Washington, DC

Total Page:16

File Type:pdf, Size:1020Kb

Washington, DC Lawrence Tibbett to Have Unusual Symphonic Works Dance Director and World-Famous Baritone Coming Here Planned for Next Season Leading Role in New Opera Baritone Will in Work Dr. Kindler's Organization to Present. Among Metropolitan Smg Written Californian—To Be Preaented Many Novelties, “Divine Poem.“ by by Scnabine—An All-Russian Program. in New \ ork Next Winter. tibbett, famous venge taken by a pasha on an un- of the most beautiful and complicated and contrapuntal!/ intri- baritone of the faithful wife. on* of the most heard cate score of the "Divine Poem" rails Metropolitan rarely The composer, who U self-taught In works will be for force used. Opera, who will appear here In symphonic large freely advanced composition and orchestra- wen ted at the It is usual to consider Scrtabtne'* Lawrence openin* OKIpr recital at Constitution Hall tion after early study In Los Angeles, concert of the work u largely the expression of Thursday early In November as the first graduated from the University of Cal- National Symphony Orchestra next theoaophlcal views. Undoubtedly much ifornia to In attraction of Hodgkin Dor- in 1917 and went Europe November i. Scriabin** of his was drawn from the Dorothy namely. inspiration 1922 and again In 193* for critical And the sea- works of and others Some- afternoon recital series, "Divine Poem during Blarstsky sey's Sunday conferences with various composers has an- of s in his later son, Director Hans Kindi*r thing megalomaniac, will have the leading role In a new and for auditions of his operas. He nounced. at least seven other major years Scriabinc dreamed of combin- American opera to be presented by the has written five in addition to the one symphonies will be added to the ing Into an art form a technique call- Metropolitan next Winter. the Metropolitan will do this coming orchestra s repertoire ing on all the organs of sense, and John Lawrence Seymour, an Amer- season. "In the Pasha's Oarden" was The "Divine Poem" is sometimes at the time of his death was working ican virtually unknown outside his particularly praised by Vincent d'Indy, called Scriabin*'* "Third Symphony" on his great "Mystery,” which com- native California, is the composer of Max von Schillings and Rlccardo Zan- and, with the "Poem of Ecstasy'’ or bines music speech, dance, perfume the new opera, which le In one act. donai. For the past eight yean Mr. "Fourth Symphony,’’ ranks as his and odor. This work, never finished, and entitled "In the Pasha's Oarden." 8evmour has been director of the de- greatest and most successful sym- was to have called for 2,000 perform- Tibbett will not only sing the role partment of dramatic art of Sacra- phonic venture ers. of the pasha In the Seymour work but mento Junior College. He has also Scriablne was born at Moscow on Other large symphonic works planned has been highly Instrumental In In- composed chamber music and many Christmas day. 1171, and. despit* hi* for the National Symphony by Ktndler teresting the Metropolitan manage- songs. undoubted genius, to still little known are 8ibelius’ "Second Symphony.” ment in It. It fulfills Tibbett s desire In the meantime. Tlbbett studies to the average concert-goer In Amer- Beethoven's "Seventh." the "Second for an American opera with a libretto hta new role aboard the yacht Rhodos. ica. His father was a lawyer. His Symphony" by Randall Thompson and In English by a real American author on which he and Mrs. Tlbbett are mother was a good musician, a pupil other symphonies by Mozart. Schu- as well as composer. The librettist Is vacationing off the New England of Uwcbettosky. but she died when he mann and Haydn not heretofore Henry Chester Tracy, who has coast. Last year Tlbbett created one Was 1 year old. HU early training played by the orchestra. adapted a story by H. O. Dwight, to of the principal roles In the Metro- Was for a military career, and It was There will be also an all-Russian which Composer Seymour has written politan Opera production of "Merry not until he was II that be entered and an all-Wagner program, and the music. The plot concerns the re- Mount." another new American opera. the Moscow Conservatory to study Ravel's "Mother Goose Suite” and under Taniev. He was materially Deems Taylor's "Circus Days” are aided in his career by that "angel" of also scheduled to be presented. Rimsky-Koraakow. Moussorgsky et al., This gives an Indication that Dr. the publisher Belslev, who brought Klndler will give the music lovers of Foreign Wars Veterans out his earner works and arranged a Washington a well-rounded fare of piano concert tour for him. symphony orchestra music for next Scriablne represents what may be season. There new works, combined I To Hold