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The Royal Scottish Academy of Painting', Sculpture Nd
-z CONTENTS Vo1ue One Contents page 2 Acknowledgements Abstract Abbreviations 7 Introduction 9 Chapter One: Beginnings: Education and Taste 14 Chapter Two: 'A little Artistic Society' 37 Chapter Three: 'External Nature or Imaginary Spirits' IL' Chapter Four: Spirits of the enaissance 124 Chapter Five: 'Books Beautiful or Sublime' 154 Chapter Six: 'Little Lyrics' 199 Chapter Seven: Commissions 237 Conclusion 275 Footnotes 260 Bibliography 313 Appendix: Summary Catalogue of Work by Phoebe Traquair Section A: Mural Decorations 322 Section : Painted Furniture; House, Garden and Church Decorations 323 Section C: Paintings, Drawings and Sculpture Section D: Designs for Mural and Furniture Decorations, Embroideries, Illuminated Manuscripts and Enamelwork 337 Section B: EmbroiderIes 3415 Section F: Enamels and Metalwork Section G: Manuscript Illuminations S-fl Section E: Published Designs for Book Covers and Illustrations L'L. Section J: Bookbindings 333 Volumes Two and Three Plates 3 ACKOWLEDGEXE!TS This thesis could not have been researched or written without the willing help of many people. My supervisors, Professor Glies Robertson, who first suggested that I turn my interest in Phoebe Traquair into a university dissertation, and Dr Duncan Macmillan have both been supportive and encouraging at all stages. Members of the Traquair and Moss families have provided warm hospitality and given generously of their time to provide access to their collections and to answer questions which must have seemed endless: in particular I am deeply indebted to the grandchildren of Phoebe Traquair, Ramsay Traquair, Mrs Margaret Anderson, and Mrs Margaret Bartholomew. Francis S Nobbs and his sister, Mrs Phoebe Hyde, Phcebe Traquair's godddaughter, have furnished me with copies of letters written to their father and helped on numerous matters, Without exception owners and. -
William Dunbar
PMSA NRP: Work Record Ref: EDIN1102 09-Jun-11 © PMSA RAC William Dunbar (Scottish National Portrait Gallery) 460 Sculptor: James Pittendrigh Macgillivray and Architect: Sir Robert Rowand Anderson Town or Village Parish Local Govt District County Edinburgh Edinburgh NPA The City of Edinburgh Council Lothian Area in town: New Town Road: Queen Street Location: South-east tower (2nd from left) of SNPG, 1 Queen Street A to Z Ref: OS Ref: Postcode: Previously at: Setting: On building SubType: Public access Commissioned by: John Ritchie Findlay Year of Installation: Details: Design 1898-1899 (Building 1885- 1890) Category: Architectural Category: Commemorative Category: Heraldic Category: Natural Category: Sculptural Class Type: Sculpture SubType: Define under Subject Type Class Type: Coat of Arms SubType: Define in freetext of William Dunbar Subject Figurative SubType: Standing Part(s) of work Material(s) Dimensions > Whole Red sandstone Work is: Extant Listing Status: I Custodian/Owner: Condition Report Overall Condition: Fair Risk Assessment: No known risk Structural Condition Comment Broken, missing parts Right hand, part of right sleeve, and part of left sleeve missing Surface Character: Comment Other Stone blackened with pollution Previous treatments Cleaned 1980s (bird guano removed) Vandalism: Comment None Inscriptions: On coat of arms: entwined letters P D Signatures: None Visible Physical Standing figure of William Dunbar in a niche. He wears a long hooded garment ( that of a Franciscan Description: friar) with a cross hanging from his waist. On the cross is the crucified Christ. In his left hand he holds a parchment. Below is his coat of arms - entwined letters P D amongst foliage Person or event William Dunbar (?1460-1514 (1) / 1465?-1530? (2)), poet. -
Mphil Plus Declaration
