1 GENETIC JOYCE STUDIES – Issue 21 (Spring 2021) Three
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The Moving Power of Parliament Funkadelic
Funk Is Its Own Reward: The Moving Power of Parliament Funkadelic An Honors Thesis by Vladimir Gutkovich Contents Introduction: Make my Funk the P-Funk! 3 I. The Birth and Rise of the P-Funk Empire: A Discography Synopsis 11 II. Everything is on the ONE: The Music of the Funk Mob 22 1. Musical Beginnings: “Free Your Mind, And Your Ass Will Follow” 24 2. Everything is on the ONE! 28 3. Controlled Chaos: P-Funk’s Anti-Formula 33 4. Funk as a Way of Life 35 III. Funkentelechy: The P-Funk Vision 38 1. Funk Used to Be a Bad Word 39 2. The Politics of P-Funk 41 i. P-Funk Vs. American Wrongs 41 ii. P-Funk and Black America 44 iii. One Nation Under a Groove 47 3. Transcefunkadentalism: The Church of Funk 50 iv. The Dogma of P-Funk 50 v. Funk is its Own Reward: The Prescriptive Philosophy of P-Funk 53 IV. Parliament Funkadelic Live: No Ordinary Funk Show 60 1. Learning to Play LIVE 63 2. Larger than Life: Costumes, Characters and Charisma 64 3. Visualizing the Myth: Props at P-Funk Shows 66 4. P-Funk and Dancing: Salvation by Way of (Communal) Booty-Shaking 68 V. “Mothership Connection” Live 72 Conclusion: “Ain’t No Party Like a P-Funk Party, ‘Cause a P-Funk Party Don’t Stop!” 82 1 1. George Clinton and P-Funk’s Careers Since the 1980’s 82 2. Parliament Funkadelic and Hip-Hop 86 3. Rising Above it All: P-Funk and Trancing 90 Appendix A: A Partial Discography of Parliament, Funkadelic, George Clinton, and the P-Funk All-Stars 95 Works Cited 98 Albums Cited 101 Appendix B: Vladimir Gutkovich’s Thesis Recital 103 2 Introduction: Make My Funk the P-Funk! “While most critics want to put the holy trinity [Beatles, Stones, Zeppelin] on a pedestal, with the world domination of hip-hop culture and the large role that P-Funk has played in the sound of hip-hop music, I dare say that P-Funk’s impact can be felt much more strongly thirty years later than of those three bands. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ MAR 1992-02-22 P --------- 1992-02-22 / MAR CP010555 / CS06592 Fugazi, The Ex at Maritime Hall Artist: Ron Donovan Venue: Maritime Hall Promoter: Firehouse Items: Original poster MAR / CP010555 / CS06592 Performers: 1992-02-22: Maritime Hall Fugazi / Ex / Thrones ------------------------------ MAR-MAR-EX 1994-04-30 P-1 --------- 1994-04-30 / MAR MAR-EX CP014508 / MARM314 Chet Helms, Steve Miller Blues Band at Set: Family Dog at Maritime Hall Notes: Helms Tribute, the first rock show at Maritime Hall. I recieved a call around March of '94 from Bruce Dauser, a printer who had called me once after seeing my posters in the Art of Rock. He then had stopped at my booth at the '63 Hall of Flowers(SF) poster show. Bruce's call was the beginning of a close friendship, working together with Chet Helms on many Family Dog posters. Bruce had gotten word that Boots Hughston was looking for a poster artist for the Helms Tribute Benefit that he was promoting. There already were several posters being done, including ones by Wes Wilson and Alton Kelley; but rock superstar Steve Miller had just signed on and they wanted a poster to have him included on the complete lineup. -
Students Cheat the Registration System EPC
THETUFTS DAILY Volume XXXIX, Number 49 \Where You Read It First Friday, November 19,1999 I Students cheat the registration system Freshmen utilize flaws in time- selection monitoring, regster early by DANIEL BARBARIS1 companiedtwo separate freshmen Daily Editorial Board when they attempted to register The second day of registration early in the afternoon. In each in- was atypical one. Seniors, juniors, stance, the freshmen coasted sophomores, and freshmen waited through the process unques- in long lines for their chance to tioned, enrolled in all their classes, pick classes for next semester. and walked out among the juniors Typical, that is, except for the fact and seniors. that no freshmen should be regis- “They never checked my ID or tering until late afternoon on the took any measures to make sure third day, and those are only the that I was registering at the cor- lucky ones. rect time,” said one of the fresh- Due to insufficient safeguards men. “There was one person on the registration process, a num- checking students as they came ber offreshmen registered during in, and she let students in even the day today, and some sopho- when they told her they didn’t Photo by Daniel RodnQues mores and juniors also registered have their e-mails confirming their Retired Tufts professors were honored yesterday at a Professor Emeritus luncheon, before their scheduled times the times.” The e-mails in question were held in the Coolidge Room. past two days. Daily editors ac- - the only security measures in place to check registration times: a self- printed listingofastudent’s regis- EPC requirement proposals ready soon tration time. -