Council called the classical-romantic school with numbers already In the repertoire Meeting carried to Its most advanced point. of the orchestra, and the list of out- However bewildering his more mature standing soloists who will appear with EPARTMENT COMDR. NA- sonata and symphony compositions the orchestra, offer an enticing picture THAN D. OOLDEN. Vet- may sound on first hearing. familiarity of next year’s season. That it is ap- eran* of Foreign War*, will | At left is Alice Louise Hunter, who is training the dancers for "Alice in Wonderland,” which will be presented Wednesday and Thursday nights with them discloses that they are laid pealing to Washington people Is evi- preside at a meeting of the at the Sylvan Theater, and at right is a new photograph of Lawrence Tib bett, who will sing here in November as the first attraction of Dorothy out an easentlaUy Moaart-Beethoven denced by the already heavy demand Department Council of Ad- Hodgkin Dorsey's Sunday afternoon series. line*, although his piano Idiom is for season tickets, orders for which ministration tomorrow night, board definitely derivative of Chopin. are being taken at the office of the room. District Building. Activities for But he was. for his time, an ex- National Symphony, In the Woodward the organisation planned by Chief of tremely radical harmonist, and the Building. DR. W. L. DARBY Y.W.C.A. GROUPS Staff William Marshall will be con- Widow” Music sidered. TO BE SPECIAL “Merry MEET WITH MRS. Advance Poet has postponed Its “Aim Is Fiddlin’” musical charac- is soloist with the Chicago National meeting, scheduled for August 14. to RITES SPEAKER teristics of three nationali- Broadcasting Co. Orchestra. Some RICHARDSON August 18 at the Thomas Circle Club. ties. an “international or- years ago he directed the famous A birthday party, commemorating the fiddlers from Penn- folk musicians each year from all chestra” was organised for Los Angeles BUtmore Orchestra. post's third snnlversary. will be held, Dr. W. L. will address the COMBINING The Bible study group and the Darby the "Villa" number in “The A group is the gypsy or- followed and refreshment*. sylvania and several other parts of Virginia and surrounding unique W. by dancing Chico de English Literature Class of the Y. are to take States, with musicians, writers, folk open-air religious service on Temple Merry Widow.” This unique musical chestra headed by Verdi, States preparing C. A. at 614 E street will meet today in Polk lore collectors and thousands interest- organization is In keeping with the and known as the International Admiral Robert E. Peary Ship will CHAMPIONpart the White Top Heights today at 4 o’clock, to be held in the garden of the home of Mrs. It is excursion to be held on White ed in the folk music, balladry and idea of filming the story in the set- Gypsy Orchestra. composed hold Its annual moonlight Festival, under the of the Grand Lodge Charles W. 2910 Grant auspices of Instruments and Richardson, down the river on the Steamer Po- Top Mountain, near Marlon, South- traditions, and the magnificent view ting of a mythical kingdom, with bits string cymbalons. of Masons. The music, under the di- road, leaving 614 E street at 1 p.m. West 17-18. into five States from the summit of of many nations blended into the No percussion or brass Is used In tomac next Wednesday. Virginia, August The group Is under the leadership of White Mountain. rection of Past Master J. Walter whole. the orchestra. The various musi- The next regular meeting of Peary The Old Fiddlers’ Association of Top Dr. 8. C. Anderson and the English Winners In various fiddlers’ con- cians were broken up into groups Ship will be held at the home of Pay- Chester and Lancaster Counties, Pa., Humphrey, will be provided by solos by Musically, the orchestra Is unique. Literature Class under the direction will omit its annual convention this ventions or folk festivals come to for the peasant orchestra, the or- master Puller. <15 Fifth street north- James L. Jones, basso, accompanied by It is composed entirely of violins, of Miss Amy Putnam. the attention of its each other at White chestra in Maxim's in Paris, and east, the night of August 14. year and direct compete against H. and he will violas, cellos, wood-wind, harps, Miss Mabel Test, sing and a full concert The last of a series of four "Sum- 800 members to the White Top festi- Top. to "swap yarns” and dance all Russian balaliakas and other sequences, "Lord God, Abraham,” Mendelssohn ; pianos, gypsy mer conducted by the music val instead. 8ome 12 or 15 fiddlers night in traditional figures such as orchestra figured in the recording of sings” At the last bingo party of the Louis- this post who will attend the conven- "Prayer Perfect.” Olney Speaks, and cymbalons.