The motivation for creating the Museum of Scotland, and the educational effectiveness of its history content for the visiting public Ronnie Cramond MPhil by Research. The University of Edinburgh, 2011 2 Contents Acknowledgements 3 Abbreviations 4 Disclaimer/declaration 5 Abstract 6 Introduction The Aim and Shape of the Research 8 Part One The Creation and Purpose of the Museum of Scotland 10 Part Two The Role of Education and Learning in Museums 42 Part Three The Displays in the Museum of Scotland 57 Part Four The Evaluation of Visitor Reaction 113 Section 1 Evaluations conducted at sites not part of NMS 116 Section 2 Visitor reaction to the original displays in the Museum of Scotland 121 Section 3 Visitor reaction to the later (2008) Scotland: A Changing Nation 151 Section 4 Visitor reaction to a display at East Fortune airfield about that site’s 155 history. Overall conclusions 159 Appendices 1 Is MoS unique in the UK as a National History Museum? 162 2 The Philip Committee Report 163 3 Membership of the Museums Advisory Board 164 4 MAB paper of 21 December, 1984 165 5 Statutory Objectives of the Museum of Scotland 166 6 Reference Manual for the Museum of Scotland Project 166 7 Patrons' Council 167 8 The Industrial Museum's ‘Civilising’ Mission 167 9 Guide Training 168 10 History Beyond the Text: A students' guide to approaching alternative sources 169 11 The Declaration of Arbroath as the Contractual Theory of Monarchy ? 171 12 Questionnaire for 2009/10 Visitor Survey in the Museum of Scotland 173 13 Customer Service Standards for Visitor Operations 174 14 Mini Groups, and Teachers’ Feedback. -
THE HOME of the ROYAL SOCIETY of EDINBURGH Figures Are Not Available
THE HOME OF THE ROYAL SOCIETY OF EDINBURGH Figures are not available Charles D Waterston The bicentennial history of the Royal Society of Edinburgh1, like previous accounts, was rightly concerned to record the work and achievements of the Society and its Fellows. Although mention is made of the former homes and possessions of the Society, these matters were incidental to the theme of the history which was the advancement of learning and useful knowledge, the chartered objectives of the Society. The subsequent purchases by the Society of its premises at 22–28 George Street, Edinburgh, have revealed a need for some account of these fine buildings and of their contents for the information of Fellows and to enhance the interest of many who will visit them. The furniture so splendidly displayed in 22–24 George Street dates, for the most part, from periods in our history when the Society moved to more spacious premises, or when expansion and refurbishment took place within existing accommodation. In order that these periods of acquisition may be better appreciated it will be helpful to give a brief account of the rooms which it formerly occupied before considering the Society's present home. Having no personal knowledge of furniture, I acknowledge my indebtedness to Mr Ian Gow of the Royal Commission on the Ancient and Historical Monuments of Scotland and Mr David Scarratt, Keeper of Applied Art at the Huntly House Museum of Edinburgh District Council Museum Service for examining the Society's furniture and for allowing me to quote extensively from their expert opinions. -
Proceedings Society of Antiquaries of Scotland
