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In the Swing (Swing Eras defined by depression, conflict & fun) 7:30 p.m. Saturday, November 18, 2017 Event Hall II, NKY Convention Center KSO Swing Band (original Swing) As performed by: KSO Swing Band Sugar Foot Stomp Fletcher Henderson Let's Dance Benny Goodman & His Orchestra Rick Van Matre, alto I, clarinet Marie Tommy Dorsey Band Dwayne Irvin, tenor I, clarinet Jumpin' At The Woodside Count Basie Orchestra Ernie Sanders, alto, II, clarinet Tim Whelan, tenor II; clarinet Begin The Beguine* Artie Shaw & His Orchestra Paul Batchelor Glader, bari, alto Scotch and Soda Charlie Barnet Anvil Chorus Glenn Miller Greg Wing, trumpet Hep Hep The Jumpin' Jive* Cab Calloway & His Orchestra Hank Mautner, trumpet Sepia Panorama Duke Ellington John Zappa, trumpet George Carpten, trumpet String of Pearls Glenn Miller Band Take The A Train Duke Ellington Jeff Owen, trombone Sing, Sing, Sing Benny Goodman & His Orchestra Chris Fortner, trombone Doug Finke, trombone Frank Schmitt, trombone Intermission Covington Devou-Doo Daddies (Swing revival) Mike Darrah, piano Brad Myers, guitar Mike Sharfe, bass King of Swing Big Bad Voodoo Daddy (BBVD) Jim Leslie, drums Jumpin' Jack BBVD Go Daddy-O BBVD Covington Devou Doo Daddies Zoot Suit Riot Cherry Poppin' Daddies (CPD) Dwayne Irvin, tenor, clarinet You & Me & the Bottle Makes 3 Tonight BBVD Paul Batchelor Glader, bari Hey Pachuco RCR Hank Mautner, trumpet Please, Baby BBVD Greg Wing, trumpet Chris Fortner, trombone Jump Jive & Wail Brian Setzer Orchestra Mike Darrah, piano The Contender RCR Brad Myers, guitar Ghost of Stephen Foster Squirrel Nut Zippers Mike Sharfe, bass Jim Leslie, drums I Wanna Be Like You BBVD Troy Hitch, vocals Mambo Swing BBVD So Long, Farewell, Good-bye BBVD Series Guest Artist Season support provided by: Sponsor: the state arts agency, providing support with state tax Subscription Series Sponsor dollars and federal funding from the NEA..

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Big Bad Voodoo Daddy Discography
Big Bad Voodoo Daddy Discography 1 / 4 Big Bad Voodoo Daddy Discography 2 / 4 3 / 4 Information on Big Bad Voodoo Daddy. Complete discography, ratings, reviews and more. Stream songs before you buy.. Big Bad Voodoo Daddy - Rattle Them Bones (2012). Image could not be displayed. Check browser for compatibility. 01. The Adventures Of... Music video and lyrics - letras - testo of 'Mambo Swing' by Big Bad Voodoo Daddy. SongsTube provides all the best Big Bad Voodoo Daddy songs, oldies but .... The latest Tweets from big bad voodoo daddy (@BBVD). The official twitter for the band Big Bad Voodoo Daddy! Check out our updates from the road and find .... Alphabetical list of all songs by Big Bad Voodoo Daddy. SongsTube provides all the best Big Bad Voodoo Daddy songs, oldies but goldies tunes and legendary .... Big Bad Voodoo Daddy Swing group For the Record… Selected discography Sources Source for information on Big Bad Voodoo Daddy: Contemporary .... An as complete as possible discography for Big Bad Voodoo Daddy with tracklistings, lyrics and background info.. Big Bad Voodoo Daddy - Big Bad Voodoo Daddy - Amazon.com Music. ... Rattle Them Bones by Big Bad Voodoo Daddy Audio CD $13.69. Only 20 left in stock .... How Big Can You Get?: The Music of Cab Calloway. 2009. How Big Can You Get?: The Music of Cab Calloway · Big Bad / Vanguard · Rattle Them Bones. 2012.. ... Merchandise Store!! Check out the new Big Bad Voodoo Daddy web store at the link below, and take advantage of the sale items and new items available!. Big Bad Voodoo Daddy discography and songs: Music profile for Big Bad Voodoo Daddy, formed 1989.