Recommended publications
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • American Cinema of the 1930S SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES
    American Cinema of the 1930s SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES Each volume in the Screen Decades: American Culture/American Cinema series presents a group of original essays analyzing the impact of cultural issues on the cin- ema and the impact of the cinema in American society. Because every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a continuing sense of the decade as it came to be depicted on movie screens across the continent. The integration of his- torical and cultural events with the sprawling progression of American cinema illu- minates the pervasive themes and the essential movies that define an era. Our series represents one among many possible ways of confronting the past; we hope that these books will offer a better understanding of the connections between American culture and film history. LESTER D. FRIEDMAN AND MURRAY POMERANCE SERIES EDITORS Ina Rae Hark, editor, American Cinema of the 1930s: Themes and Variations Wheeler Winston Dixon, editor, American Cinema of the 1940s: Themes and Variations Murray Pomerance, editor, American Cinema of the 1950s: Themes and Variations Lester D. Friedman, editor, American Cinema of the 1970s: Themes and Variations Stephen Prince, editor, American Cinema of the 1980s: Themes and Variations American Cinema of the 1930s Themes and Variations EDITED BY INA RAE HARK RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. p. cm. — (Screen decades) Includes bibliographical references and index.
    [Show full text]
  • Modern Screen
    le STARS' "WHY I EIRDEST Stories HATE GARBO d Supernatural Experiences An Unusual Human Document MOTHERED BY AN APE-HE KNEW ONLY THE LAW OF THE JUN6LE — ~to seize what fie wanted! Modern Screen SPENDTHRIFTS OF LO V E! Modern youth, laughing at yes- l| ferday's conven- 1 tions, promising to pay for today's kisses ... after tomor- row. The gay partner- ship of a boy and girl who found it easier to make love than to make money M ORROW CHARLES FARRELL MARIAN NIXON • MINNA GOMBELL WILLIAM COLLIER, Sr. Based on the stage play by John Golden and Hugh S. Stange Directed by FRANK BORZAGE FOX Picture 3 — | ~t m ODERN SCREEN FEATURES The/Stars' Weirdest Stories (illustrated by J. R. Flanagan) Adele Whitely Fletcher 28 Amazing anecdotes of the supernatural and the psychic The True Life Story of Joan Blondell Walter Ramsey 30 The delightful tale of Joan's babyhood and girlhood 38 If You Met Richard Arlen Faith Baldwin A charming pen portrait of a sincere young man Secrets of Fascination Helen Louise Walker 40 Advice from the feminine players on how to attract the menfolk Gerstein 44 Why I Hate Garbo Evelyn A unique human document The Inside Story of "Grand Hotel" Walter Ramsey 46 The truth about the clashes of temperament in M-C-M's all-star production Why They're Still Pals Nina Wilcox Putnam 48 Farrell The final word on the friendship of Janet Gaynor and Charles Performance Interrupted (illustrated by Morgan Dennis) Hagar Wilde 50 A tragic moment from the life of Kent Douglass Ina Claire Confesses Adele Whitely Fletcher 54 The truth about the present status of Ina and John Gilbert Modern Screen, April 1917 59 What Modern Screen might have looked like—fifteen years ago She Burns Her Bridges Jerome Beatty 64 The low-down on Marian Nixon The Boy Without a Name Harriet Parsons 66 The extraordinary story of Wallace Ford's young days Jeanette MacDonald's Wardrobe Virginia T.
    [Show full text]
  • The Old Dark House and the Space of Attraction the Old Dark House Et L’Espace De L’Attraction Robert Spadoni
    Document generated on 10/02/2021 3:19 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies The Old Dark House and the Space of Attraction The Old Dark House et l’espace de l’attraction Robert Spadoni L’horreur au cinéma Article abstract Volume 20, Number 2-3, Spring 2010 Writers have invoked the concept of the “cinema of attractions,” from early cinema studies, to claim that horror films sacrifice narrative integrity to URI: https://id.erudit.org/iderudit/045145ar deliver sudden frights and spectacular shocks. An examination of the history of DOI: https://doi.org/10.7202/045145ar the concept of the attraction, however, finds it heavily theorized by Sergei Eisenstein as something that can bind films together in powerful ways. In one See table of contents horror film, The Old Dark House (1932), slamming doors, quaking thunder, shattering glass and a rampaging mute butler, while scary, also figure in James Whale’s scheme to criss-cross his film with motifs and other repetitions and produce a work that gains with every viewing. Even with its thin narrative, Publisher(s) stock characters and, already in 1932, very familiar story about characters Cinémas trapped in an old dark house, the film hangs together in intricate ways. Most elaborately, Whale embeds attractions in a grid that overlays the tiered spaces of the setting. Characters move up and down the creaky staircases and along ISSN the suspended hallways, chasing each other, scuffling, and withholding and 1181-6945 (print) disclosing secrets. Scenographic and narrative space mesh into a tight unity lit 1705-6500 (digital) up by a constellation of “fun house” jolts.
