Cal Performances Presents About the Artists

Saturday, February , , pm is the host and producer of the public Th e wry and the heartfelt join in David Rakoff ’s Zellerbach Hall radio program Th is American Life. Th e show had its prose to resurrect that most-neglected of literary premiere on Chicago’s public radio station WBEZ virtues: wit. “Looking like a pug and sounding like in late  and is now heard on more than  the love child of Dorothy Parker, Oscar Wilde and public radio stations each week by over . million All About Eve’s Addison DeWitt” (Atlanta Journal- listeners. Most weeks, the podcast of the program Constitution), Mr. Rakoff has established himself, Ira Glass & David Rakoff is the most popular podcast in . via his New York Times bestsellers, Fraud and Don’t Mr. Glass began his career as an intern at Get Too Comfortable, as one of today’s funniest, National Public Radio’s network headquarters most insightful writers. “Rakoff knows the incan- in Washington, D.C., in , when he was  tatory power of a story well told, the art of keeping years old. Over the years, he worked on nearly words aloft like the bubbles in a champagne fl ute. every NPR network news program and held vir- He possesses the crackling wit of a s screwball tually every production job in NPR’s Washington comedy ingenue, a vocabulary that is a treasure headquarters. He has been a tape cutter, newscast chest of mots justes, impressive but most times not writer, desk assistant, editor and producer. He has too showy for everyday wear” (Los Angeles Times). fi lled in as host of Talk of the Nation and Weekend A two-time recipient of the Lambda Book All Th ings Considered. Award for Humor, Mr. Rakoff is a regular contrib- Under Mr. Glass’s editorial direction, Th is utor to Public Radio International’s Th is American American Life has won the highest honors for Life and Th e New York Times Magazine; he is also broadcasting and journalistic excellence, includ- a correspondent for Outside and Writer-at-Large ing the Peabody and DuPont-Columbia awards, as for GQ. His writing has appeared in Vogue, Salon, well as the Edward R. Murrow and the Overseas Seed, Condé Nast Traveler, Th e New York Observer Press Club awards. Th e American Journalism and Wired, among others. Review declared that the show is “at the vanguard Mr. Rakoff has worked in theater with David of a journalistic revolution.” It has won critical and on their plays Stitches, Th e Little acclaim and attracted continuous national media Freida Mysteries, Th e Book of Liz and the OBIE attention over the years. In , Time magazine Award-winning One Woman Shoe. He has por- named Mr. Glass “Best Radio Host in America.” trayed Lance Loud and poet , In , Riverhead Books published Th e New and can be seen in the fi lms Capote (fl eetingly) and Kings of Non-Fiction, a collection of narrative non- Strangers with Candy (fl eetingly, mutely). fi ction essays chosen by Mr. Glass. A feature fi lm, Says Ira Glass, “Like a whore with a heart of , based on a story from gold, David Rakoff says all the nasty things we Glass photo (l) by Nancy Frankin; Rakoff photo (r) by David Denton the radio show was released by Warner Brothers want to hear and then reveals that, actually, it’s all in December . Th e show has put out its own about love.” comic book, three greatest-hits compilations, a paint-by-numbers set, a “radio decoder” toy and a DVD, which was created with cartoonist Chris Ware. In March , the television adaptation of Th is American Life premiered on Showtime to great critical acclaim and was nominated for three Emmy Awards. While producing the series for the cable network, Mr. Glass and his staff continue to create original radio shows.

Cal Performances’ – season is sponsored by Wells Fargo Bank.

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