DOCSLIB.ORG

Tap Into Untouched Human Potential

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tap Into Untouched Human Potential 18 26 SEPTEMBER – 2 OCTOBER 2013 WHERE TO GO HELSINKI TIMES COMPILED BY ANNA-MAIJA LAPPI EXHIBITIONS From Wed 2 October Transformation: Towards MICHAEL WEINTROB a Sustainable Future How to you build or renovate your home to balance human Richard Bona (CMR) needs with the demands of ecological Cameroonian jazz bassist and singer-songwriter Richard Bona will visit Helsinki on sustainability? Tuesday 1 October and fill the stage of Savoy Theatre with his unique sound that Museum of Finnish Architecture combines African polyrhythms, harmonic virtuosity, and accessible melodies. His ar- Kasarmikatu 24 Tue-Sun 11:00-18:00 rangements create a musical kaleidoscope and hypnotize the audiences with the un- Wed 11:00-20:00 expected colors of voices and instruments. Tickets €0/3/6 Born in a tiny village of Minta in Cameroon, Bona started playing balafon at an ear- www.mfa.fi ly age, and by the age of six, he was performing regularly. When Bona was 11, his fam- ily moved to the big city of Douala, where Bona fell in love with the sound of guitar Until Mon 21 October The Invisible Lady and played in local bikutsi and makossa bands. Four young Finnish artists – Aurora Today, after many happy incidents, Bona is a world-renowned jazz musician who Reinhard, Pilvi Takala, Erkka has toured around the globe, recorded several albums and collaborated with various Nissinen and Hans Rosenström – artists such as Harry Belafonte, Quincy Jones, Herbie Hancock, Chick Corea and Ti- have come together to build an exhibition. to Puente. Amos Anderson Art Museum Tue 1 October Yrjönkatu 27 Mon, Thu, Fri 10:00-18:00 Savoy Theatre Wed 10:00-20:00 Kasarmikatu 46-48 Sat, Sun 11:00-17:00 Tickets €34/36 Tickets €0/2/8/10 www.savoyteatteri.fi Cameroonian jazz bassist and singer-songwriter Richard Bona. www.amosanderson.fi Until Sun 10 November Nathalie Djurberg & Hans Berg A blend of fantasy and nightmare MUSIC Fri 27 September Fri 27 September Sat 28 September Wed 2 October created by the Swedish Finnish Radio Symphony Orchestra Turmion Kätilöt Covenant (SWE) Vapaat Äänet contemporary artist duo. Tugan Sohijev, conductor & Sergey Industrial metal. Energetic synth pop, gloomy Innanen & Kantonen Duo and Kunsthalle Helsinki Thu 26 September Khachatryan, violin. Virgin Oil CO. post-industrial sound and electro. Christophe Monniot Station Mir. Nervanderinkatu 3 Timo Hirvonen – My Brazilian Music Centre Mannerheimintie 5 Nosturi Kanneltalo Tue, Thu, Fri 11:00-18:00 Heart Concert Hall Tickets €16.50/17 Telakkakatu 8 Klaneettitie 5 Wed 11:00-20:00 Tribute to Brazilian music. Mannerheimintie 13 www.virginoil.fi Tickets €24 Tickets €9/13 Sat, Sun 11:00-17:00 Koko Jazz Club Tickets €7-25 www.elmu.fi www.kanneltalo.fi Tickets €0/9/12 Hämeentie 3 www.musiikkitalo.fi Fri 27 September www.taidehalli.fi Tickets €11.50-16.50 Girlschool (UK) Sat 28 September Wed 2 October www.kokojazz.fi Fri 27 September Legendary female hard rock group. Hang The DJ-club Finnish Radio Symphony Orchestra Until Sun 17 November Risto Juhani Nosturi The New Tigers´ album release. Hannu