    [Show full text]
  • PREVIEWS Catch the Latest Film and TV Alongside Q&As and Special
    PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: How to Talk to Girls at Parties UK-USA 2017. Dir John Cameron Mitchell. With Elle Fanning, Alex Sharp, Nicole Kidman, Ruth Wilson. 102min. Digital. Cert tbc. Courtesy of STUDIOCANAL The aliens have landed in 1970s Croydon. Teen punk Enn (Sharp) and his buddies crash what they think is a fancy party, but instead find a house filled with intergalactic beings decked out in skin-tight PVC. One of them, Zan (Fanning), is fascinated by Enn and runs away with him to learn about humans. Cult auteur John Cameron Mitchell brings an honest silliness to this teen romance based on a Neil Gaiman story. Tickets £15, concs £12 (Members pay £2 less) THU 3 MAY 20:40 NFT1 Preview: Jeune Femme Montparnasse Bienvenue France 2017. Dir Léonor Serraille. With Laetitia Dosch, Souleymane Seye Ndiaye, Grégoire Monsaingeon. 97min. Digital. Cert tbc. EST. Courtesy of Curzon Artificial Eye Recently dumped and carrying her ex’s cat with her around Paris, Paula (newcomer Dosch) is a ball of energy and vivacity despite her dire new circumstances. Homeless and jobless, but not aimless, she’s intent on regaining stability. This debut by writer-director Léonor Serraille will move, entertain and invigorate even the most cynical of moviegoers. Tickets £15, concs £12 (Members pay £2 less) THU 10 MAY 20:40 NFT1 Preview: My Friend Dahmer USA 2017. Dir Marc Meyers. With Ross Lynch, Anne Heche, Dallas Roberts, Vincent Kartheiser. 107min. Digital. Cert tbc. Courtesy of Altitude Film Distribution There’s something decidedly odd about Jeff Dahmer (Lynch).
    [Show full text]
  • 4586.Pdf (6.636Mb)
    UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM IMAGEM E SOM JOÃO MIGUEL VALENCISE A CHEGADA DO SOM NOS CINEMAS DE SÃO PAULO SEGUNDO A FOLHA DA MANHÃ (1928-1933) SÃO CARLOS 2012 UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM IMAGEM E SOM JOÃO MIGUEL VALENCISE A CHEGADA DO SOM NOS CINEMAS DE SÃO PAULO SEGUNDO A FOLHA DA MANHÃ (1928-1933) Dissertação apresentada ao Programa de Pós-Graduação em Imagem e Som, na Área de Concentração Imagem e Som, como requisito parcial para a obtenção de grau de mestre em Imagem e Som. Orientação: Prof. Dr. Arthur Autran Franco de Sá Neto SÃO CARLOS 2012 Ficha catalográfica elaborada pelo DePT da Biblioteca Comunitária da UFSCar Valencise, João Miguel. V152cs A chegada do som nos cinemas de São Paulo segundo a Folha da Manhã (1928-1933) / João Miguel Valencise. -- São Carlos : UFSCar, 2012. 197 f. Dissertação (Mestrado) -- Universidade Federal de São Carlos, 2012. 1. Cinema - história. 2. Som. 3. Cinema sonoro. 4. Cinema brasileiro. 5. Mercado cinematográfico. I. Título. CDD: 791.4309 (20a) Dedico este trabalho a Simone Aparecida Andrade, companheira que me incentivou e me permitiu vivenciar os dois anos desta experiência e à memória de meu pai, Antonio Angelo Valencise, presente em parte do percurso. AGRADECIMENTOS Agradeço ao meu orientador Prof. Dr. Arthur Autran Franco de Sá Neto, pela orientação e, principalmente, pela dedicação dispensada à minha formação nesta nova área de conhecimento. Aos participantes da minha banca de qualificação, Prof.
