Mrs. Maria Jones Bridge Pratt

Total Page:16

File Type:pdf, Size:1020Kb

Mrs. Maria Jones Bridge Pratt MR. MINOT PRATT AND MRS. MARIA JONES BRIDGE PRATT Henry lived in a lofty way. I loved to hear him talk, but I did not like his books so well, though I often read them and took what I liked. They do not do him justice. I liked to see Thoreau rather in his life. Yes, he was religious; he was more like the ministers than others; that is, like what they would wish and try to be. I loved him, but ... always felt a little in awe of him. He loved to talk, like all his family, but not to gossip: he kept the talk on a high plane. He was cheerful and pleasant. — Mrs. Maria Jones Bridge Pratt The farmer and printer Minot Pratt was the “other grandfather” of the little men in Louisa May Alcott’s LITTLE MEN. Later in life his hobby would become the inosculation of foreign plants into the Concord ecosystem, which is not nowadays an innocent activity, nor was it then benign activity. (It was he who introduced what he referred to as the “Chinese chestnut,” the water caltrop or water chestnut Trapa natans, which now seriously endangers many other species; Thoreau had no opportunity to correct him in this hobby, for Pratt would not begin it until 1869).1 DISAMBIGUATION: This Mr. Minot Pratt and Mrs. Maria Jones Bridge Pratt are evidently a very different couple from the Mr. and Mrs. Minot Pratt who contemporaneously were living, all of their lives, in Cohasset, Massachusetts: February 5, 1808: That Minot Pratt was born in Cohasset MA. (But our Mr. Minot Pratt was already born in 1805 in Weymouth.) September 19, 1820: Lillis Joy (Pratt) was born in Cohasset MA. April 3, 1842: Lillis Joy and Minot Pratt, the son of John Pratt, were wed in Cohasset, Massachusetts. June 1, 1872: Minot Pratt died in Cohasset, Massachusetts. (But our Minot Pratt did not die until 1878.) November 25, 1879: Lillis Joy Pratt died in Cohasset, Massachusetts. 1. On the grateful side, it wasn’t Minot Pratt who unleashed gypsy moths into this continent in 1866 — that was another misguided soul living in the vicinity of Concord. HDT WHAT? INDEX MINOT PRATT MRS. MARIA JONES BRIDGE PRATT 1805 January 8, Tuesday: Eraldo ed Emma, a dramma eroico per musica by Simon Mayr to words of Rossi, was performed for the initial time, in the Teatro alla Scala, Milan. Minot Pratt was born in Weymouth, Massachusetts to Bela Pratt and Sophia Pratt. HDT WHAT? INDEX MINOT PRATT MRS. MARIA JONES BRIDGE PRATT 1806 March 27, Thursday: Maria Jones Bridge was born in Boston to John Bridge and Rebecca Beal Bridge. HDT WHAT? INDEX MINOT PRATT MRS. MARIA JONES BRIDGE PRATT 1822 At about the age of 17 Minot Pratt, who had put to learn stone-cutting, went to New Bedford, Massachusetts to become a printer’s apprentice at the Mercury. Although there is no known image of him, he would be described in Lindsay Swift’s 1900 BROOK FARM as “one of the most conspicuously attractive inhabitants [of Brook Farm] … large and of fine physique, with strong features, and a modest but dignified mien.” The recorded Quaker minister Mary Newhall, and friends Elizabeth Redman and Mary Rotch, were in the process of being disowned by the New Bedford Monthly Meeting of the Religious Society of Friends, for their espousal of what were termed “advanced doctrines.” Read about this “New Light” controversy: THE “NEW LIGHTS” Read about the impact this controversy would have on Waldo Emerson (according to his own evaluation): FREDERICK B. TOLLES About 35 of these “New Lights” were being disowned in Lynn,2 and almost that many in nearby Salem. Micah Ruggles and Lydia Dean were involved in this set of beliefs. ELIAS HICKS “Our hearts are filled with many guests — many beloveds.” 2. Lynn (maybe it was yet called Lynnfield) was less than an hour’s travel from Boston. From Burrill’s Hill there you can see the golden dome of the Massachusetts State House. HDT WHAT? INDEX MINOT PRATT MRS. MARIA JONES BRIDGE PRATT Quaker Meeting for Worship Note that Thoreau and Emerson scholars, to date, have taken a simplistic attitude toward this history, presuming for one thing that in the Friendly struggle between Hicksites and Evangelicals, it was always the Hicksites who were disowned and the Evangelicals who stayed in possession of the Quaker logo when that is utterly inaccurate, and presuming, for another thing, that whenever there was a struggle with the Evangelicals in the Friends groups, those who were in opposition were Hicksites or Hicksite sympathizers when that is utterly simplistic. For instance, the “New Light” movement of Mary Newhall that began in about 1815 had not more sympathy for Hicksites than for Evangelicals, was affiliated with the “Irish Liberals,” and was a parallel within Quakerism of the group within the Congregational Church which had eventually split off as Unitarians. (The payoff