Jamil Hamoudi Collection, 1917-2012
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History, a Father's Life Emerge from 'Tunnel of Time'
History, a father’s life emerge from ‘tunnel of time’ By Eric Berger, Staff Writer - Sep 20, 2018 Pier Marton puts on a pair of disposable blue gloves on a weekday afternoon earlier this month, reaches into a plastic storage container and carefully pulls out rolls of film. He places a sheet of 12 negatives under a camera, which allows him to record them digitally. One shows a picture of a young woman taken by his late father, Ervin Marton. He was part of the Paris arts scene of the 1950s and 1960s, and a Jewish member of the French Resistance against the Nazis. He works diligently and, one after another, images that only his father, who died in 1968, had seen are revealed on a screen. “I call it a tunnel in time,” says Marton, a former film studies professor at Washington University. Now, after just over a month of work at his home in University City, Marton and a visiting art historian from Paris have catalogued thousands of his father’s negatives, photographs and drawings, among other work. Marton hopes to arrange a permanent archive of his father’s work and exhibit some of it in museums. The historian intends to write a book and create an exhibit about Ervin Marton. But aside from giving the public a chance to see more of his father’s work, Marton says, the project has brought him closer to his father, who died suddenly of a brain hemorrhage when Pier was 17. Pier Marton also suffered a brain hemorrhage about a decade ago. -
Iraqslogger: Artists Remember Celebrated Sculptor Iraqslogger © 2006 - 2019 All Rights Reserved
IraqSlogger: Artists Remember Celebrated Sculptor IraqSlogger © 2006 - 2019 All rights reserved. 7/19/19, 10(58 AM Artists Remember Celebrated Sculptor Jawad Selim's Monument Defines Baghdad's Tahrir Square The "Epic of Liberty" monument over Baghdad's Tahrir Square. Undated pre-2003 photo. By Maha Mohammed 02/04/2007 Baghdad, Apr 2, (VOI) -- The Monument of Liberty, which stands in the heart of Baghdad, is one of the capital's most significant symbols of art and a distinguishing feature in Iraqi cultural life. In fact, the monument is part of the memory of generations of Iraqis who consider it, along with Jawad Saleem, its sculptor, a memory of time and place. These days mark the 86th anniversary of the Iraqi artist’s birth. Saleem (1921-1961) was one of the most renowned sculptors in Iraq's modern history. http://iraqslogger.powweb.com/index.php/post/2194/Artists_Remember_Celebrated_Sculptor Page 1 of 6 IraqSlogger: Artists Remember Celebrated Sculptor 7/19/19, 10(58 AM Saleem was born in March into a family known for its love of art and drawing. His father, Hajj Saleem, and his siblings, Souad, Nizar and Naziha, were all plastic artists. Among his most prominent works was the Monument of Liberty, which now stands in Tahrir Square, in the center of Baghdad, and is regarded by many international artists as one of the most important monuments in the Middle East. Among his other achievements was the establishment of a group in Baghdad for Modern art. Saleem was also a founding member of the Iraqi Plastic Artists Society. -
The Iraqi National Museum of Modern Art: Journey of Destruction
The Iraqi National Museum of Modern Art: Journey of Destruction By Ali I. al-Dulaimi Region: Middle East & North Africa Global Research, May 22, 2019 Theme: History In-depth Report: IRAQ REPORT A glimpse of the plastic arts in Iraq The contemporary Iraqi plastic art is considered to be the legitimate heir of the ancient Iraqi civilizations of Sumer and Babylon. Relics have beem found indicating that the Iraqi craftsman is the first artist in the world. He is the one who creates and produces such beautiful household pottery pieces for functional purposes for eating, drinking and other daily uses. The Baghdad School of Art of Illustration was founded by Iraqi artist Yahya bin Mahmoud bin