Rustum KOZAIN, Tres Poemas De This Carting Life Y Dos Poemas Sueltos INTRODUCCIÓN AL AUTOR Y SU OBRA Rustum Kozain Nació En 19
ISSN: 1139-7489 Rustum KOZAIN, tres poemas de This Carting Life y dos poemas sueltos Traducidos del inglés por Isabel BALSEIRO Harvey Mudd College, The Claremont Colleges [email protected] INTRODUCCIÓN AL AUTOR Y SU OBRA Rustum Kozain nació en 1966 en Paarl, Cabo Occidental, Sudáfrica. Se matriculó en la University of Cape Town, donde hizo Filología Inglesa y Creación Literaria. En 1994 y 1995 recibió una beca Fulbright para estudiar en Bowling Green State University, Ohio, EE.UU. De 1998 al 2004 impartió clases de literatura, cine y creación literaria en la University of Cape Town. Ha publicado dos colecciones de poesía: This Carting Life (Kwela/Snailpress, 2005) y Groundwork (Kwela/Snailpress, 2010). Asimismo, sus reseñas, ensayos y ficción han aparecido en diversas antologías y revistas literarias. El poeta ha recibido numerosos premios por su obra, entre ellos: el Philip Stein Poetry Award en 1997, el Thomas Pringle Award en 2004, el Ingrid Jonker Award por This Carting Life (2005), así como el Olive Schreiner Prize en 2007. Los tres primeros poemas traducidos están incluidos en su primera col- ección, This Carting Life (2005), la cual recoge una década de labor creativa. Considerado como uno de los grandes poetas de su generación, Kozain ha sido merecidamente elogiado por una obra de impecable corte histórico y una sobriedad absoluta. Bien sea un poema sobre el exuberante paisaje de las viñas de Paarl, de donde es oriundo, sobre la omnipresente, conflictiva, y añorada figura del padre, sobre el dolor que provocan el desamor o las decepciones en el ámbito de la política, Kozain mantiene el pulso sin permitir que las emocio- nes dominen, más bien al contrario, con una férrea y precisa técnica poética controla hasta el más mínimo detalle de unos versos a los que el lector se si- ente en la obligación estética de regresar. -
List by Song Title
Song Title Artists 4 AM Goapele 73 Jennifer Hanson 1969 Keith Stegall 1985 Bowling For Soup 1999 Prince 3121 Prince 6-8-12 Brian McKnight #1 *** Nelly #1 Dee Jay Goody Goody #1 Fun Frankie J (Anesthesia) - Pulling Teeth Metallica (Another Song) All Over Again Justin Timberlake (At) The End (Of The Rainbow) Earl Grant (Baby) Hully Gully Olympics (The) (Da Le) Taleo Santana (Da Le) Yaleo Santana (Do The) Push And Pull, Part 1 Rufus Thomas (Don't Fear) The Reaper Blue Oyster Cult (Every Time I Turn Around) Back In Love Again L.T.D. (Everything I Do) I Do It For You Brandy (Get Your Kicks On) Route 66 Nat King Cole (Ghost) Riders In The Sky Johnny Cash (Goin') Wild For You Baby Bonnie Raitt (Hey Won't You Play) Another Somebody Done Somebody WrongB.J. Thomas Song (I Can't Get No) Satisfaction Otis Redding (I Don't Know Why) But I Do Clarence "Frogman" Henry (I Got) A Good 'Un John Lee Hooker (I Hate) Everything About You Three Days Grace (I Just Want It) To Be Over Keyshia Cole (I Just) Died In Your Arms Cutting Crew (The) (I Just) Died In Your Arms Cutting Crew (The) (I Know) I'm Losing You Temptations (The) (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons ** Sam Cooke (If Only Life Could Be Like) Hollywood Killian Wells (If You're Not In It For Love) I'm Outta Here Shania Twain (If You're Not In It For Love) I'm Outta Here! ** Shania Twain (I'm A) Stand By My Woman Man Ronnie Milsap (I'm Not Your) Steppin' Stone Monkeys (The) (I'm Settin') Fancy Free Oak Ridge Boys (The) (It Must Have Been Ol') Santa Claus Harry Connick, Jr. -
Download 2020 Edition