PROCEEDINGS SOCIET F ANTIQUARIEYO F SCOTLANDO S . HUNDEED AND FIFTH SESSION, 1884-5. ANNIYEBSAEY MEETING, 1st December 1884. AETHUE MITCHELL, M.D., LL.D., Vice-President, Chaire th n i . BalloA t having been taken e followinth , g Gentlemen were duly elected Fellows :— WALTER BIGQAB BLAIKIE, 22 Heriot Row. Rev. GEORGE BROWN, Minister of Bendochy. T. R. BUCHANAN, M.P., 10 Moray Place. The Lord COLIN CAMPBELL, M.P., Inveraray Castle. AViLLiAM CONNAL f Solsgirtho . yr , . PATRIC . CONNAL-ROWAF K f MeiklewoodNo . Rev. SHOLTO D. C. DOUGLAS of Douglas Support, Coatbridge. D. HAT FLEMING, St Andrews. ROBERT GLEN, 3 North Bank Street. EDMUND GOLDSMID, Lufra House, Granton. ANDREW JAMESON, Advocate t ColmS 3 , e Street. THOMAS GRAVES LAW, Signet Library. DAVID STEWART LITTLEJOHN, Solicitor, Dundee. JOHN MACDONALD, Solicitor, Buckie. WILLIAM M'DOWALL Creswel7 1 , l Terrace, Dumfries. VOL. XIX. A PROCEEDINGS OF THE SOCIETY, DECEMBER 1, 1884 ROBERT NAISMITH, Cross, Stonehouse. DAVID NICHOLSON, M.D., Broadmoor, Berks. STEW ART M'GLASHAN, Sculptor, 1 Brandon Street. EDWIN MILLIDGE, Jeweller Prince8 2 , s Street. Rev. JOHN MONTEITH, Ministe f Glencairnro . ROBERT PIRIE Buckingha9 , m Terrace, Glasgow. JAMES MELISS STUART of Erifka. ROBERT K. STEWART of Murdostoun Castle. ALEXANDER THOMSON Cheste5 3 , r Street. The Office-Bearers for the ensuing year were elected as follows :- Patron. MAJESTR HE QUEENE YTH . President. THE MOST HON. THE MARQUIS OF LOTHIAN, K.T., LL.D. Vice-Presidents. ARTHUR MITCHELL, M.D., LL.D. e RighTh t Hon e EAR ROSEBERYTh .F LO , LL.D. r WILLIASi M FETTES DOUGLAS, LL.D., P.R.S.A. Councillors. -
Peoceedings Society of Antiquaries of Scotland
PEOCEEDINGS SOCIET F ANTIQUARIEO Y F SCOTLANDO S . HUNDRE SEVENTD DAN H SESSION, 1886-7. ANNIVERSARY MEETING, 30th November 1886. r ARTHUD R MITCHELL, C.B. "thn i , e Chair. A Ballot -having been taken, the following Gentlemen were July elected Fellows :— JAMES ANDERSON, Westside, Brechin. ALEXANDER J. S. BROOK, 5 Lanriston Park. Rev. THOMAS BURNS, Lady Glenorchy's Church. JAMES A CAMERON, M.D., Firhall, Nairn. JOHN COWAN, W.S. GreenhilV , l Gardens. WILLIAM DICKSON Yor8 3 , k Place. WILLIAM STEWART IRVINE, M.D., Pitlochry. W. IVISON MACADAM, Lecturer on Chemistry, Surgeon's Hall. JOHN JAMES MOWBRAT of Naemoor, Dollar. Rev. ANDREW MELDRUM, Minister of Logierait. JOHN MURRAY, Ph.D.e Challengeth f o , r Expedition. SMALLJ . W , M.A., Solicitor, Dundee. W. J. T0RNBDLL, 26 Grange Road. VOL. XXI. A 2 PROCEEDING SOCIETYE TH F O S , NOVEMBE , 188630 R . e Office-BearerTh e ensuinth r fo sg year were electe follows da s :— Patron. HER MAJESTY THE QUEEN. President. THE MOST HON. THE MARQUIS OF LOTHIAN. K.T., LL.D. Vice-Presidents. Sir WILLIAM FEMES DOUGLAS, LL.D., P.R.S.A. Professor NORMAN MACPHERSON, LL.D., Sheriff of Dumfries, &c. Right Hon EARe STAIRth . F LO , K.T., LL.D. Councillors. NOEL-PATONJ r Si , Kt., -\ Representing ARTHUR MITCHELL, C.B., M.D., LL.D. LL.D., R.S.A., L the Board DAVID CHRISTISON, M.D. FRANCIS ABBOTT, f Trustees.o ) Sir H. E. MAXWELL, Bart, M.P. ROBERT HERDMAN, R.S.A. Professo . MASSOND r , LL.D. Professor DDNS, D.D. THOMAS GRAVES LAW. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Displaying Edinburgh in 1886: The International Exhibition of Industry, Science and Art George Wilson Smith PhD University of Edinburgh 2015 Abstract The International Exhibition of Industry, Science and Art held in Edinburgh in 1886 was the first universal international exhibition to be staged in Scotland. This thesis examines the event as a reflection of the character and social structure of its host city and as an example of the voluntary organisation of an ambitious project. The background to the Exhibition is located in the progress of large-scale exhibitions in Victorian Britain, in competition between cities, and in Edinburgh’s distinction as an administrative and cultural centre and a national capital. The Exhibition’s organisers are situated within the city’s networks of power and influence and its circles of commerce, industry and municipal government. -
David Laing, LL. D. a Memoir of His Life and Literary Work
