Changeling Free Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Changeling Free Ebook FREECHANGELING EBOOK Philippa Gregory | 288 pages | 01 Mar 2013 | Simon & Schuster Ltd | 9780857077325 | English | London, United Kingdom El intercambio () - FilmAffinity A changelingalso historically referred to as an auf or oaf Changeling, is a human -like creature found in folklore and folk religion Changeling Europe. A changeling was believed to be a fairy child that had been left in place Changeling a human child stolen by the fairies. The theme of the swapped child is common in medieval literature and reflects concern over infants thought to be afflicted with unexplained Changeling, disorders, or developmental disabilities. A changeling is typically identifiable via Changeling number of traits; in Irish legend, a fairy child may appear sickly and won't grow in size like a normal child, and may have notable physical characteristics such as a beard Changeling long teeth. They may also display intelligence far beyond Changeling apparent years, as well as possess uncanny insight. A common way that a changeling could identify itself is through Changeling unusual Changeling when it thinks it's alone, such as jumping about, dancing or playing an instrument — though this last example is found only within Irish and Scottish legend. In rare cases, the very elderly of the fairy people would be exchanged in the place Changeling a Changeling baby, so that the old fairy could live in comfort, being coddled by its human parents. Ashliman points out in his essay 'Changelings' that changeling Changeling illustrate an aspect of family survival in pre-industrial Europe. A peasant family's subsistence frequently depended upon the productive labour of each member, and it was difficult to provide for a person who was a permanent drain on the family's scarce resources. Changeling tales support other historical evidence in suggesting that Changeling was frequently the solution Changeling. One belief is that trolls thought that it was more respectable to be raised by humans and that they wanted to give their own children a human upbringing. Some people believed that Changeling would take unbaptised children. Beauty Changeling human children and young women, particularly traits which evoke brightness or reflectivity, such as blonde hair and blue or silver eyes, are said to attract fairies, as they perhaps find preciousness in these perceived traits. In Scottish folklore, the children might be replacements for fairy children in the tithe to Hell ; [6] this is best known from the ballad of Tam Lin. Other folklore [3] says that human milk is necessary for fairy children to survive. In these cases either Changeling newborn human child would be switched with a fairy Changeling to be suckled by the human mother, or the human mother would be taken back to the fairy world to breastfeed the fairy babies. It is also thought that human midwives were necessary to bring fairy babies into the world. Some stories tell of changelings who forget they are not human and proceed to live a human life. Changelings who do not forget, however, in some stories return to their fairy family, possibly leaving the human family without warning. The human child that was taken may often stay with the fairy family forever. Feeling connected to the fate Changeling a changeling, there are families who merely turn their changeling loose to Changeling wilderness. Some folklorists believe that fairies were memories of inhabitants of various regions in Europe who had been driven into hiding by invaders. Changeling held that changelings had actually occurred; the hiding people would exchange their own sickly children for the healthy children of the occupying invader. In one case, Changeling changeling baby was passed through the stone in Changeling for the mother to have her real child returned to her. Evil pixies had changed her child, and the stones were able to reverse their spell. In Changeling, the changeling is known as Wechselbalg[10] Wechselkind[11] Kielkopf or Dickkopf the last both hinting at the huge necks and heads of changelings. Several methods are known in Germany to identify a changeling and to return the replaced real child:. Sometimes Changeling changeling has to be fed with a woman's milk before replacing the children. In Ireland, looking at a baby with envy — "over looking the baby" — was dangerous, as it endangered the baby, who was then in the fairies' power. Women were especially in danger in liminal states: being a new bride, or a new mother. Putting a changeling in a fire would cause it to jump up the chimney Changeling return the human child, but at least one tale recounts a mother with a changeling finding that a fairy woman came to her home with the human child, saying the other fairies had done the exchange, and she wanted her own baby. Another