DOCSLIB.ORG

Vibroacoustic Treatment and Self-Care for Managing the Chronic Pain Experience an Operational Model JYU DISSERTATIONS 95

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vibroacoustic Treatment and Self-Care for Managing the Chronic Pain Experience an Operational Model JYU DISSERTATIONS 95 JYU DISSERTATIONS 95 Elsa A. Campbell Vibroacoustic Treatment and Self-care for Managing the Chronic Pain Experience An Operational Model JYU DISSERTATIONS 95 Elsa A. Campbell Vibroacoustic Treatment and Self-care for Managing the Chronic Pain Experience An Operational Model Esitetään Jyväskylän yliopiston humanistis-yhteiskuntatieteellisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S212 kesäkuun 15. päivänä 2019 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities and Social Sciences of the University of Jyväskylä, in building Seminarium, auditorium S212 on June 15, 2019 at 12 noon. JYVÄSKYLÄ 2019 Editors Esa Ala-Ruona Department of Music, Art and Culture Studies, University of Jyväskylä Ville Korkiakangas Open Science Centre, University of Jyväskylä Cover image by Elsa A. Campbell. Copyright © 2019, by University of Jyväskylä Permanent link to this publication: http://urn.fi/URN:ISBN:978-951-39-7791-7 ISBN 978-951-39-7791-7 (PDF) URN:ISBN:978-951-39-7791-7 ISSN 2489-9003 ABSTRACT Campbell, Elsa A. Vibroacoustic treatment and self-care for managing the chronic pain experience: An operational model Jyväskylä: University of Jyväskylä, 2019, 94 p. (JYU Dissertations ISSN 2489-9003; 95) ISBN 978-951-39-7791-7 (PDF) Chronic pain – pain which lasts longer than three months – is a physiological, psychological, and social phenomenon affecting approximately 20-33% of the world’s population. It contributes to disability, work absenteeism and presenteeism, as well as having economic ramifications. The psychological aspect of chronic pain manifests most commonly in comorbid mood disorders, namely depression and anxiety. They are individually difficult to manage due to their inherently subjective nature; as a combination they are pervasively under-treated. It is understood that chronic pain and mood disorders have a common neurological basis, which supports the use of psychological approaches, such as Cognitive Behavioural Therapy, or mood-targeted pharmacotherapy such as antidepressants, in the management of pain. Vibroacoustic (VA) treatment is both a physiological and psychological approach, beneficial in pain and mood management, however the effects are generally short-term. This dissertation addresses the question of whether practitioner-led VA treatment can be used to manage the psychophysiological symptoms of chronic pain, and whether an adjunct self-care phase is helpful in prolonging the effects. Article I, an interview study, describes the development, current knowledge, and future directions of VA treatment; Article II outlines the standard protocol followed at the multidisciplinary rehabilitation unit at Seinäjoki Central Hospital for multi-symptom patients; Article III explores the role of music listening within VA treatment in a clinical setting; lastly, Articles IV and V investigate the relevance and effects of an adjunct self-care phase to VA treatment sessions offered at the rehabilitation unit. A layered system of outcome measures was also used in these mixed methods studies. Subjective reports were supported by quantitative scales which were further supported by the addition of exploratory physiological outcome measures. The comorbidity of pain and mood disorders was examined in addition to the impact this had on functioning and ability to work, a focal point of the rehabilitation unit featured in the work. Cumulatively, the findings from all five articles, as well as supporting literature, are the foundation upon which the proposed operational model of VA treatment with self-care is based. Keywords: vibroacoustic treatment, chronic pain, depression, anxiety, functioning, operational model TIIVISTELMÄ (FINNISH ABSTRACT) Campbell, Elsa A. Vibroakustinen- ja itsehoito kroonisen kivun hoidossa: Toimintamallin kehittä- minen ja testaaminen Jyväskylä: University of Jyväskylä, 2019, 94 p. (JYU Dissertations ISSN 2489-9003; 95) ISBN 