Digitized by the Internet Arciiive in 2008 witii funding from IVIicrosoft Corporation littp://www.arcliive.org/details/davidlainglldmemOOgoud DAVID LAING DAVID LAING, LL.D. A Memoir of His Life and Literary Work BY GILBERT GOUDIE, F.S.A.Scot. AUTHOR OF 'the CELTIC AND SCANDINAVIAN ANTIQUITIES OF SHETLAND* EDITOR OF mill's ' DIARY,' ETC. ETC. WITH INTRODUCTION BY LORD GUTHRIE EDINBURGH PRINTED FOR PRIVATE CIRCULATION BY T. AND A. CONSTABLE 1913 2^0 Copies printed i^ Ui4Cr^t V PREFACE J It has been said that to write a Life as it should be written it should be done ' while the memory of the man himself is still vivid in the mind of his biographer and of others.' In the present instance ^^^ more than thirty years had passed between Laing's demise and the time when I was asked to under- V take his memoir. I could yet, however, claim to "^ have had the privilege of his acquaintance and to f4\<\ have retained a vivid impression of his personality. The request was therefore complied with, though not without hesitation, because the undertaking was obviously attended with difficulties due to the lapse of time and the uncertainty as to the ade- J quacy of any biographic materials that might be available. These difficulties were, however, gradu- ally surmounted as the work proceeded. My aim has been to present the man, his life and character, not from any preconceived idea of my own, but as he is portrayed by himself in the occasional biographic scraps he has left, by the tone and tenor of his works, and by the independent 2i40'?G vi DAVID LAING testimony of men of light and leading, contempor- aries of his own, in this country and abroad, who knew him well, who were entitled to speak, and did speak, with no uncertain voice both during his life- time and after his decease. -
Report by Council
A flew SpalMno Club. THIRD REPORT BY COUNCl 1889. : : : Founded nth November, iSS6. JJatvoncss HER MAJESTY THE QUEEN. OIFIFICE-aBEiVE.ES.S FOS, 18S9-90. iJvcsiOcnt: THE EARL OF ABERDEEN. The Duke of Richmond and Gor The Lord Forbes. The Duke of Fife, K.T. The Lord Saltoun. The Marquis of Huntly. The Lord Provost of Aberdeen. The Marquis of Bute, K.T. The Principal of the University of .Aberdeen. The Earl of Strathmore. C. Elphinstone-Dalrymple, of Kinellar Lodge. The Earl of Southesk, K.T. George Grub, LL.D. The Earl of Kintore. Alexander Forbes Irvine, of Drum, LL.D. The Earl of Rosebery. John Webster, of Edgehill, LL.D. (DrCiiiani iBfinbcrs of Council William Alexander, LL.D., Aberdeen. The Rev. William Forbes-Leith, S.J., Selkirk. Colonel James AUardyce, .Aberdeen. George Arbuthnot-Leslie, of Warthill. George Burnett. LL.D., Lyon King of Arms. David Littlejohn, Sherifl'-Clerk, Aberdeen. James .A. Campbell, of Stracathro, LL.D., M.P. James Matthews, of Springhill. The Rev. James Cooper, Aberdeen. The Rev. John G. Michie, Dinnet. William Cramond, CuUen. James Moir, Rector of the Grammar School, Peter M. Cran, City Chamberlain, .Aberdeen. .Aberdeen. John Crombie, of Balgownie Lodge. .'Vrthur D. Morice, Aberdeen. Alexander Davidson, of Desswood. Charles Rampini, Sherift'-Substitute, Elgin. Charles B. Davidson, Aberdeen. Alexander Ramsay, Banff". The Rev. John Davidson, D.D., Inverurie. Major John Ramsay, of Barra. Thomas Dickson, LL.D.,H.M. Gen. Register House. Professor William M. Ramsay, -Aberdeen. The Hon. and Right Rev. Bishop Douglas, D.D., Alexander W. Robertson, .Aberdeen. Aberdeen. William Forbes Skene, D.C.L., LL.D., H.M. -
Situated Museums? Scottish Galleries and the Decolonisation Debate