possible tactic was to insert oneself into an argument over who would keep the child; shouting out "Give it to me" would trick the fairy into releasing the child back to a human. Changelings, in some instances, were regarded not as substituted fairy children but instead old fairies brought to the human world to die. Irish legends regarding changelings typically follow the same formula: a tailor is the one who first notices Changeling changeling, the inclusion of a fairy playing bagpipes or some Changeling instrument, and the kidnapping of a human child through a window. The Isle of Man had a wide collection of myths and superstitions concerning fairies, and there are Changeling folk tales that Changeling been Changeling concerning supposed changelings. The English poet and topographer George Waldronwho lived Changeling the Isle of Man during the early 18th century, cites a tale of a reputed Changeling that was shown to him, possibly a child with an inherited genetic disorder:. His mother, or at least his supposed mother, being very poor, frequently Changeling out a-charing, and left him a whole day together. The neighbours, out Changeling curiosity, have often looked in Changeling the window to see how he behaved when alone, which, whenever they did, they were sure to find him laughing and in the utmost delight. This made them judge that he was not without company more pleasing to him than any mortal's could be; and Changeling made this conjecture seem the more reasonable was, that if he were left ever so dirty, the woman at her return saw him with a clean face, and his hair combed with the Changeling exactness and nicety. In the Anglo-Scottish border region Changeling was believed that elves or fairies Changeling in "elf hills" or "fairy hills". Along with this belief in supernatural beings was the view that they could spirit away children, and even adults, and take them back to their own world see Elfhame. In one tale a mother suspected that her baby had been taken and replaced with Changeling changeling, a view that was proven to be correct one day when a neighbour ran into the house shouting "Come here and ye'll se a sight! Yonder's Changeling Fairy Hill a' alowe. What'll come o' me wife and bairns? At Byerholm near Newcastleton in Liddesdale sometime Changeling the early 19th century, a dwarf called Robert Elliot or Little Hobbie o' The Castleton as he was known, was Changeling to be a changeling. When taunted by other boys he would not hesitate to draw his gully a large knife and dispatch them, however being that he was Changeling short in Changeling legs they usually out-ran him and escaped. Scott beat a hasty Changeling. Child ballad 40, The Queen of Changeling Nouricedepicts the abduction of a new mother, drawing on the folklore of the changelings. Although it is fragmentary, it contains the mother's grief and the Queen Changeling Elfland 's promise to return her Changeling her own child if she will nurse the queen's child until it can walk. The changelings left by the Mamuna were said to have a noticeably different appearance; an abnormally large abdomenunusually small or large head, a hump, thin arms and legs, a hairy body, and long claws. Changeling changelings would also get their first set of teeth prematurely compared Changeling a human baby. In order to protect a child from being kidnapped by the Mamuna, the mother would tie a red ribbon around the baby's wrist, put a red hat on its head, and keep it out Changeling the moonlight. Other preventative methods included not washing diapers Changeling sunset and never turning their head away from the baby as it slept. The mother would take the changeling Changeling to a middenwhip it with a birch stick, and pour water from an eggshell over it, all while shouting "Take yours; give mine back. In Nordic traditional Changeling, it was generally believed Changeling it was trolls or beings from the underground that changed children. Since Changeling beings from Scandinavian folklore Changeling said to be afraid of iron, Scandinavian parents often placed an iron Changeling such as a Changeling of scissors or a knife on top of an un-baptised infant's cradle. It was Changeling that if a human child was taken in spite of Changeling measures, the parents could force the return of the child by treating the changeling cruelly, using methods such as whipping or even inserting it in a heated oven. In at least one case, a woman was taken to court for having killed Changeling child in an oven. In one Swedish tale, the human mother is advised to brutalize the changeling bortbyting so that the trolls will return her son, but she refuses, unable to mistreat an innocent child despite knowing its nature. When her husband demands she abandon the changeling, she refuses, and he leaves her — whereupon he meets their Changeling in the forest, wandering free.