Fostering Scientific Thinkers and Writers Copyright © A*STAR and Science Centre 2020 Published by A*STAR Science Centre Singapore 20 Biopolis Way 15 Science Centre Road #07-01 Centros Singapore 609081 Singapore 138668 Website: www.science.edu.sg Website: www.a-star.edu.sg Designed and Produced by Armour Publishing All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. Printed in Singapore ISBN 978-981-48-6361-2 ABOUT A*STAR The Agency for Science, Technology and Research (A*STAR) is Singapore’s leading public sector agency that spearheads economic- oriented research to advance scientific discovery and develop innovative technology. Through open innovation, we collaborate with our partners in both the public and private sectors to benefit the society. As a Science and Technology Organisation, A*STAR bridges the gap between academia and industry. Our research creates economic growth and jobs for Singapore, and enhances lives by contributing to societal benefits such as improving outcomes in healthcare, urban living and sustainability. We play a key role in nurturing and developing a diversity of talent and leaders in our Agency and Research Institutes, the wider research community and industry. A*STAR’s R&D activities span across biomedical sciences and physical sciences and engineering, with Research Institutes primarily located in Biopolis and Fusionopolis. For more information, visit www.a-star.edu.sg. ABOUT SCIENCE CENTRE SINGAPORE Science Centre Singapore, a non-formal educational institution and leading regional Science Centre, along with its group of attractions, brings out the wonders of science, technology, engineering and mathematics through its unique blend of exhibitions, educational programmes and events. -
19 Lc 117 0836 S. R
19 LC 117 0836 Senate Resolution 129 By: Senators Henson of the 41st, James of the 35th, Butler of the 55th, Jones II of the 22nd, Karinshak of the 48th and others A RESOLUTION 1 Recognizing and commending Grady Thomas; and for other purposes. 2 WHEREAS, Grady Thomas was born on January 5, 1941, in Newark, New Jersey; and 3 WHEREAS, Grady was inspired to play music from an early age by his father, who played 4 the saxophone; his mother, a vocalist; and the radio station he listened to in New Jersey; and 5 WHEREAS, Grady Thomas began his musical career in the late 1950s as a member of The 6 Parliaments, a doo-wop barbershop quartet under the leadership of George Clinton, which 7 would go on to become the band Funkadelic, and later Parliament Funkadelic, which was 8 inducted into the Rock & Roll Hall of Fame in 1997; and 9 WHEREAS, in 1977, Grady, along with original Parliaments, Fuzzy Haskins and Calvin 10 Simon, left Parliament Funkadelic after financial and management disputes with bandleader 11 George Clinton; and 12 WHEREAS, Grady went on to form Original P with original Parliaments members Ray 13 Davis, Fuzzy Haskins, and Calvin Simon; and 14 WHEREAS, he is a person of magnanimous strengths with an unimpeachable reputation for 15 integrity, intelligence, fairness, and kindness; and 16 WHEREAS, it is abundantly fitting and proper that the outstanding contributions of this 17 extraordinary musical artist be appropriately recognized. 18 NOW, THEREFORE, BE IT RESOLVED BY THE SENATE that the members of this body 19 recognize and commend Grady Thomas for his magnificent contributions to culture, 20 entertainment, and the music industry. -
College Voice Vol. 22 No. 20
Connecticut College Digital Commons @ Connecticut College 1998-1999 Student Newspapers 4-23-1999 College Voice Vol. 22 No. 20 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1998_1999 Recommended Citation Connecticut College, "College Voice Vol. 22 No. 20" (1999). 1998-1999. 19. https://digitalcommons.conncoll.edu/ccnews_1998_1999/19 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1998-1999 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. MOVIE A TOUCH SCORES & REVIEW OF CLASS SCHEDULES Lawrence & Murphy get a life Carolyn & Company Camels make impressive sp'r~ces up the downtown gains during beginning of dining scene page 4 page 4 spring season. page 12 OLLEGE GICE PUBLISHED WEEKLY BY THE STUDENTS OF CONNOCTTCtlT COLLEGE VOLUME XXII • NUMBER 20 FRIDAY, APRIL 23, 1999 CONNECTtCUT COLLEGE, NEW LONDON, CT Floralia '99 Bands Announced Crawford Confronts Madness in California's Urban Education By NICOLE MANCEVICE as a Second Language leads to sev- bottom" approach called "whole lan- eral problems. Teacbers are afraid to guage." Parents and teachers read out staff writer speak Spanish, and thus instead of loud to students, and after a while "Has California Gone Mad?" On "swimming," many students "sink." they are able to "read along." Th Apnl 15, Dr. Alan Crawford an- Dr. Crawford explained that "many children memorize the text, and they swered tltis question with a simple yet children sbut them [teacbers] off, be- begin to figure out which sentence empham, "Yes!" Dr.