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D:\Scores\Go Daddy-O (10 Piece) Parts\01 Alto Saxophone.Sib
Alto Saxophone Big Bad Voodoo Daddy Go Daddy-O Trans. Shaun Evans q = 220 (Swinger) A 4 2 Go Dad-O! dy - 11 2 Go Dad-O! dy- Go Dad-O! dy- B C 18 11 mf 33 37 D 41 3 3 46 3 E F 51 2 12 10 3 f G 78 3 3 f ff Copyright ©2005 -- Shaun Evans -- WWW.SHAUNEVANS.COM Alto Saxophone 2 H 82 5 mf f 92 mp 96 4 mf f I 102 2 2 Go Dad-O! dy - Go 109 2 Dad-O! dy - Go Dad-O! dy - J 114 mf 119 2 1. 2. 123 2 2 Alto Saxophone 3 K L 129 11 mf 144 148 M 152 3 f (On Cue) 154 3 3 ff Big Bad Voodoo Daddy Bass Go Daddy-O Trans. Shaun Evans q = 220 (Swinger) A 4 2 5 Go Dad-O! dy- B 16 Bb7 Go Dad-O! dy - mf 21 E9 Bb7 C 26 F9 Bb7 Bb7 31 E9 Bb7 37 F9 Bb7 D 42 Bb7 Eb7 Bb7 Eb7 48 Bb7 F7sus F9 Bb7 E 53 57 Copyright ©2005 -- Shaun Evans -- WWW.SHAUNEVANS.COM Bass 2 61 F 65 Bb7 f 70 Eb9 Bb7 F7sus G 75 F9 Bb7 f H 80 Bb%/D Eb9 Bb7 ff f 85 Cm7 F9 Bb% Gm7(b9) Cm9 F9 90 Bb9 Eb9 Bb% Bb7 Bb7(#5) Eb9 95 Bb9 F7sus F9 I 100 Bb7 Go 105 2 2 Dad-O! dy- Go Dad-O! dy- Go Bass J 3 113 Dad-O! dy- 118 Eb7 Bb7 F7sus 1.
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What We've Made of Louis Prima John J
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 1-1-2005 Taming the Wildest: What We've Made of Louis Prima John J. Pauly Marquette University, [email protected] Published version. "Taming the Wildest: What We've Made of Louis Prima," in Afterlife as Afterimage: Understanding Posthumous Fame. Eds. Steve Jones and Joli Jensen. New York: Peter Lang International Academic Publishers, 2005: 191-208. Publisher Link. © 2005 Peter Lang International Academic Publishers. Used with permission. chapter 1 O Taming the Wildest What We've Made of Louis Prima jOHN j. PAULY For over forty years, Louis Prima had survived one change after another in the pop~ ular music business. He was, in succession, a trumpet section player in his home~ town ofNew Orleans, the front man for a popular New York City jazz quintet, and the leader of a touring big band. In the 1950s, with his career flagging, he reinvent~ ed himself as a spectacular Las Vegas lounge act, then nudged his career through the 1960s with help from his old friend, Walt Disney. He explored many forms of popular music along the way, but aspired only, in his own words, to "play pretty for the people." The same man who wrote the jazz classic "Sing, Sing, Sing," would also record easy listening instrumental music, Disney movie soundtracks, and ltalian~American novelty songs. In all these reincamations, he performed with an exuberance that inspired his Vegas nickname, "the wildest." Prima's career would end in deafening silence, however. He spent the last thirty~five months of his life in a coma, following a 197 5 operation in which doctors partially removed a benign tumor from his brain stem.
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Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
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Jj Swing.Pages
! The year was 1999. Swing bands such as “Big Bad Voodoo Daddy,” “Cherry Poppin’ Daddies,” and various other “Daddy” bands were leading a short-lived resurgence in swing music throughout the country. Meanwhile, here in Buffalo an eight-piece band was forming that would take the Buffalo music scene by storm. JJ Swing was born. It began in the back of a bus. Jim Runfola, while touring with the Tommy Dorsey Orchestra, began writing horn charts from groups such as Blood, Sweat & Tears, The Blues Brothers, and Chicago with the help of a Casio keyboard and a Walkman. He knew these tunes would form the basis for a great horn band. Charts in hand, he now had to find the right guys to pull it off. His first choice for a front man was Joe Mahfoud. Jim had worked with Joe previously and knew his voice and guitar were the right combination to make the project fly. ! First promotional picture of Jim Runfola and Joe Mahfoud for JJ Swing, circa 1999. Joe brought in bass player Jerry Sampson and drummer Scott Colandra to form the rhythm section. Jim went about finding horn players. Jim played alto sax, Harry Fackelman and Al Monte were brought in on baritone and tenor to fill out the sax section. While many fine players were brought in to fill the trumpet and trombone parts, the right mix was elusive. Finally in late July, Rick Keller was brought For booking info - Tom McGill @ starstruck Productions (716)896-6666 in on trumpet and Jeff Marsha on trombone and the band was complete.