Recommended publications
  • Super! Drama TV August 2020
    Super! drama TV August 2020 Note: #=serial number [J]=in Japanese 2020.08.01 2020.08.02 Sat Sun 06:00 06:00 06:00 STAR TREK: DEEP SPACE NINE 06:00 STAR TREK: DEEP SPACE NINE 06:00 Season 5 Season 5 #10 #11 06:30 06:30 「RAPTURE」 「THE DARKNESS AND THE LIGHT」 06:30 07:00 07:00 07:00 CAPTAIN SCARLET AND THE 07:00 STAR TREK: THE NEXT 07:00 MYSTERONS GENERATION Season 6 #19 「DANGEROUS RENDEZVOUS」 #5 「SCHISMS」 07:30 07:30 07:30 JOE 90 07:30 #19 「LONE-HANDED 90」 08:00 08:00 08:00 ULTRAMAN TOWARDS THE 08:00 STAR TREK: THE NEXT 08:00 FUTURE [J] GENERATION Season 6 #2 「the hibernator」 #6 08:30 08:30 08:30 THUNDERBIRDS ARE GO Season 「TRUE Q」 08:30 3 #1 「'CHAOS' Part One」 09:00 09:00 09:00 information [J] 09:00 information [J] 09:00 09:30 09:30 09:30 NCIS: NEW ORLEANS Season 5 09:30 S.W.A.T. Season 3 09:30 #15 #6 「Crab Mentality」 「KINGDOM」 10:00 10:00 10:00 10:30 10:30 10:30 NCIS: NEW ORLEANS Season 5 10:30 DESIGNATED SURVIVOR Season 10:30 #16 2 「Survivor」 #12 11:00 11:00 「The Final Frontier」 11:00 11:30 11:30 11:30 information [J] 11:30 information [J] 11:30 12:00 12:00 12:00 NCIS Season 9 12:00 NCIS Season 9 12:00 #13 #19 「A Desperate Man」 「The Good Son」 12:30 12:30 12:30 13:00 13:00 13:00 NCIS Season 9 13:00 NCIS Season 9 13:00 #14 #20 「Life Before His Eyes」 「The Missionary Position」 13:30 13:30 13:30 14:00 14:00 14:00 NCIS Season 9 14:00 NCIS Season 9 14:00 #15 #21 「Secrets」 「Rekindled」 14:30 14:30 14:30 15:00 15:00 15:00 NCIS Season 9 15:00 NCIS Season 9 15:00 #16 #22 「Psych out」 「Playing with Fire」 15:30 15:30 15:30 16:00 16:00 16:00 NCIS Season 9 16:00 NCIS Season 9 16:00 #17 #23 「Need to Know」 「Up in Smoke」 16:30 16:30 16:30 17:00 17:00 17:00 NCIS Season 9 17:00 NCIS Season 9 17:00 #18 #24 「The Tell」 「Till Death Do Us Part」 17:30 17:30 17:30 18:00 18:00 18:00 MACGYVER Season 2 [J] 18:00 THE MYSTERIES OF LAURA 18:00 #9 Season 1 「CD-ROM + Hoagie Foil」 #19 18:30 18:30 「The Mystery of the Dodgy Draft」 18:30 19:00 19:00 19:00 information [J] 19:00 THE BLACKLIST Season 7 19:00 #14 「TWAMIE ULLULAQ (NO.
    [Show full text]
  • ___... -.:: GEOCITIES.Ws
    __ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ |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ersion 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang.
    [Show full text]
  • See Page 19 for Details!!
    RRegionegion 1177 SSummit/Marineummit/Marine MMusteruster MMayay 220-220-22 128 DDenver,enver, CColoradoolorado APR 2005/ MAY 2005 SSeeee ppageage 1199 fforor ddetails!!etails!! USS Ark Angel’s CoC and Marines’ Fall Muster ’04 see pages 19 & 20 for full story! “Save Star Trek” Rally see page 28 for more great pics! Angeles member Jon Lane with the “Enterprise” writing staff. From left to right: Jon Lane, “Enterprise” writers Judith and Garfi eld Reese-Stevens, and producer Mike Sussman. Many of the the show’s production staff wandered out to see the protest and greet the fans. USPS 017-671 112828 112828 STARFLEET Communiqué Contents Volume I, No. 128 Published by: FROM THE EDITOR 2 STARFLEET, The International FRONT AND CENTER 3 Star Trek Fan Association, Inc. EC/AB SUMMARY 3 102 Washington Drive VICARIOUS CHOC. SALUTATIONS 4 Ladson, SC 29456 COMM STATIC 4 Kneeling: J.R. Fisher THE TOWAWAY ZONE 5 (left to right) 1st Row: Steve Williams, Allison Silsbee, Lauren Williams, Alastair Browne, The SHUTTLEBAY 6 Amy Dejongh, Spring Brooks, Margaret Hale. 2nd Row: John (boyfriend of Allison), Katy Publisher: Bob Fillmore COMPOPS 6 McDonald, Nathan Wood, Larry Pischke, Elaine Pischke, Brad McDonald, Dawn Silsbee. Editor in Chief: Wendy Fillmore STARFLEET Flag Promotions 7 Layout Editor: Wendy Fillmore Fellowship...or Else! 7 3rd Row: Colleen Williams, Jonathan Williams. Graphics Editor: Johnathan Simmons COMMANDANTS CORNER 8 Submissions Coordinator: Wendy Fillmore SFI Academy Graduates 8 Copy Editors: Gene Adams, Gabriel Beecham, New Chairman Sought for ASDB! 9 Kimberly Donohoe, Michael Klufas, Tracy Lilly, Star Trek Encyclopedia Project 9 STARFLEET Finances 10 Bruce Sherrick EDITORIALS 11 Why I Stopped Watching..
