 2010 Brown Teaching Grant. Rice University 2008 Brown Teaching Grant. Rice University 2003 Who’s Who in American Art. 25th. Edition 2002 Brown Teaching Grant. Rice University Jerome J. Segal Grant. Rice University 1997 Brown Teaching Grant. Rice University 1996 Julia Mile Chance Teaching Prize. Rice University 1994 Texas Artist of the Year. Art League of Houston 1993 Cultural Arts Council of Houston Grant 1992 Best Local Artist. Houston Press. 1989 Mellon Fellowship Dewar's Texas Doers (50 Texans) 1985 National Endowment for the Arts Grant 1987 National Endowment for the Arts Grant SOLO EXHIBITIONS 2018 love me, love me not, McClain Gallery, Houston, Texas 2014 more damn girls, UT Tyler Meadows Gallery, Tyler, Texas Karin Broker: wired, drawn and nailed, Art Museum of Southeast Texas, Beaumont, Texas damn girls, McClain Gallery, Houston, Texas 2013 Trouble in Paradise, Kirk Hopper Fine Arts Gallery, Dallas, Texas 2012 Karin Broker: Wired, Nailed, Drawn and Printed, Galveston Arts Center, Galveston, Texas 2010 Oddities and Other Opinions, McClain Gallery, Houston, Texas 2006 Mad Girl. McClain Gallery. Houston, Texas 2005 A Mad Girl’s Small Notes. McClain Gallery. Houston, Texas 2003 Dark Talk. McClain Gallery. Houston, Texas 2000 Domestic Melancholia. Merwin and Wakeley Galleries. Illinois Wesleyan University. Bloomington, Illinois Karin Broker….Drawing in sanguine. Gerhard Wurzer Gallery. Houston, Texas 1997 Etchings. Augen Gallery. Portland, Oregon 1996 Notes of a mad girl.
    [Show full text]
  • Mimi Gross Charm of the Many
    Mimi Gross Charm of the Many Preface by Dominique Fourcade Text by Charles Bernstein Salander-O’Reilly Galleries New York This catalogue accompanies an exhibition from September 5–28, 2002 at Salander-O'Reilly Galleries, LLC 20 East 79 Street New York, NY 10021 Tel (212) 879-6606 Fax (212) 744-0655 www.salander.com Monday–Saturday 9:30 to 5:30 © 2002 Salander-O’Reilly Galleries, LLC ISBN: 0 -158821-110-X Photography: Paul Waldman Design: Lawrence Sunden, Inc. Printing: The Studley Press TABLE OF CONTENTS Preface 7 Dominique Fourcade Mimi Gross 9 Charles Bernstein Plates 21 Chronology 42 The artist in her studio. Photo: Henry Jesionka. >#< PREFACE Dominique Fourcade Charm of the Many, such a derangement, does not mean that many were charming, nor does it mean that many have a charm. It alludes to a surprise: in the act of painting many a dif- ferent one lies a charm, single, inborn, and the painter is exposed. Is acted. It has to do with unexpectable sameness, it is serendipitous as well as recalcitrant and alarming. It lurks, very real, not behind but in front of the surfaces. It amounts to a lonesome surface, the surface of portraiture, and deals with an absence, because one does not portray life, death is the subject. Death is the component and the span, the deeper one portrays the more it dawns on us. A sameness, not opaque, with a great variety of reso- nances, a repeated syncope. Charm of the Many is to be sensed, obviously, under the light of Mimi’s own Coptic ways, Fayoumesque, on the arduous path of appearance.
    [Show full text]
  • In the Studio
    Wendell H. Black 17. Picasso at Mougins: The Etchings, 2002 Erik Desmazières 29. With Aldo Behind Me, 2008 62. Copyists at the Metropolitan Museum, 1908 CHECKLIST (American, 1919–1972) Soft-ground etching, aquatint, sugar-lift (French, born 1948) Aquatint, etching, drypoint, and mechanical Etching; unnumbered edition of 100 1 Dimensions are in inches; 6. Artist and Model—Spring II, 1958 aquatint, with à la poupée inking and relief 25. Atelier René Tazé IV, 1992 abrasion; edition 12/15 plate: 7 /2 x 9 IN THE STUDIO 1 1 1 Woodcut; edition 11/25 rolls through stencils; edition 91/200 Etching, aquatint and roulette; plate: 46 /2 x 38 /2 sheet: 11 x 13 /8 1 5 7 5 3 height precedes width. image: 23 /8 x 38 plate: 17 /8 x 23 /8 edition 16/75 sheet: 54 /8 x 46 /8 Courtesy of Davidson Galleries, Seattle, and 5 7 7 sheet: 28 x 41 sheet: 23 /8 x 30 plate: 25 /8 x 19 /8 Courtesy of Augen Gallery Kraushaar Galleries, New York Reflections on Artistic Life 1 Museum Purchase The Carol and Seymour Haber Collection sheet: 30 x 22 /4 Edward Ardizzone 30. Snips, Pliers, and Hammers, 2011 Raphael Soyer (British, 1900–1979) 92.217.44 2004.33.5 Museum Purchase: Hank and Judy Hummelt Fund Woodcut and etching; edition 12/15 (American, 1899–1987) 1. The Model, 1953 1 FEBRUARy 2 – MAy 19, 2013 Frank Boyden Charles‑François Daubigny 1995.18.1 plate: 48 x 38 /4 63. Young Model, 1940 5 1 Lithograph; edition 29/30 (American, born 1942) (French, 1817–1878) sheet: 50 /8 x 40 /8 Lithograph; unnumbered edition of 250 1 5 8 8 3 image: 8 / x 10 / 7.
    [Show full text]