for these simplistic attitudes is that the scholars get to pretend that the Hicksites were merely Unitarian-symps within Quaker groups, and thus dismiss the fundamental difference between the sort of “reformer” who goes for religious closure, like the Reverend Ralph Waldo Emerson or the Reverend Frederic Henry Hedge or Martin Luther, but merely for closure of a different stamp, and the sort of religious reformer, like Henry Thoreau or Elias Hicks or George Fox, who seeks to forestall any religious closure.) Mary Newhall, Elizabeth Redman, and Mary Rotch, reformers of the “closure-seeking” variety and deadly opponents of the Hicksites (of whom they had no comprehension, because they did not know what it was to seek “non-closure” in matters of the spirit) as well as of the Evangelicals (in opposition to whom they defined themselves), became Unitarians and became friends (small f) of Ralph Waldo Emerson. To characterize their belief system, the historian has to explain that these “New Lights” opposed the Evangelicals within Quakerism who were tending to oversimplify the spiritual life by an escapism in which the old was automatically better than the new, the past better than the present, their model of religious doctrine being one of gradual deterioration with time, and has also to explain that what they had to offer in the place of these simplicitudes was merely an equal but opposite oversimplicitism according to which the new is automatically better than the old, because bright and new, and the future better than the present because after the present. Their simplistic model of religious doctrine was one of progressive revelation with time — a doctrine of evolutionary progress in religious attitudes similar to the sophomoronic attitude that a few deities are obviously better than a confused pagan mess of them, and one monotheistic deity obviously superior to a few (and no deity superior to one). What these people had to offer reduced to the message “Oh, that’s old- fashioned now,” if one allows that they did deliver this doctrine with some wit and subtlety. HDT WHAT? INDEX MINOT PRATT MRS. MARIA JONES BRIDGE PRATT Friend Elias was responsive to the tribulation of these disowned Friends, but his basic attitude had already been expressed in a letter to Martha Aldrich on May 29, 1801: neither memories of the past nor anticipations of the future should be allowed to distract us from the seriousness of our task of using “our own experience and judgment” in “living our daily experience in that injunction of our dear Lord.” ELIAS HICKS “The candle could not be often put out, unless it was also often lighted, which shows the mercy of God.” Is it any wonder that this was the year in which Friend Elias had his first heart attack? HDT WHAT? INDEX MINOT PRATT MRS. MARIA JONES BRIDGE PRATT 1829 March 22, Sunday: By this point Minot Pratt was at work as a printer in Boston. He and Maria Jones were married by Ralph Waldo Emerson at his 2d Unitarian Church on Hanover Street in the North End (and quite possibly this was the 1st couple the young Reverend Emerson united in matrimony).3 According to an almanac of the period, “Protocol agreed on between the plenipotentiaries of Great Britain, France, and Russia; fixing the government, boundaries, &c. of Greece.” CHRONOLOGY OF EVENTS By this “London Protocol” setting the borders of Greece under a Christian ruler subject to the control of the Ottoman Empire, Greece, Romania, and Serbia achieved a measure of independence from Turkey. 3. They would have 4 sons one of whom, John Bridge Pratt, would become an insurance man and marry an Alcott daughter, Anna “Meg” Bronson Alcott (the other sons would be Henry Minot Pratt, Frederick Grey Pratt, and Theodore Parker Pratt; this couple would also produce a daughter, Caroline Hayden Pratt). Their two grandsons by John and Anna, Frederick Alcott Pratt and John Sewall Pratt, would be the “little men” of Louisa May Alcott’s LITTLE MEN, designated in the book as “John Brooke” and “Thomas Bangs” [need to verify this]. HDT WHAT? INDEX MINOT PRATT MRS. MARIA JONES BRIDGE PRATT 1841 September: This was the Brook Farm experiment’s membership roster as it has been derived from their Articles of Association documents dated September 29, 1841 and February 17, 1842, from their Constitution dated February 11, 1844, and from various minutes of their meetings preserved by the Massachusetts Historical Society. We instantly notice that it is not a particularly accurate record of what had been going on, as witness the fact that Nathaniel Hawthorne is being shown as being admitted to membership in the association a month after his attorney has filed the necessary legal papers to disassociate him: Date of Name Birthplace Birthdate Occupation Admission September 1841 Reverend George Ripley Greenfield MA 1802 minister September 1841 Mrs.