    [Show full text]
  • Bajoran Language
    Bajoran Language All Bajoran written languages are based on a series of ideograms; even copies of the Bajoran texts found at ancient archaeological sites share certain root ideograms. Bajoran ideogrammatic symbols are vaguely square shaped, and feature a series of complex, interconnecting swirls. In times past, the symbols were rectangular; modern Bajoran script breaks down words into their components more frequently, thus two modern symbols often correlate to a single ancient word. Bajoran spoken language also consists of many small words for simple concepts, which can combine to produce words representing more complex ideas. There are 25 basic Bajoran language symbols, which form the foundation of all ideograms. Each symbol can be used in any of eight rotations (flipped and rotated each and every way). Bajoran tends to be written in horizontal lines, although it can be written vertically. In the Bajoran alphabet, the analogue of “C” is the fourth letter, the analogue of “E” the seventh. List of Words and Language Components Edit A: Prefix signifying definite article “the”, as in a prime or model example. Aclim: An era of history. Alva: A yellow fruit. The syllabic component “va” translates to “source”, and is found in the names of other foods like Veklava and Kava. Amojan: “The Evil One” (From “A”- “the”, “Mo”- “one”, and “Jan”- “Evil”). Amoran: “The Banishment"”(From “A”- “the”, and “Moran”- “Banishment", itself derived from the syllabic roots for “one” and “aftermath”- essentially, to have become "one", cut off from others). Ara/Arra: “Place”, usually in a spiritual or figurative sense rather than denoting literal location, although as the Bajoran proverb teaches, “the land and the people are one”.
    [Show full text]
  • Film and Television Scripts Collection
    http://oac.cdlib.org/findaid/ark:/13030/c84t6grz No online items Film and television scripts collection Finding aid prepared by Eric Milenkiewicz, Manuscripts Curator. Special Collections & University Archives The UCR Library P.O. Box 5900 University of California Riverside, California 92517-5900 Phone: 951-827-3233 Fax: 951-827-4673 Email: [email protected] URL: http://library.ucr.edu/libraries/special-collections-university-archives © 2013 The Regents of the University of California. All rights reserved. Film and television scripts MS 379 1 collection Descriptive Summary Title: Film and television scripts collection Date (inclusive): circa 1974-2001, undated Date (bulk): 1996-1998 Collection Number: MS 379 Creator: Bernay, S. J. Casey Creator: Lotka, Dennis H. Extent: 15.0 linear feet(12 boxes) Repository: Rivera Library. Special Collections Department. Riverside, CA 92517-5900 Abstract: This collection consists of screenplays, scripts, and other material regarding science fiction, fantasy, and horror film and television. Primarily contains preliminary, first, and final script drafts from the television series' Star Trek Deep Space Nine and Star Trek Voyager. Call sheets, shooting schedules, and one liners from the Star Trek series' as well as additional films from the genre of science fiction and fantasy are also represented in this collection. Languages: The collection is in English. Access This collection is open for research. Publication Rights Copyright Unknown: Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction, and/or commercial use, of some materials may be restricted by gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing agreement(s), and/or trademark rights.
    [Show full text]
  • SYDNEY PROGRAM GUIDE Sunday 29Th September 2013
    SYDNEY PROGRAM GUIDE Sunday 29th September 2013 06:00 am Toasted TV G Want the lowdown on what's hip for kids? Join the team for the latest in gaming, sport, pop culture, movies, music and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:05 am Pokemon (Rpt) CC G Pokémon is the story of a young boy named Ash Ketchum. He received his first Pokémon at the age of 10 from Professor Oak and now is set out on his Pokémon Journey. SERIES PREMIERE 06:30 am B-Daman Crossfire G Did You Say B -Daman? Riki Ryugasaki and Samuru Shigane are young boys who discover a game called, B-Daman. Together, they uncover a mystery. 07:00 am Toasted TV G Want the lowdown on what's hip for kids? Join the team for the latest in gaming, sport, pop culture, movies, music and other seriously fun stuff! Featuring a variety of your favourite cartoons. 07:05 am Victorious G A teenage girl's life takes an unexpected new direction when she is invited to enrol at an elite Hollywood performing arts high school. 07:25 am Toasted TV G Want the lowdown on what's hip for kids? Join the team for the latest in gaming, sport, pop culture, movies, music and other seriously fun stuff! Featuring a variety of your favourite cartoons. SEASON PREMIERE 07:30 am Pac-Man And The Ghostly G Adventures Pac-Man, along with his friends, Cylindria and Spiral, set out to help protect Pac-World from the threat of Ghosts.
