The Architecture of Deconstruction: Derrida's Haunt
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A Guide to Deconstruction
A GUIDE TO DECONSTRUCTION January 2003 Prepared by: Bradley Guy, Associate Director University of Florida Center for Construction and Environment M. E. Rinker, Sr., School of Building Construction College of Design, Construction and Planning 101 FAC PO Box 115703 Gainesville, FL 32611-5703 [email protected] And Eleanor M. Gibeau, Environmental Specialist Resource Management Group, Inc. 1143 Central Avenue Sarasota, FL 34236 [email protected] This “Guide for Deconstruction” was made possible by a grant to Charlotte County Florida from the Florida Department of Environmental Protection Innovative Recycling Grant Program. TABLE OF CONTENTS Introduction.........................................................................................................7 Deconstruction Overview...................................................................................9 Safety First ...................................................................................................................9 Survey ..........................................................................................................................9 Environmental Health and Compliance ........................................................................9 Asbestos Abatement ..................................................................................................10 Contracts and Specifications......................................................................................10 Historic Preservation ..................................................................................................10 -
CURRICULUM VITAE Teresa Hubbard 1St Contact Address
CURRICULUM VITAE Teresa Hubbard 1st Contact address William and Bettye Nowlin Endowed Professor Assistant Chair Studio Division University of Texas at Austin College of Fine Arts, Department of Art and Art History 2301 San Jacinto Blvd. Station D1300 Austin, TX 78712-1421 USA [email protected] 2nd Contact address 4707 Shoalwood Ave Austin, TX 78756 USA [email protected] www.hubbardbirchler.net mobile +512 925 2308 Contents 2 Education and Teaching 3–5 Selected Public Lectures and Visiting Artist Appointments 5–6 Selected Academic and Public Service 6–8 Selected Solo Exhibitions 8–14 Selected Group Exhibitions 14–20 Bibliography - Selected Exhibition Catalogues and Books 20–24 Bibliography - Selected Articles 24–28 Selected Awards, Commissions and Fellowships 28 Gallery Representation 28–29 Selected Public Collections Teresa Hubbard, Curriculum Vitae - 1 / 29 Teresa Hubbard American, Irish and Swiss Citizen, born 1965 in Dublin, Ireland Education 1990–1992 M.F.A., Nova Scotia College of Art and Design, Halifax, Canada 1988 Yale University School of Art, MFA Program, New Haven, Connecticut, USA 1987 Skowhegan School of Painting and Sculpture, Skowhegan, Maine, USA 1985–1988 University of Texas at Austin, BFA Degree, Austin, Texas, USA 1983–1985 Louisiana State University, Liberal Arts, Baton Rouge, USA Teaching 2015–present Faculty Member, European Graduate School, (EGS), Saas-Fee, Switzerland 2014–present William and Bettye Nowlin Endowed Professor, Department of Art and Art History, College of Fine Arts, University of Texas -
The Abuse of Architectonics by Decorating in an Era After Deconstructivism
THE ABUSE OF ARCHITECTONICS BY DECORATING IN AN ERA AFTER DECONSTRUCTIVISM DECONSTRUCTION OF THE TECTONIC STRUCTURE AS A WAY OF DECORATION PIM GERRITSEN | 1186272 MSC3 | INTERIORS, BUILDINGS, CITIES | STUDIO BACK TO SCHOOL AR0830 ARCHITECTURE THEORY | ARCHITECTURAL THINKING | GRADUATION THESIS FALL SEMESTER 2008-2009 | MARCH 09 THESIS | ARCHITECTURAL THINKING | AR0830 | PIM GERRITSEN | 1186272 | MAR-09 | P. 1 ‘In fact, all architecture proceeds from structure, and the first condition at which it should aim is to make the outward form accord with that structure.’ 1 Eugène-Emmanuel Viollet-le-Duc (1872) Lectures Everything depends upon how one sets it to work… little by little we modify the terrain of our work and thereby produce new configurations… it is essential, systematic, and theoretical. And this in no way minimizes the necessity and relative importance of certain breaks of appearance and definition of new structures…’ 2 Jacques Derrida (1972) Positions ‘It is ironic that the work of Coop Himmelblau, and of other deconstructive architects, often turns out to demand far more structural ingenuity than works developed with a ‘rational’ approach to structure.’ 3 Adrian Forty (2000) Words and Buildings Theme In recent work of architects known as deconstructivists the tectonic structure of the buildings seems to be ‘deconstructed’ in order to decorate the building’s image. In other words: nowadays deconstruction has become a style with the architectonic structure used as decoration. Is the show of architectonic elements in recent work of -