Recommended publications
  • Conncensus Vol. 46 No. 11
    Connecticut College Digital Commons @ Connecticut College 1960-1961 Student Newspapers 1-12-1961 ConnCensus Vol. 46 No. 11 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1960_1961 Recommended Citation Connecticut College, "ConnCensus Vol. 46 No. 11" (1961). 1960-1961. 1. https://digitalcommons.conncoll.edu/ccnews_1960_1961/1 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1960-1961 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Appearance of Opera Soprano Tuesday Night Roberta Peters, coloratura so- prano star of the Metropolitan (onn Census Opera, will appear in Palmer Auditorium on Tuesday, January 17, at 8:00 p.m. American-born and completely trained in Amer- Vol. 46--No. II New London, Connecticut, Thursday, January 12, 1961 Price 10 Cents ica, Miss Peters has been widely hailed both here and abroad, as the foremost coloratura soprano Foote, Pomeroy of our time. Robert Fulton Logan Etchings Born in New York City, the so- And McGilvra prano was privately educated Featured in Show at Library from her thirteenth year in order On Quiz Show that her voice be properly train- A display of etchings by Mr. tions of the British Museum, ed and her background in music, languages, and allied fields might Connecticut College has been Robert Fulton Logan will be Cambridge University, and sev- invited to participate in the pro- eral European museums.
    [Show full text]
  • Art Handbook
    OFFICIAL HANDBOOK of ARCHITECTURE and SCULPTURE and ART CATALOGUE TO THE Pan-American Exposition With Maps and Illustrations by permission of C. D. ARNOLD, Official Photographer BUFFALO, NEW YORK, U. S. A., MAY FIRST TO NOVEMBER FIRST, M. CM. & I. Published by DAVID GRAY, BUFFALO, N. Y. Entered according to Act of Congress In the year 1901, by DAVID GRAY, in the Office of the Librarian of Congress, at Washington, D. C. THE PURPOSES OF THE EXPOSITION By JOHN G. MILBURN, President THE act of Congress providing for a was the spirit of the corn-mission to the federal building and exhibit at the Pan- men intrusted with its creation in all of American Exposition states that it is its departments. They were left free to desirable to encourage the holding of the produce the best results, and it is under Exposition “ to fittingly illustrate the such conditions that they have produced marvelous development of the western them. They have received from the hemisphere during the nineteenth century management the fullest sympathy and by a display of the arts, industries, support at every turn. As a consequence manufactures, and products of the soil, there has been thorough cooperation and mines, and sea.” The joint resolution of harmony in the elaboration and execution Congress previously adopted declared of the scheme of the Exposition - a that this development was to be scheme of impressive originality, beauty, illustrated by a “demonstration of the and completeness, probably unexcelled reciprocal relations existing between the in the history of expositions. American Republics and Colonies.” In So much could not have been ac- these declarations the real object of the complished but for the association of the Exposition was comprehensively ex- Exposition with a grand idea - the pressed at the outset, and it has been kept bringing closer together of the peoples of steadily in view.