Lintu, conductor & Alina Timo Heino Thu 26 September Acoustic folk/pop. Telakkakatu 8 Kuudes Linja Ibragimova, violin. Installations and collages by one of Helsinki Philharmonic Orchestra Korjaamo Culture Factory Tickets €22 Hämeentie 13 Music Centre the most uncompromising Finnish Schubert and Berlioz. Töölönkatu 51 B www.elmu.fi Tickets €8 Concert Hall contemporary artists. Music Centre Tickets €7.50/8 www.kuudeslinja.com Mannerheimintie 13 Helsinki Art Museum Tennis Palace Concert Hall www.korjaamo.fi Fri 27 September Tickets €7-25 Salomonkatu 15 Mannerheimintie 13 Igudesman & Joo: Sun 29 September www.musiikkitalo.fi Tue-Sun 11:00-19:00 Tickets €6-25 Fri 27 September Big Nightmare Music the GazettE (JPN) Tickets €0/8/10 www.musiikkitalo.fi Kombat Katz (SWE), The Shrieks, Violinist Aleksey Igudesman Japan rock superstar. Black Magic Six and pianist Hyung-ki Joo. The Circus THEATRE & DANCE Until Sun 15 December Thu 26 September “Psychobilly”/punk. Sello Hall Salomonkatu 1-3 Surreal Illusionism – Club Hori Smoku Semifinal Soittoniekanaukio 1A Tickets €55-85 Photographic Fantasies of the Crocodiles (USA), Night Beats (USA). Urho Kekkosen katu 4-6 Tickets €42.50/44 www.thecircus.fi Thu 26 September Early 20th Century Kuudes Linja Tickets €7.50 www.sellosali.fi Seven Brothers Fascinating exhibition presenting Hämeentie 13 www.semifinal.fi Mon 30 September The riotous brothers of Finnish lore photographic fantasy postcards Tickets €16.50 Fri 27 September Editors (UK) collide with the world of ballet. from the early 1900s. www.kuudeslinja.com Fri 27 September Deep Space Helsinki Indie rock. Finnish National Opera The Finnish Museum of Pariisin Kevät Solenoid (GER) & Thomas The Circus Helsinginkatu 58 Photography Thu 26 September Pop. Hessler (GER). Salomonkatu 1-3 Tickets €19-105 The Cable Factory Eurocrack (Julma Henri & RPK) Tavastia Kuudes Linja Tickets €37/38 www.opera.fi Tallberginkatu 1 Finnish rap. Urho Kekkosen katu 4-6 Hämeentie 13 www.thecircus.fi Helsinki Le Bonk Helsinki Tickets €10 Fri 27 & Sat 28 September Tue-Sun 11:00-18:00 Yrjönkatu 24 Tickets €19.50/20 www.kuudeslinja.com Mon 30 September Dance United Wed 11:00-20:00 Tickets €9.50 www.tavastiaklubi.fi Jesu (UK), JK Flesh (UK) The Finnish National Opera opens Tickets €0/6/8 www.lebonk.fi Fri 27 September & Wed Post-metal/shoegaze. its doors to two visiting Finnish www.valokuvataiteenmuseo.fi Fri 27 September 2 October Tavastia dance companies. Thu 26 September Klamydia, Hybrid Children Gaetano Donizetti: Don Pasquale Urho Kekkosen katu 4-6 Finnish National Opera Until Tue 31 December The Fabulous Thunderbirds (USA) Punk rock. Comic opera. Tickets €22/24 The Almi Hall Mad about Helsinki Blues/rock. The Circus Finnish National Opera www.tavastiaklubi.fi Helsinginkatu 58 A unique overview of the city´s Tavastia Salomonkatu 1-3 Helsinginkatu 58 Tickets €12/23 history and beloved places. Urho Kekkosen katu 4-6 Helsinki Tickets €26-115 Tue 1 October www.opera.fi Helsinki City Museum Tickets €35/38 Tickets €16.50/17 www.opera.fi Richard Bona (CMR) Sofiankatu 4 www.tavastiaklubi.fi www.thecircus.fi Jazz bassist and musician from Fri 27 & Sat 28 September Helsinki Sat 28 September