Dr. Dre 2001 Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Dr. Dre 2001 Mp3, Flac, Wma Dr. Dre 2001 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: 2001 Country: Mexico Released: 1999 Style: Gangsta MP3 version RAR size: 1267 mb FLAC version RAR size: 1704 mb WMA version RAR size: 1201 mb Rating: 4.9 Votes: 127 Other Formats: TTA AA DMF WAV APE MOD VOX Tracklist Hide Credits Lolo (Intro) 1 0:40 Featuring – Tray Dee The Watcher 2 3:28 Backing Vocals – Eminem, Knoc-turn'alKeyboards – Camara Kambon, Scott Storch Fuck You 3 3:25 Featuring – Devin The DudeGuitar – Sean CruseKeyboards – Camara Kambon, Scott Storch Still D.R.E. 4 4:28 Keyboards – Camara Kambon, Scott Storch Big Ego's 5 4:01 Keyboards – Scott Storch Xxplosive 6 Bass – Colin WolfeFeaturing – 6Two, Nate DoggGuitar – Sean CruseKeyboards – Camara 3:35 Kambon What's The Difference 7 4:04 Backing Vocals – PhishFeaturing – EminemKeyboards – Camara Kambon Bar One 8 0:51 Featuring – Eddie Griffin, Traci Nelson Light Speed 9 2:30 Guitar – Sean CruseKeyboards – Camara Kambon Forgot About Dre 10 3:54 Featuring – EminemGuitar – Sean CruseKeyboards – Camara Kambon The Next Episode 11 Bass – Preston CrumpFeaturing – Nate DoggGuitar – Sean CruseKeyboards – Camara 2:42 Kambon Let's Get High 12 Featuring – Kurupt, Ms. RoqGuitar – Sean CruseKeyboards – Camara Kambon, Scott 2:27 StorchVocals [Additional] – Mel-ManVocals [Additonal] – Scruncho Bitch Niggaz 13 Bass – Mel-ManFeaturing – 6TwoGuitar – Sean CruseKeyboards – Camara Kambon, Scott 4:14 Storch The Car Bomb 14 1:01 Featuring – Charis Henry, Mel-Man Murder Ink. 15 2:28 Keyboards – Camara Kambon, Scott Storch Ed-Ucation 16 1:32 Featuring – Eddie Griffin Some L.A. Niggaz 17 Featuring – Defari, King Tee, Knoc-turn'al, Kokane, MC Ren, Time Bomb Guitar – Sean 4:25 CruseKeyboards – Camara Kambon Pause 4 Porno 18 1:33 Featuring – Jake Steed Housewife 19 4:03 Guitar – Sean CruseKeyboards – Camara Kambon Ackrite 20 3:40 Keyboards – Camara Kambon Bang Bang 21 3:42 Featuring – Knoc-turn'alGuitar – Sean CruseKeyboards – Camara Kambon, Carl Breeding The Message 22 5:11 Featuring – Mary J. Blige, RellProducer – Lord Finesse Companies, etc. Glass Mastered At – EMI MFG. Credits Bass – Mike Elizondo (tracks: 2, 3, 9, 10, 12, 15, 17, 19,) Featuring – Hittman (tracks: 5, 6, 9, 12, 13, 15, 19 to 21), Kurupt (tracks: 6, 12, 19), Ms. Roq (tracks: 8, 12, 15), Snoop Dogg (tracks: 3, 4, 11, 13), Xzibit (tracks: 1, 7, 17) Producer – Dr. Dre (tracks: 1 to 21), Mel-Man (tracks: 1 to 21) Notes On track 11, Dr. Dre samples a David McCallum song released in 1967: "The Edge" from the album "Music: A Bit More Of Me" on Capitol Records. Barcode and Other Identifiers Barcode: 6 06949 04862 4 Matrix / Runout: 62-1-2 0694904861 Mastering SID Code: IFPI L043 Mould SID Code: ifpi 1685 Other versions Category Artist Title (Format) Label Category Country Year Aftermath 069490486-2 Dr. Dre 2001 (CD, Album) 069490486-2 US 1999 Entertainment 2001 (CD, Album, Aftermath UMD 99271 Dr. Dre UMD 99271 Canada 1999 Promo) Entertainment 2001 (Censored Aftermath none Dr. Dre Version) (CD, Entertainment, none US 1999 Promo) Interscope Records Aftermath 2001 (CD, Album, 490 486-2 Dr. Dre Entertainment, 490 486-2 Europe Unknown RE) Interscope Records 2001 (Cass, none Dr. Dre JSP Records none Russia 2000 Album, Unofficial) Related Music albums to 2001 by Dr. Dre Madou Camara, Mah Kouyaté , Nanpe Sado - Badenya, 2éme Partie Frei Hermano Da Câmara - Na mão de Deus Bembeya-Jazz National - Mémoire De Aboubacar Demba Camara Mangala Camara - Minye Minye Dr. Dre - The Aftermath Camara Aboubacar Demba - Whisky Soda Orquestra de Câmara Sociedade Cultural e Artística Uirapurú - Músicas de Sempre Dr. Dre - The Chronic 2001 Orquestra De Câmara De Niterói, Coral De Câmara De Niterói - Música Brasileira Orquestra de Câmara de Blumenau - Desafio.
