Defendants' Motion to Dismiss Plaintiffs' Fifth, Sixth
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Coming-Of-Age Film in the Age of Activism
Coming-of-Age Film in the Age of Activism Agency and Intersectionality in Moonlight, Lady Bird, and Call Me By Your Name 29 – 06 – 2018 Supervisor: Anne Salden dr. M.A.M.B. (Marie) Lous Baronian [email protected] Second Reader: student number: 11927364 dr. A.M. (Abe) Geil Master Media Studies (Film Studies) University of Amsterdam Acknowledgements First and foremost, I would like to thank Marie Baronian for her first-rate supervision and constant support. Throughout this process she inspired and encouraged me, which is why she plays an important part in the completion of my thesis. I would also like to thank Veerle Spronck and Rosa Wevers, who proved that they are not only the best friends, but also the best academic proof-readers I could ever wish for. Lastly, I would like to express my gratitude towards my classmate and dear friend Moon van den Broek, who was always there for me when I needed advice (or just a hug) during these months, even though she had her own thesis to write too. Abstract The journey of ‘coming of age’ has been an inspiring human process for writers and filmmakers for centuries long, as its narrative format demonstrates great possibilities for both pedagogy and entertainment. The transformation from the origins of the genre, the German Bildungsroman, to classic coming-of-age cinema in the 1950s and 1980s in America saw few representational changes. Classic coming-of-age films relied heavily on the traditional Bildungsroman and its restrictive cultural norms of representation. However, in the present Age of Activism recent coming-of-age films seem to break with this tendency and broaden the portrayal of identity formation by incorporating diversity in its representations. -
Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
Marina Draghici | Costume Designer
marina draghici costume designer film television rage – director; sally potter, producers; andrew fierberg, christopher sheppard adventure pictures | vox 3 films cast; jude law, john leguizamo, steve buscemi, judi dench, diane wiest, lily cole, adriana barraza *2009 berlin film festival* push – director; lee daniels, producer; lee daniels | smokewood entertainment cast; gabourey sidibe, mo’nique, paula patton, lenny kravitz, sherri sheperd, mariah carey *winner grand jury prize, audience award and special jury prize for acting - 2009 sundance film festival* the cake eaters (in post-production) - director; mary stuart masterson, producers; allen bain, darren goldberg, mary stuart masterson, elisa pugliese | 57th & irving productions | the 7th floor cast; kristen stewart, aaron stanford, bruce dern, elisabeth ashley, jayce bartok * 2007 tribeca film festival * standard operating procedure - director; errol morris | sony pictures classics cast; joshua feinman, merry grissom, cyrus king babylon fields (pilot) - director; michael cuesta, producers michael cuesta, margo myers | fox televisioncbs cast; roy stevenson, amber tamblyn, jamie sheridan, kathy baker, will janowitz the night listener - director; patrick stettner | hart|sharp entertainment | miramax films cast; robin williams, toni collette, sandra oh, bobby cannavale, rory culkin dexter (pilot) - director; michael cuesta, producers john goldwyn, sara colleton, michael cuesta | showtime cast; michael c. hall, jennifer carpenter, james remar heights - director; chris terrio | merchant -
United States District Court Southern District of New York
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK GRAVIER PRODUCTIONS, INC., and Case No. __________ WOODY ALLEN, Plaintiffs, COMPLAINT – against – AMAZON CONTENT SERVICES, LLC, and AMAZON STUDIOS, LLC, Defendants. Plaintiffs Gravier Productions, Inc. (“Gravier”) and Woody Allen (together with Gravier, “Plaintiffs”), by and through their attorneys, Quinn Emanuel Urquhart & Sullivan, LLP, bring this Complaint against Defendants Amazon Content Services, LLC (“Amazon Content”) and Amazon Studios, LLC (“Amazon Studios” and, together with Amazon Content, “Amazon”), and allege as follows: NATURE OF THE CASE 1. Woody Allen is one of the most critically acclaimed, iconic, and successful filmmakers in the history of motion pictures. Mr. Allen has made more than 50 films, earning honors and accolades around the world and generating substantial international box office receipts. Mr. Allen’s combination of criticalDeadline and commercial success as a writer and director for over five decades is unparalleled in the film industry. Seeking to capitalize on Mr. Allen’s international stature, talent, and track record, Amazon—a technology giant but Hollywood novice—sought to develop its nascent entertainment studio by entering into a series of deals with Mr. Allen and his company, Gravier, promising to finance and distribute his future films and to be his “home” for the rest of his career. 