    [Show full text]
  • Finding Aid to Louise Kidder Sparrow Papers 1900-1986 Archives of Women Artists
    Finding Aid to Louise Kidder Sparrow Papers 1900-1986 Archives of Women Artists Finding Aid Prepared by: Emily Moore (March, 2020) Collection Processed by: Patrick Brown (August, 2006) Betty Boyd Dettre Library & Research Center Email: [email protected] Phone: 202-266-2835 Table of Contents (Click a section title to skip down.) Overview ..................................................................................................... ii Administrative Information .......................................................................... ii Biographical Note ...................................................................................... iv Scope and Content Note ........................................................................... vii Organization and Arrangement Information .............................................. viii Names and Subject Terms ....................................................................... viii Container Inventory .................................................................................. viii Overview Repository Information: National Museum of Women in the Arts, Betty Boyd Dettre Library & Research Center 1250 New York Ave NW Washington, D.C. 20005 Email: [email protected] Phone: 202-783-5000 Title: Louise Kidder Sparrow Papers Provenance: The Louise Kidder Sparrow Papers were donated in 1986 by the artist’s son, Maj. Gen. Herbert G. Sparrow, USA, Ret. from the artist’s effects after her death. A majority of the material is photocopies from a collection of papers donated to the Schlesinger Library
    [Show full text]
  • Italy Under the Golden Dome
    Italy Under the Golden Dome The Italian-American Presence at the Massachusetts State House Italy Under the Golden Dome The Italian-American Presence at the Massachusetts State House Susan Greendyke Lachevre Art Collections Manager, Commonwealth of Massachusetts Art Commission, with the assistance of Teresa F. Mazzulli, Doric Docents, Inc. for the Italian-American Heritage Month Committee All photographs courtesy Massachusetts Art Commission. Fifth ed., © 2008 Docents R IL CONSOLE GENERALE D’ITALIA BOSTON On the occasion of the latest edition of the booklet “Italy Under the Golden Dome,” I would like to congratulate the October Italian Heritage Month Committee for making it available, once again, to all those interested to learn about the wonderful contributions that Italian artists have made to the State House of Massachusetts. In this regard I would also like to avail myself of this opportunity, if I may, to commend the Secretary of the Commonwealth of Massachusetts, the Hon. William F. Galvin, for the cooperation that he has graciously extended to the Committee in this particular endeavor. Italians and Italian Americans are rightly proud of the many extraordinary works of art that decorate the State House, works that are either made by Italian artists or inspired by the Italian tradition in the field of art and architecture. It is therefore particularly fitting that the October Italian Heritage Month Committee has taken upon itself the task of celebrating this unique contribution that Italians have made to the history of Massachusetts. Consul General of Italy, Boston OCTOBER IS ITALIAN-AMERICAN HERITAGE MONTH On behalf of the Committee to Observe October as Italian-American Heritage Month, we are pleased and honored that Secretary William Galvin, in cooperation with the Massachusetts Art Commission and the Doric Docents of the Massachusetts State House, has agreed to publish this edition of the Guide.
    [Show full text]
  • Biographical Sketch of Minot Pratt by Ray Angelo (2017)
    Biographical Sketch of Minot Pratt by Ray Angelo (2017) Minot Pratt was a Concord worthy of whom relatively little is known, overshadowed by other famous Concordians -- Thoreau, Emerson, Alcott and Hawthorne, who were his friends. He had significant connections to all of these families. Minot was active in town affairs and left behind a noteworthy manuscript on the flora of Concord, so diligently explored by others of his time and afterward. No image of him is known. The closest we have is a description of his appearance in Lindsay Swift’s “Brook Farm” (1900) where he is said to be “one of the most conspicuously attractive inhabitants [of Brook Farm] … large and of fine physique, with strong features, and a modest but dignified mien”. This sketch is an attempt to lift him more into the light for a better appreciation of his admirable life. When Bela and Sophia Pratt welcomed their third child, Minot, into the world in Weymouth, Massachusetts, in the winter of 1805 on January 8th, he was among the seventh generation of Pratts thriving in Weymouth. Bela and Sophia would eventually have thirteen children. All of these were females except -- the oldest child, Ezra (1801-1874), Minot, and a younger brother Bela (1810-1844). The myriad Pratt relatives in Weymouth were all derived from their patriarch, Mathew Pratt, born in 1595 in Aston Clinton, England and who died in Weymouth on August 29, 1672. According to the extensive Pratt genealogy of Mathew Pratt by Francis G. Pratt, Jr. (1890), the Pratt name is from a remote period and has been a common name in England, especially the southern counties.