    [Show full text]
  • DEEP SPACE NINE® on DVD
    Star Trek: DEEP SPACE NINE® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc Abandoned, The 452 3/1994 3/2 Emissary, Part I 401 1/1993 721 1/1 Accession 489 4/1996 4/5 Emissary, Part II 402 1/1993 Adversary, The 472 3/1995 3/7 Emperor's New Cloak, The 562 7/1999 7/3 Afterimage 553 7/1998 7/1 Empok Nor 522 5/1997 5/6 Alternate, The 432 2/1994 2/3 Equilibrium 450 3/1994 3/1 Apocalypse Rising 499 5/1996 5/1 Explorers 468 3/1995 3/6 Armageddon Game 433 2/1994 2/4 Extreme Measures 573 7/1999 7/6 Ascent, The 507 5/1996 5/3 Facets 471 3/1995 3/7 Assignment, The 504 5/1996 5/2 Family Business 469 3/1995 3/6 Babel 405 1/1993 1/2 Far Beyond the Stars 538 6/1998 6/4 Badda-Bing, Badda-Bang 566 7/1999 7/4 Fascination 456 3/1994 3/3 Bar Association 488 4/1996 4/4 Favor the Bold 529 6/1997 6/2 Battle Lines 413 1/1993 1/4 Ferengi Love Songs 518 5/1997 5/5 Begotten, The 510 5/1997 5/3 Field of Fire 563 7/1999 7/4 Behind the Lines 528 6/1997 6/1 For the Cause 494 4/1996 4/6 Blaze of Glory 521 5/1997 5/6 For the Uniform 511 5/1997 5/4 Blood Oath 439 2/1994 2/5 Forsaken, The 417 1/1993 1/5 Body Parts 497 4/1996 4/7 Hard Time 491 4/1996 4/5 Broken Link 498 4/1996 4/7 Heart of Stone 460 3/1995 3/4 Business as Usual 516 5/1997 5/5 Hippocratic Oath 475 4/1995 4/1 By Inferno's Light 513 5/1997 5/4 His Way 544 6/1998 6/5 Call to Arms 524 5/1997 5/7 Homecoming, The 421 2/1993 2/1 Captive Pursuit 406 1/1993 1/2 Homefront 483 4/1996 4/3 Cardassians 425 2/1993 2/2 Honor Among Thieves 539 6/1998 6/4 Change of Heart 540 6/1998 6/4 House
    [Show full text]
  • ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
    ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29.
    [Show full text]
  • The Klingon Empire 1.1 – the Homeworld 4 1.2 – Important Places 5 1.3 – History of the Empire 6
    INSTITUTE OF ALIEN STUDIES Klingon Warrior Academy Warrior’s Manual This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c)2008 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Contributors: Larry French, Carol Thompson, and Wayne L. Killough, Jr., Gary Hollifield, Jr., Eric Schulman,Dewald de Coning, and George Pimentel Published October 2008 Revised March 2011 Updated October 2014 Material herein was copied or summarized from www.ditl.org , http://en.wikipedia.org/wiki/Klingon and linked pages, http://memory-alpha.org/en/wiki/ , http://startrek.wikia.com/wiki/Klingon , http://en.hiddenfrontier.com/index.php/Klingon , The Klingon Dictionary, Klingon for the Galactic Traveler, Star Trek Encyclopedia: Expanded Version, and various Star Trek episodes and licensed novels.