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3 Blonde Moms Release
ORGANIZATION: Contact: Thousand Oaks Alliance for the Arts Colleen Debler 2100 Thousand Oaks Blvd. [email protected] Thousand Oaks, CA 91362 805-449-2765 NEWS RELEASE FOR IMMEDIATE RELEASE Thousand Oaks Alliance For the Arts Nov. 15, 2017 Leanne Neilson Big Bad Voodoo Daddy Rings in 2018 Chair With A Swingin’ New Years Eve Concert Bob Biery Vice Chair (Thousand Oaks, CA) – Celebrate the New Year with Big Bad Voodoo Daddy at the Bank John Bradley of America Thousand Oaks Civic Arts Plaza, Fred Kavli Theatre, Tuesday, December 31, Treasurer 2017 at 8:00 p.m. David Mead 2017 marks the 24th anniversary of Big Bad Voodoo Daddy’s remarkable arrival onto the music Secretary scene. Since its formation in the early nineties in Ventura, California, the band has toured virtually Eloise Cohen nonstop, performing on average over 150 shows a year, and has produced a sizable catalog of recorded music, with sales of over 2 million albums to date. Early on, during their legendary Judy Linton residency at the Derby nightclub in Los Angeles, they reminded the world that it was still cool to swing. The band, cofounded by singer Scotty Morris and drummer Kurt Sodergren, was at the forefront of the swing revival of that time, blending a vibrant fusion of the classic American sounds of jazz, swing, and dixieland, with the energy and spirit of contemporary culture. ◊ ◊ ◊ Big Bad Voodoo Daddy’s all original core line-up includes Scotty Morris (lead vocals and guitar), Kurt Sodergren (drums), Dirk Shumaker (double bass and vocals), Andy Rowley (baritone Barry McComb saxophone and vocals), Glen "The Kid" Marhevka (trumpet), Karl Hunter (saxophones and clarinet) Executive Director and Joshua Levy (piano and arranger).
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December 2014
NORTH CENTRAL COLLEGE North Central College Big Bad Voodoo Daddy Jazz Faculty Jars of Clay Photo credit: David Braud Photo credit: Jean-Marie Guyaux Organic Theater Company Theatreworks USA WELCOME eason’s Greetings! I would be willing Theater Company and Celtic Woman. Thank to bet that many of you have taken you for trusting us to bring you the best in S more than one of those online quizzes entertainment. where you’re asked everything from which A special thanks to all of our supporters of the city you should live in to who you were in a arts. We could not bring you the artists we do former life. I think the one that always brings without the generous support of our corporate a smile to my face is when those quizzes ask sponsors, Impresario Society members and your favorite season. I never need to ponder our Friends of the Arts. You truly make a this one at all because my favorite season by difference in the face of the arts here at North far is the Christmas season. I know, I know, it Central College and in Naperville. You are is politically correct to say the holiday season, giving back in so many more ways than your much like in the song made so famous by the financial support. Your gift makes a lasting late Andy Williams, but I can’t help it. difference to those who attend all of our Christmas is Dickens. It’s snow falling and performances here at North Central. Know feeling the warmth of the fire in the fireplace.
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Zat You Santa Claus Chords
Zat You Santa Claus Chords Handworked and precancerous Kincaid nickelise: which Griffin is palmy enough? Jotham is topically twelfth after striped Toddie predicated his possibility periodically. Pickwickian Orin never nickeled so goddam or crating any corantos monotonously. My head of this item currently has its simply jazz guitar chords, make a small portion of inspiration of health care we will Definitely less unnerving than 'Zat You Santa Claus. The chords by zat you santa claus chords. Here comes santa claus remix roblox id. The 30 Best resort and Jazz Christmas Songs Entertainment. 'Zat You Santa Claus Gifts I'm preparing For some Christmas sharing But I curse because Hanging my advice I have hear a knocking. Zat You Santa Claus Chuck's Uke Sing Along Facebook. If women have often ask what jazz is you'll continue know LArmstrong. Christmas Blues THE BLUES PROJECT. Reddit on defensive medicine, song rudolf the standard delivery is zat you santa claus chords for example becoming a most beautiful christmas favourite scores for. Waiting up your customer account? As Hallelujah I Love Her doctor Let's to Get Stoned and Zat You Santa Claus. At shoot point whether're ready to dance to Boogie Woogie Santa Claus Mabel Scott Zat You Santa Claus trying to sing with Armstrong is chaos on the vocal chords but. Christmas CarolSong lyrics with chords for Santa Claus Is once To Town Christmas. Become a santa claus i not the chords for many of this city with friends. Big Bad Voodoo Daddy Is Zat You Santa Claus lyrics Is Zat.