Yahya bin Abi al-Hassan al-Wasiti who laid down its pillars. Al-Wasiti lived in the seventh Hijri century and is considered to be at the forefront of Arab and Islamic creativity scene where the Islamic art of illustration could be straightened and become competitive. Then this School spread from Mesopotamia to all other Islamic countries. Al-Wasiti inspired others with his miniature manuscripts on which he painted topics and narrative facts from the collections of al-Hariri which were written by Abu Muhammad al-Qasim bin Ali bin Othman al-Basri, famous as “al-Hariri”. These collections are considered to be among the Arabic literary masterpieces due to their richness of material, accuracy of observation and unique imagination. Artist al-Wasiti completed illustrating and scripting these collections in 634 A.H./1237 A.D., and they are now treasured at several international museums and libraries. -
Naser Hassan AI-Rifaei
The Principle of Movement in Moroccan Design; as a source of inspiration for contemporary artistic applications Practice-based research in Art and Design Naser Hassan AI-Rifaei A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy March 2009 University of Brighton Abstract This project focuses on utilizing the principle of movement contained in traditional Moroccan design (PMMD) for the production of new and inventive artworks. The PMMD is one of the main concepts that rules the creation and construction of design elements; it consists of a group of advanced technical procedures applied to achieve the highest levels of unity, harmony, variation and rhythm between lines and shapes. Great consideration in the PMMD is given to the viewer's perception, as all parts are formed to be equally interesting and to work harmoniously together suggesting ways for the viewer's eye to interact with and move in and throughout the composition. The purpose of this research is to examine viable methods for stimulating new ideas by taking the aesthetic and technical significances of the PMMD as a source of creative inspiration. The work involved analyzing the relationship between form, method and perception in traditional compositions by exploring the role of PMMD in 1) the process of creating and shaping design elements separately, 2) methods of relating the lines and shapes of different design components. Data on PMMD was collected from recent literature on Islamic art and Moroccan design, from interviews with master-craftsmen, and from my personal analyses and observations. -
Auction - Modern Watercolors, Sketches, and Lithographs 01/22/2020 7:00 PM GST
Auction - Modern Watercolors, Sketches, and Lithographs 01/22/2020 7:00 PM GST Lot Title/Description Lot Title/Description 1 "Camera Studies in Iraq" 15 Jewad Salim. Paris. Sketch. A photograph album by Hasso Bros. Baghdad. 1925. Jawad Salim. Paris. Sketch.Approx. Dim.: 42 x 34.5cm JAWAD SALIM - "Camera Studies in Iraq"A photograph album by Hasso Bros. Baghdad. 1919 – 1961, Iraq,was an Iraqi painter and sculptor born in Ankara 1925.Approx. Dim.: 31.5 x 25cm (Turkey) in 1919. He studied sculpture in Paris (1938-1939), Rome Est. 6,000 - 12,000 (1939-1940) and London (1946-1948). Upon completing his studies, 2 A symphony composed on the death of King Faisal I of Iraq by the Salim returned to Iraq and was appointed head of the Sculpture musical composer Farid Sabri and gifted to King Ghazi. Printed in Department at the Institute of Fine Arts in Baghdad, a position he Damascus. 1933. retained until his death in 1961. He also founded the Jama'et Baghdad lil A symphony composed on the death of King Faisal I of Iraq by the Fen al-Hadith (The Baghdad Modern Art Group) with fellow artist Shakir musical composer Farid Sabri and gifted to King Ghazi. Printed in Hassan Al Said, as well as the new Baghdad School of Modern Art. He Damascus. 1933.Approx. Dim.: 49 x 34.5cm is especially known for his Nasb al-Hurriyah (Monument of Freedom), Est. 5,500 - 10,500 located in one of Baghdad's main squares. In this monument, the artist 3 A photograph of King Faisal I of Iraq. -