Cameron. Sirkus Supiainen – [heresy] Mon-Fri 9:00-17:00 We Love Helsinki Syystanssit Savoy Theatre Contemporary circus. Thu 9:00-19:00 Traditional dances from tango to Kasarmikatu 46-48 Cirko Sat, Sun 11:00-17:00 humppa with an urban twist. Tickets €34/36 Kaasutehtaankatu 1 Free entry Korjaamo Culture Factory www.savoyteatteri.fi Tickets €15/20 Töölönkatu 51 B www.cirko.fi Until Sun 12 January 2014 Tickets €11.50/12 Tue 1 October Aesthete Extarordinaire www.korjaamo.fi A Place To Bury Strangers (USA) Fri 27 September – Tue 8 October Birger Kaipiainen´s ceramic fantasies. Tap into Noiserock/shoegaze/post-punk. Hanna Pajala-Assefa: Erään EMMA – Espoo Museum Sat 28 September Tavastia rakkauden historia (”History of of Modern Art Hoedown featuring Anna Puu & Urho Kekkosen katu 4-6 a Love”) Ahertajantie 5 untouched Tuure Kilpeläinen www.tavastiaklubi.fi A duet based on movement and Helsinki Country, folk, blues and rock’n’roll. rhythm by the artist couple chore- Tue, Thu, Fri 11:00-18:00 Sello Hall Wed 2 October ographer Hanna Pajala-Assefa and Wed 11:00-20:00 human potential Soittoniekanaukio 1A Svenska Talande Klubben musician Abdissa “Mamba” Assefa. Sat, Sun 11:00-17:00 Tickets €22.50-27 Hoffmaestro (SWE). Zodiak – Center for New Dance Tickets €0/8/10 www.sellosali.fi Korjaamo Culture Factory Tallberginkatu 1B www.emma.museum Töölönkatu 51 B Helsinki Helsinki Times can help you find Sat 28 September Tickets €13.50/15 Tickets €14/22 Until Sun 12 January 2014 international Clinic presents Uto Karem (ITA) www.korjaamo.fi www.zodiak.fi Trees Are Poems Techno. Kristoffer Albrecht, Taneli Eskola, and motivated workforce Venue Wed 2 October Wed 2 October Ritva Kovalainen & Pentti Pohjoinen Rautatiekatu 21 Matti Johannes Koivu, Pimeys Krepsko Theatre Group & Henna Sammallahti. Tickets €10.70-20.70 Rock. Kaikula – Alma & Amanda Sinebrychoff Art Museum www.clubvenue.fi Tavastia Two minds – one secret, Bulevardi 40 In today’s labour market the most Urho Kekkosen katu 4-6 two moods – one problem. Helsinki difficult task is attracting the Sat 28 September www.tavastiaklubi.fi Cirko Tue, Fri 10:00-18:00 1993 Club Kaasutehtaankatu 1 Wed, Thu 10:00-20:00 best possible applicants Terveet Kädet live. Wed 2 October Helsinki Sat, Sun 11:00-17:00 Bar Loose Karkkipäivä Tickets €15/20 Tickets €0-10 for the vacancy on offer. Annankatu 21 Punk rock. www.cirko.fi www.sinebrychoffintaidemuseo.fi Tickets €8.50 Semifinal To place recruitment www.barloose.com Urho Kekkosen katu 4-6 Wed 2 October adverts in Helsinki Times, Tickets €6.50/7 Karttunen Kollektiv: Lacrimae OTHERS please contact Sat 28 September www.semifinal.fi Jyrki Karttunen and Sari Lakso [email protected] Viikate nterpret famous baroque opera Metal. Wed 2 October death scenes. Until Sun 29 September or phone +358 9 689 7422 Tavastia Sean Nicholas Savage (CAN) Stoa Rakkautta & Anarkiaa - Helsinki Urho Kekkosen katu 4-6 Multilayered pop from Montreal. Turunlinnantie 1 International Film Festival www.helsinkitimes.fi Helsinki Kuudes Linja Helsinki New films from well-known Tickets €19.50/20 Hämeentie 13 Tickets €12/20 filmmakers and fresh talents. www.tavastiaklubi.fi www.kuudeslinja.com www.stoa.fi www.hiff.fi.
Load more

Recommended publications
  • Vrijdagfriday 11
    VRIJVRIJDAGFRIFRIDAY CHECK DE MONITORENVOOR LAATSTE VOOR PROGRAMMAWIJZIGINGENWIJZIGINGENFOR LATEST CHANGES:PLEASE CHECK WWW.NORTHSEAJAZZ.COM THE SCREENS FOR LATEST CHANGES 1111 AHOY OPEN 16.30 h. 16.30 17.00 17.30 18.00 18.30 19.00 19.30 20.00 20.30 21.00 21.30 22.00 22.30 23.00 23.30 00.00 00.30 01.00 01.30 ARTIST IN RESIDENCE CLEO LAINE OMARA BOBBY McFERRIN JOHN DANKWORTH PORTUONDO CRISTINA with BRANCO AMAZONAMAZON NDR BIG BAND AND FRIENDS ’GRACIAS’ HANK JONES 90TH BIRTHDAY CONCERT MARIA SCHNEIDER CHARLES LLOYD with HERBIE HANCOCK NILS FISCHER ORCHESTRA QUARTET ROY HARGROVE & QUINTET & TIMBAZO HUDSONHUDSON ROBERTA GAMBARINI ZUCO 103 AL JARREAU SERGIO MENDESANGIE STONE BOOTSY COLLINS NILENILE A TRIBUTE TO JOE ZAWINUL with the ALAIN CLARK LEE RITENOUR JILL SCOTT METROPOLE ORCHESTRA MAASMAAS conducted by VINCE MENDOZA LARGE & LOUD THE NUBLU NEW COOL MATTHEW ORCHESTRA FLAT EARTH HERBERT conducted by SOCIETY MEETS COLLECTIVE BIG BAND LAWRENCE D. JIMI TENOR with CONGOCONGO ”BUTCH” MORRIS JULES DEELDER ELIZABETH LAURA YUYUKONON SHEPHERD IZIBOR FINK dbCLIFFORD ’THE MUSIC OF IVAN LINS’ HANS TEEUWEN CASSANDRA featuring IVAN LINS MARK MURPHY ZINGT! WILSON special guest DARLINGARLING NNENNA FREELON AHOY OPEN 16.30 h. 16.30 17.00 17.30 18.00 18.30 19.00 19.30 20.00 20.30 21.00 21.30 22.00 22.30 23.00 23.30 00.00 00.30 01.00 01.30 PIANO ROOM NORTH SEA JAZZ RON CARTER ABDULLAH COMPOSITION ’DEAR MILES’ ASSIGNMENT PAUL BLEY ELIANE ELIAS featuring IBRAHIM MADEIRAMADEIRA JEROEN VAN VLIET STEPHEN SCOTT TRIO AND THE WINNER IS..
    [Show full text]
  • Kup Bilet - Sprzeda Ż Bezpo Średnia
    Bydgoszcz Jazz Festival 11 edycja festiwalu zapowiada się bardzo imponująco. Koncert inauguracyjny będzie wydarzeniem muzycznym , który na długo pozostanie w naszej pamięci i naszych sercach. Najwybitniejsi muzycy jazzowi dzisiejszych czasów odwiedzą Bydgoszcz. Mike Stern Band to grupa złożona z samych gwiazd światowego formatu. Koncert w Operze Nova będzie pierwszym koncertem zespołu na trasie europejskiej. Muzycy będą mieszkali w Bydgoszczy dwa dni więc będzie okazja do spotkania się z nimi już bardziej prywatnie, a jest planowane również jam session z ich udziałem w klubie Eljazz. Kolejne koncerty również bardzo ciekawe odbywać sie będą na terenie Bydgoszczy w różnych miejscach. Po raz pierwszy koncert festiwalowy odbędzie się w sali Miejskiego Centrum Kultury , na którym wystąpi Krystyna Stańko z zespołem. Bardzo ciekawie zapowiada się koncert w Auli Copernikanum w której wystąpią dwa zespoły w tym gitarzyści z egzotycznych krajów Meksyku i Wenezueli. Koncert w klubie Eljazz tria Macieja Fortuny z kanadyjskim fenomenalnym perkusistą Tylerem Hornby będzie kolejnym wydarzeniem przypominającym koncerty w najlepszych klubach świata takich jak Birldland czy Village Vanguard Dużym wydarzeniem artystycznym będą tegoroczne Zaduszki Jazzowe w Teatrze Polskim , gdzie heppeningowe prezentacje projektu Ananke wprowadzą słuchaczy w świat pełen wrażeń i przeżyć artystycznych. Po przewie tradycyjnie już zamknie festiwal będący w doskonałej formie Eljazz Quintet. Te ciekawe propozycje muzyczne sprawią, że w drugiej połowie października będziemy mieli w Bydgoszczy prawdziwe święto jazzu. KUP BILET - SPRZEDA Ż BEZPO ŚREDNIA • ELJAZZ, UL. KRĘTA 3, BYDGOSZCZ - TU MOŻNA KUPIĆ BILETY NA WSZYSTKIE KONCERTY FESTIWALOWE • OPERA NOVA, UL. FOCHA, BYDGOSZCZ - TU MOŻNA KUPIĆ BILETY NA KONCERT MIKE STERN BAND • MCK, UL. MARCINKOWSKIEGO, BYDGOSZCZ - TU MOŻNA KUPIĆ BILETY NA KONCERT KRYSTYNY STAŃKO • TEATR POLSKI, UL.
