The Savoy Players and Orchestra Gilbert and Sullivan - Mikado and Gondoliers Selections Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Savoy Players and Orchestra Gilbert and Sullivan - Mikado and Gondoliers Selections Mp3, Flac, Wma The Savoy Players And Orchestra Gilbert And Sullivan - Mikado And Gondoliers Selections mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Folk, World, & Country / Stage & Screen Album: Gilbert And Sullivan - Mikado And Gondoliers Selections Country: US MP3 version RAR size: 1330 mb FLAC version RAR size: 1226 mb WMA version RAR size: 1918 mb Rating: 4.5 Votes: 695 Other Formats: APE TTA RA MOD VQF AC3 AAC Tracklist A1 Mikado Part 1, Mikado Part 2 A2 Behold The Lord High Executioner A3 Mikado B1 Gondoliers Part 1, Goldoliers Part 2 - Baritone B2 Gondoliers Part 1, Goldoliers Part 2 - Vocal Ensemble Credits Cover – Haas* Notes (Recorded In England) Barcode and Other Identifiers Matrix / Runout: LP 60 A Matrix / Runout: LP 60 B Related Music albums to Gilbert And Sullivan - Mikado And Gondoliers Selections by The Savoy Players And Orchestra Gilbert & Sullivan, The Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent - The Mikado Gilbert & Sullivan, Sir Malcolm Sargent, Pro Arte Orchestra, The Glyndebourne Festival Chorus - The Gondoliers Gilbert & Sullivan / Sadler's Wells Orchestra, Chorus, Alexander Faris - Gilbert And Sullivan: The Mikado (Complete) And Iolanthe (Highlights) Phil Bennett & The Universal Sound - Miki Mikado D'Oyly Carte Opera Company - The Mikado Gilbert And Sullivan, The D'Oyly Carte Opera Company With The New Promenade Orchestra Conducted By Isidore Godfrey - Highlights From The Mikado And Patience Gilbert & Sullivan - The Mikado Highlights - H.M.S. Pinafore Highlights - Patter Songs Gilbert And Sullivan - D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey - Highlights From The Mikado Gilbert And Sullivan, Glyndebourne Festival Chorus With Pro Arte Orchestra Conducted By Sir Malcolm Sargent - Highlights From Gilbert & Sullivan Volume Four Gilbert And Sullivan - D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey - The Mikado.
Recommended publications
  • Les Contes D'hoffmann
    Jacques Offenbach Les Contes d’Hoffmann CONDUCTOR Opera in three acts, a prologue, James Levine and an epilogue PRODUCTION Libretto by Jules Barbier and Michel Carré Bartlett Sher based on stories by E.T.A. Hoffmann SET DESIGNER Michael Yeargan Saturday, December 19, 2009, 1:00–4:40 pm COSTUME DESIGNER Catherine Zuber New Production LIGHTING DESIGNER James F. Ingalls CHOREOGRAPHER Dou Dou Huang The production of Les Contes d’Hoffmann was made possible by generous gifts from the Hermione Foundation and the Gramma Fisher Foundation, Marshalltown, Iowa. Additional funding was received from the Estate of Helen F. Kelbert and Mr. and Mrs. William R. Miller. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2009–10 Season The 245th Metropolitan Opera performance of This performance is being Jacques Offenbach’s broadcast live over The Toll Brothers– Metropolitan Les Contes Opera International Radio Network, d’Hoffmann sponsored by Toll Brothers, America’s luxury c o n d u c t o r homebuilder®, James Levine with generous long-term support from Hoffmann, a poet Olympia, a doll The Annenberg Joseph Calleja Kathleen Kim Foundation, the The Muse of Poetry Antonia, a young singer Vincent A. Stabile Nicklausse, Hoffmann’s friend Stella, a prima donna Endowment for Kate Lindsey * Anna Netrebko Broadcast Media, and contributions Lindorf Giulietta, a courtesan from listeners Coppélius, an optician Ekaterina Gubanova worldwide. Dr. Miracle Dapertutto This performance Alan Held is also being broadcast live on Metropolitan Andrès Nathanaël, a student Opera Radio Cochenille Rodell Rosel on SIRIUS Frantz channel 78 and Pitichinaccio Spalanzani, a physicist XM channel 79.