129 Situated Museums? Contemporary Matters Journal – Issue #2 130 Situated Museums? Scottish galleries 1 This article is adapted from my undergraduate dissertation at the University of St Andrews, written at the end of 2019. It was written under the supervision of Dr Elsje van Kessel with the funding of the Tessa Trethowan and the decolonisation debate. Memorial Fund. by Fedra Benoli 4 Donna Haraway, Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective, in: Feminist Studies, Vol. 14, No. 3, Autumn 1988, pp. 575-599. This article analyses two exhibitions at the Victoria and Albert Museum Dundee (V&A Dundee) and the Scottish National Portrait Gallery in Edinburgh (SNPG) as they relate to 5 the discourse around decolonisation.¹,²,³ This discourse, increasingly gaining traction in Haraway 1988, p. 576. the British museum sector, investigates the effects of colonialism and its dissolution. These 6 have impacted all aspects of society, and in the case of museums, their agency as knowledge Haraway 1988, p. 582. producers and bearers of national identity has been investigated in order to understand how they contribute to the perpetuation or dismantling of colonialism. Scottish museums 7 represent a unique case within this larger issue, as their imperial legacy remains to be Haraway 1988, p. 589.and the Privilege of Partial Perspective, in: Feminist Studies, Vol. 14, No. 3, Autumn thoroughly explored. Furthermore, their stakes in Scottish national identity and relationship 1988, pp. 575-599. to the United Kingdom as a whole has put them at the forefront of British politics. 8 To motivate and guide my analysis, I propose a theoretical framework drawing on Donna Haraway 1988, p. -
Sir Patrick Geddes: Monument
SIR PATRICK GEDDES: MONUMENT CONFERENCE REPORT PUBLIC ART THE ESSENTIAL MONUMENT 8TH FEBRUARY 2013 The Monument to Sir Patrick Geddes had been unveiled on 28th September 2012. The Monument consisted of a contemporary interpretation of a traditional bust on plinth. This Monument has a sculptured beehive as a plinth, giving reference to the natural sciences as followed by Geddes. Set within the existing landscape of Sandeman House Garden in the Old Town of Edinburgh, the Monument celebrates the life and work of Geddes. Monuments recognise the worth of an individual by society as well as raising awareness of the individual and their contribution. Geddes (1854-1932) was a Scottish THINKER, VISIONARY and POLYMATH. The report is a collection of ten papers as presented at the conference held at the Scottish Storytelling Centre along the High Street in the Old Town of Edinburgh. The theme was THE ESSENTIAL MONUMENT and the general understanding of Public Art.The report is a record of the papers as a follow up to the conference. References are made to the influence of Geddes and his ideas. In the Old Town there is the creation of open spaces and development of gardens within the urban fabric. There was the introduction of social, cultural and community facilities surrounded by tenement housing and retail. Contemporary life has been set within an adapted neighbourhood while retaining the local character. Monuments elsewhere are included in the papers. The Monument can enhance landscaped open spaces, while providing a visual focus. The artwork reflects contemporary expression by an artist. The papers explore the theme of THE ESSENTIAL MONUMENTS and the development of a sense of place. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Public Commemorations of the Scottish Wars of Independence, 1800-1939 Laura S. Harrison A thesis submitted for the degree of Doctor of Philosophy, Scottish History University of Edinburgh 2018 Declaration I hereby declare that this thesis has been composed by me, that the work is my own, and that it has not been submitted for any other degree or professional qualification. Laura S Harrison November 2018 Abstract Marinell Ash famously referred to the latter half of the nineteenth century as experiencing a ‘strange death’ in interest in the Scottish historical past, but increasing evidence suggests this was not an entirely fair assessment. Rather than ‘dying’, interest in the past was expressed in ways beyond the club books, texts, and other antiquarian pursuits that were the focus of Ash’s work, and instead were taken up by more public displays of commemoration.