(Abruzzo-Montagna) ABBATE Enrico
1. (Abruzzo-Montagna) ABBATE Enrico. Guida al Gran Sasso d'Italia. Roma, Sciolla, 1888. 8vo; pp. VIII-222, con un panorama, 3 carte geologiche (2 a colori) e 2 carte topografiche ripiegate, oltre a 16 disegni di Enrico Coleman e 28 tavole f.t. Legatura coeva mezza pelle, titolo e fregi in oro. Ottimo esemplare. (23757) € 130,00 2. (Italia Meridionale-Arte) ABBATE Francesco. Storia dell'Arte nell'Italia Meridionale. Il Sud angioino e aragonese. Roma, Donzelli Editore, 1998. 8vo; pp. XIV-274, con 134 tavole, b/n e a colori, f.t. Note, ampia bibliografia ed indici. Cartonato editoriale, sovr. figurata a colori. (23773) € 20,00 3. (Gastronomia-Guida) Accademia Italiana della Cucina. Guida ai Ristoranti e Trattorie d'Italia. Milano, Martello, 1961. 8vo p.; pp. (6)-442-(2), alcune cartine n.t. Indici. Legatura editoriale tutta tela, titolo in oro. Come nuovo. "Questa guida, ideata e voluta da Orio Vergani... si propone tra l'altro di ricostruire un repertorio della cucina italiana, secondo le regioni, nei suoi piatti tradizionali, in qualche caso anche dimenticati..." (dalla Prefazione). (23521) € 20,00 4. (Spagna-Epopea-Edizione di pregio) ACUTIS Cesare (a cura di). Cantare del Cid. Torino, Einaudi (I millenni), 1986. 8vo; pp. XXX-250, con 1 cartina n.t. ed 8 tavole a colori f.t. Note e bibliografia. Legatura tutta tela, sovr. figurata a colori, taglio superiore colorato, astuccio cartonato. Allo stato di nuovo. (14868) € 29,00 5. (Poesia giocosa del '600-Satira) ADIMARI Lodovico (Marchese). Satire. Londra (ma Livorno), Masi, 1788. 16mo p.; pp. (4)-XXIV-312, effigie dell'A. -
Relationship Between Semantic and Aesthetic Dimensions of Contemporary Iraqi Painting and Modernity Arts
Utopía y Praxis Latinoamericana ISSN: 1315-5216 ISSN: 2477-9555 [email protected] Universidad del Zulia Venezuela Relationship Between Semantic and Aesthetic Dimensions of Contemporary Iraqi Painting and Modernity Arts HUSSEIN, H.K.; HAMZAH, T.S.; MUBARAK, A.H. Relationship Between Semantic and Aesthetic Dimensions of Contemporary Iraqi Painting and Modernity Arts Utopía y Praxis Latinoamericana, vol. 26, no. Esp.1, 2021 Universidad del Zulia, Venezuela Available in: https://www.redalyc.org/articulo.oa?id=27966119013 DOI: https://doi.org/10.5281/zenodo.4556181 This work is licensed under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International. PDF generated from XML JATS4R by Redalyc Project academic non-profit, developed under the open access initiative Utopía y Praxis Latinoamericana, 2021, vol. 26, no. Esp.1, Marzo, ISSN: 1315-5216 2477-9555 Artículos Relationship Between Semantic and Aesthetic Dimensions of Contemporary Iraqi Painting and Modernity Arts Relación entre las dimensiones semántica y estética de la pintura iraquícontemporánea y las artes de la modernidad H.K. HUSSEIN DOI: https://doi.org/10.5281/zenodo.4556181 University of Babylon, Irak Redalyc: https://www.redalyc.org/articulo.oa? [email protected] id=27966119013 https://orcid.org/0000-0003-1582-8380 T.S. HAMZAH University of Babylon, Irak [email protected] https://orcid.org/0000-0003-0804-7850 A.H. MUBARAK University of Babylon, Irak [email protected] https://orcid.org/0000-0003-1435-3360 Received: 05 December 2020 Accepted: 10 February 2021 Abstract: e modern European artists tackle the emergent perceptual realization that is reflected in art through realistic forms to complete the inherent cognitive energies; imagination and intuition. -
Art Collector: 53 Works, a Century of Middle Eastern Art Part II, with Subtitles 7/4/17, 1:37 PM