978-951-39-7791-7 (PDF) Krooninen kipu – kipu, joka kestää pidempään kuin kolme kuukautta – on fy- siologinen, psykologinen ja sosiaalinen ilmiö, joka vaikuttaa noin 20–33 % maa- ilman väestöstä. Se on syynä työkyvyttömyyteen, työpoissaoloihin ja presen- teismiin (sairaana töihin tuleminen) sekä niiden myötä ilmeneviin taloudellisiin seurannaisvaikutuksiin. Kroonisen kivun psykologiset vaikutukset ilmenevät yleisimmin mielialahäiriöinä, erityisesti masennuksena ja ahdistuneisuutena. Ne ovat erikseen vaikeahoitoisia subjektiivisen luonteensa vuoksi ja yhdistel- mänä laaja-alaisesti alihoidettuja. Kroonisella kivulla ja mielialahäiriöillä tiede- tään olevan yhteinen neurologinen perusta, joka tukee psykologisten lähesty- mistapojen, kuten esimerkiksi kognitiivis-behavioraalisen terapian tai farmako- terapian, kuten masennuslääkkeiden käyttöä kivun hoidossa. Vibroakustinen (VA-) hoito on fysiologinen ja psykologinen menetelmä, josta on hyötyä kivun ja mielialan hallinnassa. Hoidon vaikutukset jäävät kuitenkin yleisesti ottaen lyhytaikaisiksi. Tässä väitöstutkimuksessa selvitettiin, onko koulutetun VA- hoitajan antamaa VA-hoitomenetelmää mahdollista käyttää psykofysiologisten oireiden ja kroonisen kivun hoidossa, ja mikäli lisätty itsehoitovaihe edesauttaa vaikutusten ylläpitämistä. Artikkeli I, haastattelututkimus, kuvailee VA-hoidon taustaa ja kehittymistä, nykyistä tutkimustietoa, ja tulevaisuuden näkymiä; Ar- tikkeli II hahmottelee nykyisen hoidon toimintamallin, joka on käytössä mo- nioireisille potilaille Seinäjoen keskussairaalan moniammatillisessa kuntou- tusyksikössä; Artikkeli III tutkii musiikin kuuntelun roolia VA-hoidon aikana kliinisessä tilanteessa; Artikkelit IV ja V tutkivat kuntoutusyksikössä annetun yksilöllisen VA-hoidon lisäksi käytetyn itsehoidollisen vaiheen merkitystä ja vaikutuksia. Näissä monimenetelmätutkimuksissa käytettiin useita erilaisia lopputulosmuuttujia; itsearviointien tukena oli määrällisiä asteikkoja, joiden lisäksi käytettiin myös fysiologisia mittareita. Kivun ja mielialahäiriöiden ko- morbiditeettiä (samanaikaisuutta) sekä niiden vaikutuksia työ- ja toimintaky- kyyn tutkittiin. Työ- ja toimintakyvyn edistyminen oli näiden potilaiden kun- toutuksen keskeisiä tavoitteita. Kaikki nämä viisi artikkelia, yhdessä taustakir- jallisuuden kanssa, toimivat perustana esitetylle VA-hoidon ja itsehoidon yhdis- tävälle toimintamallille. Avainsanat: vibroakustinen hoito, krooninen kipu, masennus, ahdistuneisuus, toimintakyky, toimintamalli Author’s address Elsa A. Campbell Department of Music, Art and Culture Studies P.O. Box 35 FI-40014 University of Jyväskylä, Finland [email protected] Supervisors Esa Ala-Ruona Department of Music, Art and Culture Studies University of Jyväskylä, Finland Birgitta Burger Department of Music, Art and Culture Studies University of Jyväskylä, Finland Reviewers Heidi Ahonen Faculty of Music Wilfred Laurier University Ana Katušić Croatian Institute for Brain Research School of Medicine, University of Zagreb Opponent Ana Katušić Croatian Institute for Brain Research School of Medicine, University of Zagreb ACKNOWLEDGEMENTS After the graduate degree, I had a plan for remaining in Jyväskylä - and it didn’t involve doing a PhD. As fate would have it, that plan was not realised and I’m so glad it wasn’t. These years have been some of the most rewarding and fortunate, but also strenuous and challenging, of my life and I wouldn’t change anything. I have found that doing a PhD is less about the final product and more about self-discovery. Many people have supported the work that is presented in these pages and in doing so you have individually and in many ways helped me to explore not only the topic but also myself. As a result, there are parts of all of you in the thousands of words describing the thousands of hours it took to complete this work. For your patience, support, advice, and the small acts that made a big difference, I humbly thank you. I am indebted to my two supervisors, Esa Ala-Ruona and Birgitta Burger. I’ve learned so much from you both and wouldn’t be at this point without your guidance. Thank you, Esa, for convincing me to do a PhD and for placing your trust in me, for bringing me back from