Recommended publications
  • COURSE CATALOG 2016-2017 Academic Calendar
    COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes.
    [Show full text]
  • 1 Song Title
    Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol.
    [Show full text]
  • Eminem Encore Mp3, Flac, Wma
    Eminem Encore mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Encore Country: Ukraine Released: 2004 MP3 version RAR size: 1158 mb FLAC version RAR size: 1355 mb WMA version RAR size: 1937 mb Rating: 4.5 Votes: 607 Other Formats: DMF DXD ADX RA MP1 MP3 AC3 Tracklist Hide Credits A1 Curtains Up (Skit) 0:46 Evil Deeds A2 4:19 Producer – Dr. Dre Never Enough A3 2:39 Featuring – 50 Cent, Nate DoggProducer – Dr. Dre, Mike Elizondo Yellow Brick Road A4 5:46 Co-producer – Luis RestoProducer – Eminem Like Toy Soldiers A5 4:56 Co-producer – Luis RestoProducer – Eminem Mosh B1 5:17 Producer – Dr. Dre, Mark Batson Puke B2 4:07 Co-producer – Luis RestoProducer – Eminem My 1st Single B3 5:02 Co-producer – Luis RestoProducer – Eminem B4 Paul (Skit) 0:31 Rain Man B5 5:13 Producer – Dr. Dre Big Weenie C1 4:26 Producer – Dr. Dre C2 Em Calls Paul (Skit) 1:11 Just Lose It C3 4:08 Producer – Dr. Dre, Mike Elizondo Ass Like That C4 4:25 Producer – Dr. Dre, Mike Elizondo Spend Some Time C5 5:10 Co-producer – Luis RestoFeaturing – 50 Cent, Obie Trice, Stat QuoProducer – Eminem Mockingbird D1 4:10 Co-producer – Luis RestoProducer – Eminem Crazy In Love D2 4:02 Co-producer – Luis RestoProducer – Eminem One Shot 2 Shot D3 4:26 Co-producer – Luis RestoFeaturing – D12Producer – Eminem D4 Final Thought (Skit) 0:30 Encore (Curtains) D5 5:48 Co-producer – Mark BatsonFeaturing – 50 Cent, Dr. DreProducer – Dr. Dre Credits Mixed By – Eminem, Steve King Producer – Dr.
    [Show full text]
  • Genelec Mike Elizondo PR
    PRESS RELEASE Contact: Clyne Media, Inc. Tel: (615) 662-1616 Fax: (615) 662-1636 FOR IMMEDIATE RELEASE GRAMMY®-Winning Producer and Songwriter Mike Elizondo Chooses Genelec W371A Smart Active Woofer Systems and 8361A Smart Active Monitors™ for His New Studio Space Near Nashville NATICK, MA, September 21, 2020 — Mike Elizondo is among music’s most versatile talents, with credits ranging from 50 Cent, Eminem and Mary J. Blige to Carrie Underwood, Twenty One Pilots, Ry Cooder, Fiona Apple and beyond. He credits his versatility in part to his history as a bass player: “Being a bassist first, I think, gave me an advantage in my work. It trained my ears in a particular way, to hear the big picture, support the ensemble, listen to the drums and singer, and when to trim the fat, so to speak. And I think it also got me thinking in terms across genres, whether it’s jazz, rock, R&B, or something else. Not every producer is an instrumentalist first, but for me I think it’s shaped the way I approach this work, and it’s led to some great projects and successes in my career.” Recently his path led to a relocation from L.A. (where he was based for over 15 years) to Gallatin, TN – just north of Nashville, where he now lives and works in a 5000-square-foot state-of-the-art studio. And a key component of his new setup is his pair of W371A Smart Active Woofer Systems and 8361A Smart Active Monitors™ from Genelec, which he sourced through Vintage King in Nashville.