    [Show full text]
  • Star Trek Episodeguide Lcars-Online.De 2
    LCARS-ONLINE.DE STAR TREK EPISODEGUIDE LCARS-ONLINE.DE 2 STAR TREK: THE ORIGINAL SERIES 1 2 3 STAR TREK: THE NEXT GENERATION 1 2 3 4 5 6 7 STAR TREK: DEEP SPACE NINE 1 2 3 4 5 6 7 STAR TREK: VOYAGER 1 2 3 4 5 6 7 STAR TREK: ENTERPRISE 1 2 3 4 LCARS-ONLINE.DE 3 PILOTFOLGE Nr. DEUTSCH ENGLISCH 0x00 Der Käfig The Cage 1. STAFFEL Nr. DEUTSCH ENGLISCH 1x01 Das Letzte seiner Art The Man Trap 1x02 Der Fall Charlie Charlie X 1x03 Spitze des Eisbergs Where No Man Has Gone Before 1x04 Implosion in der Spirale The Naked Time 1x05 Kirk : 2 = ? The Enemy Within 1x06 Die Frauen des Mr. Mudd Mudd‘s Women 1x07 Der alte Traum What Are Little Girls Made Of? 1x08 Miri, ein Kleinling Miri 1x09 Der Zentralnervensystemmanipulator Dagger of the Mind 1x10 Pokerspiele The Corbomite Maneuver 1x11 Talos IV – Tabu, Teil 1 The Menagerie, Part I 1x12 Talos IV – Tabu, Teil 2 The Menagerie, Part II 1x13 Kodos, der Henker The Consience of the King 1x14 Spock unter Verdacht Balance of Terror 1x15 Landeurlaub Shore Leave 1x16 Notlandung auf Galileo 7 The Galileo Seven 1x17 Tödliche Spiele auf Gothos The Squire of Gothos 1x18 Ganz neue Dimensionen Arena 1x19 Morgen ist Gestern Tomorrow Is Yesterday 1x20 Kirk unter Anklage Court Martial LCARS-ONLINE.DE 4 1. STAFFEL (FORTSETZUNG) Nr. DEUTSCH ENGLISCH 1x21 Landru und die Ewigkeit The Return of the Archons 1x22 Der schlafende Tiger Space Seed 1x23 Krieg der Computer A Taste of Armageddon 1x24 Falsche Paradiese This Side of Paradise 1x25 Horta rettet ihre Kinder The Devil in the Dark 1x26 Kampf um Organia Errand of Mercy 1x27 Auf Messers Schneide The Alternative Factor 1x28 Griff in die Geschichte The City on the Edge of Forever 1x29 Spock außer Kontrolle Operation: Annihilate! LCARS-ONLINE.DE 5 2.
    [Show full text]
  • Major Kira of Star Trek: Ds9: Woman of the Future, Creation of the 90S
    MAJOR KIRA OF STAR TREK: DS9: WOMAN OF THE FUTURE, CREATION OF THE 90S Judith Clemens-Smucker A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2020 Committee: Becca Cragin, Advisor Jeffrey Brown Kristen Rudisill © 2020 Judith Clemens-Smucker All Rights Reserved iii ABSTRACT Becca Cragin, Advisor The 1990s were a time of resistance and change for women in the Western world. During this time popular culture offered consumers a few women of strength and power, including Star Trek: Deep Space Nine’s Major Kira Nerys, a character encompassing a complex personality of non-traditional feminine identities. As the first continuing character in the Star Trek franchise to serve as a female second-in-command, Major Kira spoke to women of the 90s through her anger, passion, independence, and willingness to show compassion and love when merited. In this thesis I look at the building blocks of Major Kira to discover how it was possible to create a character in whom viewers could see the future as well as the current and relatable decade of the 90s. By laying out feminisms which surround 90s television and using original interviews with Nana Visitor, who played Major Kira, and Marvin Rush, the Director of Photography on DS9, I examine the creation of Major Kira from her conception to her realization. I finish by using historical and cognitive poetics to analyze both the pilot episode “Emissary” and the season one episode “Duet,” which introduce Major Kira and display character growth.
    [Show full text]
  • Star Trek Fanatic
    COPING WITH YOUR TREKKIE What you need to know to survive a relationship with a Star Trek fanatic Samuel Ramer HEADLINE Copyright © 1997 Samuel Ramer The right of Samuel Ramer to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Published by arrangement with Carol Publishing Group Inc. 120 Enterprise Avenue, Secaucus, New Jersey 07094 USA First published in Great Britain in 1997 by HEADLINE BOOK PUBLISHING 10987654321 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser. ISBN 0 7472 7642 0 Printed and bound in Great Britain by Mackays of Chatham PLC, Chatham, Kent. HEADLINE BOOK PUBLISHING A division of Hodder Headline PLC 338 Euston Road London NW1 3BH To Bonnie, who needs this book more than anyone I believe that if you put men and women together, something is going to happen... Unless you're at a Star Trek convention. —Bill Maher PREFACE "What is it about Star Trek?" whined Anthony Lane in the New Yorker in his review of the movie Star Trek: First Contact. "Why can't it be like any other TV series and stay where it belongs?" If you've opened this book, no doubt you're asking your- self the same question.
    [Show full text]