    [Show full text]
  • JAZZIZ-Metheny-Interviews.Pdf
    Pat Metheny www.jazziz.com JAZZIZ Subscription Ad Lage.pdf 1 3/21/18 10:32 AM Pat Metheny Covered Though I was a Pat Metheny fan for nearly a decade before I special edition, so go ahead and make fun if you please). launched JAZZIZ in 1983, it was his concert, at an outdoor band In 1985, we published a cover story that included Metheny, shell on the University of Florida campus, less than a year but the feature was about the growing use of guitar synthesizers before, that got me to focus on the magazine’s mission. in jazz, and we ran a photo of John McLaughlin on the cover. As a music reviewer for several publications in the late Strike two. The first JAZZIZ cover that featured Pat ran a few ’70s and early ’80s, I was in touch with ECM, the label for years later, when he recorded Song X with Ornette Coleman. whom Metheny recorded. It was ECM that sent me the press When the time came to design the cover, only photos of Metheny credentials that allowed me to go backstage to interview alone worked, and Pat was unhappy with that because he felt Metheny after the show. By then, Metheny had recorded Ornette should have shared the spotlight. Strike three. C around 10 LPs with various instrumental lineups: solo guitar, A few years later, I commissioned Rolling Stone M duo work with Lyles Mays on the chart-topping As Wichita Fall, photographer Deborah Feingold to do a Metheny shoot for a Y So Falls Wichita Falls, trio, larger ensembles and of course his Pat cover story that would delve into his latest album at the time.
    [Show full text]
  • Osobnosť Pata Methenyho
    JANÁČKOVA AKADÉMIA MÚZICKÝCH UMENÍ V BRNE HUDOBNÁ FAKULTA Katedra jazzovej interpretácie Jazzová interpretácia Osobnosť Pata Methenyho Bakalárska práca Autor práce: Samuel Marinčák Vedúci práce: MgA. Vilém Spilka Oponent práce: MgA. Jan Dalecký Brno 2014 Bibliografický záznam MARINČÁK, Samuel. Osobnosť Pata Methenyho /Personality of Pat Metheny/ Brno : Janáčkova akadémia múzických umení v Brne, Hudobná fakulta, Katedra jazzovej interpretácie, 2014, 36 s, vedúci práce : MgA. Vilém Spilka Anotácia Bakalárska práca je zameraná na osobnosť jednej z najväčších postáv vo svete jazzu v súčasnosti. Ponúka zaujímavé informácie o jeho živote, kariére, diskografii a o mnohých iných aspektoch súvisiacich s ním. Kľúčové slová jazz, improvizácia, biografia, diskografia, ocenenia, zvuk Annotation This bachelor thesis is focused on the life and work of one of the greatest artists in the world of jazz. It will offer you a very interesting insight to his life, career, discography and other aspects connected to him. Key Words jazz, improvisation, biography, discography, awards, sound Prehlásenie: Prehlasujem, že som predloženú prácu spracoval samostatne, s použitím uvedených zdrojov a prameňov. Zároveň dávam zvolenie k tomu, aby táto práca bola umiestnená v Knižnici JAMU a slúžila na študijné účely. V Brne, dňa 28.7.2014 Samuel Marinčák Poďakovanie: Na tomto mieste by som sa rád poďakoval vedúcemu mojej práce MgA. Vilémovi Spilkovi a oponentovi MgA. Janovi Daleckému, ktorí ma pri písaní usmerňovali a ponúkli mi cenné rady. Obsah Úvod ............................................................................................................................