    [Show full text]
  • Spring/Summer
    friends OF THE SAINT-GAUDENS MEMORIAL CORNISH I NEW HAMPSHIRE I SUMMER 2007 (Right Augustus Saint-Gaudens in his Paris Studio, 1898. Sketch of the Amor Caritas IN THIS ISSUE SAINT-GAUDENS’ in the background. Saint-Gaudens’ Numismatic Legacy I 1 NUMISMATIC LEGACY (Below) Obverse of the high relief The Model for the 1907 Double Eagle I 4 The precedent that President 1907 Twenty Dollar A Little Known Treasure I 5 Gold Coin. Saint-Gaudens Film & Symposium I 6 Theodore Roosevelt established, Concerts and Exhibits I 7 of having academically trained Coin Exhibition I 8 sculptors design U.S. coinage, resulted in a series of remarkable coins. Many of these were created FROM THE MEMORIAL by five artists who trained under AND THE SITE Augustus Saint-Gaudens. Archival photo DEAR FRIENDS AND ANS MEMBERS, Bela Pratt (1867-1917) This Friends Newsletter from Connecticut, first studied with Saint-Gaudens In 1907, Pratt was encouraged by is dedicated to the centennial at the Art Students League Dr. William Sturgis Bigelow (185 0-1926), of Saint-Gaudens’ Ten and in New York City. He then a prominent collector of Oriental art and Twenty Dollar Gold Coins moved to Paris, where he an acquaintance of President Theodore studied under Jean Falguière (1831-1900) Roosevelt, to redesign the Two and a Half and his numismatic legacy. and Henri-Michel-Antoine Chapu (183 3- and Five Dollar Gold Coins. Pratt’s designs Augustus Saint-Gaudens, at the request 1891) at the École des Beaux-Arts. Saint- were the first American coins to have an of President Theodore Roosevelt, was the Gaudens was the first American accepted incused design, which is a relief in reverse .
    [Show full text]
  • 1916-1917 Obituary Record of Graduates of Yale University
    N BULLETIN OF YALE UNIVERSITY OBITUARY RECORD OF YALE GRADUATES I916-I917 PUBLISHED BY THE UNIVERSITY NEW HAVEN Thirteenth Series No 10 July 1917 BULLETIN OF YALE UNIVERSITY Entered as second-class matter, August 30, 1906, at the-post-office at New Haven, Conn, under the Act of Congress of July 16, 1894 The Bulletin, which is issued monthly, includes 1. The University Catalogue 2 The Reports of the President and Treasurer 3 The Pamphlets of the Several Schools 4 The Directory of Living Graduates THE TLTTLE, MOREHOtSE & TAYLOR COMPANY, NEW HAVEN, CONN OBITUARY RECORD OF GRADUATES OF YA1E UNIVERSITY Deceased dating the yea* ending JULY 1, 1917 INCLUDING THE RECORD OF A FEW WHO DIED PREVIOUSLY HITHERTO UNREPORTED [No 2 of the Seventh Printed Series, and No 76 of the whole Record The present Series consists of -frve numbers] OBITUARY RECORD OF GRADUATES OF YALE UNIVERSITY Deceased during the year ending JULY I, 1917, Including the Record of a few who died previously, hitherto unreported [No 2 of the Seventh Printed Series, and No 76 of the whole Record The present Series consists of five numbers ] YALE COLLEGE (ACADEMIC DEPARTMENT) Robert Hall Smith, B.A. 1846 Born February 29, 1828, m Baltimore, Md Died September n, 1915, on Spesutia Island, Harford County, Md Robert Hall Smith was the son of Samuel W and Elinor (Donnell) Smith, and was born February 29, 1828, in Baltimore, Md. Through his father, whose parents were Robert and Margaret Smith, he traced his descent from Samuel Smith, who came to this country from Ballema- goragh, Ireland, in 1728, settling at Donegal, Lancaster County, Pa.