the edge, for discussions about a myriad of topics from Russian robotics to scripts for jesters’ tears, and for making me believe that what I have to say is important. You were there from the beginning until the end and taught me how to look at things from another perspective, giving me enough space to make the mistakes I needed to. Birgitta, thanks for learning slow movements to counteract fast thinking as we both tried to avoid being always auf der Hut, for all the games and sauna parties, and for being interested and a motivator to make things happen on time. The Seinäjoki studies would never have come to fruition without the dedication and professionalism of those at the rehabilitation unit of Seinäjoki Central Hospital. A special thanks to Jouko Hynynen for not running in the other direction when I arrived at the rehabilitation unit with mountains of pa- perwork, for your genuine interest in helping people, and for your humility about the role you played in this work. Thanks to Heikki Suoyrjö, Virpi Aralin- na, and Aki Vainionpää for your support in the preparation for and execution of the research. Thanks to Jukka and Mirja Linjama of Flexound for your collab- oration and devices used in the studies, and also to Ilkka Turunen of Next Wave. Thanks to the two reviewers of this dissertation, Heidi Ahonen and Ana Katušić, for challenging
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Testament Into the Pit Bass Tab
    Testament Into The Pit Bass Tab Which Page outspreading so unartfully that Herve boults her Dwight? Elton is ascendable and reasts creepily while slimming Barney decorticate and pommels. Hardier and universitarian Hasheem dehydrogenated her phenothiazine capriole or summerset gluttonously. If not to filmtheories and social conditions under the culture and the christian metal bands in major ll also important topics from wherever you into the pit bass guitar lines, guaranteed by mtv For instance, mount a mosher falls to the ground, unless other participants stop legal help several person up. 'Sir Duke' Analysis irvinwan LiveJournal. For some bands, that truth not a deterrent. FILM and THE HISPANIC WORLD. Black bass and he later, testament delivers devastating cultural differences in brooklyn home of inorganic, powell proves formative album. They utterly fresh music in many hiphop, into the pit, as their universal truths in relationship between desert and technology, testament into the pit bass tab at their contrast nowadays a tab. For further study day, a christian rock band over one of semiconductor devices and application for each student understand how to. The photographer has penetrated a space problem a secret identity unfolds. Why do really think you picked bass over playing guitar or drums, and carbon were concern of your influences back then? In the mosh pit there were people off long journey some mohawks some. International business functions of bass, testament album title fight, testament into the pit bass tab tell me on an area metal recordings by the pit with bringing to. Virgin blacklludes tothe style and into her own josh snader drops a testament is atypical is.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • Ronnie James Dio Ronnie James Dio Rock Till Death
    INTERVIEW ROCK TILL DEATH RONNIE JAMES DIO RONNIE JAMES DIO ROCK TILL DEATH RONNIE JAMES DIO, one of the most respected IDENTITY CARD personalities in the world of music, became famous in Name: Ronald James Padavona, the 1970s and was active on the music scene for more known professionally as RONNIE JAMES DIO than 50 years. His powerful voice and characteristic Born: 10 July 1942, Portsmouth, New Hampshire vocal expression brought him a lot of attention from Died: 16 May 2010, Los Angeles, California early on in his career. He decided to just be himself Education: Cortland High School, and cleverly combined his distinctive personality with University at Buffalo (1960-1961) his unparalleled talent. Throughout all of his career, Mission in Life: ROCK/METAL SINGER he managed to maintain a steady position on the Other activities: music scene, avoiding both musical flops and personal Songwriter, Musician, Producer scandals. His humanity and unique approach