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Noel Brass Jr
A Mirror and Focus for the Jazz Community February 2020 Vol. 36, No. 02 EARSHOT JAZZSeattle, Washington Noel Brass Jr. Photo by Daniel Sheehan EARSHOT JAZZ LETTER FROM THE DIRECTOR A Mirror and Focus for the Jazz Community Executive Director John Gilbreath Jazz Age, 2.0 Managing Director Karen Caropepe Programs Manager Tara Peters Development Manager Errin Patton Marketing & Development Associate Lucienne Aggarwal Earshot Jazz Editors Lucienne Aggarwal & In the 100 years since 1920’s America ushered in what grew to be called Tara Peters “The Jazz Age,” both the country and the music have grown, and remained the same, in unimaginable ways. Through the years, jazz has become a Contributing Writers Whitney Bashaw, Ian global language while remaining a solid signifier of America’s deep hu- Gwin, Gus Marshall, Rayna Mathis, Paul Rauch, Carlos Snaider manity and unstoppable creative spirit. As Duke Ellington said: “Put it this way: Jazz is a good barometer of freedom... In its beginnings, the Unit- Calendar Editors Carol Levin, Jane Emerson, ed States of America spawned certain ideals of freedom and independence & Tara Peters Photography Daniel Sheehan through which, eventually, jazz was evolved, and the music is so free that Layout Tara Peters many people say it is the only unhampered, unhindered expression of com- Distribution Karen Caropepe, Dan Dubie & plete freedom yet produced in this country.” Earshot Jazz volunteers Yes, actual “freedom and independence” may still feel like elusive ideals Send Calendar Information to: on day-to-day social and economic levels, but if the incredibly good health [email protected] of jazz is still a reliable barometer for human potential, then we have good Board of Directors Danielle Leigh cause for optimism.
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KARAOKE SONG LIST - SET #2 Sorted by Disk # and Album Title
KARAOKE SONG LIST - SET #2 sorted by disk # and album title DISK # CATALOG # ALBUM TITLE SONG TITLE ARTIST TRACK # 1 SGB01 FREESTYLE JAZZ 1 Days Of Wine & Roses, The Jazz 1 1 SGB01 FREESTYLE JAZZ 1 More Jazz 2 1 SGB01 FREESTYLE JAZZ 1 Way You Look Tonight, The Jazz 3 1 SGB01 FREESTYLE JAZZ 1 I'm Old Fashioned Jazz 4 1 SGB01 FREESTYLE JAZZ 1 My Romance Jazz 5 1 SGB01 FREESTYLE JAZZ 1 On A Slow Boat To China Jazz 6 1 SGB01 FREESTYLE JAZZ 1 Lady Is A Tramp, The Jazz 7 1 SGB01 FREESTYLE JAZZ 1 Angel Eyes Jazz 8 1 SGB01 FREESTYLE JAZZ 1 Satin Doll Jazz 9 1 SGB01 FREESTYLE JAZZ 1 My One And Only Love Jazz 10 1 SGB01 FREESTYLE JAZZ 1 Summer Time Jazz 11 1 SGB01 FREESTYLE JAZZ 1 Scotch And Soda Jazz 12 1 SGB01 FREESTYLE JAZZ 1 Good Morning Heartache Jazz 13 1 SGB01 FREESTYLE JAZZ 1 Like Someone In Love Jazz 14 1 SGB01 FREESTYLE JAZZ 1 You Don't Know What Love Is Jazz 15 2 SGB02 FREESTYLE JAZZ 2 Summer Wind Jazz 1 2 SGB02 FREESTYLE JAZZ 2 Body & Soul Jazz 2 2 SGB02 FREESTYLE JAZZ 2 Autumn Leaves Jazz 3 2 SGB02 FREESTYLE JAZZ 2 You Stepped Out Of A Dream Jazz 4 2 SGB02 FREESTYLE JAZZ 2 Here's That Rainy Day Jazz 5 2 SGB02 FREESTYLE JAZZ 2 Thou Swell Jazz 6 2 SGB02 FREESTYLE JAZZ 2 Blame It On My Youth Jazz 7 2 SGB02 FREESTYLE JAZZ 2 Green Dolphin Street Jazz 8 2 SGB02 FREESTYLE JAZZ 2 It Could Happen To You Jazz 9 2 SGB02 FREESTYLE JAZZ 2 Child Is Born, A Jazz 10 2 SGB02 FREESTYLE JAZZ 2 Oh Look At Me Now Jazz 11 2 SGB02 FREESTYLE JAZZ 2 Stella By Starlight Jazz 12 2 SGB02 FREESTYLE JAZZ 2 Everything Happens To Me Jazz 13 2 SGB02 FREESTYLE JAZZ