    [Show full text]
  • Women Subjects, Women Artists
    WOMEN SUBJECTS, WOMEN ARTISTS IN THE MASSACHUSETTS STATE HOUSE ART COLLECTION Commonwealth of Massachusetts State House Art Commission 2020 Paula Morse, Chair Susan Greendyke Lachevre, Curator ` WOMEN SUBJECTS, WOMEN ARTISTS IN THE MASSACHUSETTS STATE HOUSE ART COLLECTION INTRODUCTION While the Commonwealth’s art collection has been on display at the Massachusetts State House since its opening in 1798, it was not until the early 20th century that women were represented. The first tributes were either symbolic – the Civil War Army Nurses Memorial, added in 1914, - or allegorical, as seen in the personifications of nations in murals dating from 1927 - 1938. In fact, the first statue of a historical female figure, that of Anne Hutchinson, was not accepted by the leadership until 1922. Furthermore, the first portrait of a woman, that of Esther Andrews, added in 1939, was not solicited by the Commonwealth but was offered as a gift by her family. In 1863, Emma Stebbins was awarded the contract for a statue of Horace Mann, one of the earliest public monuments in Boston. Although there were certainly many professional women artists working in Boston during the decades that followed, they did not receive commissions until the turn of the century when $9,000 was appropriated for the programmatic expansion of the portrait collection to fill in the gaps in the display of governors under the Constitution. At that time, Boston was blessed with a talented pool of artists, both male and female, trained at the Boston Museum School and in Europe, from whom copies could be commissioned, since original likenesses of former governors were usually privately owned.
    [Show full text]
  • Name of Lesson
    TPS Eastern Region Bibliography of Images Thumbnail Image Citation Information Detail from "Shell road map: Pennsylvania" showing woman driving a car with license plates in the background. Chicago; H.M. Coushá, 1933 http://hdl.loc.gov/loc.gmd/g3820.awh00010 [J.P. Morgan, Jr., and his yacht, which he uses daily to carry him to and from his office and his summer home in Greenwich, Connecticut]. c1914. http://www.loc.gov/pictures/item/90711048 On Miami shore waltz; Golden sands of Miami. 1919. Creator: Victor Jacobi. Lyricist: William LeBaron. New York, New York, Chappell-Harms, 1919 https://library.duke.edu/digitalcollections/hasm_a4910/ Gathering cranberries that are floating on the surface of a flooded bog, Burlington County, New Jersey Rothstein, Arthur, 1915-1985. 1938 Oct.. Farm Security Administration - Office of War Information Photograph Collection. http://www.loc.gov/pictures/item/2017723887/ Statue of Liberty, Liberty Island, Manhattan, New York, New York, NY Documentation compiled after 1968. Notes: Richard Morris Hunt prepared the plans for the 89 foot high pedestal; French engineer Alexandre Gustav Eiffel sheathing. http://memory.loc.gov/pnp/habshaer/ny/ny1200/ny1251/color/570001cv.jpg [Masthead and part of front page of The Massachusetts spy, or, Thomas's Boston journal showing a female figure of Liberty in upper left and rattlesnake labeled "Join or Die" symbolizing the 13 colonies, challenging a griffin, across the top]. Paul Revere, 1735-1818, artist. 1774 July 7. https:// //hdl.loc.gov/loc.pnp/cph.3a10607 Updated August 2019 TPS Eastern Region Bibliography of Images Barker at the grounds at the Vermont state fair, Rutland.