5 Derrida's Critique of Husserl and the Philosophy
5 DERRIDA’S CRITIQUE OF HUSSERL AND THE PHILOSOPHY OF PRESENCE David B. Allison* Now would be the time to reject the myths of inductivity and of the Wesenschau, which are transmitted, as points of honor, from generation to generation. ...Am I primitively the power to contemplate, a pure look which fixes the things in their temporal and local place and the essences in an invisible heaven; am I this ray of knowing that would have to 1 arise from nowhere? SÍNTESE – O autor reexamina a crítica de Derrida ABSTRACT – The author reexamines Derrida’s à fenomenologia de Husserl de forma a mostrar critique of Husserl’s phenomenology, so as to como a sua coerência estrutural emerge não show how its structural coherency arises not so tanto de uma redução a uma doutrina particular, much from the reduction to a particular doctrine, mas antes das exigências de uma concepção but rather from the demands of a unitary concep- unitária, especificamente impostas pelas deter- tion, specifically from the demands imposed by minações epistemológicas e metafísicas da the epistemological and metaphysical determina- presença. tions of presence. PALAVRAS-CHAVE – Desconstrução. Derrida. KEY WORDS – Deconstruction. Derrida. Husserl. Fenomenologia. Husserl. Presença. Significado. Meaning. Phenomenology. Presence. * Doutor. Professor, State University of New York, Stony Brook, EUA. 1 Maurice Merleau-Ponty, Le Visible et l’invisible (Paris: Editions Gallimard, 1964), Eng. tr., Alphonso Lingis, The Visible and the Invisible (Evanston: Northwestern University Press, 1968). pp. 113-116. VERITAS Porto Alegre v. 50 n. 1 Março 2005 p. 89-99 It is practically a truism to say that most of Husserl’s commentators have in- sisted on the rigorously systematic character of his writings. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Flow, Process, Fold: Intersections in Bioinformatics and Contemporary Architecture
FLOW, PROCESS, FOLD: INTERSECTIONS IN BIOINFORMATICS AND CONTEMPORARY ARCHITECTURE Timothy Lenoir and Casey Alt History of Science Program Stanford University This paper traces shared terms –– metaphors –– in two registers of discourse, bioinformatics and architecture, with the goal of teasing out the mutually informing contexts of each. We are becoming immersed in a growing repertoire of computer-based media for creating, distributing, and interacting with digitized versions of the world. Computer-mediated communication has already been significant in biology and medicine. In this essay we want to juxtapose several developments –– not all of them integrally connected –– in fields of computational biology, bioinformatics, robotics, and computer-aided design, which are significant for other areas in which computers have begun to mediate processes of work and creativity. We are particularly concerned with architects' engagement with information technology in their own work. Oft-noted features of the growth of computer-mediated forms of work and communication –– particularly evident in the biomedical areas with which we are concerned – are the acceleration of nearly every aspect of design and production, along with the high degree of both modularity and adaptability of processes. IT workers have responded to the explosion of data created by digital technology by generating dynamic systems for facilitating the information flow, replacing static forms with fluid architectures for extracting meaning. We want to suggest ways in which some architects are using information technology to address critical contemporary issues of philosophical, ethical, and social concern. Many have found philosophical resonance in the writings of Deleuze and Guattari, particularly in their effort to displace key modernist notions of difference as other, lack, or negative, with difference as a positive source. -
Modern Architecture and Luxury: Aesthetics and the Evolution of the Modern Subject
arts Book Review Modern Architecture and Luxury: Aesthetics and the Evolution of the Modern Subject Joanna Merwood-Salisbury School of Architecture, Victoria University of Wellington, Wellington 6140, New Zealand; [email protected] Received: 30 July 2019; Accepted: 31 July 2019; Published: 6 August 2019 Abstract: A book review of Robin Schuldenfrei, Luxury and Modernism: Architecture and the Object in Germany 1900–1933 (Princeton: Princeton University Press, 2018). This book challenges the canonical interpretation of two of the most revered institutions in the history of modern architecture—the Werkbund and the Bauhaus—and presents a critical interpretation of the relationship between modern architecture and luxury, which first appeared a generation ago. Keywords: architecture; design; luxury; AEG; Werkbund; Bauhaus; Germany; modernism Luxury and Modernism: Architecture and the Object in Germany 1900–1933 challenges the canonical interpretation of two of the most revered institutions in the history of modern architecture—the Werkbund and the Bauhaus—and presents a critical interpretation of the relationship between modern architecture and luxury, which first appeared a generation ago. In the founding documents of the modern movement, architecture and luxury were framed as irreconcilable opposites. To be modern was to reject ornament—the traditional aesthetic signifier of social status (Veblen [1899] 1994; Sombart [1913] 1967; Massey 2004). Cheapened by thoughtless application, ornament was seen as wasteful and excessive—a superfluous excrescence to be sloughed off through purifying processes of subtraction and elimination. Framed in terms of social evolution, to take pleasure in ornament was evidence of a primitive or retarded stage of racial development (Loos [1908] 1970; Muthesius [1903] 1994). -
1 Poems About Eagles This Is a Collection of Poems
Poems About Eagles This is a collection of poems - old and new - that have been written about eagles. Some you may recognize because they are included in anthologies. Others are from “Kindred Spirits” whose musings about eagles lead them to put pen to paper. Some have been sent to us to share, and we are happy to do so here. If you have a poem you’d like to share about eagles, please email [email protected]. The Dalliance of Eagles by Walt Whitman Skirting the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, In tumbling turning clustering loops, straight downward falling, Till o’er the river pois’d, the twain yet one, a moment’s lull, A motionless still balance in the air, then parting, talons loosing, Upward again on slow-firm pinions slanting, their separate diverse flight, She hers, he his, pursuing. f The Eagle Isaiah 40:31 by Edwin Curran KJV The dome of heaven is thy house But they that wait upon the LORD shall renew their Bird of the mighty wing, strength; they shall mount up with wings as eagles; they The silver stars are as thy boughs shall run, and not be weary; and they shall walk, and not Around thee circling. faint. f Thy perch is on the eaves of heaven Thy white throne all the skies Thou art like lightning driven Flashing over paradise! f 1 The Eagle by Isaac McLellan (1806-1899) Monarch of the realms supernal, Thou wingest where a tropic sky Ranger of the land and sea, Bendeth its celestial dome, Symbol of the Grand Republic, Where sparkling waters greet the eye, Who so noble and so free? And gentlest breezes fan the foam; Thine the boundless fields of either, Where spicy breath from groves of palm, Heaven’s unfathom’d depths are thine; Laden with aromatic balm, Far beyond our human vision, Blows ever, mingled with perfume On thy vans the sunbeams shine. -
British Journal of Chinese Studies, Vol. 10, July 2020 ISSN 2048-0601 © British Association for Chinese Studies
British Journal of Chinese Studies, Vol. 10, July 2020 ISSN 2048-0601 © British Association for Chinese Studies China’s Rise and “Responsibility” in the 21st Century Astrid H. M. Nordin Graham M. Smith Abstract In recent decades “responsibility” has become a prominent idea in international political discourse. Against this backdrop, international policy and scholarly communities contemplating China’s rise regularly address themselves to “whether, when, and how” China will become a “responsible” great power. This article reviews, unpacks and questions understandings of responsibility in the debates about China. One strand of these debates argues that China can become responsible by adopting and promoting the existing “status quo”; the other argues that China acts responsibly when it challenges the unfair hegemony of the status quo. This article argues that both debates operate with remarkably similar understandings of responsibility. Whether China adopts existing rules and norms or establishes rules and norms of its own responsibility is understood to be rule and norm compliance. The article explores the possibility of an alternative understanding of responsibility suggested by Jacques Derrida. It is argued that a Derridian approach does not dispense with rules and norms but is conscious of the irresolvable dilemma when faced with the demands of multiple others. Such an understanding is helpful insofar as it reminds those who would call for responsibility that such responsibility, and politics itself, is more than simply following rules and maintenance of norms. Keywords: responsibility, Derrida, China as a great power, Xi Jinping, Chinese thought, rules and norms. Introduction In recent decades “responsibility” has become an important trope in international political discourse. -
