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LEWES BONFIRE PORTRAITS Fawkes Night with a Bonfire Celebration of Epic Proportions

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LEWES BONFIRE PORTRAITS Fawkes Night with a Bonfire Celebration of Epic Proportions Please do not add text to the spine of this book. The spine of this book is too small to safely accommodate text. If you place text on the spine, it could cause the book to be rejected. BACK COVER PORTRAITS LEWES BONFIRE FRONT COVER On the 5th Of nOvember my home town of Lewes commemorates Guy LEWES BONFIRE PORTRAITS Fawkes Night with a Bonfire celebration of epic proportions. Quiet streets turnThese wild instructions with flaming should torches not andappear exploding in your fireworks, exported PDF.and swell with Cover Type: Softcover (Perfect Bound) visitors eager to witness costumed locals processing through the streets. Book Size: Small Square 7x7 Please note, all critical text and art should appear within this gray area. Page Count: 88 BonfireAny content is a outsidefiercely thisindependent area may beevent. unevenly Funded trimmed and organised or hidden bywhen Lewes’ Paper Type: Premium Lustre (100# Text) seventhe book Bonfire is bound. societies, If you it’s would for thelike participantsyour artwork tomore extend than tothe the onlookers. very edge of your finished book, then pull your artwork edge to the red bleed Theline. elaborate costumes and colour-coded striped jumpers are a sign of belonging, a clue to which society you’re with. Members march in remembrance,Please be sure asto completea rite of passage,your Pages to designcelebrate prior the to rebellious creating spirityour of Cover template. The Page Count must be exact when creating your thoseCover who template. fought for our freedoms, and for the joy of it. PhotographyBe sure to review is my wayyour of exported understanding PDF in the an significanceoutside application of Bonfire (like to thoseAdobe who Reader) march to through ensure Lewes’ it appears hilly streetscorrectly until and their without feet ache these and theirinstructions. children fall asleep on their shoulders. There’s a sense of intimacy within the ranks, a camaraderie less tangible than the eye-catching CARLOTTA LUKE turbulent spectacle. Lewes Bonfire is full of dichotomies. Fire against darkness, order within anarchy, silence amid the din. The placeholder ISBN below is to show you where the ISBN will be I’veprinted taken on hundreds, your book. maybe All Trade thousands, Books require of photographs this ISBN. Ifof you Lewes have Bonfire chosen not to include an ISBN on your Photo Book or Magazine, you may overignore the this past placeholder. six years. I’ve chosen these portraits because I feel an emotional connection to the subjects. They capture an elusive moment within the chaos. carlOtta luke PHOTOGRAPHS BY CARLOTTA LUKE LEWES BONFIRE PORTRAITS published by Carlotta luke photography 66 southover high street lewes, east sussex, bN7 1Ja, UK www.Carlottaluke.Com PHOTOGRAPHS BY CARLOTTA LUKE Copyright © Carlotta luke 2020 Previous pages: photogram of the ropes used to store and light rookies on Bonfire night i have been a prOfessiOnal phOtOgrapher for most of my life and a Lewesian for the last 15 years. Lewes has proved a rich source of creative inspiration, not just for my portraiture but in all my work, kindling a lifelong fascination with people’s sense of place and belonging. For a photographer, Bonfire Night is a challenging subject matter, what with the extremes of light and dark, the continuous movement of the procession and the jostle of the crowds—not to mention dodging exploding bangers! It’s also hugely fun. I was one of Southover Bonfire Society’s official photographers for three years, but even as a spec tator I’ve never been able to leave my camera bag at home on Bonfire Night. cyanOtype is one of the earliest darkroom printing techniques. It was invented in the 1840s as a method to reproduce drawings. The cyan-blue colour of the print gave its name to those copies, or blueprints. For this series, I printed the original digital file onto acetate to create a new negative. I then painted cyanotype solution onto paper and printed each image by hand. The beauty of cyanotype is in the slight variation of each print. Somehow, taking a clean, precise digital image through this traditional hand-printing process echoes the complexity of Bonfire. Photographs can be reproduced, but each hand-printed cyanotype image is unique. Bonfire is so much about the past and tradition, following in the footsteps of our ancestors, yet for over 200 years, no two Bonfire nights have ever been the same. carlOtta luke .
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