    [Show full text]
  • FY17 Funding Recommendations
    City of Salem Community Preservation Committee Round 4 Report on Funding Recommendations for the Salem City Council May 4, 2017 Community Preservation Act FY17 Funding Round (FY18 and Carried Over Funds) 1 Overview The Community Preservation Committee (CPC) submits the following project award recommendations for Community Preservation Act (CPA) funds: Historic Resources o Nathaniel Hawthorne Statue Restoration $45,000 o Charter Street Cemetery Restoration $260,000 o House of the Seven Gables Turner-Ingersoll Mansion Roof Replacement $42,500 Open Space/Recreational Land o Ryan Brennan Memorial Skate Park Renovation $75,000 o Palmer Cove Assessment & Concept Plan $27,000 o Saltonstall School Playground $95,000 o Lafayette Park Renovation $100,000 Included in this report is a spreadsheet breaking down the recommended source of CPA funds for each project, as well as a detailed overview of the seven projects recommended. The total funds available for projects are $717,782.97. This includes the FY18 estimated funds, as well as carried over, undesignated FY17 funds. The CPC is recommending funding for projects totaling $644,500. If awarded, the minimum of 10% minimum spending in the categories of Historic Resources and Open Space/Recreation will be satisfied. However, because no housing projects are being recommended for funding this year, the funds set-aside in the Housing Reserve ($63,250) will be carried over to the next round. This will leave a balance available of $10,032.97, which will be carried over. Please note that the available funding will also increase in November, 2017 when late payments, unspent FY17 admin, surcharges received over the $550,000 estimate, the increase in the State match from FY17 ($19,479), interest and any other extra funds that are reported to the Department of Revenue are placed into the Fund Balance.
    [Show full text]
  • OFF • Nylon Ski Jackets • Coats & Car Coats
    PAGE SIXTEEN — MANCHESTER EVENING HERALD. Manchester, Conn., Fri., Keb. 27, 1976 H College notes FOCIS class Births begins Tuesday The weather Inside today Among the students The Family Oriented Childbirth In­ O’Connor, Daniel James, son of General Hospital. Her maternal named to the dean's list at Partly cloudy, chance of a shower, formation Society (FOCIS) is now Daniel and Claudia Guest O’Connor grandmother is Mrs. Patrick mild, high upper 50s. Fair tonight, low Area new s............8 High School Worlds the University of Hartford accepting registration for its March of 75 Maple St. He was born Feb. 22 Donoghue of South Belmar, N.J. Hei in 20s and 30s. Increasing cloudiness Business............... 2 O bituaries...... 12 College of Arts and series of classes in Expectant Parent at Manchester Memorial Hospital. paternal grandparents are Mr. and' Sunday, high in 40s. National weather Church n e y s ___6 Sports...................7 Sciences are; Education. His maternal grandparents are Mr. Mrs. William P. Diviney of Ocean forecast map on Page 9. Classified .... 9, 10 Sr. Citizens......... 2 Manchester: Michael M. Township, N.J. She has three Dear Abby........11 Week-Review . 16 The classes which meet weekly and Mrs. Donald Guest of East Hart­ Editorial .............4 W ings...................6 Darby, 41 Keeney St. begin Tuesday at 7:30 p.m. at ford. His paternal grandmother is brothers, Charley, Patrick and East Hartford: Arthur Manchester Memorial Hospital in Nora O’Connor of East Hartford. He Michael. Donovan, 11 Alps Dr.; the conference rooms. The classes has a brother, Donald 8; and a sister.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 55,1935-1936, Trip
    ^anDersi S&eatte, CambtfDge [Harvard University] \ fern % BOSTON SYMPHONY ORCHESTRA INC. A FIFTY-FIFTH SEASON 1935-1936 [1] Thursday Evening-, October 17 at 8 o'clock FREDERICK PICKERING CABOT First President of the 'Boston Symphony Orchestra 1918-1932 he marble portraiture of Frederick Pickering .^A- Cabot installed in the balcony foyer of Symphony Hall shortly before the opening of the present season is much more than an impressive work of art: it is a spon- taneous tribute of affection and respect to a great citizen of Boston, a man whose modesty would never have per- mitted him to imagine hknself the subject of such com- memoration. It owes its form to the loving memory and skilled hand of a sculptor, Mr. Korczak Ziolkowski, be- friended as a boy by Judge Cabot in his official capacity, and thus brought into a close and inspiring intimacy which went far to determine the younger man's artistic career. When the face of his friend emerged from the marble, as a labor of love, modelled from an enduring image of the mind, others who loved Judge Cabot brought to pass its installation in Symphony Hall. No less fitting than Bela Pratt's bust of Major Higgin- son, long familiar to frequenters of our concerts, is this commemoration of one of whom it can so truly be said that "with faith and understanding he carried on the ideal of his kinsman the founder." In the person of Judge Cabot the present of the Orchestra stands linked with the past, and with the future. fanners? tltjeatre .
    [Show full text]