2. In June 2018, however, Amazon backed out of the deals, purporting to terminate them without any legal basis for doing so, while knowing that its actions would cause substantial damage to Mr. Allen, Gravier, investors and the artists and crew involved in making the films. Amazon has tried to excuse its action by referencing a 25-year old, baseless allegation against Mr. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
WEEK 37 - 38 Celle Que Vous Croyez (12+) Met Expressionistische Interieurs
OOK NOG TE ZIEN hoogvlakte wordt afgewisseld tijd waarin alles aan het veranderen WEEK 37 - 38 Celle que vous croyez (12+) met expressionistische interieurs. is. TV-ster Rick Dalton (Leonardo Celle que vous croyez is een Regie: Pema Tseden - 86 min. DiCaprio) en zijn vaste stuntdubbel spannend Frans drama, waarin Cliff Booth (Brad Pitt) proberen aan vijftiger Claire (een ijzersterke rol The Matrix (20th Anniversary) (12+) de bak te komen in een filmindustrie van Juliette Binoche) zichzelf na Twintig jaar na de originele release die ze bijna niet meer herkennen. - een gestrand huwelijk weer moet in 1999 keert de cyberthriller terug 162 min. herpakken. Een film over liefde, op het grote doek. De film werd ouder worden en zelfacceptatie, geschreven en geregisseerd door Only you (12+) NIEUWE REEKS VAN NATLAB FILMCAFE naar de gelijknamige roman van The Wachowski’s en sleepte in Na een one-night stand op Ou- Camille Laurens. Regie: Safy 2000 maar liefst vier Oscars in de dejaarsavond worden Jake (Josh START OP DONDERDAG 18 SEPTEMBER Nebbou - 102 min. wacht. De film maakt inmiddels ook O’Connor) en Elena (Laia Costa) al Luister met een goed glas in de hand naar boeiende deel uit van de top 20 beste films snel stapelverliefd op elkaar. Het gesprekken over film. Schuif aan in ons restaurant, Monos (16+) allertijden volgens de gebruikers grote leeftijdsverschil staat samen- toegang is gratis en de bar is open! Monos sleurt je mee in een van de toonaangevende filmwebsite wonen en een kinderwens niet in de Filmmaker, -kenner én -liefhebber Coen Haver ontvangt overweldigend avontuur gedrenkt IMDb. -
(LACMA) Hosted Its Ninth Annual Art+Film Gala on Saturday, November 2, 2019, Honoring Artist Betye Saar and Filmmaker Alfonso Cuarón
(Los Angeles, November 3, 2019)—The Los Angeles County Museum of Art (LACMA) hosted its ninth annual Art+Film Gala on Saturday, November 2, 2019, honoring artist Betye Saar and filmmaker Alfonso Cuarón. Co-chaired by LACMA trustee Eva Chow and actor Leonardo DiCaprio, the evening brought together more than 800 distinguished guests from the art, film, fashion, and entertainment industries, among others. This year’s gala raised more than $4.6 million, with proceeds supporting LACMA’s film initiatives and future exhibitions, acquisitions, and programming. The 2019 Art+Film Gala was made possible through Gucci’s longstanding and generous partnership. Additional support for the gala was provided by Audi. Eva Chow, co-chair of the Art+Film Gala, said, “I’m so happy that we have outdone ourselves again with the most successful Art+Film Gala yet. It was such a joy to celebrate Betye Saar and Alfonso Cuarón’s incredible creativity and passion, while supporting LACMA’s art and film initiatives. I couldn’t be more grateful to Alessandro Michele, Marco Bizzarri, and everyone at Gucci—our invaluable partner since the first Art+Film Gala—and to Anderson .Paak and The Free Nationals for making this evening one to remember.” “I’m deeply grateful to our returning co-chairs Eva Chow and Leonardo DiCaprio for helping us set another Art+Film Gala record,” said Michael Govan, LACMA CEO and Wallis Annenberg Director. “We honored two incredibly powerful artistic voices this year. Betye Saar has helped define the genre of Assemblage art for nearly seven decades, and recognition of her as one of the most important and influential artists working today is long overdue. -
Marco Movies