towards What makes him special: Humanity, Humility, people gained him incredibly high esteem and respect. Sense of Equality, Gift of Natural Wisdom, There were virtually no negative reactions towards his Incredible Memory, Metal Horns Gesture work because he himself never projected any negative The biggest highlights of his career: energy outwards. RONNIE JAMES DIO also had a jaw- RISING, HEAVEN AND HELL, HOLY DIVER droppingly incredible memory. Despite being constantly 6 of the biggest hits: surrounded by people, he really valued individuals and MAN ON THE SILVER MOUNTAIN, STARGAZER, LONG LIVE ROCK’N’ROLL, HEAVEN AND HELL, never said no to a personal talk or meeting. He would HOLY DIVER, RAINBOW IN THE DARK remember people even if he had only been with them for Most underrated works: a short while.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • Introduction Heavy Metal Is a Genre of Music That Emerged in the Late
    Introduction Heavy metal is a genre of music that emerged in the late 1960s and is traditionally characterised by distorted guitar sounds, heavy drumbeats and wailing or whining vocals. Heavy metal has its own subculture to which fans affirm their membership through buying albums and attending concerts, as well as growing their hair long, getting tattoos and wearing denim and leather (Weinstein 2000:294). For most ‘metalheads’, the battle jacket—a sleeveless denim jacket covered with band patches—is an iconic item of clothing, which works as a complex symbol of their individual and collective identity and plays a key role in memory construction, social interactions and status relations. The battle jacket has its origins in WW2 flight jackets and the 1950’s biker scene, where symbols and artwork were used to express one’s personality or develop group solidarity. Its popularity grew in the 1980s as patches began to be sold at concerts, which fans added to their jackets to authenticate their passion for metal and serve as a cultural biography of their life experiences. The battle jacket is a unique, multifaceted material artefact which provides a vernacular genealogy of heavy metal. However, it has only received scant attention in academic research. Of the few studies on clothing in heavy metal subculture, most have tended to explore band t-shirts (Brown 2007), as well as the role of certain dress codes (Araste and Ventsel 2015) and how clothing is used to ‘perform’ identity (Chaney and Goulding 2016). To date, the most extensive study on battle jackets is an unpublished PhD thesis by Cardwell (2017), which aims to situate the garment in deeper artistic narratives and traditions.
    [Show full text]
  • AUSTRALIAN SINGLES REPORT 13Th February, 2017 Compiled by the Music Network© FREE SIGN UP
    AUSTRALIAN SINGLES REPORT 13th February, 2017 Compiled by The Music Network© FREE SIGN UP ARTIST TOP 50 Combines airplay, downloads & streams #1 SINGLE ACROSS AUSTRALIA Shape of you 1 Ed Sheeran | WMA Shape of you Castle on the hill Ed Sheeran | WMA 2 Ed Sheeran | WMA Chameleon 3 PNAU | ETC/UMA Ed Sheeran’s Shape Of You and Castle On The Hill still occupy the Top 2 of the Artist Top 50, with adore Shape Of You still coming out ahead in their tug-of-war for a third week straight. This comes as no 4 Amy Shark | SME surprise however as the track still dominates the Hot 100, Spotify and iTunes charts. issues 5 Julia Michaels | UMA Dance duo PNAU make the first big move at #3 from #26 with hit Chameleon, taking a new peak. Stranger New peaks in the Top 5 are also seen from Amy Shark’s Adore at #4 from #29 and Julia Michael’s 6 Peking Duk | SME debut hit Issues at #5 from #16. paris 7 The Chainsmokers | SME The first and only debut in the Top 20 occurs right at the end of the lower bracket with Major Lazer’s now and later new single Run Up ft. PARTYNEXTDOOR & Nicki Minaj entering the chart at #20. 8 Sage The Gemini | WMA i don't wanna live forever 9 ZAYN & Taylor Swift | UMA cocoon 10 Milky Chance | UMA capsize #1 MOST ADDED TO RADIO 11 Frenship | SME fresh eyes You Say When 12 Andy Grammer | MUSH Illy ft. Marko Penn | ONETWO sexual 13 Neiked | UMA 14 Touch Australia hip-hop staple Illy is this week’s #1 Most Added To Radio with track You Say When ft.