Art Collector: 53 Works, A Century of Middle Eastern Art Part II, with subtitles 7/4/17, 1:37 PM 4 اﻟﻣزﯾد اﻟﻣدوﻧﺔ اﻹﻟﻛﺗروﻧﯾﺔ اﻟﺗﺎﻟﯾﺔ» إﻧﺷﺎء ﻣدوﻧﺔ إﻟﻛﺗروﻧﯾﺔ ﺗﺳﺟﯾل اﻟدﺧول Art Collector http://www.zaidan.ca Posts Comments Wednesday, November 25, 2015 Total Pageviews 53 Works, A Century of Middle Eastern Art Part II, with subtitles 163,283 A Century of Iraqi Art Part I & Modern & Contemporary Middle Eastern Art Search This Blog Nja mahdaoui jafr - The alchemy of signs Follow by Email Email address... VIEW OF THE TIGRIS Abdul Qadir Al Rassam, (1882 - 1952) 13.78 X 20.87 in (35 X 53 cm) oil on canvas Creation Date: 1934 Signed Abdul Qadir Al Rassam, (1882 - 1952), was born in Baghdad, Iraq. He was the first well-known painter in modern Iraq and the leader of realism school in Iraq. He studied military science and art at the Military College, Istanbul, Turkey, (then the capital of the Ottoman Empire) from 1904. He studied art and painting in the European traditional style and became a landscape painter, he painted many landscapes of Iraq in the realism style, using shading and composition to suggest time periods. He was a major figure among the first generation of modern Iraqi artists and was a member of the Art Friends Society (AFS, Jami’yat Asdiqa’ al- Fen). A collection of his work is hung in The Pioneers Museum, Baghdad. A prolific painter of oils, the majority of his works are now in private hands. More Nja mahdaoui jafr - The alchemy of signs Popular Posts 38 Artists Embedded of Arc's Military Campaign, (c. -
Modern & Contemporary
MODERN & CONTEMPORARY ART SATURDAY 26 JUNE 2021 | DOHA | 7:30 PM MODERN AND SALE CONTACTS CLIENT SERVICES Ayoub Bouali CONTEMPORARY ART +974 4408 0526 In Arabic, English or German SATURDAY 26 JUNE 2021 | DOHA | 7:30 PM Arbia Khissibi +974 4408 0523 AUCTION AND VIEWING LOCATION In Arabic, French, or English ALBAHIE AUCTION HOUSE | KATARA | BUILDING 22C MODERN & CONTEMPORARY ART SPECIALIST VIEWING Habeeb Abu Futtaim +974 4408 0534 19 - 26 June 2021 In Arabic, Urdu or English Weekdays | 8:00am - 6:00pm Weekends | 3:00pm - 8:00pm ACCOUNTS Mohammed Sabreen +974 4408 0534 ABSENTEE AND TELEPHONE BIDDING [email protected] OPERATIONS MANAGER +974 4408 0534 Rebecca Joy Holt +974 4408 0535 ONLINE BIDDING Visit www.albahie.com to register GENERAL INFORMATION AND POST SALE SERVICES Shruti Shetti Currency | The auction will be conducted in US Dollars. [email protected] Payment will be requested in Qatari Riyal. +974 4408 0534 Conditions of Sale | This auction is subject to Notice of Bidders and Conditions of Sale at the back of the catalogue and on www.albahie.com AUCTION ADVISOR AUCTIONEER Dr. Aissa Deebi Ayoub Bouali AlBahie Auction House Katara, Building 22 C Follow us albahie FOREWARD Writing a foreward for an art auction for artists of the Arab homeland and its extended diaspora can be challenging. Thinking of how to draw a picture of the region makes me think of Francesco Goya's new work, especially if he was alive today. Perhaps this could be a conventional observation when you think of the Arab homeland; it's constantly a broad graphic representation, but I would argue that we could undoubtedly imagine this starting point by thinking alternatively about it. -
MOON Through Time
THE A Voyage MOON Through Time THE A Voyage MOON Through Time Edited by Christiane Gruber Text copyright © 2019 by The Aga Khan Museum Images and works of art copyright © 2019 by museums, galleries, and organizations as indicated. Published in conjunction with The Moon: A Voyage Through Time, an exhibition organized by the Aga Khan Museum and presented from March 9 to August 18, 2019. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise (except brief passages for purposes of review), without the prior permission of the Aga Khan Museum. Permission to photocopy should be requested from Access Copyright. First published in Canada in 2019 by Aga Khan Museum 77 Wynford Drive Toronto, Ontario M3C 1K1 www.agakhanmuseum.org Editor and Co-Curator: Christiane Gruber Project Manager and Copy Editor: Michael Carroll Publications: Jovanna Scorsone, Education and Public Engagement Manager, Aga Khan Museum Cover and Interior Design: The Swerve Design Group Inc. 5 4 3 2 1 23 22 21 20 19 ISBN 978-1-926473-15-4 Library and Archives Canada Cataloguing in Publication Title: The moon : a voyage through time / edited by Christiane Gruber. Other titles: Moon (Toronto, Ont.) Names: Gruber, Christiane J., editor. | Aga Khan Museum (Toronto, Ont.), host institution, publisher. Description: Catalogue of an exhibition held at the Aga Khan Museum from March 9 to August 18, 2019. | Includes bibliographical references. Identifiers: Canadiana 20190055286 | ISBN 9781926473154 (softcover) Subjects: LCSH: Islamic arts — Exhibitions. | LCSH: Islamic art and symbolism — Exhibitions. -