    [Show full text]
  • Metaphors of Love in 1946–2016 Billboard Year-End Number-One Songs
    Text&Talk 2021; 41(4): 469–491 Salvador Climent* and Marta Coll-Florit All you need is love: metaphors of love in 1946–2016 Billboard year-end number-one songs https://doi.org/10.1515/text-2019-0209 Received June 25, 2019; accepted September 19, 2020; published online October 26, 2020 Abstract: This study examines the use of metaphors, metonymies and meta- phorical similes for love in a corpus of 52 year-end number one hit songs in the USA from 1946 to 2016 according to Billboard charts. The analysis is performed within the framework of Conceptual Metaphor Theory and from quantitative and quali- tative perspectives. Our findings indicate that the theme of romantic love is prevalent in US mainstream pop music over the course of seven decades but shows evolutionary features. Metaphors of love evolve from conventional to novel with a notable increase in both heartbreak and erotic metaphors. Remarkably, the study finds that the two predominant conceptualizations of love in pop songs – which in a significant number of cases overlap – are the following: experiential, originating in the physical proximity of the lovers, and cultural, reflecting possession by one lover and showing a non-egalitarian type of love. Keywords: Conceptual Metaphor Theory; corpus linguistics; metaphor; pop music; romantic love 1 Introduction The central theme of a large number of pop songs is some facet of romantic love. Starr and Waterman (2003: 105–110, 199–200) noted this to be already the case in the Tin Pan Alley era in the USA of the 1920s and 1930s and the trend continued through the 1940s and 1950s, when the entertainment industry grew exponen- tially: “total annual record sales in the United States rose from $191 million in 1951 to $514 million in 1959” (Starr and Waterman 2003: 252).
    [Show full text]
  • Volume 12 2016-2017
    DIALOGUES@RU EDITORIAL BOARD SPRING 2017 FALL 2017 Emily Bliss Kelly Allen Lingyi Chen Amy Barenboim Wendy Chen Dustin He Steven Land Wei Yen Heng Kimberly Livingston Devika Kishore Valerie Mayzelshteyn Jasminy Martinez Daphne Millard Shannon McIntyre Keoni Nguyen Michele Mesi Ilana Shaiman Kalina Nissen Chad Stewart Jillian Pastor Abigail Stroebel Kassandra Rhoads Yashi Yadav Syeda Saad Cheyenne Terry Aurora Tormey EDITORS Tracy Budd Lynda Dexheimer COVER DESIGN & TYPESETTING Mike Barbetta © Copyright 2017 by Dialogues@RU All rights reserved. Printed in U.S.A. ii. CONTENTS Foreword • v Natasha Almanzar-Sanchez, Civil Disobedience and the First Amendment: The Subjective Constitutional Validity • 1 Vijay Anand, The Significance of Environmental Influences on an Individual’s Creativity • 12 Kiran Arshi, Divide and Conquer: The Role of Identity in Intergroup Conflicts • 25 Kaila Banguilan, Challenges in Maternal Health for Sub-Saharan Africa • 35 Courtney S. Beard, Discrimination against the Transgender Population and Recommendations for a Trans-inclusive Environment in the U.S. Military • 44 Brian Chang, CRISPR: Genetic Therapy, Enhancement, and Why It Matters • 57 Emilia Dabek, Prescription Drug Monitoring Programs for Early Detection of Drug Abuse: A Better Prognosis and Higher Survival Rate • 67 Josh Finkelstein, Night-Walkers in the Neruons • 79 Danielle Heaney, “Best Used By”: Labeling the Blame for Consumer Level Food Waste in the United States • 91 Ralston Hough, A Legalized Evil: The Usefulness of Just War Theory in Contemporary Politics • 103 Amy Hu, The Role of Pharmacogenomics in Racialized Medicine • 117 Taylor Jones, Sexuality, Sexual Identification, and Success: The Troubles and Consequences of Choosing to Stay in or Come Out of the Closet • 131 iii.
    [Show full text]
  • The Justice in Policing Act of 2020 in the U.S
    June 23, 2020 Honorable Nancy Pelosi Speaker of the House 1236 Longworth House Office Building Washington, DC 20515 Honorable Kevin McCarthy Republican Leader 2468 Rayburn House Office Building Washington, DC 20515 Dear Speaker Pelosi and Leader McCarthy: Since the killing of George Floyd just one month ago, our country has seen protests grow, attitudes shift, and calls for change intensify. We in the music and entertainment communities believe that Black lives matter and have long decried the injustices endured by generations of Black citizens. We are more determined than ever to push for federal, state, and local law enforcement programs that truly serve their communities. Accordingly, we are grateful for movement of the Justice in Policing Act of 2020 in the U.S. House of Representatives and urge its quick passage. The Justice in Policing Act is not about marginal change; it takes bold steps that will make a real, positive difference for law enforcement and the communities they serve. We celebrate the long- overdue rejection of qualified immunity, emphasizing that law enforcement officers themselves are not above the law – that bad cops must be held accountable and victims must have recourse. We applaud the provisions to ban chokeholds and no-knock warrants, to establish a national police misconduct registry, to collect data and improve investigations into police misconduct, to promote de-escalation practices, to establish comprehensive training programs, and to update and enhance standards and practices. This legislation will not only promote justice; it will establish a culture of responsibility, fairness, and respect deserving of the badge. Our communities and nation look to you to take a stand in this extraordinary moment and we respectfully ask that you vote YES on the Justice in Policing Act of 2020.