    [Show full text]
  • Rock & Roll's War Against
    Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429
    [Show full text]
  • Julien's Auctions Announces Property from the Estate
    For Immediate Release JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE ESTATE OF RONNIE JAMES DIO Heavy Metal Music Icon and “Black Sabbath” Frontman’s Signature Wardrobe, Guitars, Stage Props and More Roar onto the Auction Stage at Hard Rock Cafe New York SEPTEMBER 14 & 15, 2018 Los Angeles, California – (July 19, 2018) – Julien’s Auctions, the world-record breaking auction house, will pay tribute to one of the most influential heavy metal heroes and forefathers of the head-banging music genre with PROPERTY FROM THE ESTATE OF RONNIE JAMES DIO, taking place Friday, September 14 and Saturday, September 15 live at Hard Rock Cafe in New York and online at juliensauctions.com. (photo left to right: Dio’s stage worn shirt and Barry Jackson painting used as cover of The Last in Line album and Charvel guitar) Born July 10, 1942 in Portsmouth, NH and raised in Cortland, NY, Ronald James Padavona, whom the whole world would later revere as Ronnie James Dio or simply Dio’s powerhouse falsetto voice, commanding stage presence and impact on the genre and fandom–from his signature horn salute to his style of wearing black t-shirts–would catapult heavy metal’s trajectory into pop culture iconography. Dio began his music career at the age of 5, where he played the trumpet and listened to opera particularly American tenor, Mario Lanza. It was in high school that he formed his first rock-n-roll group, The Vegas Kings, which later was changed to Ronnie & The Rumblers then to Ronnie and the Redcaps and eventually Ronnie Dio and the Prophets.
    [Show full text]
  • By Dardo I Editor
    By Dardo Editor: Unleashed2k July 2019 CUSTOMSFORGE’S MONTHLY NEWSLETTER Issue #9 WELCOME ABOUT US Welcome to CustomsForge’s monthly newsletter, where you can find the CustomsForge is a website latest news about CF and Rocksmith 2014 Remastered. created in 2014 by the Fockin’ Metal Rocksmith community to make their own songs, When was metal born? Some people say it was in 1970, when Black Sabbath released their first album, while some others say it already existed communicate more easily and with bands like Deep Purple. Regardless, it has passed the test of time and enjoy the game all together now that it’s summer, we can go to festivals like Resurrection Fest, Hellfest, Download or Wacken. Here’s a metal song list in celebration of the music, Currently we are approaching artists and us metalheads. more than 39,000 charts made by the community, and Metal songs have more than 290,000 Pantera – Cowboys From Hell Megadeth – Peace Sells members. Deep Purple – Highway Star We welcome thousands more Black Sabbath– Iron Man Iron Maiden – The Number of the Beast each month Judas Priest – Painkiller Metallica – Master of Puppets Mötorhead – Ace of Spades Slayer – Angel of Death Ozzy Osbourne – Crazy Train Slipknot – Psychosocial System of a Down – Chop Suey Anthrax – Madhouse Dio – Holy Diver Mastodon – Blood and Thunder Dream Theater – Pull Me Under Avenged Sevenfold – Afterlife Death – 1,000 eyes Gojira – Flying Whales Tool –Lateralus Opeth – Requiem Lamb of God – Laid to Rest Rocksmith 2014 Remastered logo Mötley Crüe – Kickstart My Heart Scorpions– Rock You Like A Hurricane Carcass – Embodiment By Dardo Editor: Unleashed2k July 2019 “ With the amount of articles we've created since 2013 we also have one of the largest databases of download links to the 1434+ songs available for PC/Xbox” toymachinesh’s profile picture Was it then when Riff Repeater started? An interview with Not yet.