Movies starting Thursday, December 26 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Star Wars: The Rise of Skywalker” Rated PG-13 Run Time 2:15 Starring Daisy Ridley, Adam Driver, Carrie Fisher and Mark Hamill Start 2:15 5:35 8:15 End 4:30 7:50 11:00 Rated PG-13 for sci-fi violence and action. “Little Women” Rated PG-13 Run Time 2:15 Starring Saoirse Ronan, Emma Watson and Meryl Streep Start 2:40 5:40 8:35 End 4:55 7:55 11:50 Rated PG for thematic elements and brief smoking. “Cats” Rated PG Run Time 1:45 Starring Judy Dench, Jennifer Hudson, Taylor Swift and James Corden Start 2:30 5:50 8:45 End 4:15 7:35 10:30 Rated PG for some rude and suggestive humor. “Jumanji: The Next Level” Rated PG-13 Run Time 2:05 Starring Dwayne Johnson, Kevin Hart, Nick Jonas and Danny DeVito Start 2:50 5:50 8:35 End 4:55 7:55 10:40 Rated PG-13 for adventure action, suggestive content and some language. *** Prices *** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Beach Theater at www.fmbtheater.com facebook.com/BeachTheater Star Wars: The Rise of Skywalker (PG-13) • Daisy Ridley • Adam Driver • Carrie Fisher • Mark Hamill • Lucasfilm and director J.J. Abrams join forces once again to take viewers on an epic journey to a galaxy far, far away with Star Wars: The Rise of Skywalker, the riveting conclusion of the seminal Skywalker saga, where new legends will be born and the final battle for freedom is yet to come. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore. -
A Rainy Day in New York Écrit Et Réalisé Par Woody Allen
A Rainy Day in New York Écrit et réalisé par Woody Allen Avec Timothée Chalamet, Elle Fanning, Selena Gomez, Jude Law, Diego Luna, Liev Schreiber, Rebecca Hall, Suki Waterhouse Durée : 92 min Sortie : 18 septembre 2019 Download photos / Press server: http://www.frenetic.ch/fr/espace-pro/details//++/id/1163 Relations média DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG 079 320 63 82 Lagerstrasse 102 • 8004 Zürich [email protected] Tel. 044 488 44 00 • Fax 044 488 44 11 www.frenetic.ch LOGLINE Un jeune couple d’amoureux part pour un week-end romantique à New York où les averses subites correspondent bien à leurs changements de sentiments. Le nouveau film de Woody Allen avec une brochette de stars à l’affiche. SYNOPSIS Quand Ashleigh (Elle Fanning) reçoit le feu vert pour une interview du fameux réalisateur Roland Pollard (Liev Schreiber), elle prévoit un week-end romantique à passer à New York avec son ami Gatsby (Timothée Chalamet). Mais à peine arrivé à Manhattan, les chemins des amoureux se séparent : tandis qu’Ashleigh reste aux trousses du réalisateur un tantinet dépressif, de son scénariste Ted Davidoff (Jude Law) cocu et finalement de la star esseulée Francisco Vega (Diego Luna), Gatsby se retrouve par hasard sur le tournage d’un autre film où il doit accomplir une scène de baiser avec la très entreprenante Chan (Selena Gomez). Et subitement il commence à pleuvoir à New York. 2 NOTES DE PRODUCTION UN JOUR DE PLUIE À NEW YORK s’attache à un jeune couple, Gatsby (Timothée Chalamet) et Ashleigh (Elle Fanning), dont l’espoir de passer un week-end en amoureux à Manhattan vire à la farce. -
Judy Turns the Objectifying Male Gaze Back on Itself
JUDY O’BRIEN [Maureen O’Hara] (dancing onstage, dress straps rip-male audience members taunt) Go ahead and stare. I'm not ashamed. Go on, laugh; get your money's worth. Nobody's going to hurt you. I know you want me to tear my clothes off so you can look your 50 cents' worth. Fifty cents for the privilege of staring at a girl the way your wives won't let you. What do you suppose we think of you up here? (camera pans l to r well-heeled and ashamed male in tuxedos and reproving female audience members) With your silly smirks your mothers would be ashamed of. It's a thing of the moment for the dress suits to come and laugh at us too. We'd laugh right back at you, only we're paid to let you sit there...and roll your eyes, and make your screamingly clever remarks. What's it for? So you can go home when the show's over, strut before your wives and sweethearts... and play at being the stronger sex for a minute? I'm sure they see through you just like we do. From Dance, Girl, Dance (Dorothy Arzner,1940) Tess Slesinger & Frank Davis (screenplay) Vicki Baum (story) Judy turns the objectifying male gaze back on itself. First 4 have a Hollywood/family connection: Dorothy Arzner’s family owned a Hollywood restaurant frequented by actors and directors Ida Lupino came from a family of British actors Penny Marshall’s Mom was a tap dance teacher, her Dad a director of industrial films and older brother Gary, a TV series creator and successful film director. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter