Glenaeon, Castlecrag, Australia West Side Story AEON Issue One June 2011
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A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
I Never Took Myself Seriously As a Writer Until I Studied at Macquarie.” LIANE MORIARTY MACQUARIE GRADUATE and BEST-SELLING AUTHOR
2 swf.org.au RESEARCH & ENGAGEMENT 1817 - 2017 luxury property sales and rentals THE UN OF ITE L D A S R T E A T N E E S G O E F T A A M L E U R S I N C O A ●C ● SYDNEY THE LIFTED BROW Welcome 3 SWF 2017 swf.org.au A Message from the Artistic Director Contents eading can be a mixed blessing. For In a special event, writer and photographer 4-15 anyone who has had the misfortune Bill Hayes talks to Slate’s Stephen Metcalf about City & Walsh Bay to glance at the headlines recently, Insomniac City: New York, Oliver, and Me, an the last few months have felt like a intimate love letter to New York and his late Guest Curators 4 long fever dream, for reasons that partner, beloved writer and neurologist extend far beyond the outcome of the Oliver Sacks. R Bernadette Brennan has delved into 7 US Presidential election or Brexit. Nights at Walsh Bay More than 20 million refugees are on the move the career of one of Australia’s most adept and another 40 million people are displaced in and admired authors, Helen Garner, with Thinking Globally 11 their own countries, in the largest worldwide A Writing Life. An all-star cast of Garner humanitarian crisis since 1945. admirers – Annabel Crabb, Benjamin Law Scientists announced that the Earth reached and Fiona McFarlane – will join Bernadette City & Walsh Bay its highest temperatures in 2016 – for the third in conversation with Rebecca Giggs about year in a row. -
Bracken's Back - Spreading Sunshine
OCTOBER, 1987 Vol 11 No 9 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Eddie Bracken as Willie Clarke in THE SUNSHINE BOYS Bracken's back - spreading sunshine THE SUNSHINE BOYS blades (he can't hold with his shaking As well as the comedy we can always by Neil Simon hands). It is the role played by Walter expect from Neil Simon this play also Directed by Eddie Bracken Matthau in the film version of the play. has touches of pathos. It has been writ Cast includes: Eddie Bracken, Ray Eddie Bracken knew the two men ten out of love and deep affinity with Barrell, Pat McDonald and John portrayed in the play and claims never the theatrical scene and temperament. The New York Daily News said of the Orscik to have heard even a cross word pass between them. But altercations and play "another hit for Simon in this resh from his success in the lead role conflict make for interest and fun in the shrewdly balanced, splendidly per F of SUGAR BABIES which has just play. formed and rather touching slice of completed a national tour for the Trust, Ray Barrett plays Willie's partner Al showbiz life". Lewis, the role played by the-still-alive Eddie Bracken will direct and star in BOOKlNG INFORMATION THE SUNSHINE BOYS which comes after-all-these-years, George Bums. Pat McDonald will be returning to the stage Her Majesty's Theatre to Sydney's Her Majesty's Theatre next Tue Nov 24 to Sat Dec 12 month. Eddie Bracken plays Willie after five years as Aunt Fiona in TV's Mon to Sat at 8 p.m. -
National Portrait Gallery of Australia Annual Report 13/14
National Portrait Gallery of Australia Annual Report 13/14 National Portrait Gallery of Australia Annual Report 13/14 © National Portrait Gallery of Australia 2014 issn 2204-0811 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical (including photocopying, recording or any information storage and retrieval system), without permission from the publisher. This report is also accessible on the National Portrait Gallery’s website portrait.gov.au National Portrait Gallery King Edward Terrace Canberra, Australia Telephone (02) 6102 7000 portrait.gov.au 24 September 2014 Senator the Hon George Brandis qc Attorney-General Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the National Portrait Gallery of Australia Board, I am pleased to submit the Gallery’s first independent annual report for presentation to each House of Parliament. The report covers the period 1 July 2013 to 30 June 2014. This report is submitted in accordance with the National Portrait Gallery of Australia Act, 2012 and the Commonwealth Authorities and Companies Act, 1997. The Performance Report has been prepared according to the Commonwealth Authorities (Annual Reporting) Orders 2011. The financial statements were prepared in line with the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act, 1997. Yours sincerely Dr Helen Nugent ao Chairman national portrait gallery of australia annual report 2013/14 i Contents Chairman’s letter 3 Director’s report 7 Agency overview 13 Accountability and management 17 Performance summary 23 Report against corporate plan 27 Financial statements 49 Appendices 1. -
COLIN FRIELS | Actor
SHANAHAN COLIN FRIELS | Actor FILM Year Production / Character Director Company 2021 INTERCEPTOR Matthew Reilly Missile Film Production Frank Collins 2013 THE TURNING Marieka Walsh Arenamedia “Ash Wednesday” Narrator 2011 THE EYE OF THE STORM Fred Schepisi Eye of The Storm Productions Athol Shreve 2010 A HEARTBEAT AWAY Gale Edwards Heartbeat Productions Mayor Riddick 2009 TOMORROW WHEN THE Stuart Beattie Ambience Entertainment WAR BEGAN Dr Clements 2009 MATCHING JACK Nadia Tass Love & Mortar Productions Professor Nelson 2009 BLIND COMPANY Alkinos Tsilimidos Prod. John Finemore Geoff Brewster 2008 THE NOTHING MEN Mark Fitzpatrick Alchemy Film Productions Jack Simpson 2007 THE INFORMANT Peter Andrikidis Screentime Doug Lamont 2005 SOLO Morgan O’Neill Miramax/Project Greenlight Barrett 2005 THE BOOK OF REVELATION Ana Kokkinos Wildheart Zizani Pty Ltd Olsen Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2003 ILLUSTRATED FAMILY DOCTOR Kriv Stenders Pod Film Ray 2003 MAX’S DREAMING Sandra Sciberras Prod: Greg Parish Mark Bryce 2003 TOM WHITE Alkinos Tsilimidos Rescued Films Tom 2001 BLACK & WHITE Craig Lahiff B&W Productions Father Tom Dixon 2001 THE MAN WHO SUED GOD Mark Joffe Gannon Films David Myers 1996 DARK CITY Alex Proyas Dark City Productions Det. Eddie Walenski 1995 MR RELIABLE Nadia Tass Hayes McElroy Productions Wally Mellish 1995 COSI Mark Joffe Smiley Films Errol 1994 BACK OF BEYOND Michael Robertson -
Teacher's Kit GALLIPOLI.Pdf
GALLIPOLI SCHOOLSDAY PERFORMANCE IMPORTANT INFORMATION Date: Wednesday 13th August 2008 Venue: Sydney Theatre Pre-performance forum 10.30 am Lunch Break 11.15 am Performance commences: 12.15 pm Performance concludes: 3.15 pm We respectfully ask that you discuss theatre etiquette with your students prior to coming to the performance. Running Late? Please contact Sydney Theatre Company’s main switch on 9250 1700 and a message will be passed to Front of House. Booking Queries Please contact Marietta Hargreaves on 02 9250 1778 or [email protected] General Education Queries Please contact Helen Hristofski, Education Manager, on 02 9250 1726 or [email protected] Sydney Theatre Company’s GALLIPOLI Teacher’s Notes compiled by Elizabeth Surbey © 2008 1 Sydney Theatre Company presents the STC Actors Company in GALLIPOLI Written and Devised by Nigel Jamieson in association with the Cast Teacher's Resource Kit Written and compiled by Elizabeth Surbey Sydney Theatre Company’s GALLIPOLI Teacher’s Notes compiled by Elizabeth Surbey © 2008 2 Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Laura Scrivano (STC) Helen Hristofski (STC) Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Front Image of Alec Campbell used by kind permission of the Campbell -
STC Annualreport 2015 Bigger.Pdf
ANNUAL REPORT BETRAYAL CANNIBALISM COURAGE EYE WITNESS FAMILY TIES FEMINISM FRENEMIES HILARITY LONGING LOVE AND ATTRACTION MADNESS MORTALITY POLITICS RECKONING SINGING TRANSITION TRAVEL Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director Marshall Napier, Richard Roxburgh, Eamon Farren, Cate Blanchett and Martin Jacobs in The Present. Photo: Lisa Tomasetti 2015 in Numbers ACTORS 146% AND CREATIVES 2 889 255 EMPLOYED 131 $418,855 C R 19TEACHING OF TI KET P ICE 318,899 SAVINGS PASSED ON TO ARTISTS TIX 759 6,330 SUNCORP TWENTIES CUSTOMERS EMPLOYED TIX PAID PEOPLE OVERSEAS 10,045 SAW A AND ATTENDEES WAITING FOR GODOT N TIONAL OVER $20M TO STC’S 2015 PROGRAM INTERNATIONAL TOTAL TICKET 47.7% PERFORMANCES INCOME EARNED REDUCTION IN WORLD GREENHOUSE GAS EMISSIONS SINCE 2007 PREMIERES 1,273 4 71.3% WEEKS AVERAGE OF WORK 20,513 5,887 PLAYWRIGHTS REDUCTION CAPACITY TOTAL SUBSCRIBERS NEW SUBSCRIBERS 15 ON COMMISSION IN WATER USAGE SINCE 2007 86% FOR ACTORS 4 5 Ian Jonathan Narev Church CHAIR ARTISTIC DIRECTOR During Board discussions at Sydney Theatre Company, we refer Mark Leonard Winter, Jacek Koman, Geoffrey Rush and Robyn Nevin I am delighted and honoured to be the next Artistic Director of Paula Arundell (background), Eryn Jean Norvill and Paula Arundell regularly to Richard Wherrett’s founding aims of the Company: in King Lear. -
Australia's Magazine of the Performing Arts 3(12) July 1979 Robert Page Editor
University of Wollongong Research Online Theatre Australia 7-1979 Theatre Australia: Australia's magazine of the performing arts 3(12) July 1979 Robert Page Editor Lucy Wagner Editor Follow this and additional works at: http://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert and Wagner, Lucy, (1979), Theatre Australia: Australia's magazine of the performing arts 3(12) July 1979, Theatre Publications Ltd., New Lambton Heights, 50p. http://ro.uow.edu.au/theatreaustralia/32 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 3(12) July 1979 Description Contents: Comment Quotes and Queries Whispers, Rumours and Facts Letters Guide — Theatre, Opera, Dance Richard Wherrett — nI terviewed by Rex Cramphorn Glynne — The am n behind the G &S tour — Raymond Stanley 1979 National Playwrights’ Conference — Douglas Flintoff alcF on Island — Terry Owen Children’s Theatre: Theatre in Education — Ardyne Reid Come Out 79 — Andrew Bleby Flying Fruit Fly Circus — Iain McCalman Children's Theatre in America — Christine Westwood Big Business and the Arts Part 1 — TA Enquiry Writer’s View: Clem Gorman A Sense of Insecurity — Ken Longworth Proliferation of Secret Britain Plays — Irving Wardle Let’s Make; Secret Marriage; D'Oyly Carte — David Gyger Coppelia — William Shoubridge The Queensland Ballet's Autumn Season — Deborah Reynolds ACT Losers — Solrun Hoaas NSW The -
Literature Review
The impact of the counterculture on Australian cinema in the mid to late 20th century A thesis submitted in partial fulfillment of the requirement for the degree of Master of Art Administration (Hons) within the School of Art History and Art Education, College of Fine Arts, University of New South Wales, Sydney, Australia. Fiona Hooton 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hooton First name: Fiona Other name/s: Abbreviation for degree as given in the University calendar: School: School of Art History and Art Education Faculty:COFA Title: The impact of the counterculture on Australian cinema in the mid to late 20th century 2 Abstract 350 words maximum: (PLEASE TYPE) This thesis discusses the impact of the counterculture on Australian cinema in the late 20thcentury through the work of the Sydney Underground Film group, Ubu. This group, active between 1965 -1970, was a significant part of an underground counter culture, to which many young Australians subscribed. As a group, Ubu was more