    [Show full text]
  • March/April 2004 Issue 267 Free Aged 30 Years
    March/April 2004 Issue 267 Free Aged 30 Years www.jazz-blues.com March/April 2004 • Issue 267 Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Chris Hovan, Nancy Ann Lee, David McPherson, Peanuts, Mark Smith, Duane Verh and Ron Cleveland’s jazz festival – Weinstock. 25 years and still swingin’!! Check out our new, updated web For 25 years Highlighting the season are two gala con- page. Now you can search for CD Tri-C JazzFest certs with special performances by Diana Reviews by artists, Titles, Record Cleveland has Krall, George Benson, Joe Sample, Dr. Labels or JBR Writers. Twelve years of reviews are up and we’ll be going been presenting John, Christian McBride, the Clayton- all the way back to 1974! the brightest jazz Hamilton Jazz Orchestra, and a host of luminaries – from others. In addition, we acknowledge Address all Correspondence to.... young lions to the Cleveland’s contributions to the jazz world Jazz & Blues Report legends. Beyond through performances by Joe Lovano, 19885 Detroit Road # 320 world-class per- Jimmy Scott, and an exploration of the Rocky River, Ohio 44116 formances, JazzFest is nationally recog- works of composer Tadd Dameron. Main Office ...... 216.651.0626 nized as a dynamic force for jazz educa- Our 25th anniversary season truly of- Editor's Desk ... 440.331.1930 tion, reaching more than 20,000 students fers something for every jazz palate, along annually through clinics, workshops and with our offering of world-class educational [email protected] in-school performances.
    [Show full text]
  • Richard Bona Girona Música Girona Música
    Richard Bona Girona Música Girona Música Dissabte 21 de març, 21 h Richard Bona aterra per primera vegada a l’Auditori de Sala Montsalvatge Girona per presentar el seu darrer treball, Bonafied, el setè disc com a solista, íntim i artesanal, que confirma que Àfrica segueix bategant ben fort en el seu cor, en la seva veu i en els seus dits, com ho fan el latin jazz, el tango, el pop africà Richard Bona i el cabaret parisenc. Richard Bona, una llegenda al seu Camerun natal, és una de les figures capdavateres del jazz Bonafi ed actual, cosa que l’ha fet arribar a treballar amb músics de Richard Bona, baix i veu l’alçada de Chick Corea, Branford Marsalis, Bobby McFerrin Osmany Paredes, piano acústic i Joni Mitchell entre altres. Dennis Hernández, trompeta Rey Alejandre, trombó Richard Bona Ludwig Afonso, bateria Richard Bona néixer el 1967 a Minta, un petit poble de Camerun. La seva mare i el seu avi eren cantants i Richard, Luisito Quintero, percussió amb cinc anys, ja tocava a l’església local en casaments i batejos. Quan tenia 11 anys es va traslladar amb el seu pare a Durada aproximada: 90 minuts sense pausa la ciutat portuària de Douala. Allà va descobrir la guitarra i va escoltar per primer cop discos del baixista Jaco Pastorius; a partir d’aquesta experiència, Richard va decidir tocar el baix elèctric. Després de la mort del seu pare, Bona es trasllada a París i de seguida es fa un nom en els cercles del jazz. En els clubs va tocar amb músics com ara Didier Lockwood, Marc Ducret i els africans Manu Dibango i Salif Keita.