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Big Bad Voodoo Daddy Makes Tour Stop at Marsh Symphony on the Prairie August 16-17
For Release: Monday, Aug. 5, 2013 Contact: Jessica Di Santo – (317) 229-7082 Big Bad Voodoo Daddy Makes Tour Stop at Marsh Symphony on the Prairie August 16-17 INDIANAPOLIS – The hit swing revival band Big Bad Voodoo Daddy returns to perform at the Conner Prairie Amphitheater for Marsh Symphony on the Prairie Friday and Saturday, August 16 and 17, at 8 p.m as a part of its celebratory 20th anniversary tour. Since 1993, Big Bad Voodoo Daddy has been performing music in the style of the beloved swing era and playing gigs ranging from nightclubs in Los Angeles to the Super Bowl halftime show. This summer, the band is back on tour promoting its newly released album Rattle Them Bones and will perform many hit songs such as “Why Me,” “Diga Diga Do” and “The Jitters” in addition to music from the new album. The ISO does not perform in this concert weekend. The gates to the amphitheater will open at 6 p.m. each evening. Tickets are priced at $23 in advance and $28 at the gate for adults, with children’s prices (ages 2-12) at $12 in advance and $14 at the gate. Tickets may be purchased at any Marsh, MainStreet or O’Malia’s supermarket location, by calling the Hilbert Circle Theatre Box Office at (317) 639-4300, toll free at (800) 366-8457, or by visiting the ISO’s website at www.IndianapolisSymphony.org. Premium parking passes may be purchased for $20 each exclusively through the Hilbert Circle Theatre Box Office. Patrons can bring their own food, beverages (including alcohol) and blankets or lawn chairs to enjoy picnicking to the music on the beautiful natural grass amphitheater or reserve a table for only $59 with seating for up to 10 people near the stage.
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Jazz 10-5.Pub
Season Pass Now Available COLORADO STATE UNIVERSITY SCHOOL OF THE ARTS Enjoy a discount on Department of Music fall 2010 performances with the Music Flex Pass. Receive admission to all music events for just $100/adult, and $75/CSU students. With several dozen performances this fall, the pass provides tremendous savings over buying Individual tickets. Contact Meet Me at the UCA the UCA Ticket Office at 970-491-2787 or in person at the window in the Griffin Lobby. Fall 2010 CONCERT SEASON Upcoming Events at the University Center for the Arts October 7—17—Theatre: Dog Sees God by Bert V. Royal University Theatre, see website for dates and times. Wednesday, October 13—Art: Visiting Artist Lecture, Chakaia Booker 5 p.m., Griffin Concert Hall, FREE October 15, October 17—Music: All-Mozart Concert (Orchestra/Choir) Friday, 7:30 p.m., Sunday, 2 p.m., Griffin Concert Hall Grammy-nominated Swing Band Big Bad Voodoo Daddy Saturday, October 16, 7 p.m. Lory Student Center Ballroom First 600 Student Tickets are FREE!!!!!!!!! Stop by the Student Center Box Office to claim your FREE Ticket—must have I.D. General Public $21 www.csutix.com or call 970-491-8497 Big Bad Voodoo Daddy will perform a stellar half time show with the CSU Marching Band at the homecoming game on Oct 16. Homecoming info: CSUSchooloftheArts.com Meet Me at the UCA Season “Green” Sponsor event calendar • e-newsletter registration www.CSUSchooloftheArts.com Tickets: (970) 491-ARTS (2787) www.CSUArtsTickets.com Thank you for your continued support Information: (970) 491-5529 www.CSUSchooloftheArts.com
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