TAARII Newsletter the American Academic Research Institute in Iraq
SPRING 2012 PAGE 1 TAARII Newsletter The American Academic Research Institute in Iraq ISSUE NO. 7-1 SPRING 2012 © TAARII MODERN ART IN IRAQ: FROM THE PIONEERS OF THE 1930s TO THE LOOTING OF 2003 Figure 1.1. Artworks stolen in 2003 that have yet to be recovered include those of (from upper left to lower right): Jawad Saleem, Alaa Basheer, Atta Sabri, Faraj Abou, Fouad Jehad, and Hafidh al-Dorooby PAGE 2 TAARII NEWSLETTER Following the collapse University of North Texas of the Ba‘th Regime in (UNT), and Williams 2003, over 7,000 artworks College began with a brief in Iraq were damaged or overview of the breadth of stolen. Only about 700 modern Iraqi art followed have been recovered. The by a detailed account of history of modern art in the looting of the artworks Iraq, the looted artworks, from such locations as and the efforts to recover the Baghdad Center them were the topics of for the Arts, Baghdad a TAARII-sponsored International Airport, Al- lecture tour in three Rashid Hotel, and former states in February and palaces. Sabri described March 2012 with Salam the various efforts to Atta Sabri, an Iraqi artist, recover the lost artwork, founder and Director his own involvement, of the Iraqi Pioneers and the successes they Committee, and the Figure 1.2. Salam Atta Sabri gave three public lectures during his U.S. have had. Many of the Director of the National visit, including one at Portland State University (Photo credit: Karen audiences’ questions and Lickteig, Middle East Studies Center, PSU) Museum of Modern Art comments centered on in Baghdad. -
Arab Women-Art in Gwangju Biennale
International Journal of Liberal Arts and Social Science Vol. 8 No. 7 July 2020 Trans-Modern Narratives/Utopian Identities: Arab Women-Art in Gwangju Biennale Mohammed Baker Mohammed Al-Abbas (Ph.D.) The University of Jordan, Faculty of Art and Design, Department of Visual Arts Email: [email protected], [email protected], [email protected] Published: 31 July 2020 Copyright © Al-Abbas. ABSTRACT This research used the lens of Art to explore feminist issues in contemporary human culture. It focused on the narrative symbolisms of two artworks made by two female artists. Who re-created found archival materials to illustrate the feminist contributions in building different modernisms in Kuwait and Baghdad cities. They represented feminine narratives by moving the symbolic focal point from male to female perspective. Both artworks critiqued the inconsistent process of building national landmarks during the post-independence era, due to global and local factors such as Gulf Wars, the 9/11 attacks, and Arab Spring's aftermaths. The methodology employed the Qualitative Content Analysis tool within the theories of Iconography and Social Reality, to investigate the visual manifestations of the trans-modern narratives. This study is significant because it examined the ambiguous feminisms through transitional temporalities, and negotiated the diversities of collective memories and cultural identities in both cities. The Impact of trans-modern thoughts appeared in this context as a self-critique, where the artworks investigated the contemporary feminine/feminist issue in the frames of modern Arab cultures. The methodology aimed to develop art practices on individual, social and institutional levels, where artists, art scholars as well as art audiences engage in the process of understanding, making and knowing art.