than a rat bag assemblage of University students. It was an antipodean aspect of an ongoing artistic and political movement that began with the European avant-garde at the beginning of the 20th century and that radically transformed artistic conventions in theatre, painting, literature, photography and film. Three purposes underpin this thesis: firstly to track the art historical links between a European avant-garde heritage and Ubu. Experimental film is a genre that is informed by cross art form interrelations between theatre, painting, literature, photography and film and the major modernist aesthetic philosophies of the last century. -
ANDREW TIGHE | Actor
ANDREW TIGHE | Actor FILM Year Production / Character Director Company 1990 CALL ME MR BROWN Scott Hicks Kino Film Company Actor 1985 I CAN’T GET STARTED Rodney Fisher ABC/PBL Productions Second Waiter TELEVISION Year Production/Character Director Company 2017 RIOT Jeffrey Walker ABC TV / Werner Films Productions Reverend Smith 2012 RAKE Kate Dennis ABC TV Priest 2010 HOME AND AWAY Various Seven Network Investigator Wilson 2009 PENELOPE K, BY THE WAY Peter Cudlipp Freehand Productions Frank (Voice) 2007 ALL SAINTS Various Amalgamated Television Services Richard Aldridge 2006 HOME AND AWAY Various Seven Network Gordon 2000 GRASS ROOTS Various Islay Pty Ltd Minister Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 1999 ALL SAINTS Various Amalgamated Television Services Chris Madsen 1998 HEARTBREAK HIGH Various Gannon Jenkins Television Wood 1997 WATER RATS Various Quicksilver Productions Daniel 1997 BIG SKY Various West Street Productions No. 2 Duncan 1995 G.P. Various Roadshow Coote & Carroll Hugh MacIntosh 1991 G.P. Various Roadshow Coote & Carroll David Berry/Surgeon 1 HAMPTON COURT Gary Reilly Productions Rock & Roll 1988 EDEN'S LOST Neil Armfield Margaret Fink Films Bill Seward 1988 EMMA – QUEEN OF THE Gil Brealey Anro Productions SOUTH SEAS Capt. James Forsyth 1987 A COUNTRY PRACTICE Various J.N.P. Productions Mark MELBA Rodney Fisher CB Seven Productions I CAN'T GET STARTED Rodney Fisher P.B.L. Productions SPECIAL SQUAD Crawford Productions RAFFERTY'S RULES Channel 7 Drama Unit 1982 A COUNTRY PRACTICE Various J.N.P. -
Brighton Beach Memoirs Premiere Season BRIGHTON BEACH MEMOIRS by Comedy-Dramas American Theatre Has 1983, "I Laughed and I Cried Although Neil Simon Ever Had
W,el,-\ SEPTEMBER, 1985 Vol 8 No 9 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Brighton Beach Memoirs Premiere Season BRIGHTON BEACH MEMOIRS by comedy-dramas American theatre has 1983, "I laughed and I cried although Neil Simon ever had. " The play went on to win the dangerously I enjoyed it more when I Directed by Ron Link Best Play Award of the 1983 NY Drama was laughing than when I was crying. " 'aligned by Laurence Eastwood Critics Circle. The Australian premiere of ~t includes: Sandra Webb, Jill Perry BRIGHTON BEACH MEMOIRS, as BRIGHTON BEACH MEMOIRS man, Judi Farr, Tim Conigrave and the name suggests, is a memory play and opens at the York Theatre on November Miles Buchanan we can make the assumption that it has 2. It is directed by American director York Theatre more than a hint of autobiography. It Ron Link and stars Jill Perryman and deals with seven members of a middle Judi Farr. The boy, Eugene, is played by eil Simo'n is synonymous with com class Jewish family in Brooklyn during Miles Buchanan who played the young N edy; at the mention of his name a the depression years. The hero of the boy in TORCH SONG TRILOGY. whole string of successful plays and films play is a fifteen-year-old boy in the clos come to mind - PLAZA SUITE, THE ing phases of puberty whose mind is full ODD COUPLE, BAREFOOT IN THE of fiercely fantasised dreams of baseball BOOKING INFORMAnON PARK, and THE GOODBYE GIRL to and dimly fantasised images of girls.