    [Show full text]
  • Yeoman of the Guard Score Pdf
    Yeoman of the guard score pdf Continue For the British Military Corps, see Yeomen Guards. A scene from the 1906 film The Emename of the Guard D'Oily Carte The Revival of the Guard; or, Merriman and his maiden, is the Savoy Opera, with music by Arthur Sullivan and libretto by W.S. Gilbert. It premiered on October 3, 1888 at the Savoy Theatre and took place in 423 performances. It was the eleventh collaboration of the fourteenth between Gilbert and Sullivan. The opera is set in the Tower of London during the 16th century, and is the darkest, and perhaps most emotionally engaging, Savoy Opera, ending with a broken heart of the main character and two very reluctant commitments rather than the usual numerous marriages. The libretto contains considerable humor, including many pun-laden one-liners, but Gilbert's trademark satire and topsy-turvy plot complications are subdued compared to other Gilbert and Sullivan operas. Dialogue, though in prose, is quasi-Shakespearean, or early modern English, in style. Critics considered the score the best for Sullivan, including her overture, which is in the form of a sonata, instead of being written as successive pot-pourri tunes from the opera, as in most other overtures of Gilbert and Sullivan. It was the first Savoy Opera using a large Sullivan orchestra, including the second bassoon and the third trombone. Most of Sullivan's subsequent operas, including those not composed with Gilbert as a librettist, use this large orchestra. The background of the 1883 poster is similar to the one Gilbert said gave him inspiration for the opera When the previous Gilbert and Sullivan Opera, Ruddigore, finished his work at the Savoy Theatre, no new Gilbert and Sullivan opera was ready, and for nearly a year the stage was dedicated to reviving the old successes of H.M.S.
    [Show full text]
  • Britain Sends More Troops
    / 24 — MANCHESTER HERALD. Tues.. May 11, 1982 pWonchesfer roods: Fall River fire Fiona condos |whaf's happening? hits five blocks up to zoners On 15th, . pages 4 and 5 . page 7 . page 9 . • " •,- • S ■■ ri the Rainbow ;v : Cloudy tonight; Manchester, Conn. ■ f i i i sunny Thursday iiS-ll Wednesday, May 12, 1982 touches down — See page 2 iEanrliratrr U m l h Single copy 25c in Manchester! ;‘-W. Saturday, May 15th, •7.- Britain sends from 9 a.m. to 2 p.m. is the grand opening of M' more troops our new Loan Center, and which could include allowing tbe QE2 in Southhampton, England, 2 By United Press International U.N. talks to go on for another three British warships 8,000 miles away Britain sent 3,000 more troops to days. Today marked the fifth day of Tuesday sank a suspected Argentine we’re inviting you to come the South Atlantic today aboard the U.N. peace efforts. tanker ship during a third con­ luxury liner QE2 and Prime Following the two-hour meeting, secutive day of bombardments. Minister Margaret Thatcher’s Pym said: “There were some Reporters with tbe fleet said 4'ISfAf'’'^ V i - ' ' - ' ' ■''■ "''4'■ • Cabinet met to decide how much developments overnight which hold British destroyers and frigates were help us celebrate! longer to give U.N. peace talks out some promise of progress. sweeping bays, harbors and inland before ordering a full-scale assault “We are continuing to work with channels in a massive sea dragnet to ■i to retake the Falkland Islands from all intensity at the U.N.,” but he cut supplies to the 9,000-man Argen­ Argentina.
    [Show full text]
  • Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant
    Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant By Melissa Cummins, ©2017 PhD University of Kansas, 2017 MM University of South Dakota, 2013 ME Southeast Missouri State University, 1994 BSE Northwest Missouri State University, 1989 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Colin Roust Paul Laird Scott Murphy Joyce Castle Jeanne Klein Date Defended: March 15, 2017 The dissertation committee for Melissa Cummins certifies that this is the approved version of the following dissertation: Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant Chair: Colin Roust Date Approved: April 26, 2017 ii Abstract In past scholarship, Germaine Tailleferre has been briefly written about as the only female member of Les Six and as a composer of instrumental music. Her body of piano music and a few of her other compositions have been analyzed, but her operatic output and style have to this point not been examined. This dissertation begins to fill that gap by studying the radio operas that were commissioned in 1955 by Radio France. Using parodic techniques developed early in her career, Tailleferre and her librettist, Denice Centore, created a cycle of five short operas that reflected the historical scope of French opera in miniature: Du Style Galant au Style Méchant. The fourth opera in the cycle, Monsieur Petitpois achéte un château, is a parody of the opérettes of Jacques Offenbach.