    [Show full text]
  • Holy Diver Help
    Holy Diver Help Introducing the game Holy Diver is a six-reel video slot with Reel Adventure™ featuring Big Time Gaming’s unique Megaways™. A Reel Adventure™ slot gives players the opportunity to upgrade their game, giving more chances to win and an increasing feature potential. Megaways™ Each reel can have up to 7 symbols. Win Multipliers increase the ways to win. Each spin can have up to: Level 1 = 117,649 Megaways™ to win Level 2 = 396,900 Megaways™ to win Level 3 = 586,971 Megaways™ to win How to play Select your stake by clicking the left and right arrow buttons on the stake. The stake value is displayed in the stake display. All payouts are multiplied by the stake of each individual spin. The Reel Adventure™ progress is unique to each stake value. Auto play To set up Auto play press the Auto button. This will display Auto play panel which the player can use to modify the number of spins, set a loss limit or set a win limit. When a loss limit has been set the player can select Start to commence auto play. When Auto play is on, the Play button will change to a Stop button. The remaining Auto plays will be displayed in the Stop button. The player can cancel Auto play by clicking the Stop button. Auto play will stop automatically if any of the limits set is reached or anything occurs that requires player intervention. Start the spin Press the Play button to start the spin at the stake displayed.
    [Show full text]
  • The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing
    metallica.indb 1 03/10/2007 10:33:40 The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing A CHROME DREAMS PUBLICATION First Edition 2007 Published by Chrome Dreams PO BOX 230, New Malden, Surrey, KT3 6YY, UK [email protected] WWW.CHROMEDREAMS.CO.UK ISBN 9781842404034 Copyright © 2007 by Chrome Dreams Edited by Cathy Johnstone Cover Design Sylwia Grzeszczuk Layout Design Marek Niedziewicz All rights reserved. No part of this book may be reproduced without the written permission of the publishers. A catalogue record for this book is available from the British Library. Printed and bound in Great Britain by William Clowes Ltd, Beccles, Suffolk metallica.indb 2 03/10/2007 10:33:40 metallica.indb 3 03/10/2007 10:33:41 Encyclopaedia Metallica THE AUTHORS WOULD SOURCES FROM WHICH LIKE TO THANK ... QUOTES HAVE BEEN TAKEN ...the following people for their Kerrang! magazine support and assistance: Metal Hammer magazine All at Chrome Dreams. RAW magazine Adair & Roxy. Playboy magazine Q magazine All at TotalRock: Tony Wilson, Thekkles, Tabitha, Guitar World magazine Emma ‘SF’ Bellamy, The Bat, Ickle Buh, So What! official Metallica fanzine The PMQ, Katie P. www.encyclopedia-metallica. com Everyone at the Crobar/ www.metallicaworld.co.uk Evensong: Sir Barrence, The Rector, The Crazy Bitch, www.blabbermouth.net The Lonely Doctor, Steve, Rick, Johanna, Bagel, Benjy, www.metalhamer.co.uk Maisie, Laura, Stuart, Steve www.kerrang.com Hammonds, John Richards, Dave Everley, Bob Slayer, en.wikipedia.org David Kenny, The Unique One, Harjaholic, Al King, Jonty, Orange Chuffin’ Goblin (Baby), Lady E., Smelly Jacques, Anna Maria, Speccy Rachel.
    [Show full text]