Three DECONSTRUCTION and HERMENEUTICS. on THE
Three DECONSTRUCTION AND HERMENEUTICS. ON THE CONTROVERSY BETWEEN JACQUES DERRIDA AND HANS-GEORG GADAMER Piotr Dehnel In his Songs of Experience, Martin Jay1 cites Jacques Derrida’s critical assessment of the fact that experience has always been referred to in terms of metaphysics of presence, which he finds both in Edmund Husserl’s experience of meaning and in Emmanuel Levinas’s utterances about experiencing the other or a difference. Jay reflects also on the 1981 debate between Derrida and Hans- Georg Gadamer and stresses Derrida’s objections to the hermeneutical reliance on the dialogic experience. In this paper I would like to have a closer look at the aforementioned debate and shed some light on the question whether Gadamer’s hermeneutics can be grasped in the categories of the metaphysics of presence. Gadamer, the founding father of philosophical hermeneutics, and Derrida, the founding father of deconstruction, met in April 1981 in the Goethe Institute in Paris during the Text and Interpretation Symposium organized by Philippe Forget.2 Inaugurating the symposium with an eponymous paper, Gadamer discussed various elements of his own intellectual biography, which commenced with a critique of idealism and methodologism of the prior epistemological theory and was decisively influenced by his encounter with Martin Heidegger’s philosophical thought. Heidegger, namely, broke with Wilhelm Dilthey’s concept of understanding as a method of humanities and made it into an existential, i.e. into a basic determinant of the human Dasein. For Heideggger, understanding is simply a certain mode of being, and not a mode of knowledge. Such formulation enabled Gadamer to include the experience of art and the experience of history into the sphere of hermeneutics, both types of experience culminating in the concept of historically effected consciousness (wirkunggeschichtliches Bewußtsein). -
Derridean Deconstruction and Feminism
DERRIDEAN DECONSTRUCTION AND FEMINISM: Exploring Aporias in Feminist Theory and Practice Pam Papadelos Thesis Submitted for the Degree of Doctor of Philosophy in the Discipline of Gender, Work and Social Inquiry Adelaide University December 2006 Contents ABSTRACT..............................................................................................................III DECLARATION .....................................................................................................IV ACKNOWLEDGEMENTS ......................................................................................V INTRODUCTION ..................................................................................................... 1 THESIS STRUCTURE AND OVERVIEW......................................................................... 5 CHAPTER 1: LAYING THE FOUNDATIONS – FEMINISM AND DECONSTRUCTION ............................................................................................... 8 INTRODUCTION ......................................................................................................... 8 FEMINIST CRITIQUES OF PHILOSOPHY..................................................................... 10 Is Philosophy Inherently Masculine? ................................................................ 11 The Discipline of Philosophy Does Not Acknowledge Feminist Theories......... 13 The Concept of a Feminist Philosopher is Contradictory Given the Basic Premises of Philosophy..................................................................................... -
The Chronicle
I I N N L L V V A A I I U U T T T T A A I I T T R R I I I I O P O P S S N N A L A L L A L A N N R R E IO E IO L S L S AT IS AT IS IONAL M IONAL M Highlands Ranch, Colorado The Chronicle ST. LUKE’S UNITED METHODIST CHURCH JUNE/JULY 2014 I I N N L L V A V A I I U Inside This Issue:U T T T T A A I From Rev. Sallie.................3I T T R R I I I I O P SpiritualO Engagement.......5P S S N Golf! N A L Children’sA Ministry..........6L L A L A Golfer, Sponsor and N N R UMW R Update..................7 E IO E IO Volunteer signups have L S L S A IS A S T M T I IONAL Music & DramaIONA .................9L M begun for our 11th Annual SLY................................10 Golf Event August 2nd! We’ll be Graduates.....................11 playing again at Murphy Creek Golf Course with a 8:00am tee-off. The Seasoned Voyagers........12 tournament supports our church bus that is used for Windcrest rides and much more! each Sunday, youth mission trips, retreats and much more. Register at I I N N L L V V A A the Golf Event table or on line at www.stlukeshr/golf by July 20, 2014. I I U U T T T T A A I I T T R R I I I I O P O P FROM REV.