    [Show full text]
  • INVESTIGATING the STYLE, FORM and GENRE of PERIOD DRAMA in 2010S BRITISH TELEVISION
    A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy December 2020 HERITAGE AND POST-HERITAGE: INVESTIGATING THE STYLE, FORM AND GENRE OF PERIOD DRAMA IN 2010s BRITISH TELEVISION WILL STANFORD This image is unavailable. Please consult reference on page ii for further information. ABBISS ii ABSTRACT This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post- heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history.
    [Show full text]
  • Christchurchmatters28 0.Pdf
    CCM 28 [5]__Layout 1 29/11/2011 16:37 Page e Christ Church Matters MICHAELMAS TERM 2011 ISSUE 28 CCM 28 [5]__Layout 1 29/11/2011 16:37 Page b Editorial Contents “When a blind beetle crawls over the surface of the globe he doesn't realize DEAN’S DIARY 1 that the track he has covered is curved. I was lucky enough to have spotted it.” CARDINAL SINS – Notes from the Archives 2 Albert Einstein (Ch Ch 1931-33) CATHEDRAL NEWS 4 Members probably don’t believe they abide “in an Earthly Paradise” given the FRAGMENTS OF HISTORY 6 present world outlook but perhaps some do look back wistfully at their years at THE CHOIR AT LARGE 8 the House and think those pre-commitment times were pretty close to it! THE MCDONALD CENTRE/WELLS FOR INDIA 10 The days of closed gates and the need to climb in and out of college are gone; CHRIST CHURCH/WAKEFIELD – comings and goings, though monitored, are unconstrained and the internet New Zealand Graduate Scholarship 11 penetrates even the thickest walls. Perhaps Christ Church is less insular now, BOAT CLUB REPORT 12 although that is not always obvious. There were many prejudices apparent in those educated at the House in previous eras, yet great men were educated who OXFORD ALUMNI TRAVEL PROGRAMME 14 ran the Empire well and fairly according to the standards of the time, and Christ ASSOCIATION NEWS AND EVENTS 15-23 Church took in many refugees in the 1930’s, not just Einstein but also Paul Jacobsthal, whose archive the Oxford Institute of Archaeology is working on at THE RETIREMENT OF PETER CONRAD 24 present.
    [Show full text]
  • The Gondoliers
    THE GONDOLIERS Brent Walker, 1982. (Copy under review released by Universal (UK) in 2004; other versions also available.) COMMENT First, the Brent Walker videos story: Stepney-born George Walker was a keen amateur boxer, good enough to become ABA light heavyweight champion by the age of 22. But after turning pro ("The Stepney Steamroller") and winning ten of sixteen bouts, an eye injury forced his premature retirement and he drifted into crime. On his release from Wormwood Scrubs after serving two and a half years for theft, Walker first developed his father-in-law's motor trade interests then moved into boxing management, guiding his younger brother Billy through the heavyweight ranks to challenge for (though not win) the British and European titles. The Walkers invested wisely (a night club, a dog track, catering outlets, property) and in 1974 George formed development company Brent Walker. The development then lucrative sale of north London's Brent Cross shopping centre established the company’s position, after which George sought further and more diverse investment opportunities – these would come to include Brighton Marina ("an English Venice"), two breweries and more than a thousand pubs, golf and hotel complexes across Europe, the William Hill and Mecca bookmaking chains, the Trocadero and Lyceum venues in Piccadilly Circus, a casino in Le Touquet and 1, 2, 3, 4 film production. Concerning the last-named, here, after his March 2011 death at the age of 81, is what his Daily Telegraph obituary had to say: One of Walker’s most colourful sidelines was his interest in cinema.