    [Show full text]
  • Slavic Touch from the Heart of Europe but to Freely Draw on Each of Them, in the Hope of finding One of Her Own
    Anna Maria Jopek - composer, arranger and singer with respectful, honorable carrier has sold one million records and collaborated with the most outstanding musicians - Pat Metheny, Bobbi Mc Ferrin, Ivan Lins, Youssou N'Dour, Makoto Ozone, Richard Bona and others. AMJ has been faithful to Polish musical tradition since her very first album and all along her solo career. As AMJ says: 'music itself has always been my prime concern. It is the great challenge to face the audience that does not understand Polish and does not know me at all. It's a lesson in humility, in sheer communication through sound. We can win, we can fail, but we have to be absolutely honest and pure when it comes to making music.' For seventeen years Anna Maria Jopek studied classical music. At the same time, at home was surrounded by traditional music, her parents being active in Poland's famous folk ensemble Mazowsze. However, AMJ decided to bestow her affection on jazz, with its wide-ranging scope, its openness to so many diverse influences, with the constant intimate dialogue between performing musicians that it entails. And finally it happened. Anna Maria Jopek Today AMJ chooses not to belong to any of these worlds, Slavic Touch from the Heart of Europe but to freely draw on each of them, in the hope of finding one of her own. ’Just thirty seconds of Anna’s tune belong to the most beautiful music I’ve heard in months’ ‘Anna is original, unique, different. She’s brace, she’s modest, she’s open. She’s a great musician.
    [Show full text]
  • Readers Poll
    84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat.
    [Show full text]
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
    [Show full text]
  • How Steve Reich's Music Has Influenced Pat Metheny's and Lyle Mays' the Way Up
    The Art of Composing: How Steve Reich's music has influenced Pat Metheny's and Lyle Mays' The Way Up A research into the history of composition techniques By Benjamin van Bruggen August 2014 1 \\\\\\\\\Supervisors: Prof. Dr. Emile Wennekes Dr. Eric Jas Contents Table of Illustrations 3 Table of Tables 4 \\\\\\\\\ABSTRACT 5 \\\\\\\\\INTRODUCTION 7 \\\\\\\\\PREFACE 13 CHAPTER A) PULSING REPEATED NOTES 21 Electric Counterpoint and Reich's compositional practice 21 As characteristic of The Way Up 24 CHAPTER B) THE PHASE SHIFTING TECHNIQUE 31 CHAPTER C) HARMONIC LANGUAGE 39 2 Piano and trumpet solo 40 The harmonic aspects of The Way Up’s main theme 42 CONCLUSION 53 \\\\\\\\\BIBLIOGRAPHY 56 \\\\\\\\\APPENDIX 1 58 Table of Illustrations Figure 1: The Way Up's lead-sheet's cover (Forsyth n.d.). 6 Figure 2: The Way Up's CD release has six different cover designs (AIGA Design Archives n.d.). 8 Figure 3: The Way Up's CD release's booklet (AIGA Design Archives n.d.). 11 Figure 4: Excerpt from Electric Counterpoint's score: bars 63-67 (silent parts not incorporated) (Reich 1987). 20 Figure 5: Pulsing repeated notes in The Way Up's opening measures (Metheny n.d.) 22 Figure 6: Pulsing repeated notes in The Way Up's opening measures (Metheny n.d.) 23 Figure 7: Pulsing repeated notes in The Way Up's opening measures (Metheny n.d.) 24 Figure 8: A scalar arpeggiating figure in the piano is added to the pulsing repeated notes played by the guitar (Metheny n.d.). 26 Figure 9: Reduction of harmonies and pulsing repeated notes in measures 1445-1516 (Metheny n.d.).
    [Show full text]
  • PHILLIPS End to BEGINNING
    MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz.
    [Show full text]
  • Downbeat.Com July 2010 U.K. £3.50
    .K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette,
    [Show full text]