    [Show full text]
  • The Old Dark House and the Space of Attraction the Old Dark House Et L’Espace De L’Attraction Robert Spadoni
    Document généré le 26 sept. 2021 10:30 Cinémas Revue d'études cinématographiques Journal of Film Studies The Old Dark House and the Space of Attraction The Old Dark House et l’espace de l’attraction Robert Spadoni L’horreur au cinéma Résumé de l'article Volume 20, numéro 2-3, printemps 2010 Certains auteurs ont utilisé le concept de « cinéma des attractions », issu des études sur le cinéma des premiers temps, pour affirmer que les films d’horreur URI : https://id.erudit.org/iderudit/045145ar sacrifient l’intégrité narrative au profit de chocs spectaculaires et d’éléments DOI : https://doi.org/10.7202/045145ar susceptibles de provoquer des peurs subites. Toutefois, en examinant l’histoire de ce concept, on constate que Sergei Eisenstein a souvent insisté sur la Aller au sommaire du numéro capacité de l’attraction à unifier un film de manière particulièrement efficace. Dans le film d’horreur The Old Dark House (1932), les claquements de porte, les roulements de tonnerre, les carreaux qui volent en éclats ainsi que le menaçant majordome muet, bien qu’effrayants, participent aussi de la Éditeur(s) stratégie de James Whale. Celui-ci sème son film de divers motifs et répétitions, Cinémas afin de créer une oeuvre qui gagne en puissance à chaque visionnement. Malgré sa mince trame narrative, ses personnages typés et son histoire, déjà convenue en 1932, de personnages prisonniers d’une vieille et sinistre maison, ISSN le film parvient à garder sa cohésion grâce à un procédé complexe. De façon 1181-6945 (imprimé) très calculée, Whale introduit les attractions au sein d’un réseau qui coïncide 1705-6500 (numérique) avec les différents niveaux du décor.
    [Show full text]
  • Qttfj* Irnpl *Sa2i*Ttp Tuto (Mmttai Iaita INCORPORATING the ROYAL GAZETTE (Established 1828) and the BERMUDA COLONIST (Ertablwhed 1866)
    W*—Wlt!^ia]_ TODAY'S UCHTING'U-i TIME Sunrise: 7.21 a.m.—Sunset> 5.25 p.m. TODAY'S WEATHER FORECAST 1 Llghting-up timet 5.55 p.m. Rule of road i Mainly Fine , KEEP LEFT—PASS ON THE RIGHT QTtfj* iRnpl *Sa2i*ttp tuto (Mmttai iaita INCORPORATING THE ROYAL GAZETTE (Established 1828) and THE BERMUDA COLONIST (ErtabLwhed 1866) VOL. 19—NO. 4 HAMILTON, BERMUDA, THURSDAY, JANUARY 4, 1934 9D PER COPY—40/- PER ANNUM FRANCE AND GERMANY UNRECONCILED OVER ARMAMEhis MUNSON STEAMSHIP LINE IN PUBLIC OFFICERS LEAVE ACT FRANCE AND GERMANY ROYAL BERMUDA YACHT STILL AT ODDS OVER CLUB THEYSAY Confusion Worse Confounded, AMERICAN SHIPPING MERGER ARMS That all roads lead to the Hamilton and Probable Deadlock Past and Present Flag Officers polling booth today. LONDON, Jan. 3 (CP)—An ap­ Give Delightful Dinner ... Finland in Furore Over Spies, Plots and Poison* As may be recalled, The Public parent impasse in the efforts to That 281 are qualified to vote. Officers Leave Act, 1933, left the ease the military relationship be­ * * * ings — Hope Seen in Mussolini-Simon Con­ tween Germany and France dis­ On Tuesday evening the Past and Assembly in exactly the same shape Present Flag Officers of the Royal That about 30 of these are absent as when presented to that branch turbed Europe today. The Nazi or ill. versations—Amy Mollison Tries Miami statesmen in Germany, including Bermuda Yacht Club gave a dinner 0 0 0 of the Legislature, and this form, in honour of the opening of the in turn, was exactly the form in Chancellor Adolf Hitler, gave their That therefore 250 should record Beach—Art Treasures Destroyed by attention to a study of the detailed new building when a large number which itpassed all branches of the of members and guests were pre­ their choice of candidates.
    [Show full text]