    [Show full text]
  • Les Contes D'hoffmann
    JACQUES OFFENBACH les contes d’hoffmann conductor Opera in three acts, a prologue, Yves Abel and an epilogue production Bartlett Sher Libretto by Jules Barbier, based on the play by Jules Barbier and Michael Carré (itself set designer Michael Yeargan based on stories by E.T.A. Hoffmann) costume designer Saturday, January 31, 2015 Catherine Zuber 1:00–4:30 PM lighting designer James F. Ingalls choreographer Dou Dou Huang The production of Les Contes d’Hoffmann stage director Gina Lapinski was made possible by generous gifts from the Hermione Foundation, Laura Sloate, Trustee; and the Gramma Fisher Foundation, Marshalltown, Iowa Additional funding was received from general manager the Estate of Helen F. Kelbert and Peter Gelb Mr. and Mrs. William R. Miller music director James Levine principal conductor Fabio Luisi The 261st Metropolitan Opera performance of JACQUES OFFENBACH’S This performance is being broadcast les contes live over The Toll Brothers– d’hoffmann Metropolitan Opera International Radio Network, sponsored conductor Yves Abel by Toll Brothers, America’s luxury homebuilder®, with generous long-term hoffmann, a poet olympia, a doll support from Vittorio Grigolo Erin Morley* The Annenberg the muse of poetry antonia, a young singer Foundation, The nickl ausse, hoffmann’s friend stell a, a prima donna Neubauer Family Kate Lindsey* Hibla Gerzmava Foundation, the lindorf giuliet ta, a courtesan Vincent A. Stabile coppélius, an optician Christine Rice Endowment for dr. mir acle Broadcast Media, dapertut to and contributions Thomas Hampson from listeners worldwide. andrès nathanaël, a student Visit List Hall at the cochenille spal anz ani, a physicist first intermission for fr antz Dennis Petersen the Toll Brothers– pitichinaccio Tony Stevenson* antonia’s mother Metropolitan Opera Olesya Petrova Quiz.
    [Show full text]
  • British Orchestral Music
    BRITISH ORCHESTRAL MUSIC (Including Orchestral Poems, Suites, Serenades, Variations, Rhapsodies, Concerto Overtures etc) Written by Composers Born Between 1800 & 1910 A Discography Of CDs And LPs Prepared by Michael Herman Composers S-Z PHILIP SAINTON (1891-1967) Born in France, the grandson of the prominent violinist Prosper Philippe Sainton, he came to live in England as a child and received his preliminary musical education privately before attending the Royal Academy of Music where he was taught composition by Frederick Corder. His professional music career began as a violist in 1914 at Covent Garden and he continued as an orchestral player after war service and added conducting and composing to his portfolio. Much later he became a professor at the Guildhall School of Music. His catalogue is not very large and includes works for orchestra and songs as well as his significant score for the film "Moby Dick". The Dream of the Marionette (1929) Matthias Bamert/Philharmonia Orchestra ( + Nadir, The Island, Hadley: The Trees So High, One Morning in Spring, La Belle Dame sans Merci and Lenten Meditations) CHANDOS BEAR ESSENTIALS CHAN 24122 (2 CDs) (2005) (original LP release: CHANDOS CHAN 9539) (1997) The Island (tone poem) (1942) Matthias Bamert/Philharmonia Orchestra ( + Nadir, The Dream of the Marionette, Hadley: The Trees So High, One Morning in Spring, La Belle Dame sans Merci and Lenten Meditations) CHANDOS BEAR ESSENTIALS CHAN 24122 (2 CDs) (2005) (original LP release: CHANDOS CHAN 9181) (1993) Moby Dick (1956) (film score) William T Stromberg/Moscow Symphony Orchestra MARCO POLO 8.225050 (1998) Nadir (1949) (A Symphonic Elegy) Matthias Bamert/Philharmonia Orchestra ( + The Dream of the Marionette, The Island, Hadley: The Trees So High, One Morning in Spring, La Belle Dame sans Merci and Lenten Meditations) CHANDOS BEAR ESSENTIALS CHAN 24122 (2 CDs) (2005) (original LP release: CHANDOS CHAN 9539) (1997) MusicWeb International Updated: August 2020 British & Commonwealth Orchestral Music S-Z SIR MALCOLM SARGENT (1895-1984) Born in Stamford, Lincolnshire.