    [Show full text]
  • Michel'le Album Download Michel'le Album Download
    michel'le album download Michel'le album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67b1102178184ebc • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Michel'le. Michel'le, the girl with the squeaky speaking voice and thunderous singing voice, stormed onto the music scene in 1989-1990 with her smash self- titled debut. The album is post-new jill swing, incorporating a mix of hip-hop, dance, and R&B well before Mary J. Blige and Faith Evans perfected the genre. Michel'le produced several huge hits, including the unstoppable (and irresistibly clever) "No More Lies," which became a Top Ten pop hit; its follow-up, "Nicety"; and the R&B/dance hit "Keep Watchin'." The real gems on this set, however, are the slow jams. The smoldering "Something in My Heart" became a hit well over a year after the album's release, and other tracks such as "Silly Love Song," "Close to Me," and "If?" are just as good.
    [Show full text]
  • Journal of the Society for American Music Eminem's “My Name
    Journal of the Society for American Music http://journals.cambridge.org/SAM Additional services for Journal of the Society for American Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Journal of the Society for American Music / Volume 3 / Issue 03 / August 2009, pp 341 - 363 DOI: 10.1017/S1752196309990459, Published online: 14 July 2009 Link to this article: http://journals.cambridge.org/abstract_S1752196309990459 How to cite this article: LOREN KAJIKAWA (2009). Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race. Journal of the Society for American Music, 3, pp 341-363 doi:10.1017/S1752196309990459 Request Permissions : Click here Downloaded from http://journals.cambridge.org/SAM, IP address: 140.233.51.181 on 06 Feb 2013 Journal of the Society for American Music (2009) Volume 3, Number 3, pp. 341–363. C 2009 The Society for American Music doi:10.1017/S1752196309990459 ⃝ Eminem’s “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Abstract Eminem’s emergence as one of the most popular rap stars of 2000 raised numerous questions about the evolving meaning of whiteness in U.S. society. Comparing The Slim Shady LP (1999) with his relatively unknown and commercially unsuccessful first album, Infinite (1996), reveals that instead of transcending racial boundaries as some critics have suggested, Eminem negotiated them in ways that made sense to his target audiences. In particular, Eminem’s influential single “My Name Is,” which helped launch his mainstream career, parodied various representations of whiteness to help counter charges that the white rapper lacked authenticity or was simply stealing black culture.
    [Show full text]
  • COURSE CATALOG 2016-2017 Academic Calendar
    COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes.
    [Show full text]
  • Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
    KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali
    [Show full text]
  • 2012 May 22 May 29
    NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: MAY 22 MAY 29 ISSUE 11 wea.com 2012 5/22/12 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP QTY DUE Kimbra Vows WB CD 093624951346 530856 $13.99 5/2/12 The Dean Martin Variety Show Uncut Martin, Dean TL DV 610583431698 27108 $29.95 4/25/12 (3DVD) Last Update: 08/15/12 For the latest up to date info on this release visit WEA.com. ARTIST: Kimbra TITLE: Vows Label: WB/Warner Bros. Config & Selection #: CD 530856 Street Date: 05/22/12 Order Due Date: 05/02/12 UPC: 093624951346 OTHER EDITIONS Box Count: 30 Unit Per Set: 1 A 531998 Vinyl SRP: $13.99 ($18.98) Alphabetize Under: K TRACKS Compact Disc 1 01 Settle Down 08 Come Into My Head TOURS MORE 02 Something In The Way You Are 09 Sally I Can See You 03 Cameo Lover 10 Posse 10/12/12 04 Two Way Street 11 Home Verizon Theatre At Grand 05 Old Flame 12 The Build Up Prairie 06 Good Intent 13 Warrior (Bonus Track) Grand Prairie, TX 07 Plain Gold Ring (Live) 10/13/12 The Belmont Austin, TX 10/14/12 ALBUM FACTS Zilker Park Genre: Rock Producers: Mike Elizondo Radio Formats: Triple A, Alternative, Hot AC Packaging Specs: digi pak Austin, TX Focus Markets: New York, Los Angeles, Chicago, Philadelphia, San Francisco, Seattle, Boston, Washington DC, Minneapolis, Portland 10/16/12 Varsity Theater Vinyl Details: 1-LP, regular weight (150 gram) black vinyl at United in single-pocket jacket with printed dust sleeve at Minneapolis, MN Imprint.
    [Show full text]