    [Show full text]
  • Tony Locantro Programmes – Opera
    Tony Locantro Programmes – Opera MSS 792 T3743.L Theatre Date Performance Details Arts Theatre 9-14 Nov 1964 The Turn of the Screw Cambridge Benjamin Britten English Opera Conductors: Bryan Balkwill, Benjamin Britten Group Robert Tear, April Cantelo Arts Theatre 9-14 Nov 1964 Albert Herring Cambridge Benjamin Britten English Opera Conductor: Bryan Balkwill Group April Cantelo, Silvia Fisher, Janet Baker Kenneth Macdonald, Joan Clarkson Arts Theatre 1966 Raymond and Agnes Cambridge Edward Loder Conductor: David Grant (Brochure) Barber 1972 Rodelinda Institute of George Frederic Handel Fine Arts Conductor: Ivor Keys Josephine Barstow, Bryan Drake Barbican 2006 Hercules Theatre Handel Les Arts Director: William Christie Florissants William Shimell, Joyce DiDonato Basilica Opera 1968-69 Barber of Seville, Tales of Hoffmann, Illustrated Die Fledermaus, Il Trovatore Booklet Touring Bradford, Leicester, Sunderland, Torquay, Stockton Brighton 1983 La Gioconda Festival Ponchielli - Boito London Conductor: Anton Guadagno Symphony Ghena Dimitrova, Placido Domingo Carl Rosa c1959 Details below under Princes Theatre Opera Princess Theatre Chisinau 2007 Aida (Verdi) National Opera Conductor: Nicolae Dohotaru (Moldova) New Natalia Margarit, Patrizio Ha Wimbledon Theatre Chisinau 2004 Tosca (Puccini) National Opera Natalia Margarit, Vladamir Dragos (Moldova) Hackney Empire College of 2000 Carmen (Bizet) North West Student production and semi-professional London, Sir Richard Eyre Theatre English 22 Aug 1978 Seven Deadly Sins of Ordinary People National Opera Weill/Brecht London Gianni Schicchi, Puccini Coliseum 10 Conductor: Lionel Friend Yrs. Anniversary English 10 Feb 1982 The Flying Dutchman National Opera Richard Wagner London Conductors: Mark Elder, Stephen Barlow Coliseum Norman Bailey, Phillip Joll, Josephine Barstow, Katherine Pring English 2004 London Coliseum National Opera ENO Season Booklet English 2004 Tosca National Opera Giaccomo Pucinni London Conductor: Noel Davies Coliseum Claire Rutter, Julien Gavin English 2006 The Mikado (G.
    [Show full text]
  • The Performing Arts on Film and Television Catalogue
    THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents ..................................................................................................................................
    [Show full text]
  • TICKETS on SALE NOW! NOVEMBER 11 @ 1PM & 4:30Pm Cadillac Palace Theatre Ticketmaster.Com | 800.745.3000 | Broadway in Chicago Box Offices
    Air Check The Guide Dear Member, The Member Magazine for Greetings! At the beginning of last month, I was honored to take on the role of President and CEO WTTW and WFMT Renée Crown Public Media Center for WTTW and WFMT. It is a great privilege to be joining this organization at such an exciting time of 5400 North Saint Louis Avenue innovation and possibility. Like so many of you, I am a longtime fan and supporter of public media Chicago, Illinois 60625 and classical music, and I’m looking forward to collaborating with you and our community to serve the Chicago area and beyond with the most trusted and exceptional content across all platforms. I will Main Switchboard (773) 583-5000 be in touch in a variety of ways in the coming year! Member and Viewer Services In June on WTTW11 and wttw.com/watch, we bring you music specials from across the genres – from (773) 509-1111 x 6 Frank Sinatra to Fleetwood Mac, Leonard Cohen to tenor Pasquale Esposito, and Foreigner to Perry WFMT Radio Networks (773) 279-2000 Como. We celebrate LGBT Pride Month with Coming Out: A 50 Year History and Man in an Orange Shirt Chicago Production Center starring Vanessa Redgrave. (See page 7 for the full list of related programming.) Also, Nature takes us (773) 583-5000 inside the mysterious minds of our pets; the legendary political talk show Firing Line returns with a new host; NOVA looks into the causes of epic hurricanes; the three-part series In Plain Sight tells the Websites wttw.com gripping true story of a serial killer in 1950s Scotland and the intrepid policeman determined to get wfmt.com his man; a new documentary recalls a Chicago advertising firm (and its visionary leader Tom Burrell) who broke the industry’s African American color barrier in the 1960s; and we conclude the month Publisher Anne Gleason with a star-studded adaptation of Agatha Christie’s And Then There Were None, featuring Aidan Turner Art Director (Poldark).
    [Show full text]